Bernard Dewagtere

Arranger, Composer, Director, Teacher

France, Erchin(59)

About the artist

Doctor of musicology, conductor and composer, I manage ACCELERANDO, vocational musical school (visit
the website)

Personal web:

http://www.formationmusicale.fr

 About the piece

Title:

Great Works (Themes) [Jesu, Joy of Man?s Desiring ?
Air on the G string ? Badinerie - Toccata and Fugue in
D minor - The Musical Offering ? Cello suite No1 -
Brandenburg Concerto No3 & 4 - Et exultavit - Prelude
No1 pi]

Composer:

Bach, Johann Sebastian

Arranger:

Dewagtere, Bernard

Licence:

Copyright © Dewagtere, Bernard

Instrumentation: Violin solo
Style:

Baroque

Comment:

Jesu, Joy of Man?s Desiring ? Air on the G string ?
Badinerie - Toccata and Fugue in D minor - The
Musical Offering ? Cello suite No1 - Brandenburg
Concerto No3 & 4 - Et exultavit - Prelude No1 piano

Bernard Dewagtere on 

fr

ee-

sc

or

es

.com

http://www.free-scores.com/Download-PDF-Sheet-Music-bernard-dewagtere.htm

■

Donate / Financial compensation

■

Download other works by this artist

■

Listen to his pieces

■

Contact the artist

■

Write feedback comments

■

Share your mp3 recording of this piece

 

Prohibited distribution on other website.

 

First added the : 2011-10-24

 

Last update : 2011-10-24 17:38:34

 

&

#

89

..

Violon

‰ œ œ œ œ œ œ œ œ

1. Jésus, que ma joie demeure
Jesu, Joy of Man's Desiring

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

&

#

5

œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œœœœœœœœœ

1.

œ œ œ

œ œ œ œ œ œ .˙ .œ

&

#

..

10

.˙

.œ .˙

.œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

&

#

15

2.

œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ

œ œ œ

&

#

## 44

19

œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œœœœœœœœœ .œ Ó.

Etc.

∑

&

## 44 ..

24

œ œ œ œœœ œœ

2. Aria - Air on the G string (SuiteNo3)

œ

œ œœmœœœœŸœ .œ œ œnœœœœœœœœœ œ#œœ œœœœœœœœœœœœœœ

&

##

..

nn## 42

28

.œ œ# œ .œMœœœœœœ

1.

œmœœœœ œœœœœœœœœœœ

2.

œmœœœœ œ œœ˙

∑

Etc.

&

## 42

..

32

Œ

œ´ œ œ

3. Badinerie (SuiteNo2)

œ´ œ œœ´ œœ œ¯ œœœœ œœœœ œ#œœœ œ>œ¯

œ´ œ œ œ´ œ œœ´ œœ œ¯ œœœ.

&

##

39

œœœ. œ

´

œ. œŸœ¯ œ œ# œ. œ œ#œ.

œ´ œ. œŸœ#¯ œœœœ œ#œœœ œ#œ œ œ œ œ# œ œœ œ œ œ#

&

##

..

nnb 44

45

œ œ œ œ#œ œ œœ œ œ œ œ#œœ œ œ œ œ œ#œ œ œ

Ÿ

1.

œ. œ´ œ œ

2.

œ. Œ ∑

Etc.

∑

Œuvres célèbres (Thèmes principaux)

J. S. Bach (1685-1750)

©2011Dewagtere

Great Works (Themes)

Transc.. : Bernard Dewagtere

& b 44

52

œ œ .œ

U

®œœœœ œ# Rœ≈

U

‰

œ œ .œ

U

®œœœ Rœ≈

U

‰

4. Toccata & Fugue en Rém
Toccata and Fugue in D minor

œœ .œ

U

®œœœœ œ#œ®

U

≈

œ- œ-œ-

œ- œ#-œ-œœ-œ- œ#

U

-

œ

& b

54

œ œ œ# œ œ œ œ œ œ œ. œ. œ œ œ œ œ œ œ œ œ œ. œ.

3

3

3

3

3

3

œ œ œ œ œ œ œ œ œ œ

U

.

≈ Œ

‰ ≈ Rœ#

3

3

3

& b

56

œ œ œ# œ œ œ œ œ œ œ. œ. œ œ œ œ œ œ œ œ œ œ. œ.

3

3

3

3

3

3

œ œ œ œ œ œ œ œ œ œ

U

.

≈ Œ ‰ ≈ R

œ

3

3

3

& b

58

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.œ. œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.

3

3

3

3

3

3

3

3

œ. œ. œ.œ.œ. œ.œ. œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.œ.

3

3

3

3

3

3

3

3

& b

bbb C

60

œ.œ.œ.œ.œ.œ.œ.œ. œ#.œ.œ.œ.œ

œ

3

3

3

3

œ œ œ œœœœ œ#œœ-œ-œ-œœœ>œœœœœœ-œ-

3

3

œ

U

Œ Ó

Etc.

& bbb C

63

˙ ˙

5. L'Offrande Musicale
The Musical Offering

F

˙ ˙

˙n Œ œ ˙# ˙n

˙n ˙b

œ œ œb œ

& bbb

69

œn œ œ œ œ ˙ ˙ œ

œ. œ#. œn.

œ.

œ. œ. œ. œ. œ. œ. œ œ œ œn œ œ œ œ

& bbb

75

œn œ ˙ œ# œ œ œ œn œ œ œ œ ˙ œ œ œ œ œ

œ œ œn œ ˙ œ# œ. œ. œn. œ.

& bbb

81

œ œ œn ˙

œ œ. œ. œ. œ œ œ ˙ œ œ œ œ œ œn œn œ œn œnœœœ œ ˙ œ

& bbb

nnn# 44

87

˙ Ó ‰ œ œ œ œ

œ œ œ ˙ œ œb œœ œnœœœ˙ œ œn ‰œ

Jœ J

œ ‰ Œ Ó

Etc.

2

Œuvres célèbres (Thèmes principaux)

&

#

44

93

œ œ

œ œ œ œ œ œ

œ œ

œ œ œ œ œ œ

6. Suite pour Violoncelle N°1
Cello suite No1

œ œ

œ œ œ œ œ œ

œ œ

œ œ œ œ œ œ

&

#

95

œ

œ œ œ œ œ œ œ

œ

œ œ œ œ œ œ œ

œ

œ œ œ œ œ œ œ

œ

œ œ œ œ œ œ œ

&

#

97

œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ# œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

&

#

99

œ œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ

œ œ

œ œ œ œ œ œ

œ œ

œ œ œ œ œ œ

&

#

C

101

œ œ#

œœœœœœœœœ

œ œ# œ œ œ œœœœ œ œœœœœœœœœœœ œ#œ œnœœœœœRœ≈‰Œ

Etc.

&

# C

104

Ó

Œ ‰ œ œ

7. Concerto brandebourgeois N° 3 & 4
Brandenburg Concerto No 3 & 4

No3

œ- œ œ œ- œ œ œ- œ œ œ- œœ œ œ œ œ œ œ œ œ# œ œ œ œ œ œ

&

#

107

œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ- œ œ œ- œœœ- œœœœœœ œ œœœ- œœœ œœœ-

œ

œ

&

#

83

110

œ œ œ# œ œ œ œ œ œ

œ œ œ œ œ œ œ œ- œ œœ œ œ- œ-œ-œ-œ-œ-œ- œ- œ-œ-œ- œ- œ

- Œ

Etc.

∑

&

#

83

114

œ œ œ œ œ œ

N°4

œ œ

œ œ œ œ œ- œ- œ- ‰ œ œ œ

- œ- œ- œ-

‰

œ œ œ- œ œ

œ œ œ œ

&

#

121

œ œ

œ œ œ œ œ- œ- œ- ‰ œœ œ- œ- œ- œ- ‰ œœœ- œ-œœœœœ œ œ- œ- œ-œ-œ- œ-œœœœ œ

3

Œuvres célèbres (Thèmes principaux)

&

#

129

œ# œ- œ- œ- œ- œ- œ-œœ œ œ œ œ œ- œ- œ- œ- œ- œ- œ- œ- œ-œ-œ- œ-œ-œ-œ-œ- œ#- œ#-œ-œ-œ-œ-œ- jœ

- ‰ ‰

Etc.

&

#

136

œ œ œ

8. Et exultavit (Magnificat)

œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œnœœ ‰ œ œ# œ

&

#

..

143

œœœ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œœ .œŸ œ œ œœœ œœœ œœ œ œ œ œœœ ‰

&

#

..

150

œ œ œ œ œ œ œ œœ ‰ œ œ œ œœœ ‰ œ œ œ œ œ œ# œ œœœ ‰ œ œ œ œ œ

&

#

n

44

157

œ œ œ œ œ œ œ .œ œ œ œ œ œ œ œ# œœœœœ .œ œ œ œ œ œœœ œœ œ ‰

Etc.

& 44

164

œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ

9. Prelude N°1 piano

œ œ œ

œ œ œ œ œ

œ œ œ

œ œ œ œ œ

&

166

œ œ œ

œ œ œ œ œ

œ œ œ

œ œ œ œ œ œ œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ

&

168

œ œ œ

œ œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ# œ

œ œ œ œ œ œ œ œ œ œ œ œ

&

170

œ œ œ

œ œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ

œ œœœ œœœœœœœœ ∑

Etc.

∑

4

Œuvres célèbres (Thèmes principaux)