Glass Pavilion:
Toledo Museum of Art
Toledo, Ohio
Owner: Matt Goodman
Architect: Mike Muehrer
Structural: Mike Luther
MEP: Jennifer Hesson
Construction: Kelly
Greuel
December 11
th
, 2006
Toledo, Ohio
• Birthplace of Glass Art Movement
• Edward Libbey
• 1930’s 10,000 Unemployed
The Glass Pavilion
• Built on Parking Lot
and Greenery
• $30 Million
• Cleaning
"The design is about carrying along the
museum's tradition of being open and
transparent to the public."
— Kazuyo Sejima, lead museum architect,
SANAA
• 1895 Edward Drummond Libbey & Michael
Owens
•Owens-Illinois Glass Company: Largest producers of glass
bottles in the nation
Why Glass?
(Brief History)
•Toledo Glass Company: Manufactured light bulbs in
conjunction with General Electric
Museum addition will
house many of the
museums glass exhibits
•Glass Pavilion design needed to
compliment Frank Gehry’s
University of Toledo’s Center for
the Visual Arts
Design Considerations
•Preserve surrounding trees that
are up to 150 years old
•Style of museum addition
must fit the nearby Victorian-
style housing district
Sejima and Nishizawa and Associates Ltd.
Kazuyo
Sejima
Ryue
Nishizawa
•Contemporary “futuristic
style”
•Incorporate natural elements: sunlight, space /
openness and simplicity
-Use transparent and
translucent materials
•Majority of projects are art galleries /
museums
•Established in 1995, but still
maintain independent practices
•The Glass Pavilion in Toledo was their first project
outside Japan!
Zollverein School of
Design,
-Essen,
Germany
Current Projects
New Museum of Contemporary
Art -New York City
Institute of Modern
Art
-
Valencia, Spain
Structural
Structural
Engineer
– Guy Nordenson and
Associates
Consulting Structural
Engineer
– Sasaki and Partners
http://www.nordenson.com
Columns and Roof
http://www.arcspace.com/architects/sejima_nishizawa/glass/glass.html
• Steel columns 3.5 in and 4.25 in diameter
• Columns pinned at ceiling
• Girder positioned to follow columns
Lateral Support
• 3 braced
frames below
the roof deck
• Oval room
enclosed in
steel plate
Mechanical Systems
• Main Issues:
– Glass walls from floor to ceiling
• Ornamental steel stands for controls, switches, and
humidity sensors
– Continuous concrete slab floor
• 500 separate penetrations in slab for air ducts, wiring,
and
sprinkler system
– Neighbors can see roof
• By request, no
mechanical equipment
could be placed on roof
Recovery and Reuse System
• Diverse needs for heating and humidity
– Delicate artwork
– 2000°F furnace
• Bubbles within bubbles
help heat regulation
• Specially designed
curtains play a key role
in controlling temps
Environmental
• Site is located in historical area
– Victorian-style housing district
– Dense growth of 150-year old trees
Construction
•General and Concrete
Contractor: Rudolph/Libbe
Inc.
•Project Manager: Lowell
Metzger
•Completed multiple
museum projects
•20
th
Project completed for
Toledo Museum of Art
•Oversaw 47 subcontractors
“Toledo Museum of Art: The Glass Pavilion.” 2005.
<http://www.toledomuseum.org/GlassCenter_main.htm>
Construction
Fabrication of Glass
Panels:
•Fabricated in China
•Each panel was placed into
a custom metal frame
•Heated in an oven until the
panels relaxed into the
desired curve needed
•Interior: 91 flat panels
129 curved panels
•Exterior: 92 flat panels
30 curved panels.
Bacon, Sheila. “Through the Looking Glass.” What We Build. September/October
2006.
<http://constructoragc.construction.com/features/build/archives/2006-
09toledo.asp>
Placement of glass panels:
• Built from the inside out
• Required Blueboard insulation and
protective tape
• Two crews worked on placement
• Embedded floor and ceiling tracks were
installed
• Specially fabricated forklift and crane
were used
Construction
• Preplanning was
extensive
• Weekly meetings held
• Metric and English units
were watched carefully
• 2.44-meter by 2.44-
meter grid system
• Precision was KEY!
Bacon, Sheila. “Through the Looking Glass.” What We
Build.
September/October 2006.
<http://constructoragc.construction.com/features/build/
archives/2006-09toledo.asp>
Questions???