Picture 5

Track O Mad For It

Iweił ii youYo not Irorn Manchester* bags of major pentatonic k lotus will fly out ofyour gol tur on (his one! Based in the key of D major, mc .same scalę will fit ovór all of tho choreIs, ma king lorsome interesting hannonics in tho soeond sedion. As un altoruativo to tho 1) major pentatonic, the straJght I) major scalę ofłcrs morę melodie* possihilitics, though witli this oornes the udekaI ri.sk of hitting a \vrong* somuling noie, so trend carefully. Usc lots of reverh and a tliick snstahiing distortion with the neck or bridge pickup. A semi-tteoustie guitar and Marshall nmp would add cx(ra autheuticity,

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Intro

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Soclion 3

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B minor pouiatonic

Track O Elghtysomethfng

JUusrd in ilu; key ol Gil minor, iliis HOs styk* rock ballad is great (or dcvo)oping yotir scnsc ol dyiiamies aud drama. Try hackingoll tuc, volmno lor the aułet łirst^eotion tnen lei rip wlth a ftmous sok) wlicn the louder oari kleks in. This track offer.s sumo inleresting possibilitins lor soloing in imusual scalę patterns, but (as cvcr!) the minor pentatonic is hard to beat, sounding great in any of the iivc positions in the root key of Glf minor, The Loebrian modo could also be used to good effeel bero - but bewaro of junt rnnning np and down tiiis scalę, as it can sonncl hideous il misnsed. Pile on the distortion, delay and reven) and oso pickup changos for maximurn impact,

O * minor pontatonio

A* Lookrifui

B major Uom »ealo