Mystery Method disc 1

Opener: A short story, or gambit, designed to convey little interest and used to initiate a conversation with a woman and her set.

Forward merge: To introduce your current set to a new set

Obstacle Interrupt: When an obstacle joins your current set

Obstacle: A person in a set who is not the target

ESP Gambit: Psychology experiment which allows you to read numbers randomly thought by women.

• Hey let's try something, just for shits and giggles. Think a number from one to four, the first number that pops in your head…. Got it? Don't say it, just picture it. 3.

• Most people pick 3

• Next I want you to think of a different number, this time from 1 to 10… first number that pops in your head, do you got it? 7.

• Most people pick 7

• Spread out your hands and use your left to signify the number 1, and your right to signify the number 4, and snap your finger at the mark to the right hand (snapping where 3 would be). Do the same for 1 to 10, snapping at the to signify where 7 would be. All this time looke at her eyes.

• Multiple thread this routine… after asking them to pick a number, start another conversation thread, perhaps the “beauty is common” gambit. After gambit, point to your eyes and say “look at me, look at me… 3(or 7)”

Multiple Thread: Not completing one conversational thread before beginning another.

Beauty is Common Gambit: Used in A3 = M2F Interest Phase

- “What do you got going for you other than your looks? I mean, your very beautiful, but beauty is common. What's really rare is a great outlook, energy, personality… you got 2 out of 3, that's a good start.”

What do you want to be Gambit: “What do you want to be when you grow up, and don't say princess. I mean, you could be anything with no chance of failure what would it be?” [answer = A] “An A? No way… I actually dated a nurse, I love that… I can't even talk to you anymore <playfule tone>

Example:

• Start ESP gambit. After asking her to think of a number from 1-4, immediately go into Beauty Is Common Gambit. Say 3. Continue ESP gambit. After asking her to think of a number from 1-10, immediately go into What Do You Want To Be gambit. Say 7.

The Tribal Leader Personality

• You are the leader in your tribe, and you friends are all in the circle of leadership. Demonstrate that you are the leader.

The first 3 seconds in an interaction will buy you the next 15, which will buy you the next minute, and so on.

Approach Anxiety: A natural fear of cold approaching a set

• Find 4 or 5 locations and make them your own. Go to these places often and get comfortable in their surroundings. Make sure they are target-rich. This will help alleviate the fear of uncertainty you get when in an unfamiliar surrounding.

• 3 second rule

• Approach target within 3 seconds.

• Don't allow your anticipatory anxiety to increase by waiting. You can feel that horrible for ten minutes or 3 seconds… it's your call.

• If you wait too long, the set might be distracted in a moment, or move away.

• Approach the set even when you don't have all the information about them.

Body Language

• Don't move around in a set (shifty hands, tapping fingers, etc.) The only exception is body rocking.

• Body Rocking: A non-verbal false time constraint which makes the set believe you are about to walk away. Kind of like a step back, step forward, step back, step forward, etc., all to make it seem like you're about to walk away.

• Don't face the set with your body when you open. Start off by only turning your head slightly towards them.

• After you open, within a few seconds move your body facing the set.

• When standing keep your feet shoulder length apart.

• Do not lean in at all… lean back if you can This is referred to as “pecking”

Disqualifier: Removes PUA from suspicion of pick-up

The fear of illusion is real

• In the first three minutes you have to show that you are the tribal leader to all members of a set. Through tone, posturing, etc, you must show that you're a good guy, but not to be fucked with (think Joe Pesci from Goodfellas).

• Create the role that women are hard-wired to be attracted to.

Neg: Any gambit used to convey that you are not a potential suitor. A neg is not an insult. The purpose of a neg is to false disqualify you.

Breaking Rapport/Negs

• Hot women are usually not bitches, just bitches to you in the first few minutes. You need to break through that.

• How? By breaking rapport, aka, negging her.

• “Too bad I'm gay or you'd so be my type.”

• Best used in all girl sets or when target's boyfriend joins your set.

• Negs keep both targets and obstacles from feeling you are a threat, and keep protection shields from arming.

• “Hands off the merchandise… this shit ain't for free. It's gonna cost you 5 bucks every time you touch me.”

• If she continues touching…”What are we starting a tab here? You must be rich.” “Ok, hands off, where's her off button? Geez, you can dress her up but you can't take her anywhere. Holy shit, how do you roll with her?”

• Throw an Go

• Don't wait for a response after the neg, otherwise she'll probably tell you to fuck off. Instead, immediately go into a story gambit. Pause the opener to neg the target.

• Basically, you're too busy talking and you don't allow her to respond to the neg.

• “Those are really nice nails, are they real? No? Oh, well they're still nice.”

• Disc 1 21:43

• Neg 10's three times. Neg 7-9s once. Never neg 6s or below.

False Disqualification Theory

• Started as neg theory, but expanded to include disqualifiers.

• “You know what? I am too toxic for you, you'd never want to hang out with me.”

• Why “False” disqualifier?

• Because later on, you're going to have an antidote to the disqualifier so that she will eventually think of you as a suitor.

• “Too bad you're not my type, `cause you are really pretty.”

The Bird Opener:

• To be used with caution, and only on women with exceptionally high social value.

• Give her a “I don't buy your shit” look, and give her the finger.

Alignment

- Women of beauty are rarely found alone.

Seeking Rapport

• Do not seek rapport with your target while opening.

• The person who seeks rapport is always seen as having lower social value.

• Do not attempt to build rapport with your target until you have first tested for and received indicators of interest.

• Try doing a very casual double take before you open.

• Don't ever follow after a set if they withdraw. Not even a single step toward.

• If it's a moving set, don't walk with them… just stand your ground. Lean back, start open, and keep talking as if it never occurred to you that they might leave. The farther they walk away, the louder you will talk.

• Don't rush your material

• The delivery is more important than the material.

Female Opinion Opener

• A family of openers that begins with “I need a female opinion…”

• Opinion openers are often called false opinion openers, as we do not wait for the set to reply.

• “Do you think that a real relationship can only truly begin when sex is involved?”

Consider beginning a conversation with “Hey guys…” when you open a set; even all girls. This will keep you from conveying sexual interest.

Energy Level and voice

• Come in the set with a higher energy level than the set.

• I.e. At a club, the girls are really stimulated, so you have to be at an even higher energy level, otherwise you're bringing them down.

• Be enthusiastic, it's contagious.

• Show a diverse array of emotion with animated facial expressions.

• Use pausing,

Buyer's Remorse:

• The feeling of regret after hooking up with someone prematurely.

• In females, buyer's remorse generates a sense of embarrassment. You do NOT want this.

• Buyer's remorse most always leads to a staled out option. Solid game prevents Buyer's remorse.

The game

• A metaphor that empowers us to not feel the brunt of rejection that takes place.

• Girls can be pretty hardcore, especially if they're in a group protecting each other.

• Play it like a game for the first 10 minutes until she starts showing you IOIs.

• This is a game that you can learn.

• Some of the best PUAs do not have confidence. They are scared shitless to approach.

Calibrating Gambits

• You will only need 50 gambits to run a set all the way to full monty (Sex)

• You will need an arsenal of 300 gambits to handle the dynamic social interactions of all potential sets.

Characteristics of an alpha male

If you can convey these characteristics within the material that you use in A2, A3, C1, she will find you really attractive.

Social Proof (A2)

• I want her to know that my last girlfriend was an exotic dancer. I want her to know that my last girlfriend was gorgeous. I want her to know that I am known for dating some of the most beautiful women in the world and I do not apologize for that.

• Say it by throwing into stories.

• Fake it until you make it. If you want to go out with an exotic dancer, tell her that you've been out with an exotic dancer, even if it's not true.

• Convey that you're a sexual being and don't apologize for it.

Confidence (A2)

• Be congruent. You don't need to tell a story about how confident you are… just telling her the story shows that you are confident.

• If she interrupts a story [i.e. Oh my god <whiny tone>] say “get a life” and continue. Can be replaced with any neg.

Smile (A2)

• 97% of women surveyed said they would rather a man approach with a smile.

Humour (A2)

• Funny doesn't get you laid. Playful does.

• Within a few minutes of her arriving at your house, bash her with a pillow, than give her one, and say “bring it on”. Hit her once, than walk away saying “Oh man, you're boring”, than walk away.

• Afterwards you can lie on the pillows

• The takeaway is the key to attraction. So don't keep playing, stop and take it away.

Cocky (A2)

• Can be used in opener, A2, A3.

• Turn cocky off in C1 and bring on the playful.

• “Do you know why you suck?”

• great opener. Follow with “because I've been wanting to talk to you for twenty minutes now, but you “Mrs. Popular” have been surrounded by all these guys, I couldn't talk to you. And that's why you suck. Who are you? [I'm jesse] And that's special because?” Proceed into story gambit.

Well Groomed (A2)

• What's more attractive… a girl who just bathes, or a girl who not only bathes but does herself up as if she was about to go to a wedding?

• Wear one particularly interesting item.

Connection (C1)

• You don't want to try to arouse her in the attraction location.

• Use vague and abstract language rather than boring, rational speaking patterns.

• “I was never given an instruction manual on how to be human, I'm just taking things one day at a time, and I don't know why, but I feel very drawn to you.”

• Hold her and say “this is good”. [What, hugging?] “no, this is good”. [yeah]

Mystery Method Disc 2

It's better to fail with an ug than a hottie.

It is an amateur who hits on the girl right away. The pro waits 10 minutes.

A2 (Female to Male Interest) occurs when you give off DHV and the target gives you IOIs.

A3 way point

• “So, how do you all know each other?”

• Ask this question before you enter A3 because you don't know you the boyfriend or the brother is

• Confirm the relationship with the woman if the guy says the two are married

• If the guy says that he is in a relationship with the target, ask the target “so how long have you been married?” This will either confirm or disproves the relationship claim.

• If disproven, say to the guy “oh I get…I see what you're doing, you're trying to get in there… good for you, man!” <said with grin, in playful tone>. This blows the AMOG away.

Intro to A3

• Male to Female Interest

• The exact opposite of A2

• The main purpose of A3 is to get the target say something that you can give her IOIs for. You'll make her give DHV to you so you can give IOIs to her.

• At this point you've already gotten IOIs from your target, so you know she's interested

• This phase should only be 7-10 minutes, but can deviate slightly.

• [Hey I love your hat] “No you don't, you're attracted to me.”

• Check for qualification by asking, “So what do you have going for you besides your looks?”

• “You have beautiful eyes… can I touch them?”

• If she answers that question you are in A3 and reward her with an IOI

• If she doesn't, neg her and resume A2.

• The bait, hook, reel, release model.

• If you try this and it works, you're in A3

• If you try this and it doesn't work, you're still in A2

• Ie [Why should I tell you?]

• If she denies you, neg her immediately.

• “You know what, I was just being polite, I don't wasn't that interested…nothing personal”

• Bait

• Ask a question

• Ex. “What nationality are you”

• Hook

• She responds

• If she answers your question, she's into you

• Ex. “I'm German”

• Reel

• We indicate interest

• Actually an IOI you give her.

• Our IOIs to the girl must be legitimate and nonphysical.

• “No way! I love German!”

• Release

• IOD as to not creep her out

• Ex. “I can't even talk to you now.”

• You might actually turn your back to the target

• The IOI seems more legitimate in this model.

• This is actually a false qualification because you're not really going to be able to qualify her as LGF potential in 5 minutes.

• Without A3 you can get instant buyer's remorse

• Perform the Bait, hook, reel, release several times.

Moving in A3

• Moving your target from the group always occurs in A3

• In fact, A3 must take place in isolation. Have this move planned.

• This shouldn't be a problem, because she's already given you IOIs so you know she's attracted to you.

• <To group> “Hey I've been alienating your, kind of, creepy friend here, is it ok if I talk to her for a couple of minutes?” <to target> “here, grab this, I'm gonna show you something really cool if you're a good girl. Come with me.” <to group> “Well be over here, come join us in a bit if you'd like, we'll save a seat for you guys.”

• Oversell what you're going to show her to get her to isolate.

• When you take the girl, do a kino test.

• Take her by the hand. If she squeezes, start taking your hand away. If she keeps her hand near yours than keep yours and her fingers hooked. Release again. If she keeps her hand near yours than shift hand so your hands are interlocked.

• If she doesn't accept the move, throw down her hand and keep walking.

• Once you've sat down, sit two feet away from her and wait for her to re-initiate the chat.

• If she re-initiates the chat, that's an IOI.

• Once she reinitiates the chat say “Before I show you what I'm going to show you, I'm curious about to. I mean, I got to know your friends, and they seem pretty cool…my first impression of you kind of sucked, but now that I've gotten to know you, I'm curious about you. There's something neat about you… what do you got going for you more than your looks?”

• Shorter version…“I'm going to show you something really cool, but before I do… what have you got going for you more than your looks?”

Social Proof

• By getting a girl to game you, you are setting yourself up so that the other girls in the area will notice you and become more attracted to you.

• If you go out with a hot female friend, sets will be much easier to open.

• If you can go out with two female friends, you will be approached.

A3 for exotic dancers

• Be sure to only give IOIs for nonphysical reasons.

• i.e. “You're the leader in your group aren't you? Yeah, I can tell, I like that about you, that's really attractive.”

• Once she's talking to you, “You know you better go run along make some money before you piss your boss off.. oh wait a sec, you're your own boss right? So then by sitting here and talking to me you're exercising your freedom to be your own boss. I like that, that's really powerful.

• Make sure to release after delivering your IOI.

DHV

• Demonstration of higher value

• Lead the men and the women will follow.

• People communicate in only 4 ways: DHV (Demonstration of higher value), DLV (demonstration of lower value), IOI (indicator of interest) and IOD (indicator of disinterest)

• Never take a girls picture if she asks you to.

• [Can you take our picture] “No” [You're an asshole.] “Yeah, but I'm fun.”

• Initially we will IOD, then only after she has earned it do we IOI.

• How do you lead the men or women? With stories.

• Some of these stories will have to be asexual because you'll be telling them to guys.

• Don't give DHV to the target or she'll think you're bragging.

• DHV to the obstacles so we don't appear to be after the target.

DLV

• Some DLVs can be DHVs

• You are sub communicating to the girls that you aren't trying to impress them.

• i.e. “Man, I feel like I've been getting so fat lately”

Attraction locations

• Anywhere you meet a girl is an attraction location.

• i.e. mall, club, street

• Not good locations for building comfort, but good for meeting people.

Storytelling

• Do not memorize your stories, instead, remember the themes of each.

• How to develop:

• Tell a friend your story. If they laugh, or enjoy it, write the title of it on your cheat sheet.

• Have a cheat sheet

• Features one line notes of your stories/routines

• Keep it on you while sarging in case you get muffled.

• Actually take it out if the conversation lulls, as if it was a joke.

• You can also text message yourself with the notes and check your phone in the middle of a conversation.

• Aim to convey sexuality without sexual neediness

How to be interesting

• Tell her several interesting things

• By using interesting material we can become interesting

• If you say one thing interesting, she'll say [that's interesting]. If you say several interesting things, she'll say [you're interesting].

Pivots and Merging

• Pivot: A girl you bring with you to assist you in meeting women.

• Don't take another girl on a date to a club, unless you are using her as a pivot.

• All sets will open when you have a girl on your arm

• Merge in C1

• Basic group theory is you approach a 3-set

• Advanced group theory is you approach a set and merge forwards and backwards.

• Forward Merge: Bringing a girl from the last set to open a new set.

• Backwards Merge: Introducing the new girl to your friends or previously opened set.

• i.e. “Let me introduce you to some friends of mine.” Take her hand and put it around your arm and walk around the room (social proof). Pretend you can't find your friends and you can be with her alone.

Frame Games

• Frame control: When people try to pull you into their model of reality.

• People have their own frames, which are essentially what they believe is in their reality

• When two people meet, their frames, in a way, collide. As a rule, the stronger frame will absorb the weaker frame.

• Women will almost always test the strength of your frame, and if you show them that your frame is weak, they will not be attracted to you.

• Hoop: A test that a person gives to someone else to find out who is in control of the interaction.

• i.e. A woman asking you to hold her purse.

• She will test you by trying to get you to jump through her hoops.

• It is only ok to jump through a girl's hoop if you make her jump through your hoop first. Otherwise… don't ever jump through a girl's hoops.

• i.e. “How old are you?” [Guess.] “Do you want me to guess low or guess high?”

• If she doesn't want to play and guess, you're still in A2, so keep on trying to get to A3.

• Ways to deal with a hoop:

• 1) Make her jump through your hoop first.

• 2) Jump into her hoop

• 3) Ignore the hoop

Time bridging (TB)

• A phase similar to getting a phone number, only for meeting her again.

• Your time bridge should be something that you are going to do anyway where she can tag along.

• Get the timebridge solidified first then go for the bounce (location change). If the bounce doesn't work then you still can get the number.

• Where do you bounce? A lounge, your place, somewhere quick to eat

• When it comes to time bridging, you're trying to get the option to see each other again, and in order for that to happen, you have to have some sort of venue to share. You want an activity that is mundane and does not make her the event. The more mundane, the better it is. I.e. “come over and smoke a hookah” “I have to go Christmas shopping, you're taking me”, etc. Time bridging has to be prepared. Know what you're going to do.

• You should have a stock timebridge ready.

• “We should hang out some time” is not a proper timebridge.

Always try to have a girl come to your place on the day 2. Then calibrate comfort levels to see if you have to leave or not.

The key to calibration is in the takeaway. For example in kino escalation, you calibrate on the take away and gage their response.

Disc 3

Kino = touch

Start hand touching within the first minute and a half (A2)

- Kino can be used to test for IOIs (which is the purpose of A2)

Kino escalation occurs in C1, C2, or C3

Comfort building Kino

• 90% of your interaction with women will be in comfort building

• Use kino to test for compliance

• Kino escalation should feel comfortable for both of you

• When you sense a woman feels discomfort from your kino step, release her discomfort and demonstrate disinterest.

• Grab her hands. If you sense an uncomfortable tension in her musculature, throw her hands off in a dismissive manner, so she feels more discomfort

• Throwing her hands off, rather than just letting go, will make her revalidate herself and chase you.

• This sense of loss will compel her to chase you.

• Talk to her while making the kino escalation, keeping her mind occupied

• Some kino tests are performed while telling a non-related story.

• Without kino, you can't build attraction

• Don't expect a woman to feel comfortable kissing you if she's not comfortable touching your hands or hugging you first

• Do not cross the line from kino to foreplay in an attraction or comfort location

Knee compliance test

• Have them sit next to you, put their hand on your knee and let go.

• If they pull their hand away place your body language in a way that indicates that you are disinterested in her. If she reinitiates the chat, repeat putting her hand on your knee

• If her hand stays, reward her with an IOI

Kino step

• There are 12 separate kino steps.

• All about building comfort. Anything more than this is beyond comfort building (foreplay)

• If you find you're moving into foreplay, cut it off (“Baby, we got to slow this down”)

• “That's all you get, don't get any ideas” is a sound bite Mystery uses when making kino step

• Hand holding

• Arm in arm

• If you're sitting next to her, you can easily bypass hand holding and simply go arm in arm

• Sit on lap (TV test)

• Holding/embrace

• Smelling (“You smell so familiar”)

• Biting (Evolution Phase Shift)

• Hair pulling (Hair pulling routine)

• Tongue sucking

• Kissing

• Tic-tac routine

• Kissing is a kino step that will require a release

• Making out

• Don't grab her breasts, brush over them so she has no opportunity to tell you to stop.

“Babysitting” throughout the comfort stage is an active process

Kino process

• Step 1: Perform the kino step

• Step 2: Sense whether you have made her uncomfortable with it

• Step 3: Release

• Step 4: If she seems uncomfortable, either wait for her to reinitiate chat, or you reinitiate with another story without kino.

Hair pulling routine

“You can thank you ancestors for this feeling. [What do you mean?] Well, you know with little cats, you can grab them by the scruff of the neck and they'll be paralyzed? Feel this… put your head down”

• You then scratch the back of her neck and gently pull her hair from the back on the base of the head.

“Doesn't that feel fucking good? Here, do that to me.”

Kino Testing

“Here, give me you hands…” (you don't always need to ask for them… just gesture in a way that tells her you want her to put your hands in yours, all the while telling an unrelated story)

• If she does, but she's tense, throw them off immediately and say “oh, forget it, you're too tense.” Wait a sec… “Oh fuck it, come here… try again” and test for comfort again.

• If she does, but her palms face up, that's an IOD

• If she does with palms down, then when you lower your hands she lowers them with you… that's an IOI

The trust test

“Here, give me you hands…” (you don't always need to ask for them… just gesture in a way that tells her you want her to put your hands in yours, all the while telling an unrelated story)

• If she does, but she's tense, throw them off immediately and say “oh, forget it, you're too tense.” Wait a sec… “Oh fuck it, come here… try again” and test for comfort again.

• If she does, but her palms face up, that's an IOD

• If she does with palms down, squeeze them. If she squeezes back, she passes (IOI). Then when you lower your hands she lowers them with you, she passes (IOI)

• Tell her whether she passes or fails.

Walking around the venue with a woman on each arm (known as “running the rail”) creates social proof and “warms” adjacent sets. To forward merge into your next set say, “Let's go make some friends.”

• “Do you know there are so many women that are jealous of you two right now?”

Being attractive

• Women do not care a lot about looks. They think they do, but they really don't.

• Women do not primarily judge men by appearance, but rather by how we may be of use to them for their survival (and replication)

• We may demonstrate our value in 3 ways:

• Show we are preselected by other women

• Show we are the leader of men

• Show we are willing and able to protect those who have aligned with us

Avatar

• def'n: The person you let people know you are through body language, dress, style, actions, etc. Your avatar is a selected attractive identity.

• When you go out, know who you are going to be when you go out and dress/act appropriately. For example, as a musician, you will want to go out as the musician and therefore will dress/act in that way. This will help tremendously when sarging.

• Specialize your avatar for the girls you want to attract.

• i.e. if you like goth girls don't dress like an investment banker

• Every set should know your selected attractive identity within the first one to three minutes.

• Integrate your identity into your DHV stories

Flash cash

• Subtly, without noticing, show your wad of cash.

• This is not used to convey that we can provide for her, but rather, can simply take care of ourselves.

Accomplishment Introduction Gambit

• Publicly socialize with friends whose identities are attractive and compliment yours.

• Speak highly of your friend and have them do the same to you. This will give DHV without you bragging about yourself.

• Devise a correlation between your wings' identity and yours. If you are an actor then your wing will be an agent, not a waiter.

• Do not accomplish intro your wing in front of him.

• Do a takeway strictly to allow your wing to accomplishment intro you

Peacock theory

• Using your clothes/style to imply to women that you are fun and playful

• When a girl approaches you to comment on what you are wearing, good or bad, she is attracted to you.

• “Chick Bait” is any interesting item that you wear for the purpose of having women ask you about it.

• Whatever she says [I like your goggles/I hate your goggles] you respond with “no you don't, you're attracted to me. You wouldn't have come up and mentioned it if you thought otherwise.”

• Wearing an interesting item such as a unique charm will invite a girl to IOI you.

• Don't argue with people who tease you on your outrageous choice of clothing. Agree with their comment, then exaggerate it to an absurd level.

• If a set fails, find a better answer for next time. Always have a better answer.

Avoiding confrontation during the chat

• Don't create roles for the girl to play such as “you're feisty”. Instead say, “you're much too classy to be in here.” Or “you're the leader in your group of friends aren't you”

• This makes them want to fulfill whatever role you give them. Give them ones that will benefit you.

• I.e. a takeaway comes for the target, but because you mentioned she's the leader in her group, she will try to act as one and stay.

• Don't get caught up in winning an argument with the girl.

• Go with the flow, and if you want to, bring it up in two weeks, after you've started fucking her.

• The woman will be more influenced to listen to the views of her loving boyfriend than a new suitor.

You are a song gambit (disc three, track 19)

• The “you are a song” gambit is a DHV story used by mystery on mixed sets. It is also used by Lovedrop in his grounding sequence

• Enthusiasm is contagious. It can make any subject matter interesting

• “You can take an MP3 file, say it's originally 40 mb. Using mathematics you can shrink it down to only 10%. Now, you may not think that's so amazing, but the rest of the fucking world does, ok? `Cuz mp3s are the shit. Now that's called “lossy” compression, where you actually lose information. But what's fascinating is that our brain can't hear certain sounds. For instance, say there are three sounds <hold up index, middle, and ring fingers>… an oboe, loud voice, and piano. The loudest sound <tap middle finger> gets heard, but the other two don't. So what Mp3 technology does, is it removes these two sounds <lower index and ring fingers; your basically giving her “the finger”> and says fuck you to the music industry. It compresses it down. That's just one example of using mathematics - you just remove the weakest sounds and keep the loudest `cuz the brain doesn't hear the difference anyway. Isn't that brilliant? The guy who came up with that… fucking millionaire. “

Make-out intuition

• Girls don't want to be seen as a slut

• Don't wait for a perfect moment to kiss-close

• Once you learn when and how to kiss-close, you will realize that you can get away with it a lot sooner than you ever realized.

• Making out is not solid game… girls make out with guys all the time. It's no big deal for them

• Making out at the venue will not get your laid, but will impress the hell out of your friends.

Disc 4

Overview of M3 model

1. A1 - You're going to open

2. A2 - You're going to attract her

3. A3 - She's going to attract you

4. C1 - Rapport building

A1 = open

Indirect openers

• Guys are just ugly girls

• Sets with guys are easier because they haven't been opened as much as a set with all girls

• Do not hit on anyone when you approach

Prop bag

• Have one!

• The lint neg/opener

• Keep a huge piece of lint in your bag. Take a small piece, roll it up, and pretend to take it out of a girls hair.

• Repeat twice. On the last time, pretend to take the whole giant lint piece out of her hair.

• Takeaways are used to show a willingness to walk away

Multiple Thread theory

• Using multiple threads while talking to a girl simultaneously. For example, you talk about A, pause, talk about B, pause, finish about A, start about C, pause, etc.

• Ideally, you want to have 5 separate threads open

• Multiple threading avoids awkward pauses

• Let her talk if it assists you. Otherwise, snip her thread and stack to your own tested material

• Leave a few threads open, so that when you time bridge, you can say “We have so much to talk about”

Phone numbers to 25 minutes

• We get phone numbers to show that we are attracted to the girl, not vice versa.

• By getting a phone number in comfort, we reduce flaking dramatically.

• Plan on getting a number somewhere between 18-25 minutes into the set.

Levels of sarging

• 1) Singles: Approaching a girl by herself

• 2) Groups: Approaching a group set (newbies start here)

• 3) Pawns: Merging sets (forwards and backwards) for social proof

• 4) Pivots: Allowing the previous nights successes to assist you in the next night

• 5) Social Circle: Allowing last month's successes to assist you in this month's (where you should ultimately play in)

Phases of sarging

• There are only 3 phases of sarging.

• 1) Pick up

• Occurs from Attraction to moving her to a comfort building location nearby

• 2) Mid-game

• Occurs in a comfort location and you're either going to time-bridge and accumulate the 7 hours necessary or bounce to accumulate the time.

• 3) End-game

• Occurs with seduction

Three sets and group theory

• The majority of sets you meet will by three sets

• If a woman is alone, chances are she has friends in that venue.

Warm up sets

• Use your first three sets to prepare for when you see a woman of particular quality

• As soon as you get into a venue start talking, warm up sets can be all guy sets

The fun gambit

• What was funny in grade 2 is funny again

• Discount magic is great for comfort or attraction phases

• When delivering routines, make big motions during their reactions. This social proofs you to other sets

Jealousy plotline (during comfort)

• Use a jealousy plotline in EVERY set

• Make a girl feel jealous for you.

• Backward/forward merge to add the jealousy

When is a set over?

• The only reason to end a set is if you can't progress any further at the current time.

• Eject with “pleasure meeting you”

What do you do if you forget where you are in the M3 model/what to say?

• Anytime you ask yourself what phase you are in, the answer is usually A3

• Stick with it an extra little bit, because that's when you'll learn the most

Do girls ever start negging you back?

• Yes!

• You want them to neg you back (IOI)

Having options

• Practice your material on everyone!

• When you go out, you should be in your first set within a minute and a half

The lock-in prop gambit

• Can be used to keep the target engaged while you disarm the group

• Get yourself a cheap lock in necklace (or other similar prop) and give it to the girl. Giving a girl a lock in prop while time bridging increases the likelihood of seeing her again. “You're not a thief are you? I want you to hold on to this, this is very important to me, and you have to promise to give it back to me the next time you see me.”

Self referential feedback

• “I bet you think you could pick up pretty much any man in here, but the truth is you can only pick up the men who approach you, you know those lovable losers that don't really have anyone to talk to so they come to you with `hey can I buy you a beer' <said in silly tone> and you're like `hey thanks a lot, now fuck off!' right? Really you want to meet a man that doesn't have to approach you, the man that's surrounded by women, right? Like for instance, there are women that are in this room right now that want to meet me… they do. And they can't because they have to get through all of you. So I want you to appreciate your time with me.”

• To add to this, point to some girl that's looking at you, and let the set look at her. “See these girls want to meet me, but they can't because…”

• Take their presence and use it as social proof for yourself

• This piece causes the girls to look at their position and social proof themselves.

Grounding Sequence

• A number of stories conveying your core identity

• Used in C3, a grouding sequence has about 7 stories and runs about 25 minutes long

• Be sure to include DHV spikes not DLV pits

• To get a 9 or 10 you need an identity she wants to be part of.

• Only use this if you intend to make the girl your gf

• The grounding sequence ends with what you are currently working on next

C1 (rapport)

• The main purpose of C1 is kino escalation and comfort building routines

• Comfort building routines are the same as DHVs, except instead of telling the story to the group, you're telling it only to your target

The only difference between C1, C2, and C3 is location. There are 3 kinds of locations: attraction, comfort, seduction.

• Ideally you want a comfort location close to a seduction location, if not attached

• Examples of a comfort location are: couches in a club,

Jumping locations

• There are three jumps to get from location to location.

• They are:

• 1) move

• When you take her by the hand, and take her 10 feet away.

• Some attraction locations are already comfort locations, so you might not even have to do this.

• 2) Time bridge (dating loop)

• When you see her in another location to build comfort at another time

• 3) bounce (multiple venue loop)

• An instant date; a change of venue; i.e. let's go for a quick bite right now.

• All the jumps are optional.

Handbag fetish (disc 4, 37:23)

• “This is the weirdest thing, but I have a fetish. Well, I have a lot of fetishes, but I'm not going to go into that now… everyone has something. But I have this weird thing. Let's say you and I, we've known each other 6 months, we're holding hands, doing some shopping in the mall… If we're in the middle of conversation, we will naturally find ourselves on autopilot from time to time and you end up somewhere you don't even realize how you got there. And for you, I'll bet you the place, don't tell me, would be…uhh… La Senza. I'd be waiting outside for you groaning “oh my god, there's too much estrogen in here… baby… let's go….unless you tried some stuff on for me. That's different. But my automatic pilot, cuz I'm a guy, you'd think it would take me to a computer store, or sports store… but no, it brings me, of all places, to travel bag stores. Isn't that weird? I'll just find myself in a travel bag store. Like if we were talking, you'd be like [babe, why are we here? Do you need a travel bag?] No, I don't know why, it's just some ethereal quality about travel bags that captivates me and draws me in. I have all the travel bags I need, but there's something about it… I love looking at them because, maybe, a travel bag represents an opportunity to have an adventure. And I know it's the weirdest thing, and I don't know why that happens, but the reason I bring this up is… well, for the last ten minutes I've been talking to you and I look at you, and I mean, you are just an absolutely <long pause> beautiful girl… but the truth is there's lots of beautiful people here…. So I look away, no biggie, I've had beautiful girls in my life before, but there's some ethereal thing about you and I keep look back to you, and there's something about you I'm just so drawn to it's ridiculous. You know, I wasn't given an instructional manual on how to be human, I just take things one day at a time, and I'm fucking drawn to you. And I look away because I don't want to spook you out, and the next thing you know, I can't help but look back to you. So I guess what I'm trying to tell you is… you're like a travel bag <said in light-hearted way>…ha ha… I'm romantic aren't I? Alright, get away from me.”

• A nice way of telling someone you like them

• Pair bonding: telling a story that includes you and the target in a relationship.

• A comfort piece used to show pair bonding to reduce LMR

• Pair bond faking is the first piece of LMR techniques we use

Wing hunting

• When approaching a set, don't go in with your wing. It looks too much like a pick up.

• Instead, approach the set alone. Do an accomplishment introduction for your wing. He'll say {Were you just talking about the…} “spells.” (or whatever you were speaking about). {oh no way…} (wing will continue). Wing will keep it going for 30 seconds. At this point the set becomes a three-set, so now you can talk to your wing as though he was the obstacle, while negging the target. Your wing then talks to the target quietly, while you isolate and talk to the obstacle and you start saying how great your buddy is. He will do the same for you. Then switch. When your wing isolates the obstacle, it will stick. The target will qualify herself to you. If the wing can't hold the obstacle you can go back to the two-set, but this time the comfort is already there because you've already disarmed the obstacle.

• Always turn to completely face your wing

• Try merging both of your sets for a more powerful effect

• Don't allow the two sets to introduce themselves to each other, instead, only introduce your wing and allow him to take over your set.

Disc 5

S2 - Last Minute Resistance (LMR)

Don't use arousal as the only means to combat LMR.

The feeling of LMR

• Similar to approach anxiety, like when a man wants to approach a woman, but at the last minute, he questions whether he wants to do it.

• It will happen to every single woman you are with

• Imagine having 10k dollars on red in roulette. Girls don't want to feel this.

• “Token Resistance” refers to her social programming, not her actual feeling.

The power of ritual

• Likely she's had sex before. She will have gotten into a pattern that sex is normal and will be accustomed to certain rituals for sex. (i.e. candles, incense, etc). Instead of getting set up before hand, ask her to assist in you in changing the setting to a more intimate one (i.e. incense, candles, music, wine, etc.)

• If she is uncomfortable doing these things, you need more comfort.

• Her assistance in setting the seduction environment will visibly reduce LMR.

• <you're kissing> “Whew, baby, we gotta slow this down. Hey, I'm gonna go turn on some music, can you light those candles?”

• Ask her to “wash up”, and do the same.

• If you can taste your soap on her, you know she washed up in your bathroom :P

There are 5 ways of solving LMR

• Don't logically engage a girl during LMR

• Don't take it personally.

1. 7 hours

• By waiting 7 hours, you have demonstrated that you are not going to leave after sex.

We should stop

• What happens when the woman says [We should stop]

• You respond with “I know, we shouldn't be doing this, we should stop”, and then you keep going.

• Remember, she didn't say stop, she said we should stop.

• This might be reworded as [I don't usually do this], in which case you respond with “I know, me neither, but everything we're doing is so right.”

• Also might be said as [We're not having sex tonight]. “Oh my god, I'm so glad you said that. I'm not in the headspace to do this right now. Don't get me wrong, obviously we're attracted to each other, but I just want to come and have a place to chill. It's like tonight, before I came over, I purposely didn't shave my face `cuz I usually don't feel too sexy when I'm unshaven, and I figured I really wasn't in the space where I wanted to have sex… here feel my face… see how it's unshaven? You've done this before, like when you don't shave your legs, and you did that purposely `cuz you didn't want to have sex. Here let's see your legs… oh, you did shave? See, what were you thinking? Let's just hang out.

• Freeze Out

• A freeze out is just another takeaway, except used specifically for LMR

• If she wants to stop, you respond very calmly with “I understand… no worries” as if she just turned off your sex drive. Then you get up, turn on the lights, blow out the candles, and do something normal, like check your e-mail, or watch tv. Don't say anything.

• When she says she want to stop, she just means she doesn't want to have sex, but she's still enjoying making out with you.

• There will usually be 3 freeze outs: When trying to remove her bra, pants and panties.

• Freeze outs vary in length from 3 to 15 minutes

• Start with 3 minutes, next will be 10, than 15.

• After the freeze out, tell her to remove the item that she just LMR'ed. Proceed making out, then pause and re-set up the setting (lights, candles, etc)

• You've hijacked my brain

• “Baby, there is absolutely no worry, we don't have to have sex today. You've hijacked my brain. I'm gonna be here no matter what - I can't help it. I don't know why I feel this way. I wasn't given an instruction manual on how to be human, all I know is that when you leave a room, I wonder “where are you?” I know we just met yesterday but the weirdest thing is all day today I couldn't stop thinking about you. What the fuck did you do to my head?” Then proceed to travel bag routine.

• Love isn't being with someone; love is being away from someone and needing to be with them.

• Riker's 3 rules

• ?????

Don't be aloof after sex. This triggers LMR for the next time. After you've had sex, be attentive. Get her water, cuddle, rub her feet, anything to show her that you will stay around.

• From DYD Mastery Program




If you start with seduction, the best you can do is foolsmate.

The only women this will work with are those with low self-esteem or little experience








Most AFCs start with comfort.

If you start with comfort, you will be put in the `nice guy' category and will get the `bitch shield'








You can't go from attraction, straight to seduction because she'll get `buyer's remorse' and she'll think you're a player.








If you stop at comfort, you get LJBF and get stuck in the friend zone.







This is the mystery method

Steps in the Mystery Method

Attraction (approx. 30 min)

A1) Open

A2) F2M Attraction

• You are going to attract her

A3) M2F Attraction

• She is going to attract you

Comfort/Mid-game (approx. 6 hours)

C1) Comfort 1

• Building rapport

• You should be able to go for her phone number/Time Bridge after C1

C2) Comfort 2

• Building intimacy

• Kino escalation

C3) Comfort 3

• Heavy intimacy

• Kissing, etc.

Seduction/End-game (approx. 30 min)

S1) Arousal

S2) Last Minute Resistance

S3) Sex

C1

The question game

“Have you played the question game?” [what's that?] “I'm gonna make up the rules as we go. Rule 1: You can't ask the same question asked, and we'll go back and forth. Rule 2: You gotta let skeletons out of the closet… take advantage of our anonymity. Kinda like truth or dare, but without the dare `cuz my friends are here. I don't trust you just yet. And Rule 3: You go first.” [No you go first] “You're already breaking one of the rules! Ok, I'll come up with one… let's see… how many boyfriends have you had?” This is always the first question, because the proceeding questions will escalate into a sexual topic. [What do you mean?] “I'll admit, it's a pretty loaded question. Just answer it any way that you want. [She answers. How many girlfriends have you had?] “You can't ask the same question! You're already breaking one of the rules again!” [It's not the same question.] “It's the same question. Pick another one.”

You will then answer her question. You're next question will be sexual. “What's your favorite position? Where's the weirdest place you've had sex? What's your fantasy? If she answers, keep escalating. If she doesn't want to answer, say “yeah, I don't really want to play this game either” then move to another routine.

The Kiss Close

“Shhhhh…. Would you like to kiss me?” If yes, then “come here…” kiss her.

If [no], then say “I didn't say you could, it just looked like you had something on your mind.” If she says [I don't know] it probably means yes, but she's not sure of “the rules” for kissing in public. Say “Let's find out… come here…”. If she says [Not here], you say “I understand. Get up, grab her by the hand, take her to a quiet area, press her up against the wall, and kiss her.

C2

How do we build enough comfort to get to her place?

Seduction

Attraction

Comfort

Seduction

Comfort

Seduction

Attraction

Comfort

Seduction

Seduction

Comfort

Attraction

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