Gliere Duo Viola & Contrabass Viola arr for Violin

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Andante

Violin

y Contrabajo

Suite para viola

R. GLIRE

I. PRELUDE

mf

 

 

 

 

 

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 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5

poco cresc.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p

              

10

 

  

cresc.

 

  

 

  

f

  

         

p

         

15

 

                

 

 

 

 

 



 

 

  





rit.

 

 

 



19

pp

a tempo

cresc. poco a poco

   

simile

       

accel.

               

rit.

   

23

a tempo

f

p

 

 

 

simile

 

 

 

 

cresc.

27

f

31

dim.

p

         

  

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Allegretto

2. GAVOTTE

1



p



 



              



          

5

    



     

 

 



                  

10





   



    

         

mf



         

15

             

   

   

p

   

   

  

20

  

f



     

f



 



                  

26





          



      

f

     

        

31

Musette

33

  

   



f



    

       

35

   

 

   

p



    

       

2

background image

39

   

 

   

f



    

 

     

    

   

pp

  

45

   



     

    



  

f



    

 

 

50

    

      

 

   

p



    

 

        

55

Tempo primo

   

       

mf



 



                  

61





          



        



    

65

          



     

      

68





         

f



          

     

73

      

   

   

p

   

   

  

77

  



f

 

            

rit.

   

Violin

3

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

Tranquilo

3. CRADLE SONG

mf

con sord.

  

 

         

 

       



  

7

p



   

p

    

 

         

13

cresc.

 

  

    

dim.



 

 

 



           

 

   

20

   

p

 

   

 

 

 

    

27

rit.

a tempo



f

      

mf

   

 

                

34

p

       

poco rit.

    

p

a tempo

     

  

39



       

cresc.

 

 

  

    



 

dim.

 

   

44

 

      

pp

 

   





senza sord.



  

4

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

Andantino

1

4. INTERMEZZO



mf

                     

5

   

 

        

  

      

10

               

  

 

14

 

 

 

 

     

 

 

dim. rit.

p

  

 

   

a tempo

    

19

             

cresc.

       

     

24



f

 

       

f

  

rit.

     

28



a tempo

cresc.

  

 

   



rit.

  

  

a tempo

mf

      

35

               

  

 

   

40

      

  

p

                

45

   

cresc.

     

 

 

   

dim.

 

rit.

   

5

background image



Vivace

5. SCHERZO

f

              

  

 

9



 

    

 



 

    

    

17

 

 

26



        



f



 

    

p

 

34

        

f

       

p

   

43

     

f

  

 

 

      

  

 

51



 

    

p

       

f

      

60

   

   



  

 





 

    

68

  

      

ff

 

     

      

76

  

  

  

 

  

81

    

rit.





6

background image

meno mosso

85

mp

 

            

  



pp

 

94

               

mp

 

 

  

103

         

 

 



mf



 













113

dim.



 













pp



 





cresc.









    

124

156

  



    

f



accel.

  





D. C. al

 

     

158

  

f

     

pp

           

cresc.

  

166

  

p

                    

174

  

    

   

   

 

pp

     

183

     

cresc.

     

p

     

cresc.

     

191

     

f

     

   

  

   

198



  



  



        

 

ff



 

Violin

7


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