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(1( $, Ra<!» I Rnvv.ł: luKitM, frvu mtf l»ni Fłrrtiur, (mhrtit Paladna, Iiw. I9IS n. 451

’* Ser: til ly/iy, C “ ker: (4 matm* t

p OMte Honw If79. p. 465. f l»4/*5 • patem # » ate No. 53/55.

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ftmKirt ihr twu Ruyach antniii Art npM • honaM m ot ftjMm bt j.tn vin Huvmuu. uiilormtuariry ida ifattu^ wnłwit mi^m Nanr Flrmlih palnUnn» appcared In ihc ttAntniillMiMt manuntr. a|iart fmin one on copper and uf mperb matm bt DmW wten. wltU h ramr In rarhin|r. willi ołhcr pamtmgi (pm pt Mi (nlkit In \ lnmł",

Other carller Fletnteh pktum on pand mrM fVm«, mtli at thH timr: one te the representation of iw coob li i kto hm aarti i mcał - with ('.hrist al ubtr willi iwo dteripfn la thr Mi twhpńwl • ² :br manner of Acitscn and Benkclaci ’\ annthrr li a hrwdM iMnch <i {Itwrn in a vase whlch hai broi attributed to Jan ²Vełw² Rrurghd ar ki ha ton Jan the Younger'². We do not yrt krnw thr prwenanrc «f a na mll-lite by Clara Pertera (the retem deaning of thr pand hmootei V i slgnalure) who introduerd a squirrel into tht» uadiiitHul kmdafoNt aaririoit³

Of greal. qualily te a festoon of flowers by HycronimutOallr '. #h/^; feminds us of the one by de Herm we havc alrcady tera. te powitano h uncertain, but the fact that the painting W recordcd in the I fidGrie iy in 1753 might point to the fact that it was acąuired bv thr bmw. ąrand-dukes.

Again bat:k to Cosimo III goes the acquisition of asmalL bot prcck> us panel by Nicolas Ycercndacł which show a chnimatk rangt ii < usir of Daniel Seghers¹².

To rnd this survey of the Medici and Lorraine collcttions in Floro ce is a sumptuous composition of flowers and fntit by Franco² Ykctis

1

* M. Chlarini, f-aUnw.., n. 34. 97.

'' Sec; Rubnts r la pittura Jiainmlngn 4A Seittnto ndlr mlrwnf pphbi^aimm. ed I' lh² *«t. Ftrerue 1977,n. 111.

See: fa naltrnt marla a polana e in \Wa, n. 7. tekiem, n. Si.

Ibidem, n. 71.

2

r: /łubem r la pittura fiammtngn.. n. 44.

3

5er: la natura motta a pałano t in viUtii®- ®²-5er: Rabem r la pittura fiamminga.... n. 136.