

q = 120

Vocals

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

16



12



Got ablack

  

mag ic

-



beh

beh

wo

 

man

-

   

36

 

Got

Turn

Got

your

your

a

spell

back

black

  

on

on

mag

me

me

ic

-

ba

ba

wom

 

beh

beh

an

-

-

-

   



Yes,

Yes,

 

you

don't

got

turn

Got



your

your

a

spell

back

black

  

on

on

mag

me

me

ic

-

ba

ba

wom

 

beh

beh

an

-

-

-

  

40



Turn

Mess

Got



ing

in'

me



-

-

my

a

so



3

heart

round

blind



-

in

with

I



to

your

can't



3

-

stone

tricks

see

 

 

Don't

That

turn

she's



I

your

a

need

back

black

  

you

on

mag

so

me

ic

-

bad

ba

wom

 

beh

an

-

-

mag

 

ic

You

-

 

44

1.





wom

just

tryin'

an

might

to

-

I

pick

make

 

can't

up

a

leave

dev

 

my

il

-

you

mag

out

To Coda

 

a

ic

of

-



sticks

me

  

-



Turn your back

 

on me

 

ba

 

-

2.

47



1.



2.





Guitar Solo

11





Got your spell

 

on

D.S. al Coda

me

 

ba

 

-

61



lone



Coda



7



q = 120

Alto Saxophone

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

            

       

8



                          

12



                  

19





 



  

13



(Tacet 1st X)



         

37



 

 

2

  

   



    



 

44

1.







To Coda







   



  

2.

47



1.



2.



 



 

11





D.S. al Coda

61





Coda





4

       

67



     

    









q = 120

Tenor Saxophone

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

mp

            

       

8



                          

12



              









19





 



  



12



(Tacet 1st X)

ff





 



 



 





36



   

mf



 

2

 

    



 

f

  





43

1.





 

To Coda







f

   



  

2.

47



1.



2.







 

11





D.S. al Coda

61





Coda





4

mp

         

f



   

ff





q = 120

Trumpet I

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

mp

               

9





                    

15

















  

13



35







(Tacet 1st X)

ff



        

 

mf



    

2

41



 

    



 

 



f

 

 

 

To Coda







45

1.



2.



1.



2.



 

f

   



  

  

12



D.S. al Coda

61







Coda



2

mp

   

   

66





   



f

   

     

ff





q = 120

Trumpet II

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

               

9





               

13





   









18











  

13



35







(Tacet 1st X)

 



  



  



  



  

 







39





2

      

 







    



To Coda



45

1.



2.



     



  









48

1.



2.





11





D.S. al Coda

61





Coda





2

   

   

66





   

  

       

Trumpet II

2



q = 120

Baritone Saxophone

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





4

               

9



                

13



    









18













 

13



35







(Tacet 1st X)



         





2

41



  



  





 

    



To Coda



45

1.



2.



     



  













48

1.



2.





11





D.S. al Coda

61







Coda



2

       

66



              







Baritone Saxophone

2



q = 120

Trombone

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A



4

               

9

                

13

     







18

 





  

13



35





(Tacet 1st X)





 



 



 







 











2

41

    

    



  

 





  

To Coda





45

1.



2.

  

     











48

1.



2.



11





D.S. al Coda

61



Coda





2

   

   

66

     

        





Trombone

2



q = 120

Bass guitar

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A







   







   

7

    



   



   



  

14

              

 

   

 

 

18

                  

Dm7

 

   

23

  

 

A7

 

 

   

 

 

Dm7

       

27

  

 

Gm7

 

 

   

 

 

Dm7

     

 

31



A7

 

 

Dm7

              

   



35





Dm7

 

   

 

 

A7

 

 

   

 

   

39



Dm7

 

   

 

 

Gm7

 

 

   

 

   

43

1.





Dm7

 

 

A7

 



To Coda

  



Dm7

        

   

2.

47



    

Dm7

 

   

 

 

A7

 

 

   

51

    

Dm7

           

Gm7

 

 

   

55

    

Dm7

     

A7

 

 

   

58

1.



2.



Dm7



     

   

  

D.S. al Coda



61





Coda

 

   



  

 

 

65

 





  



 

Bass guitar

2



q = 120

Guitar

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A



3

    



    



 

9







    



        

15



                        

20

 

 

(Play 8va)

      

     

25

    

              

3

 



29



 

    

         

    

34





(End 8va)

  



Dm7

       

A7

       

39



Dm7

       

Gm7

       

Dm7

   

44

1.



2.



 

A7



To Coda

 



Dm7

  

D.S. only

    

Blow!!

Dm7

       

49

    

A7

       

Dm7

       

54



Gm7

        

Dm7

   

A7

  

58

1.



2.



Dm7

   















(End Solo)

D.S. al Coda



61





Coda

Dm7

   

  



    

65

 

   









Guitar

2



q = 120

Percussion

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans

A





 

3







 

3























6

    

sim...

                

11

               

15

                    

20

       















 







sim...



24

                    

29

                    

34



   



cowbell

       

sim...

       

39

                    

44

1.



2.



  

To Coda

 



      

  

   

sim...

49

                    

54

                    

1.



59

2.

   

 

D.S. al Coda







Coda



 



 



 



 

62

          

sim...

         

65

              

Percussion

2



q = 120

Drums

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans



2



 













              

6





           

sim...

     

(4)

     

   

10

  

(6)

       

(8)

       

(10)

 

15

      

(12)

       

(14)

     

20

  

(16)

 

  



               

23





           

sim...

     

(4)

     

   

27

  

(6)

       

(8)

     

31

  

(10)

     





     















35









  





  

  

   





  





  

  

  

sim...

       

(4)

 



39

      

(6)

       

(8)

     

44

1.



2.

  

(10)

To Coda

 



    









  

  

 





  

 





48

   

  



  

 

  

   



  

 

  

  



  

 

 

sim...



     

     

(4)

 



 

52

      

(6)

       

(8)

     

57

1.



2.

  

(10)

       

    



    

D.S. al Coda















61





Coda

          



               

sim...

   

   

64

  

(4)

       

(6)

      

 







Drums

2




q = 120

Keys

BLACK MAGIC WOMAN

Santana

arr. Mark Bovine/Shaun Evans



Church/Stop Organ

            

            



               

A

5

             

            



   

       

   

9

             

       















  







12

     

       



















14

 



























(To Rhodes)



22



Rhodes

Dm7

       

A7

        

Dm7

  

27

    

Gm7

       

Dm7

    

A7

  

32





Dm7

          



Dm7

       

37



A7

               

Gm7

   

42

1.



    

Dm7

   

To Coda (ORGAN)



A7

  



Dm7

      

2.

47



   

Dm7

       

A7

       

52

        

Gm7

        

Dm7

  

57

1.



2.

 

A7

  

Dm7

      

 

D.S. al Coda



61



Coda

Dm7





  

Church/Stop Organ

            

       





           

65

     

            

A7



Dm7



 



       

   



Keys

2