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The

The

The

 

 

 

Classical Caro

Classical Caro

Classical Caro

Kann in Ac on         

Kann in Ac on         

Kann in Ac on         

by Eric Schiller 

by Eric Schiller 

by Eric Schiller 

 

 

 

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The Classical Caro-Kann in Action by Eric Schiller 

This file contains theory and practical examples of the Classical Caro-
Kann lines with 1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.Nxe4 Bf5 5.Ng3 Bg6 6.h4 
h67.Nf3 Nd7. Special attention is paid to those lines where Black castles 
kingside, a plan made popular by Eric Lobron in the 1980's. 

 

Immortals 

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1

1

Lanka
Kasparov

Riga

1977

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.£e2  ¤gf6  12.¥d2  e6  13.c4

1

XIIIIIIIIY

9r+-+kvl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-+-+NsN-0

9PzP-vLQzPP+0

9tR-+-mK-+R0

xiiiiiiiiy

In this variation White avoids commiting his 

¢ for as long as possible.

 

¥d6

Two can play at this

game!

 14.

¤f5

This possibility only exists because Black has stubbornly refused to move his 

¢

from the center of the board. But Kasparov showed that this intrusion is only a minor
inconvenience - and did so at the age of 13!

 0-0!

What is remarkable about this is that Kasparov

here improves on the 1974 game between Spassky and Karpov in the Candidates' match.

 15.

¤xd6  £xd6

2

XIIIIIIIIY

9r+-+-trk+0

9zpp+n+pzp-0

9-+pwqpsn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-+-+N+-0

9PzP-vLQzPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

 16.

¦h4?

It is time for White to castle - see Mnatsakanian - Bagirov, Kirkovan 1978.

 [ 16.

¥a5

see Karpov-Pomar.

]

 16...b5!  17.

¢f1  bxc4  18.£xc4  £d5  19.£e2  £b5?!³

This lets some of the advantage slip,

but one can understand the young man's desire to get into a favorable endgame.

 [ 19...

¦fb8!

 20.b3

 ( 20.

¥f4

 

¦b4!

would surely have been found by the World Champion

Kasparov.

) 20...a5

∓ ]

 20.b3?

 [ 20.

£xb5  cxb5

is not as bad as it looks, because the White 

¢ could enter the game quickly.

]

 20...a5  21.

¤e5  a4  22.¦h3  ¦fd8  23.£xb5  cxb5  24.¤c6  ¦e8  25.bxa4  bxa4  26.¦c1  ¤b6

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2

3

XIIIIIIIIY

9r+-+r+k+0

9+-+-+pzp-0

9-snN+psn-zp0

9+-+-+-+P0

9p+-zP-+-+0

9+-+-+-+R0

9P+-vL-zPP+0

9+-tR-+K+-0[

xiiiiiiiiy

 27.

¤e5?!

The 

¤ was gainfully employed, limiting the options of the Black ¦s. There were still

drawing chances at this point.

 [ 27.

¢e2!?  ¤bd5  28.¢d3  ¦ec8  29.¦hh1  ¦a6  30.¤e5  ¦xc1  31.¦xc1  ¤xh5

gives Black a

pawn but obtains active play in return.

 32.

¦c8+  ¢h7  33.¤xf7  ¤hf4+  34.¥xf4  ¤xf4+  35.¢e4

 

¤xg2  36.¦h8+!  ¢g6  37.¤xh6!  ¦b6  ( 37...gxh6  38.¦g8+  ¢f6  39.¦xg2 )  38.¤g4  ¦b2

 39.

¤e5+  ¢f6  40.¦f8+  ¢e7  41.¦f7+  ¢d8  42.¦xg7  ¦xf2  43.a3= ]

 27...

¦ec8  28.¦b1  ¤e4  29.¥e1  ¤d5  30.¦b7  ¤d6!  31.¦b2

 [ 31.

¦d7  ¦a6! ]

 31...

¦ab8  32.¦xb8  ¦xb8  33.¤d7

 [ 33.

¦a3  ¦a8  34.¥d2  ¤b5  35.¦d3  ¦c8!∓ ]

 33...

¦b1  34.¦a3  ¤c4  35.¦d3

 [ 35.

¦xa4  ¤d2+  36.¢e2  ¤c3+  37.¢xd2  ¤xa4 ]

 35...

¦a1?!

 [ 35...

¤f4!

was more efficient.

]

 36.g3  

¦xa2  37.¤c5  a3

0-1

2

Mnatsakanian
Bagirov

Kirovakan

1978

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  £c7  12.£e2  e6  13.c4  ¥d6  14.¤f5  0-0  15.¤xd6

 

£xd6  16.0-0-0

(Diagram 4)

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3

4

XIIIIIIIIY

9r+-+-trk+0{

9zpp+n+pzp-0

9-+pwqpsn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-+-+N+-0

9PzP-vLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is the main line of this variation. For the alternatives see Lanka - Kasparov and Belyavsky -
Bagirov.

 b5!  17.g4!

White must play aggressively.

 [ 17.cxb5  cxb5  18.

¢b1  ¦fc8  ( 18...b4!?  19.¤e5  ¤d5

may provide more winning chances for

Black, Lukin - Gorshkov, USSR 1975.

 19.

¤e5  ( 19.g4  £c6!  20.¤e5  ¤xe5  21.dxe5  £c2+

 22.

¢a1  ¤e4∓ ) 19...£c7  20.¥c1  ¤xe5  21.dxe5  ¤d5  22.¦d4  ( 22.g4  £c4! ) 22...b4  23.¦g4

 

¢h8  24.¥xh6  gxh6  25.£d2  ¢h7  26.£d3+  ¢h8  27.£d2=

- Yurkov.

]

 17...bxc4  18.g5  hxg5  19.h6  g6  20.h7+  

¤xh7  21.¤xg5  ¤xg5  22.¥xg5

5

XIIIIIIIIY

9r+-+-trk+0{

9zp-+n+p+-0

9-+pwqp+p+0

9+-+-+-vL-0

9-+pzP-+-+0

9+-+-+-+-0

9PzP-+QzP-+0

9+-mKR+-+R0

xiiiiiiiiy

The last few moves have been forced, and we arrive at an interesting position which at first
glance seems to hold some danger for Black.

 f6?

This overreaction leads to a difficult position

for Black.

 [ 22...c3!  23.

£e5  ( 23.£e4?  £b4 )  23...cxb2+  24.¢b1  £xe5!  ( 24...¤xe5?  25.dxe5  £b4

 26.

¥f6+- ) 25.dxe5  f6

Only now is this move effective.

 26.

¦xd7  fxg5  27.¦hh7  ¦xf2  28.¦dg7+

 

¢f8  29.¦c7  ¢e8  30.¦he7+  ¢d8  31.¦ed7+  ¢e8  32.¦e7+  ¢f8  33.¦h7= ]

 23.

£e4  ¢f7  24.¦h7+  ¢e8  25.¥f4  £d5  26.£xg6+  ¢d8  27.£g7  ¢c8  28.¦g1  ¦d8  29.£e7

 e5  30.dxe5  c3  31.b3  

£f3  32.¥e3  £e2  33.e6  £b2+  34.¢d1  c2+  35.¢e2  c1£+  36.¢f3

 

¤e5+  37.¢g2  £xg1+  38.¢xg1  ¦g8+  39.¢h2  ¤f3+  40.¢h3  ¤g1+  41.¢h4  ¤f3+  42.¢h3
½-½

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4

6

Karpov
Pomar

Nice Olympiad

1974

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.£e2  ¤gf6  13.c4  ¥d6  14.¤f5  0-0-0  15.¤xd6+

 

£xd6  16.¥a5

6

XIIIIIIIIY

9-+ktr-+-tr0{

9zpp+n+pzp-0

9-+pwqpsn-zp0

9vL-+-+-+P0

9-+PzP-+-+0

9+-+-+N+-0

9PzP-+QzPP+0

9tR-+-mK-+R0

xiiiiiiiiy

A move much praised by Mednis, but one which does not seem to impress anyone else.

 

¦de8

 17.

¤e5  £e7  18.¥c3²

 [ 18.0-0

makes it harder to defend the h-pawn.

]

 18...

¦d8  19.f4  ¤xe5  20.fxe5  ¤h7

7

XIIIIIIIIY

9-+ktr-+-tr0

9zpp+-wqpzpn0

9-+p+p+-zp0

9+-+-zP-+P0

9-+PzP-+-+0

9+-vL-+-+-0

9PzP-+Q+P+0

9tR-+-mK-+R0[

xiiiiiiiiy

Black is going to have problems on the dark-squares now. Pomar will have to play f5 at some
point.

 21.0-0-0  

¤g5  22.a3!

The idea behind this move is not to advance the b-pawn but rather

to enable Bc3-b4, after which the bishop can invade d6.

 f5  23.exf6

 [ 23.

¥b4  £f7  24.¥d6

would now be met by the exchange sacrifice

 

¦xd6  25.exd6  ¤e4

 26.

¦h3  ¤xd6  27.¦e3  ¤e4

with considerable compensation for the exchange.

]

 23...gxf6  24.

¦hf1

This prevents the advance of the f-pawn.

 

¦he8

 [ 24...f5?  25.

¦xf5 ]

 25.

¦de1  £f7  26.g4  ¦f8  27.£c2

(Diagram 8)

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5

8

XIIIIIIIIY

9-+ktr-tr-+0{

9zpp+-+q+-0

9-+p+pzp-zp0

9+-+-+-snP0

9-+PzP-+P+0

9zP-vL-+-+-0

9-zPQ+-+-+0

9+-mK-tRR+-0

xiiiiiiiiy

 

£g8?!

 [ 27...f5

had to be played.

 28.gxf5  exf5  29.

¥b4  ¦fe8  ( 29...¦g8  30.£xf5+  £xf5  31.¦xf5

 

¦xd4  32.b3  ¦h4  33.¥d2  ¦xh5  34.¦g1  ¦h3  35.¢c2  ¦h2  36.¢c3  ¦h3+  37.¢b4² ) 30.¦xe8

 

¦xe8  31.£xf5+  £xf5  32.¦xf5  ¦e4÷

∆ Rh4.

]

 28.

¥b4  ¦f7  29.£g6  £xg6  30.hxg6  ¦g7  31.¦xf6  ¦dg8

9

XIIIIIIIIY

9-+k+-+r+0

9zpp+-+-tr-0

9-+p+ptRPzp0

9+-+-+-sn-0

9-vLPzP-+P+0

9zP-+-+-+-0

9-zP-+-+-+0

9+-mK-tR-+-0[

xiiiiiiiiy

 32.

¦ef1!

A very strong positional move, which is far better than simple material gain.

 [ 32.

¦h1  ¦xg6  33.¦xh6  ¦xh6  34.¦xh6  ¤e4  35.¦xe6  ¦xg4

and White has winning chances,

but nothing guaranteed.

]

 32...

¦xg6  33.¦xg6  ¦xg6  34.¦f8+  ¢c7  35.¥a5+!  b6

 [ 35...

¢d7  36.¦d8+  ¢e7  37.¦a8  a6  38.¦a7  ¤f7  39.¦xb7+  ¢f6  40.¦b6  ¦xg4  41.¦xc6±

∆ d5.

 

¦xd4??  42.¥c3+- ]

 36.

¥d2  ¤e4  37.¥f4+  ¢b7  38.¦f7+  ¢a8

 [ 38...

¢a6  39.¥b8  b5  40.¦xa7+  ¢b6  41.c5+  ¤xc5  42.dxc5+  ¢xc5  43.¦h7  ¦xg4  44.¦xh6

 

¦e4  45.¦h5+± ]

 39.

¦f8+  ¢b7  40.b4  ¦xg4  41.¦f7+  ¢a8

 [ 41...

¢a6  42.¥b8  b5  43.¦xa7+  ¢b6  44.c5+

would have been embarassing.

]

 42.

¢c2  h5?!

 [ 42...b5!  43.c5

± ]

 43.a4  h4?!

 [ 43...

¦g8  44.¦h7± ]

 44.

¢d3+-  ¤g5  45.¦f8+  ¢b7  46.¦b8+  ¢a6  47.¥d2  ¦g3+  48.¢c2

1-0

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6

10

Matulovic
Campora

Vrsac

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.£e2  £b6  13.0-0-0  c5  14.¥e3  cxd4  15.¥xd4

 

¥c5  16.¤e4  ¥xd4  17.¦xd4  ¤xe4  18.¦xe4  ¤f6  19.¦e3  0-0  20.¤e5  ¦ac8  21.¢b1  ¦fd8

 22.

¦b3  £c7  23.¦c3  £a5  24.¦xc8  ¦xc8  25.¦d1  ¦d8  26.¦xd8+  £xd8  27.g4  £d4  28.c3

 

£e4+  29.£xe4  ¤xe4

10

XIIIIIIIIY

9-+-+-+k+0

9zpp+-+pzp-0

9-+-+p+-zp0

9+-+-sN-+P0

9-+-+n+P+0

9+-zP-+-+-0

9PzP-+-zP-+0

9+K+-+-+-0[

xiiiiiiiiy

Here we have a 

¤ endgame in which White's advances on the » have led to clear weaknesses in

his structure, and Black is the one playing for a win.

 30.f3  

¤g5  31.f4  ¤e4

The further the

pawns advance - the harder they are to protect.

 32.

¤d3  f5!  33.gxf5  exf5  34.¢c2  ¤g3

 35.

¢b3  ¤xh5

11

XIIIIIIIIY

9-+-+-+k+0

9zpp+-+-zp-0

9-+-+-+-zp0

9+-+-+p+n0

9-+-+-zP-+0

9+KzPN+-+-0

9PzP-+-+-+0

9+-+-+-+-0[

xiiiiiiiiy

And the h-

§ falls, giving Black a decisive advantage.

 36.

¢c4  ¢f7  37.¢d5  ¢f6  38.¢d6  g5

 39.fxg5+  hxg5  40.

¢c7  b6  41.¢b7  f4  42.a4  g4  43.a5  bxa5  44.c4  g3  45.¤e1  ¢e5  46.c5

 

¤f6  47.c6  ¢e4  48.c7  ¤e8  49.c8¤  f3  50.¤xa7  f2
0-1

background image

7

14

Tischbierek

2500

Lobron

2545

Hannover

1991

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.¤e4

12

XIIIIIIIIY

9r+-wqk+-tr0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zPN+-+0

9+-+Q+N+-0

9PzPPvL-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This move is now considered inferior, since it allows the typical equalizing maneuver involving an
exchange of 

¤s and centralizing the £.

 

¤xe4  14.£xe4  ¤f6  15.£e2  £d5  16.c4  £e4!

For the less effective 16...

£f5, see Karpov - Larsen, Linares 1981.

13

XIIIIIIIIY

9r+-+k+-tr0

9zpp+-vlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzPq+-+0

9+-+-+N+-0

9PzP-vLQzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

 17.

¦de1

 [ 17.

£f1  ¤g4

- Kavalek.

]

 [ 17.

¥e3  ¤g4  18.¤d2  £f5

- Kavalek.

]

 [ 17.

£xe4  ¤xe4

 A)  18.

¥e3  f5!?  ( 18...0-0  19.¤e5  ¦fd8  20.g4  c5  21.f3  cxd4  22.¦xd4  ¦xd4  23.¥xd4²

Strikovic - Korchnoi, Torcy 1990.

) 19.

¤d2

and, according to Armas, the chances are level.

;

 B)  18.

¥e1  ¥f6  19.¤e5  ¦d8  ( 19...c5  20.f3± )  20.f3  ¤d6  21.¥f2  ¥xe5  22.dxe5  ¤xc4

and in this position Black is again no worse, Armas - Tal, Germany 1990.

]

 17...

£xe2  18.¦xe2  b5!?

 [ 18...0-0

 19.

¤e5  ¦fd8  20.¥c3  ¦ac8³

White was tied down to the defense of his 

§s in

Ivanovic - Kavalek, Bugojno 1982.

]

 19.b3  0-0  20.

¢c2  ¦fc8  21.c5

Otherwise the 

¢ would be exposed after Black plays c5.

 

¤d5

background image

8

14

XIIIIIIIIY

9r+r+-+k+0

9zp-+-vlpzp-0

9-+p+p+-zp0

9+pzPn+-+P0

9-+-zP-+-+0

9+P+-+N+-0

9P+KvLRzPP+0

9+-+-+-+R0[

xiiiiiiiiy

White has a poor position, and now desperately tries to get something going on the kingside.

 22.g4  

¥f6  23.a3  a5

Now White cannot close the 

« with a4, because if either pawn advances,

Black will capture, opening up a line. Instead, the 

« can only be closed at the cost of making

White's 

¥ even worse.

 24.

¦g1  a4  25.b4  ¦a7  26.¦e4  ¦d7  27.¥c1  ¢h7  28.¦d1  ¦g8

15

XIIIIIIIIY

9-+-+-+r+0

9+-+r+pzpk0

9-+p+pvl-zp0

9+pzPn+-+P0

9pzP-zPR+P+0

9zP-+-+N+-0

9-+K+-zP-+0

9+-vLR+-+-0[

xiiiiiiiiy

With all of White's attention concentrated on the weak 

§ at d4, Black feints at a new front.

 29.

¦h1

 

¦gd8  30.¦he1  ¢g8  31.¥b2  ¢h7  32.¦d1  ¤e7

Black is still searching for a plan, while White

marks time.

 33.

¦d2  ¤d5  34.¦d3  ¢g8  35.¦d2  ¥g5

Lobron finally gets the right idea!

 36.

¦d1

 [ 36.

¤xg5  hxg5

would give Black excellent winning chances, thanks to the advantage of good

¤ against bad ¥.

]

 36...

¤f6

This wins a pawn, and the rest is easy.

 37.

¦e2  ¤xg4  38.d5

Desperation.

 

¦xd5

 39.

¦xd5  exd5  40.¤d4  ¦c8  41.¤f5  g6  42.hxg6  fxg6  43.¤e7+  ¥xe7  44.¦xe7  ¢f8  45.¦e6

 

¢f7  46.¦d6  ¦e8  47.¦xc6  ¦e2+  48.¢b1  h5  49.¦d6  ¦e6-+  50.¦xd5  ¤xf2  51.¦d7+  ¢e8

 52.

¦b7  h4  53.¦xb5  h3  54.¦b8+  ¢d7  55.¦h8  ¦e1+  56.¢a2  ¦e2

0-1

22

Huebner
Larsen

Tilburg

1980

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.¦he1

background image

9

16

XIIIIIIIIY

9r+-wqk+-tr0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9+-mKRtR-+-0

xiiiiiiiiy

White has completed development, and Black is still two tempi away. But there are no real
targets.

 a5  14.

£e2  0-0  15.¢b1

White may not have anything better, but this move permits

Black to complete development and lay claim to full equality.

 

£b6!?=

17

XIIIIIIIIY

9r+-+-trk+0

9+p+nvlpzp-0

9-wqp+psn-zp0

9zp-+-+-+P0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPPvLQzPP+0

9+K+RtR-+-0[

xiiiiiiiiy

The idea here is to maintain maximum control of c5 by leaving the 

¤ in place and adding the £

to the mix.

 16.

¤e5  a4

 [ 16...

£xd4?  17.¥xh6  £xe5  18.£xe5  ¤xe5  19.¦xe5  gxh6

wins a piece.

]

 17.c4?

White fails to sense the danger.

 a3  18.b3  

£xd4

18

XIIIIIIIIY

9r+-+-trk+0

9+p+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+Pwq-+-+0

9zpP+-+-sN-0

9P+-vLQzPP+0

9+K+RtR-+-0[

xiiiiiiiiy

Now it is safe to take the pawn because of the threats at b2 and the pawn at h6 is taboo.

 19.

¥b4

 [ 19.

¥xh6?  £xe5  20.£xe5  ¤xe5  21.¦xe5  gxh6-+ ]

 19...

£xe5  20.£xe5  ¤xe5  21.¥xe7  ¦fe8  22.¥b4

After a series of forcing maneuvers, Black

remains a pawn ahead.

background image

10

19

XIIIIIIIIY

9r+-+r+k+0{

9+p+-+pzp-0

9-+p+psn-zp0

9+-+-sn-+P0

9-vLP+-+-+0

9zpP+-+-sN-0

9P+-+-zPP+0

9+K+RtR-+-0

xiiiiiiiiy

 

¤ed7  23.¤e4  b6  24.¤d6  ¦eb8  25.f3  b5!  26.¥c3  bxc4  27.¤xc4  ¤d5  28.¥d2

Although Black has weakened his pawn structure slightly, his pieces are now active.

 

¤c5

 29.

¤e5  ¦a6  30.¦c1  ¦b5  31.¦c4  ¤f6  32.g4  ¤fd7  33.¥c3

 [ 33.

¤xd7  ¤xd7  34.¥c1  ¤e5  35.¦c3  ¦d5³ ]

 33...

¤b6  34.¦ce4  ¤d5  35.¥d2  f6  36.¤g6

The 

¤ cannot accomplish anything without

assistance, but it is hard to bring the remaining forces into the attack. Still, there was no place to
retreat to.

 e5  37.

¦c4  ¤d3  38.¦ee4  c5

Black keeps reducing the amount of space available to

the White pieces.

 39.

¦a4  ¦bb6

 [ 39...

¦xa4  40.¦xa4

would give White significant counterplay.

]

 40.

¦xa6  ¦xa6  41.¦c4

 [ 41.

¦a4  ¦xa4  42.bxa4  c4  43.¢c2  ¤c5  44.a5  ¢f7∓ ]

 41...

¦a7  42.¤h4  ¤b6  43.¦c3  ¦d7  44.¥e3  ¦d5

20

XIIIIIIIIY

9-+-+-+k+0

9+-+-+-zp-0

9-sn-+-zp-zp0

9+-zprzp-+P0

9-+-+-+PsN0

9zpPtRnvLP+-0

9P+-+-+-+0

9+K+-+-+-0[

xiiiiiiiiy

Black's pieces are well-cordinated, while White's lack purpose.

 45.

¤f5  ¢f7  46.¤g3  ¤d7

 47.

¤e4  g6  48.hxg6+  ¢xg6  49.¤g3  ¤e1  50.¥c1  ¦d1  51.¤e4!

Preparing to force more

pieces off the board.

 

¤d3  52.¢c2  ¦xc1+  53.¢xd3  ¦a1!

 [ 53...

¦xc3+  54.¢xc3  f5  55.¤f2

provides more resistance.

]

 54.

¦c2  ¦f1  55.¢e3  ¦e1+  56.¢d3  ¦b1  57.¤xc5  ¤xc5+  58.¦xc5  ¦b2  59.¦c2™  f5!

 60.

¦c6+  ¢g5  61.gxf5  h5!  62.f6  ¢g6!

Larsen has always had a flair for 

¦ endgames.

Especially when rook pawns are involved!

 63.

¢c3  ¦xa2  64.¢b4  ¢f7  65.¢a4

(Diagram 21)

background image

11

21

XIIIIIIIIY

9-+-+-+-+0{

9+-+-+k+-0

9-+R+-zP-+0

9+-+-zp-+p0

9K+-+-+-+0

9zpP+-+P+-0

9r+-+-+-+0

9+-+-+-+-0

xiiiiiiiiy

 

¦f2  66.¢xa3  ¦xf3∓  67.¢b4  h4  68.¦c8  ¦f1  69.¦c2  ¢xf6  70.¢c5  ¢f5  71.b4  h3  72.b5

 

¦b1  73.b6  ¢f4  74.¦e2  e4  75.¢d4  e3!  76.¢c5

 [ 76.

¦xe3  ¦b4+  77.¢c5  ¢xe3  78.¢xb4  h2  79.b7  h1£  80.b8£  £b1+-+ ]

 76...

¢f3  77.¦h2  ¢g3  78.¦e2  ¦b3!  79.¢c4  ¦xb6  80.¦xe3+  ¢g2  81.¦e2+  ¢f3

and this is

now a book win for Black, so White resigned.

0-1

23

Glatt
Burger

Budapest

1982

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.£e2  ¥e7  13.0-0-0  0-0  14.¦he1  a5  15.¤f5?!

22

XIIIIIIIIY

9r+-wq-trk+0{

9+p+nvlpzp-0

9-+p+psn-zp0

9zp-+-+N+P0

9-+-zP-+-+0

9+-+-+N+-0

9PzPPvLQzPP+0

9+-mKRtR-+-0

xiiiiiiiiy

A bit reckless.

 

¥b4!

 [ 15...exf5  16.

£xe7  ¤xh5  17.¤h4!± ]

 16.

¤xh6+  gxh6  17.c3  ¦e8

 [ 17...

¥e7!?  18.¥xh6  ¦e8  19.¤e5  ¥f8³ ]

 18.cxb4

Otherwise 

¥f8 will defend the kingside.

 axb4  19.

¤e5  ¦xa2

(Diagram 23)

background image

12

23

XIIIIIIIIY

9-+-wqr+k+0

9+p+n+p+-0

9-+p+psn-zp0

9+-+-sN-+P0

9-zp-zP-+-+0

9+-+-+-+-0

9rzP-vLQzPP+0

9+-mKRtR-+-0[

xiiiiiiiiy

 20.

¥xh6

 [ 20.

¥xb4  £b6

 A)  21.

¥a3

 A1)  21...

¤xe5!  22.£xe5  ( 22.dxe5  ¤d5÷ )  22...¦a8!?  ( 22...¤d5  23.¦d3  f6  24.£g3+

 

¢h8  25.£g6  ¦a1+  26.¢d2  ¦xe1  27.£xh6+  ¢g8  28.¦g3+  ¢f7  29.£h7# )  23.£g3+

 ( 23.

¦d2  £b3! ; 23.¦e2  £b3 ) 23...¢h8  24.£f3  ¦8xa3  25.£xf6+  ¢g8-+ ;

 A2)  21...

£b3  22.¦d3  ¦a1+  23.¢d2  ¦xe1  24.¢xe1  £d5  25.¦g3+  ¢h7  26.£d3+  £e4+

 27.

£xe4+  ¤xe4  28.¤xd7  ¤xg3  29.¤f6++- ;

 B)  21.

¤xd7!  ¤xd7  22.¥a3  ¦a8  23.£g4+  ¢h8  24.¦xe6!?  fxe6  25.£xe6  ¦a1+  26.¢c2

 

¦xd1  27.£xh6+  ¢g8  28.£g6+  ¢h8  29.£h6+= ]

 20...b3!  21.

¤xd7?

 [ 21.

£d3  ¦a1+  22.¢d2

 A)  22...

¤xe5

strikes me as a stronger move.

 A1)  23.

¦xe5  ¦xd1+  24.¢xd1  ¤g4  25.£g3  ( 25.¦g5+?  £xg5  26.¥xg5  ¤xf2+  27.¢e2

 

¤xd3  28.¢xd3  ¢h7  29.g3  ¦g8  30.¥f4  f6  31.¢e4  c5

(

∆ e5)

 25...

£xd4+  26.¥d2

 

£xe5  27.£xg4+  ¢h7  28.¥c3  £d5+∓ ;

 A2)  23.dxe5  

£a5+∓ ;

 B)  22...

£a5+  23.¢e2  ¤xe5  24.£g3+  ¤eg4  25.¦xa1  £b5+

is evaluated as unclear by

Byrne and Mednis. Seems to me that Black is in deep trouble.

 26.

¢d1  £xh5  27.¥d2  £f5

 28.

¦e5!  £c2+  29.¢e1∓ ]

24

XIIIIIIIIY

9-+-wqr+k+0{

9+p+N+p+-0

9-+p+psn-vL0

9+-+-+-+P0

9-+-zP-+-+0

9+p+-+-+-0

9rzP-+QzPP+0

9+-mKRtR-+-0

xiiiiiiiiy

Now, instead of simply recapturing, Burger brings the game to a quick conclusion.

 21...

£a5!!

 [ 21...

£xd7  22.£e5± ]

 22.

¤xf6+  ¢h8  23.£d3  ¦a1+  24.£b1  ¦a8  25.£xa1  £xa1+  26.¢d2  £xb2+  27.¢e3  £c3+

 28.

¢f4

The material difference is not as important as the fact that the 

¢ is fleeing while Black's b-

background image

13

§ is near the queening square. The White ¦s are impotent and pose no threat.

 b2  29.

¤e4  £c2

 30.

¤d2  £f5+  31.¢g3  ¦g8+  32.¢h2  £xh5+  33.¢g1  £xh6

0-1

24

Sisniega

2410

Lobron

2490

New York

1988

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.£e2  0-0

Yet another approach by

Lobron, who seems to be reluctant to repeat himself despite all successes!

 14.

¤e5

 

¦c8

 15.

¦he1  b5  16.¢b1

25

XIIIIIIIIY

9-+rwq-trk+0{

9zp-+nvlpzp-0

9-+p+psn-zp0

9+p+-sN-+P0

9-+-zP-+-+0

9+-+-+-sN-0

9PzPPvLQzPP+0

9+K+RtR-+-0

xiiiiiiiiy

A more cautious alternative to 16.

¤f5!?

 b4

 17.f4

 

¤d5=

The 

¤d5 has secured its position.

 18.

¤e4  f5!?

An important decision, which takes away the outpost at e4, but weakens e6 in the

process.

 19.

¤f2  ¥h4!  20.¤ed3  £e7

The pin at f2 does not keep White from going after e6.

 21.

£xe6+  £xe6  22.¦xe6  ¤7f6

26

XIIIIIIIIY

9-+r+-trk+0

9zp-+-+-zp-0

9-+p+Rsn-zp0

9+-+n+p+P0

9-zp-zP-zP-vl0

9+-+N+-+-0

9PzPPvL-sNP+0

9+K+R+-+-0[

xiiiiiiiiy

The standard weakness at h5 gives Black full compensation.

 23.

¦h1

 

¥xf2

 24.

¤xf2

 a5

The 

¦h1 is very passive, and Black now takes over the initiative.

 25.

¦e5  ¤d7  26.¦ee1  c5

 27.dxc5  

¦xc5  28.¤d3  ¦c7

Black still has three forms of compensation - the weakness of the 

§

at e6 and the limited scope of the 

¥d2 and, perhaps most importantly, much more active pieces.

 29.

¦e2  ¦fc8  30.¦c1  ¦c4  31.¤e5  ¤xe5  32.¦xe5  ¦d4

 [ 32...

¤xf4  33.¦xf5  ¤e2  34.¦e1  ¤g3  35.¦f3  ¤xh5³ ]

background image

14

 33.

¦e2  ¤xf4  34.¥xf4  ¦xf4  35.¦e5

27

XIIIIIIIIY

9-+r+-+k+0{

9+-+-+-zp-0

9-+-+-+-zp0

9zp-+-tRp+P0

9-zp-+-tr-+0

9+-+-+-+-0

9PzPP+-+P+0

9+KtR-+-+-0

xiiiiiiiiy

 

¦a8  36.c3  bxc3  37.¦xc3  a4  38.¦f3  ¦g4!  39.¦exf5  ¦xg2  40.¦f2  ¦g1+  41.¦f1  ¦xf1+

 42.

¦xf1  ¦a5  43.¦h1  g5  44.hxg6  ¢g7  45.b4  ¦f5  46.¢b2  ¦f3  47.¦g1  h5  48.¦g5  h4

 49.b5  h3  50.b6  a3+  51.

¢c2  ¦f6  52.¦h5  ¦xb6

½-½

25

Van Mil

2370

Fette

2385

Lugano open

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  ¥e7  13.£e2  0-0  14.¤e5

28

XIIIIIIIIY

9r+-wq-trk+0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+-zP-+-+0

9+-+-+-sN-0

9PzPPvLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

 c5!?

It is probably appropriate for Black to play this right away, before White can coordinate his

pieces.

 15.dxc5  

¥xc5  16.f4

 [ 16.

¤xd7  £xd7  17.¥g5  ¤d5  18.c4?!  ( 18.¥d2= )  18...hxg5  19.cxd5  ¦ac8!  20.¢b1  exd5

 21.h6  g6  22.

£e5  f6  23.£xd5+  £xd5  24.¦xd5  ¦fd8∓

Van der Wiel - Fette, Lugano 1989.

]

 16...

¦c8  17.¢b1  £c7  18.¤xd7  £xd7  19.¤e4  ¤xe4  20.£xe4  ¦fd8  21.£e2  £c6

(Diagram 29)

background image

15

29

XIIIIIIIIY

9-+rtr-+k+0

9zpp+-+pzp-0

9-+q+p+-zp0

9+-vl-+-+P0

9-+-+-zP-+0

9+-+-+-+-0

9PzPPvLQ+P+0

9+K+R+-+R0[

xiiiiiiiiy

Black's chances are certainly no worse here.

 22.

¥c3  ¦d5  23.¦xd5  exd5  24.¦e1  d4  25.¥d2

 

¥b6  26.£e4  £xe4  27.¦xe4  g6  28.a4  f5  29.¦e5  ¦c5  30.¦e7  ¦c7  31.¦e5  ¦c5  32.¦e1

 gxh5  33.

¥b4  ¦c4  34.¥a3  ¦xa4  35.¦e7  d3  36.cxd3  ¦xf4  37.¥d6  ¦g4  38.g3  h4  39.gxh4

 

¦xh4  40.¥e5  ¦h1+  41.¢c2  ¦e1  42.d4  f4  43.¦g7+  ¢f8  44.¦g4  ¦e4  45.¢d3  ¦e3+

 46.

¢c4  f3  47.¢d5  ¥d8  48.¦f4+  ¢g8  49.¢e6  ¥g5  50.¦f7  ¥h4  51.¦g7+  ¢f8  52.¦h7

 

¦xe5+  53.dxe5  f2  54.¦f7+  ¢e8  55.¦f3  h5  56.b3  a5  57.¦f4  ¥g3  58.¦c4  ¢d8  59.¦d4+

 

¢e8  60.¦c4  ¢d8  61.¦c1  h4  62.¢f6  h3  63.e6  ¥h4+  64.¢f7  h2  65.¦b1  ¥g5  66.¦d1+

 

¢c7  67.¢g6  ¥e7  68.¢f5  ¥b4  69.¦h1  ¢d6  70.¢g4  ¢xe6  71.¢g3  ¥d6+  72.¢g2  ¢d5

 73.

¦d1+  ¢c5  74.¢xf2  ¢b4  75.¢g2  ¥e5  76.¦d5

½-½

27

Grunfeld
Lobron

Biel

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.£e2  ¥e7  13.0-0-0  a5

30

XIIIIIIIIY

9r+-wqk+-tr0

9+p+nvlpzp-0

9-+p+psn-zp0

9zp-+-+-+P0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPPvLQzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

(For 13...c5!? see Tseshkovsky - Van Mil, Kusadasi 1990)

 14.

¤e5  a4  15.f4  a3

Black's play is

very straightforward - he thrusts the a-pawn at White's jugular!

 16.b3  0-0  17.f5

background image

16

31

XIIIIIIIIY

9r+-wq-trk+0{

9+p+nvlpzp-0

9-+p+psn-zp0

9+-+-sNP+P0

9-+-zP-+-+0

9zpP+-+-sN-0

9P+PvLQ+P+0

9+-mKR+-+R0

xiiiiiiiiy

White correctly takes aim at the weakest square in Black's camp - e6. But the reply closes the e-
file and takes the sting out of the move.

 

¤xe5!  18.dxe5

 [ 18.

£xe5  ¥d6  19.£e3  £c7

gives Black the initiative.

]

 18...

¤d5  19.¢b1

 [ 19.f6  

¥xf6!  20.exf6  £xf6

and Whtie is defenseless along the diagonal.

]

 19...

£b6  20.c4

This creates a weakness, but the 

¤d5 is simply too dominating.

 

£d4!  21.¥e1

 

¤c3+

 22.

¥xc3

 

£xc3

Black's advantage is obvious - the dark squares are his, and the

queenside lies undefended.

 23.

¦d3  £a5  24.f6

What else?

 gxf6  25.exf6  

¥xf6  26.¤e4  ¥g7±

 27.c5  f5!

Well-timed! At the risk of a slight weakening of e6, Black drives away the only enemy

piece which is causing any trouble, and simultaneously deprives c5 of its only support.

 28.

¤d6

 

£xc5  29.¦c1  £a7!

No job too humble for the 

£, which slips into defensive mode for a moment.

 30.

£xe6+  ¢h8  31.¦cd1  b5  32.¦3d2  ¦f6  33.£e2  ¦ff8  34.¦c2

The d-

‘ was not proving

useful anyway.

 f4!

The c-

§ is of no consequence.

 35.

¦xc6  £e3  36.£xb5

The endgame would

have been horrible if the 

£s came off.

 [ 36.

£xe3  fxe3  37.¤xb5  ¦a5!  38.¤c3  ¦f2∓ ]

 36...f3  37.g4

 [ 37.gxf3  

¦xf3

and the White 

¢ is in more danger than its counterpart.

]

 37...f2  38.

¤f5  £e4+  39.¢c1

32

XIIIIIIIIY

9r+-+-tr-mk0{

9+-+-+-vl-0

9-+R+-+-zp0

9+Q+-+N+P0

9-+-+q+P+0

9zpP+-+-+-0

9P+-+-zp-+0

9+-mKR+-+-0

xiiiiiiiiy

 

¦xf5!
0-1

background image

17

28

Vogt
Doleschall

Budapest

1985

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  ¥e7  13.£e2  c5  14.¦he1!  0-0

33

XIIIIIIIIY

9r+-wq-trk+0

9zpp+nvlpzp-0

9-+-+psn-zp0

9+-zp-+-+P0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPPvLQzPP+0

9+-mKRtR-+-0[

xiiiiiiiiy

This allows White to use f5 to infiltrate Black's position.

 15.

¤f5  exf5  16.£xe7  ¤e4!  17.£xd8

 

¦fxd8  18.¥e3  ¤df6  19.dxc5  ¤xh5  20.¦xd8+  ¦xd8  21.¦d1  ¦c8

34

XIIIIIIIIY

9-+r+-+k+0

9zpp+-+pzp-0

9-+-+-+-zp0

9+-zP-+p+n0

9-+-+n+-+0

9+-+-vLN+-0

9PzPP+-zPP+0

9+-mKR+-+-0[

xiiiiiiiiy

Black wisely declines the offer to enter an endgame in which White's 

¥ is stronger than Black's

¤.

 22.

¦d7  ¤xc5  23.¥xc5  ¦xc5  24.¦xb7  a5  25.¤e1

(Diagram 35)

background image

18

35

XIIIIIIIIY

9-+-+-+k+0{

9+R+-+pzp-0

9-+-+-+-zp0

9zp-tr-+p+n0

9-+-+-+-+0

9+-+-+-+-0

9PzPP+-zPP+0

9+-mK-sN-+-0

xiiiiiiiiy

White is clearly better, and in order to survive Black must try to exchange 

§s on on the » as

quickly as possible.

 

¤f4

 [ 25...f4  26.

¤d3  ¦g5  27.¦a7  ¦xg2  28.¦xa5  g5  29.c4  ¢f8

would probably not have held,

but might have provided more resistance.

]

 26.g3  

¤h3  27.¤d3  ¦d5  28.a4!

The decisive move, threatening to dominate the 5th rank.

 f4

 29.

¦b5  ¦d4

 [ 29...

¦xb5  30.axb5  fxg3  31.fxg3+- ]

 30.b3  

¤xf2  31.¤xf4

 [ 31.

¤xf2  fxg3  32.¤h3  ¦h4

and it is Black who will collect the point!

]

 31...g5  32.

¤e2  ¦d1+  33.¢b2  ¦d2  34.¦e5  f6  35.¢c3  ¦xc2+  36.¢xc2  fxe5

36

XIIIIIIIIY

9-+-+-+k+0

9+-+-+-+-0

9-+-+-+-zp0

9zp-+-zp-zp-0

9P+-+-+-+0

9+P+-+-zP-0

9-+K+Nsn-+0

9+-+-+-+-0[

xiiiiiiiiy

Black has an extra 

§ but his ¢ is too far away, and White strikes quickly!

 37.b4!

 axb4

 38.a5

 

¤g4  39.a6  ¤e3+  40.¢b3  ¤d5  41.a7  ¤c7  42.¢xb4

(Diagram 37)

background image

19

37

XIIIIIIIIY

9-+-+-+k+0{

9zP-sn-+-+-0

9-+-+-+-zp0

9+-+-zp-zp-0

9-mK-+-+-+0

9+-+-+-zP-0

9-+-+N+-+0

9+-+-+-+-0

xiiiiiiiiy

Now the Black 

¤ is relegated to the role of minder, and the White ¢ and ¤ work together toward

a successful conclusion of the game.

 

¢f8  43.¢c5  ¢e8  44.¤c3  e4

 [ 44...

¢d7  45.¤d5  ¤a8  46.¤b6++-  ¢c7  47.¤xa8+  ¢b7  48.¤b6  ¢xa7  49.¤c4  e4

 50.

¢d4  h5  51.¢xe4  h4  52.g4  ¢b7  53.¤d2  ¢c6  54.¢f5+- ]

 45.

¢c6  ¢d8  46.¤xe4  ¢c8  47.¤d6+  ¢d8  48.¤f7+

1-0

29

Lobron
Douven

Amsterdam

1987

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.£e2  a5  14.¤e5  a4  15.a3

38

XIIIIIIIIY

9r+-wqk+-tr0{

9+p+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9p+-zP-+-+0

9zP-+-+-sN-0

9-zPPvLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

Lobron, as White, chooses this prophylactic plan, but it hardly looks like a panacea for his
queenside ills, despite the success in this game.

 0-0  16.

¦h3  ¦c8

 [ 16...

£c7!?  17.¤g6  ( 17.¢b1  ¤xe5  18.dxe5  ¤d7

and the Rh3 looks a bit artificial.

)

 17...fxg6  18.

£xe6+  ¢h8  ( 18...¦f7  19.hxg6 )  19.£xe7  ( 19.hxg6  £d6! )  19...¦ae8  20.£b4

 

¤d5  21.£xa4  ¦xf2  22.hxg6  ¦xg2  23.¥xh6  gxh6!  ( 23...¦xg3  24.¥f4+ ) 24.¦xh6+

 A)  24...

¢g7?  25.¦dh1  £f4+  26.¢b1  ¦e1+  ( 26...£xh6  27.¤f5+  ¢xg6  28.¤xh6 )

 27.

¦xe1  £xh6  28.¤f5+  ¢xg6  29.¤xh6  ¢xh6  30.£b3+- ;

 B)  24...

¢g8!  25.¦dh1  £f4+  26.¢b1  ¦e1+  27.¦xe1  £xh6  28.£a8+  ¤f8∓ ]

 17.

¢b1  c5  18.¥c1  £c7  19.¤g6!  fxg6  20.£xe6+  ¢h8  21.hxg6

Now we see that the move

background image

20

¦h1-h3 can have a real impact on the kingside attack, when the other ¦ goes to h1.

 

£d6

Black tries to get rid of the big attacker which controls the important light squares.

 22.

£xd6

 

¥xd6  23.¤f5!  ¤e4  24.¤xd6  ¤xf2

 [ 24...

¤xd6  25.dxc5

wins a piece.

]

 25.

¦e1  ¤xh3  26.¤xc8  ¦xc8  27.gxh3  ¤f8  28.dxc5

39

XIIIIIIIIY

9-+r+-sn-mk0{

9+p+-+-zp-0

9-+-+-+Pzp0

9+-zP-+-+-0

9p+-+-+-+0

9zP-+-+-+P0

9-zPP+-+-+0

9+KvL-tR-+-0

xiiiiiiiiy

When the dust settles White has an extra pawn and more powerful minor piece.

 

¤xg6  29.¦e4

 

¦xc5  30.¦xa4  ¦h5  31.¦b4  ¦xh3  32.¦xb7  ¦h1  33.a4

Just a footrace.

 

¤f4  34.¦e7  ¤d5

 35.

¦e5  ¤c7  36.a5  g5  37.¦c5  ¤a6  38.¦c6  ¤b4  39.¦b6  ¤d5  40.¦b8+  ¢g7  41.a6

1-0

30

Heidrich
Lobron

2530

Bundesliga

1987

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.£e2  ¤gf6  12.¥d2  ¥e7  13.0-0-0  ¦c8

40

XIIIIIIIIY

9-+rwqk+-tr0

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPPvLQzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

It is interesting that Lobron chose this move, given his success against Grunfeld with 13...a5!? at
Lugano, 1981. But even this quiet move threatens to punch open the queenside.

 14.

¤e5  0-0

 [ 14...

¤xe5  15.dxe5  ¤d5

makes less sense with the 

¦ at c8.

]

 15.

¦he1  b5  16.¤f5!?

Sisniega - Lobron, New York 1988 saw the more conservative 16.

¢b1.

 exf5  17.

¤xd7  £xd7  18.£xe7

The little combination has created a pawn structure which would

favor White were it not for the fact that his h-

§ is so weak. But the endgame is not what Black is

background image

21

after!

 

£d5!  19.¢b1

 [ 19.

£xa7?  ¦a8  20.£c5  £xa2  21.¥b4  ¤e4

is gruesome.

]

 19...

¦ce8  20.£c7  ¦xe1  21.¦xe1  £xg2  22.¥b4  ¦e8!  23.b3

 [ 23.

¦xe8+  ¤xe8  24.£e7  £f1+  25.£e1  £xe1+  26.¥xe1  ¤f6∓ ]

 23...

¦xe1+  24.¥xe1  £e4  25.¥c3  £f3  26.£d8+  ¢h7  27.¢b2  ¤d5

41

XIIIIIIIIY

9-+-wQ-+-+0

9zp-+-+pzpk0

9-+p+-+-zp0

9+p+n+p+P0

9-+-zP-+-+0

9+PvL-+q+-0

9PmKP+-zP-+0

9+-+-+-+-0[

xiiiiiiiiy

The old notion of good 

¤ vs. bad ¥ is exemplified here.

 28.

¥e1  £e4

0-1

31

Tseshkovsky
Van Mil

Kusadasi

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.£e2  c5

42

XIIIIIIIIY

9r+-wqk+-tr0

9zpp+nvlpzp-0

9-+-+psn-zp0

9+-zp-+-+P0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPPvLQzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

(For 13...a5!?, see Gruenfeld - Lobron, Biel 1981)

 14.dxc5  

£c7  15.¤e4  ¤xe4  16.£xe4  ¤xc5

 17.

£e5??

(Diagram 43)

background image

22

43

XIIIIIIIIY

9r+-+k+-tr0{

9zppwq-vlpzp-0

9-+-+p+-zp0

9+-sn-wQ-+P0

9-+-+-+-+0

9+-+-+N+-0

9PzPPvL-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

 

¤d3+
0-1

34

Garma

2280

Lobron

2535

Novi Sad ol

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.¢b1

44

XIIIIIIIIY

9r+-wqk+-tr0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9+K+R+-+R0

xiiiiiiiiy

 c5!

White's quiet move allows Black to resolve the central questions immediately.

 14.

¤e4

 [ 14.dxc5

 

¤xc5  15.£b5+  £d7  16.£xd7+  ¤cxd7

gives Black an excellent and solid

position.

]

 14...0-0  15.dxc5

 [ 15.

¥c3!?  b6  16.¤xf6+  ¤xf6

looks about even.

]

 15...

¤xc5  16.¤xc5  ¥xc5  17.£e2  £b6³

Black already has the initiative, and f2 is feeling the

heat.

 18.

¤e5  ¦fd8!

 [ 18...

¥xf2?  19.¦hf1  ¥d4  20.¤c4  £c5  21.c3  b5  22.¥xh6

 A)  22...bxc4  23.cxd4  ( 23.

¦xd4  gxh6  24.¦xf6  £g5  25.¦ff4  e5-+ ) 23...£e7  24.¥g5± ;

 B)  22...

£xc4  23.£xc4  bxc4  24.cxd4  gxh6  25.¦xf6  ¢g7  26.¦f4²

since the c-

§ is difficult

to defend.

]

 19.g4  

¥d4  20.¤d3  ¤d5

All of Black's pieces are getting into the act, while White's are badly

placed.

 21.g5

background image

23

45

XIIIIIIIIY

9r+-tr-+k+0{

9zpp+-+pzp-0

9-wq-+p+-zp0

9+-+n+-zPP0

9-+-vl-+-+0

9+-+N+-+-0

9PzPPvLQzP-+0

9+K+R+-+R0

xiiiiiiiiy

Not finding an effective defense, White decides to counterattack.

 hxg5  22.h6

 [ 22.

¥xg5??  ¤c3+ ]

 22...g6  23.h7+  

¢h8

The Black king is now perfectly safe, and all endgames are winning for him,

too.

 24.c4  

¤f4  25.¥xf4  gxf4  26.¤e5  £c7  27.¦xd4  ¦xd4  28.b3

 [ 28.

¤xg6+  fxg6  29.£xe6  £g7-+

is a complete defense.

]

 28...

¦ad8  29.¤f3  £c5  30.¤xd4  £xd4

The return of the exchange secures an easy win.

 31.

¢c2  e5∓  32.b4  f3  33.£xf3  £xc4+  34.¢b1  £xb4+  35.¢a1  £d4+  36.¢b1  ¦d6

0-1

40

Wheldon
Lobron

London

1987

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  ¥e7  13.c4  0-0  14.¥c3

46

XIIIIIIIIY

9r+-wq-trk+0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-vLQ+NsN-0

9PzP-+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is yet another line where an early c4 by White is not effective because Black, having castled
short, can strike quickly on the queenside.

 b5  15.

¤e5

 [ 15.c5  

¤d5

∆ b4.

]

 [ 15.cxb5?

 cxb5

and White is in bad shape, with Black commanding d5, the c-

‘, and

threatening an advance of the b-

§.

]

 15...bxc4  16.

£xc4  ¤b6!  17.¥a5

 [ 17.

£xc6  ¦c8  18.£b7  ¤bd5  19.¤e2  ¤e4  20.¦hf1  ¤dxc3  21.bxc3  ¤xc3  22.¤xc3  ¦xc3+

background image

24

 23.

¢b2  ¦c7

And the 

¢ is stipped bare.

]

 17...

¤xc4  18.¥xd8  ¦fxd8  19.¤xc4  ¦d5

47

XIIIIIIIIY

9r+-+-+k+0

9zp-+-vlpzp-0

9-+p+psn-zp0

9+-+r+-+P0

9-+NzP-+-+0

9+-+-+-sN-0

9PzP-+-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

After a few forced moves Black has many targets on both sides of the board, while White cannot
easily get at the weakness at c6.

 20.

¤e3  ¦g5  21.¦h4  ¦b8  22.¦d3  ¦b7  23.¦b3

Advancing

the b-

§ would weaken too many dark-squares.

 

¦xb3  24.axb3  ¥d6!  25.¤ef1  ¢f8  26.¢c2

 

¢e7

48

XIIIIIIIIY

9-+-+-+-+0

9zp-+-mkpzp-0

9-+pvlpsn-zp0

9+-+-+-trP0

9-+-zP-+-tR0

9+P+-+-sN-0

9-zPK+-zPP+0

9+-+-+N+-0[

xiiiiiiiiy

Even if the players were evenly matched, White would not be likely to hold the game, given his
many weaknesses. In this game, Lobron cleans up.

 27.f4  

¦g4  28.¦xg4  ¤xg4  29.¤e2  ¤f6

 30.

¤fg3  ¤d5  31.f5  ¤e3+!  32.¢d3  ¤xg2  33.¢e4  ¤h4  34.fxe6  ¢xe6  35.¤f1

It is not clear

whether White lost on time, or simply gave up. but after 35... g5 the win is simple.

0-1

44

Vitolins
Kivlans

Latvian ch

1978

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.c3  ¤gf6  13.a4  c5

The normal move, although

Bronstein's 14...Nd5 is my preference.

 14.0-0  

¥e7!?  15.¦fe1  0-0

 [ 15...

¤d5?!  16.¥d2  cxd4  17.¤xd4  0-0  18.c4  ¤b4  19.£b3  £b6  20.¤gf5!±

ERmenkov -

Gomez, Thessaloniki ol 1984.

]

 16.

¤f5?!

background image

25

 [ 16.

¤e5!  ¤xe5  17.dxe5  ¤d5  18.¥d2  ¦fd8  19.¤e4  ¤f6

(Kasparov & Shakarov)

 20.

¤xf6+

 

¥xf6  21.£g3  ¥h4  22.£xh4  ¦xd2  23.b4

with counterplay.

]

 16...

¦fe8

 [ 16...exf5?  17.

¦xe7  cxd4  18.¤xd4

]

49

XIIIIIIIIY

9r+-+r+k+0

9zpp+nvlpzp-0

9-+-+psn-zp0

9wq-zp-+N+P0

9P+-zP-vL-+0

9+-zPQ+N+-0

9-zP-+-zPP+0

9tR-+-tR-mK-0[

xiiiiiiiiy

 17.

¤xh6+!?  gxh6  18.¤e5  ¤xe5  19.dxe5  ¤h7

This position is more dangerous for Black

than might appear at first sight.  His 

£ is far away and the ¦s are not of much use either. White

has paths for his 

¦s to get into the game, and he will have 2 §s as material compensation.

 20.

¥xh6  ¥f8  21.¥f4  ¢h8

The h-

‘ is obviously safer than the g-‘.

 22.

¦e4  £c7  23.¦ae1÷

 

¥e7  24.¥h6  ¦g8

 [ 24...

¥f8  25.£e3  ( 25.¥xf8  ¦xf8

and it is difficult to continue the attack.

;  25.

¥f4!? ) 25...¥xh6

 26.

£xh6  ¦g8  27.¦f4  ¦g7

looks more solid.

]

 25.

£f3  ¥g5  26.¥xg5  ¦xg5  27.g4  ¦d8∓  28.£e2  f5  29.exf6  ¤xf6  30.¦xe6  ¦xg4+  31.¢f1

 

¦dg8  32.£e5  ¦g1+  33.¢e2  ¦xe1+  34.¢xe1  £xe5+  35.¦xe5  ¦e8  36.¦xe8+  ¤xe8

50

XIIIIIIIIY

9-+-+n+-mk0

9zpp+-+-+-0

9-+-+-+-+0

9+-zp-+-+P0

9P+-+-+-+0

9+-zP-+-+-0

9-zP-+-zP-+0

9+-+-mK-+-0[

xiiiiiiiiy

Because the Black 

¢ is so far away from the «, his material advantage is not sufficient for victory.

 37.

¢e2  ¤d6  38.b4  ¤e4  39.¢d3  ¤xf2+  40.¢c4  cxb4  41.cxb4  ¤d1  42.a5  ¢g7  43.¢c5

 

¤c3  44.¢d6  b6  45.¢c6

and the pawns must leave the board, and with them, any hopes for a

Black win.

½-½

background image

26

45

Gaprindashvili
Nikolac

Wijk aan Zee

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.c3  ¤gf6  13.a4  c5  14.0-0  ¦c8?!  15.¦fe1  c4

 16.

£c2  ¥e7

 [ 16...

¤d5  17.¥e5!?  f6  18.£g6+  ¢d8  19.¤e4  fxe5  20.dxe5N

∆ ¤f3-d4xe6+.

]

 17.

¤e5  0-0

51

XIIIIIIIIY

9-+r+-trk+0

9zpp+nvlpzp-0

9-+-+psn-zp0

9wq-+-sN-+P0

9P+pzP-vL-+0

9+-zP-+-sN-0

9-zPQ+-zPP+0

9tR-+-tR-mK-0[

xiiiiiiiiy

 18.

¤f5!  ¦fe8?

 [ 18...exf5?  19.

¤xd7  ¤xd7  20.¦xe7± ]

 [ 18...

£d8!

was the best chance, though White still has a strong position.

]

 19.

¤xg7!!

led to a brilliant and vicious conclusion.

 

¢xg7  20.¥xh6+  ¢xh6  21.¤xf7+  ¢xh5

 22.g4+!  

¢h4  23.f3  ¤xg4  24.¦e4

1-0

46

Panchenko
Bronstein

Moscow Ch

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.c3  ¤gf6  13.a4

(Diagram 52)

background image

27

52

XIIIIIIIIY

9r+-+kvl-tr0{

9zpp+n+pzp-0

9-+p+psn-zp0

9wq-+-+-+P0

9P+-zP-vL-+0

9+-zPQ+NsN-0

9-zP-+-zPP+0

9tR-+-mK-+R0

xiiiiiiiiy

In this line White intends to castle short, so that his 

¢ does not become a target on the «. 13...c5

is normal but Bronstein's move is also appealing.

 

¤d5!?  14.¥d2  £c7

Black follows the normal

strategy of keeping control of f4. White's position already seems artificial, especially the pawn
advances on the 

«.

 15.

¢f1

So now White decides to attack on the 

», and figures that the ¦ is

better on h1.

 a5  16.

£e2  ¥e7  17.¤e5  ¤xe5  18.£xe5

 [ 18.dxe5  

¥g5!?  19.¥xg5  hxg5

and Black controls f4.

]

 18...

£xe5  19.dxe5  ¤b6

This 

¤ will be effective on the light squares on the a6-f1 diagonal, and

in particular, the weakness at c4.

 20.

¥f4

53

XIIIIIIIIY

9r+-+k+-tr0{

9+p+-vlpzp-0

9-snp+p+-zp0

9zp-+-zP-+P0

9P+-+-vL-+0

9+-zP-+-sN-0

9-zP-+-zPP+0

9tR-+-+K+R0

xiiiiiiiiy

 f5!?

It is not clear that this radical move was necessary.

 [ 20...

¤c4!? ]

 [ 20...0-0-0!? ]

 21.exf6  gxf6  22.

¢e2  ¢f7  23.¦hd1  f5

Bronstein seems obsessed with this move!

 24.

¥e3

 [ 24.

¥e5  ¦hd8

∆ ¤c4.

]

 24...

¤d5  25.¥d4  ¦hd8  26.c4

The powerful 

¤ must be dislodged, but this is achieved only at a

great cost to the queenside structure.

 

¤f6

∆ f5-f4 ×h5.

 27.

¥e5  ¤g4  28.¥c7  ¦dc8!  29.¥f4

 e5

³  30.¥d2  ¢e6  31.¥c3  ¥c5∓  32.¤h1  ¦g8!  33.¢f1  f4!

The weakness of the 

§ at h5 is now

a critical liability for White.

 34.

¦d3  ¦g5  35.¦h3  b6

By defending the 

§ at a5, Black now frees

the 

¦ to join its colleague, by traveling to f5.

 36.

¦e1  ¦d8  37.¢e2  e4  38.f3  ¤e5  39.¥xe5

(Diagram 54)

background image

28

54

XIIIIIIIIY

9-+-tr-+-+0{

9+-+-+-+-0

9-zpp+k+-zp0

9zp-vl-vL-trP0

9P+P+pzp-+0

9+-+-+P+R0

9-zP-+K+P+0

9+-+-tR-+N0

xiiiiiiiiy

 

¦xg2+!  40.¢f1  ¦dd2  41.¥d4  e3!

 [ 41...

¥xd4  42.¦xe4+  ¢f5  43.¦xd4 ]

 42.

¥xc5

 bxc5

 43.

¦h4

and White resigned (presumably at adjournment) since the 

¤ is

permanently trapped and Black can simply defend his f-

§ and then eradicate the « §s.

0-1

49

Belyavsky
Tal

USSR

1981

[Schiller/Tal]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e5  0-0  14.£e2  £a5

55

XIIIIIIIIY

9r+-+-trk+0

9zpp+nvlpzp-0

9-+p+psn-zp0

9wq-+-sN-+P0

9-+-zP-vL-+0

9+-+-+-sN-0

9PzPP+QzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

 15.

¢b1  ¦ad8  16.c4

 [ 16.

¤g6!?  fxg6  17.£xe6+  ¢h8  18.£xe7  ( 18.hxg6  ¤g8 )  18...¤d5  19.¥d2  £xa2+

 20.

¢xa2  ¤xe7  21.¥b4  c5

is given by Tal, who suggests that there are chances for both sides.

I think that White is perhaps for choice after...

 22.dxc5  

¤c6  23.¥c3  g5  24.f3  ¤xc5  25.¦xd8

 

¤xd8  ( 25...¦xd8  26.¤f5! ) 26.¥b4  b6  27.¦e1 ]

 16...

¤xe5  17.dxe5  ¤d7  18.¦d2

 [ 18.a3!?  

¤c5  19.£c2 ]

 18...

¥g5!  19.¥xg5  hxg5  20.h6

 [ 20.

¦hd1?  ¤xe5!  21.¦xd8  ¦xd8  22.¦xd8+  £xd8  23.£xe5??  £d1# ]

 20...

¤xe5!

background image

29

 [ 20...

£xe5?  21.h7+  ¢h8 ]

 [ 20...g6?  21.h7+  

¢h8  22.¦hd1± ]

56

XIIIIIIIIY

9-+-tr-trk+0

9zpp+-+pzp-0

9-+p+p+-zP0

9wq-+-sn-zp-0

9-+P+-+-+0

9+-+-+-sN-0

9PzP-tRQzPP+0

9+K+-+-+R0[

xiiiiiiiiy

 21.

¦d5!

A beutiful isolation theme one would expect more often from the player of the Black

pieces. In addition, it is the only move.

 [ 21.hxg7?  

¦xd2  22.gxf8£+  ¢xf8  23.£e4  ¤d3-+ ]

 [ 21.

¦xd8?  ¦xd8  22.hxg7  ¢xg7∓ ]

 21...

¦xd5

 [ 21...exd5  22.

£xe5  gxh6  23.¤f5  f6  24.£e6+  ¢h8  25.¦xh6# ]

 22.cxd5  

£xd5  23.hxg7  ¢xg7

and here the game was agreed drawn because of

 24.

¤h5+

 

¢g6  25.¤f4+  gxf4  26.£h5+  ¢f6  27.£h4+  ¢f5  28.£h5+
½-½

50

Timman
Lobron

Plovdiv

1983

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e5  0-0  14.£e2  a5

57

XIIIIIIIIY

9r+-wq-trk+0

9+p+nvlpzp-0

9-+p+psn-zp0

9zp-+-sN-+P0

9-+-zP-vL-+0

9+-+-+-sN-0

9PzPP+QzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

 15.c4?!

 [ 15.

¦he1

looks much more promising.

]

background image

30

 15...a4  16.

¢b1  a3  17.b3  ¦a6  18.£f3  £c8  19.¦he1  ¦d8  20.£e3  c5  21.¤xd7  ¦xd7

½-½

51

Karpov
Huebner

Tilburg

1982

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e5  0-0  14.c4

58

XIIIIIIIIY

9r+-wq-trk+0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+PzP-vL-+0

9+-+Q+-sN-0

9PzP-+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is a logical continuation, and Black will have to play very carefully, or perhaps very
recklessly, to maintain good chances.

 c5

 [ 14...

¤xe5

is worth testing.

 15.dxe5  ( 15.

¥xe5  ¤g4 ) 15...£c7

- Kasparov & Shakarov.

]

 15.d5  

¤xe5

 [ 15...exd5

concedes control of f5, which can be exploited immediately by

 16.

¤f5! ]

 16.

¥xe5  ¤g4

59

XIIIIIIIIY

9r+-wq-trk+0

9zpp+-vlpzp-0

9-+-+p+-zp0

9+-zpPvL-+P0

9-+P+-+n+0

9+-+Q+-sN-0

9PzP-+-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

Suddenly the game takes on a highly aggressive character.

 17.

¥xg7!?

 [ 17.f4  

¤f2  18.£e2÷  ( 18.£c3?  ¤xd1  19.¦xd1  f6  20.dxe6  £b6!  21.¤f5  £xe6  22.¤xe7+

 

£xe7  23.¥d6  £e4!  24.¥xf8  £xf4+∓ )]

 17...

¢xg7

 [ 17...

¤xf2  18.£f3  ¤xh1  19.¥xf8  ¥g5+  20.¢b1  ¤xg3÷

is given by Kasparov & Shakarov.

]

 18.

£e2  ¥g5+

 [ 18...

¤f6  19.dxe6  £c7  20.¤f5+  ¢h7  21.£c2! ]

background image

31

 19.

¢b1  ¤f6  20.dxe6  £c8  21.e7  ¦e8  22.¦d6!

The 

¦ becomes a direct participant in the

attack.

 

£g4

 [ 22...

¥f4  23.¦xf6!  ¢xf6  ( 23...¥xg3  24.£f3  ¦xe7  25.fxg3± )  24.£f3  £c7  25.¤e2  ¦xe7

 26.

¤xf4  ¢g7  27.¤d5± ]

 23.

£e5  ¢g8

60

XIIIIIIIIY

9r+-+r+k+0

9zpp+-zPp+-0

9-+-tR-sn-zp0

9+-zp-wQ-vlP0

9-+P+-+q+0

9+-+-+-sN-0

9PzP-+-zPP+0

9+K+-+-+R0[

xiiiiiiiiy

 24.

¦e1!

 [ 24.

¦xf6  ¥xf6  25.£xf6  £e6³ ]

 24...

¤d7  25.¦xd7!

This sacrifice deflects the Black 

£ into a position where it can be forced from

the board, leading to an endgame which is easy for a player of Karpov's ability.

 

£xd7

 26.

¤f5

 f6

 [ 26...

£d3+  27.¢a1  £d4  28.¤xd4  ¦xe7  29.£xe7  ¥xe7  30.¤f5  ¥g5²

Perhaps this

evaluation understates the advantage, but where Varnusz sees +- is beyond me!

 31.

¦e5 ]

 27.

£d5+!  £xd5  28.cxd5

Although the material imbalance is still huge, Black's 

¦ lie impotently

on the back rank and are no match for White's extra 

§s. The ¥ doesn't do much, either .

 

¥f4

 29.g3  

¥c7  30.¢c2  b5

 [ 30...

¢h7  31.d6  ¥a5  ( 31...¥xd6  32.¤xd6  ¢g8  33.¤xb7  ¦ab8  34.¤d6± ) 32.¦e6

∆ d7.

]

 31.

¤xh6+

 [ 31.d6  

¥xd6  32.¤xd6  ¦ab8  33.¤xe8  ¦xe8³

and the e-

§ falls.

]

 31...

¢h7  32.¤f5  ¦g8  33.d6  ¥a5  34.¦e6  ¦g5  35.¦xf6  ¦xh5  36.d7  ¦h2  37.¤e3

1-0

52

Andres
A.Rodriguez

Palma Sonano

1983

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+  12.c3  ¥e7  13.0-0-0  ¤gf6  14.¤e5  0-0  15.c4²

White is better, according to ECO II (1987)

 c5  16.d5  exd5

 [ 16...

¤xe5  17.¥xe5² ]

 17.

¤f5!  ¤xe5  18.¥xe5  ¤g4!  19.¥xg7  ¥g5+

 [ 19...

¤xf2  20.£f3  ( 20.¤xe7+  £xe7  21.£g3  £g5+  22.£xg5  hxg5  23.¥xf8  ¦xf8  24.cxd5

 

¤xh1  25.¦xh1  ¦d8  26.¦d1  f5

gives Black the better endgame.

 20...

¥g5+  21.¢b1

is given by Rodriguez without further comment.

 

¤xh1  22.¥xf8  £xf8  23.¦xh1  dxc4  24.£xb7

 

¦b8!  25.£xa7  c3  26.b3  £e8

looks very good for Black.

]

background image

32

61

XIIIIIIIIY

9r+-wq-trk+0

9zpp+-+pvL-0

9-+-+-+-zp0

9+-zpp+NvlP0

9-+P+-+n+0

9+-+Q+-+-0

9PzP-+-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

 20.f4

 [ 20.

¢b1  ¤xf2  21.£f3  ¤xd1  ( 21...¤xh1  22.¦xd5

gives White a very strong attack, as the 

¤

at h1 has no significance.

 22.

¦xd1  ( 22.¥xf8  £xf8  23.¦xd1  dxc4∓ )  22...¦e8

leads to

unclear complications after 23.

¥xh6 or 23.cxd5.

]

 20...

¥xf4+  21.¢b1  ¦e8

 [ 21...dxc4  22.

£e4!  £g5  23.¦hf1+- ]

 [ 21...

¤f2  22.£f3  ¤xd1  ( 22...£g5  23.¦xd5 ) 23.£xf4  £g5  24.¤xh6++- ]

 22.

£f3

 [ 22.

¦hf1!?

is suggested by Rodriguez.

]

 22...

£g5

and the position was agreed drawn, though there remains much to examine here.

 23.

¦xd5

62

XIIIIIIIIY

9r+-+r+k+0{

9zpp+-+pvL-0

9-+-+-+-zp0

9+-zpR+NwqP0

9-+P+-vln+0

9+-+-+Q+-0

9PzP-+-+P+0

9+K+-+-+R0

xiiiiiiiiy

 

¦e5!!

What a brilliant exploitation of an interference theme! What follows is based on analysis by

Amador Rodriguez, published in Chess Informant 36.

 24.

¦xe5

 [ 24.

¥xe5  £xf5+  25.£d3  £xd3+  26.¦xd3  ¤xe5  27.¦d5  ¦e8  ( 27...b6?  28.¦h4  ¥g3

 29.

¦h3+- ) 28.¦xc5  ¤d3  29.¦f5  ¥g5³ ]

 24...

¤xe5

 [ 24...

¥xe5  25.¦h4!  £d2  26.¥xe5  £e1+  27.¢c2  ¤xe5  28.£e4  £f2+  29.¢b3± ]

 25.

£e4  ¤xc4!  26.¦d1!!  ¤d6

 [ 26...

¤d2+  27.¦xd2  ¥xd2  28.¥xh6 ]

 27.

¤xd6

 [ 27.

¦xd6?!  ¥xd6  28.¥xh6  £xh5∓ ]

 27...

¥xd6  28.¥c3

and here Rodrriguez indicates that White's initiative compensates for the 

§.

Unless he can contest some of the central light squares, it seems to me that Black might be in
considerable trouble here.

½-½

background image

33

56

Timman
Huebner

Tilburg

1982

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¤gf6  12.0-0-0  ¥e7  13.¤e5  0-0  14.¤xd7  £xd7  15.¥e5

63

XIIIIIIIIY

9r+-+-trk+0{

9zpp+qvlpzp-0

9-+p+psn-zp0

9+-+-vL-+P0

9-+-zP-+-+0

9+-+Q+-sN-0

9PzPP+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This plan, which does not involve the exchange of the other pair of 

¤s, was introduced by Jan

Timman in this game.

 

¦ad8

It is not clear what Kasparov really thinks about this move. In BCO II

(1989) he provides no alternative, but in the 1983 book with Shakarov he suggests an idea which
remains untested.

 [ 15...

¤g4!?

This move, given without further comment, deserves serious investigation, since I

think that it will be hard for Black to equalize later.

]

 16.

£e3  £d5  17.¢b1  ¦d7?!

 [ 17...b5

is suggested without further comment in Kasparov & Shakarov, but I am not sure that

Black is secure here.

 18.f3!

White now threatens to plant a 

¤ at e4 and continue with his »

attack. I think that Black is worse here, lacking clear counterplay, e.g.

 

¤d7

 19.

¥c7

 

¦c8

 20.

¥f4  ¦fd8  21.¤e4  c5  22.g4  cxd4  23.¦xd4  £c6  24.¦h2

∆ g5.

]

 18.c4

 

£a5

 19.f4

 b5

Now it is too late, becuase White can advance the c-

§ and seal the

position.

 20.c5

±  ¦d5  21.f5  ¤d7  22.¥f4  £d8  23.fxe6  fxe6  24.£xe6+  ¦f7  25.¦hf1!

Black's position is now hopeless.

 

¤f6  26.¤f5  ¥f8  27.¥e5  £d7  28.¤xh6+  gxh6  29.¦xf6

 

¥g7  30.£xd7  ¦fxd7  31.¦df1  ¥xf6  32.¦xf6  ¦g7  33.¦xc6  ¦xg2  34.¦g6+  ¦xg6  35.hxg6

 h5  36.c6  

¦d8  37.¥f6  ¦d6  38.c7  ¦c6  39.¥e5  ¢f8  40.d5  ¦c4  41.b3

1-0

57

Zapata
Garcia Palermo

Bayamo

1983

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¤gf6  12.0-0-0  ¥e7  13.¤e5  0-0  14.¢b1

(Diagram 64)

background image

34

64

XIIIIIIIIY

9r+-wq-trk+0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+-zP-vL-+0

9+-+Q+-sN-0

9PzPP+-zPP+0

9+K+R+-+R0

xiiiiiiiiy

 

¤xe5  15.¥xe5  ¤g4  16.£e2  ¤xe5  17.dxe5  £c7

White has some pressure here, with a

promising outpost at d6 and temporary control of the d-

‘. But at the same time he has to worry

about the weak 

§s at e5 and h5.

 18.f4

 

¦ad8

 19.

¦df1

White trades the d-

‘ for attacking

potential on the 

». But Black's position is solid, and there is no need for concern.

 

£a5

 20.

¤e4

 

¦d4!  21.c3  ¦d7

The 

¦ is driven back but doubling will still be possible, and now there is a slight

crack in the kingside pawn structure.

 22.g4  

¦fd8  23.¦h3  £a4!

Taking advantage of the fact

that d1 is now under-defended.

 24.b3  

£b5

An interesting decision. Black calculates that despite

the small weaknesses, White's 

« is solid enough to withstand any attack, while the Black ¢ is

less secure.

 [ 24...

£a5  25.g5  b5  26.gxh6  b4  27.£g4+- ]

 25.

£xb5

 [ 25.

£g2  ¦d3!  26.g5  ¦xh3  27.£xh3  hxg5  28.fxg5  £d3+  29.£xd3  ¦xd3  30.¢c2  ¦e3

 31.

¦f4  ¦e2+  32.¢b1  ¥a3³ ]

 25...cxb5  26.

¢c2

65

XIIIIIIIIY

9-+-tr-+k+0{

9zpp+rvlpzp-0

9-+-+p+-zp0

9+p+-zP-+P0

9-+-+NzPP+0

9+PzP-+-+R0

9P+K+-+-+0

9+-+-+R+-0

xiiiiiiiiy

The menacing kingside 

§s are now a liability in the endgame.

 b4  27.

¦g3  bxc3  28.¦xc3  ¥b4

 29.

¦e3  ¦d4  30.¦e2

½-½

background image

35

58

De Firmian
Korchnoi

Lugano

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e5  0-0

This has become

established as the major continuation, since 13...a5 is too risky.

 14.

¤e4  ¤xe4  15.£xe4  ¤xe5

 16.

¥xe5

The elimination of the 

¤s has not achieved anything for White.

 

£d5!

Inviting an

exchange which would lead to a dead drawn endgame. But De Firmian insists on continuing the
battle.

 17.

£g4!?  f6  18.¥f4  £xa2!

Perhaps White was already regretting his decision, as it is

Black who has all the attacking chances here.

 19.

¥xh6  ¦f7  20.c3  a5  21.¥d2  a4  22.¢c2

Time to evacuate! It is clear that only one 

¢ is in danger here, and it isn't Korchnoi's!

 

£b3+

 23.

¢d3  ¦d8  24.¢e2  e5!

66

XIIIIIIIIY

9-+-tr-+k+0

9+p+-vlrzp-0

9-+p+-zp-+0

9+-+-zp-+P0

9p+-zP-+Q+0

9+qzP-+-+-0

9-zP-vLKzPP+0

9+-+R+-+R0[

xiiiiiiiiy

Open lines will lead to a quick finish.

 25.dxe5  

£b5+  26.¢e1  £xe5+  27.¥e3  ¦xd1+  28.¢xd1

 

£d5+  29.¢e2  f5!

The a- and e-

§s have had their say, and now it is time for the f-§ to finish the

game.

 30.

£g6  f4  31.¥c1  ¥c5  32.£d3  £xg2!

And it is all over but the shouting.

 33.

¦f1

 

£g4+  34.¢d2  ¦d7
0-1

60

Belyavsky
Larsen

Tilburg

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e5  a5

(Diagram 67)

background image

36

67

XIIIIIIIIY

9r+-wqk+-tr0

9+p+nvlpzp-0

9-+p+psn-zp0

9zp-+-sN-+P0

9-+-zP-vL-+0

9+-+Q+-sN-0

9PzPP+-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

It is well-known that Larsen is enamored of rook pawns. This plan, however, should be
postponed until castling has been completed.

 14.

¦he1  a4?  15.¤g6!  ¤d5

 [ 15...fxg6  16.

£xg6+  ¢f8  17.¦xe6

∆ ¤f5.

 

£e8  18.¦de1  £xg6  19.hxg6  ¥b4  20.c3  ¤d5

 21.

¥d2  ¥a5  22.c4  ¥xd2+  23.¢xd2  ¤5f6  24.¦e7±

∆ ¦f7, ¤f5 etc.

]

 [ 15...a3!

is the most vigorous reply.

 16.b3!  ( 16.

¤xh8  axb2+  17.¢b1  ¦a3  18.£e2  £a5

 19.

¥d2  £a7© )  16...¤d5  ( 16...fxg6  17.£xg6+  ¢f8  18.¦xe6  £e8  19.¤f5!  £xg6  20.hxg6

 

¥b4  21.c3  ¤d5  22.cxb4  ¤xf4  23.¦e7± )  17.¤f5!  exf5  18.¤xe7!  ¤xe7  19.¥d6  ¤e5

 20.dxe5  0-0  21.e6!  

¤d5  22.e7  £xd6  23.exf8£+  ¢xf8  24.£xf5

and Black has no way to

get to the long diagonal (a1-h8), and so he is just an exchange down. (Analysis by Belyavsky.
)

]

 16.

¤f5  ¥f8

 [ 16...exf5  17.

¤xe7  ¤xf4  ( 17...¤xe7  18.¥d6 ) 18.¤g6+  ¤e6  19.¤xh8+- ]

 17.

¥d6  ¦g8  18.c4  ¤b4  19.£h3!

68

XIIIIIIIIY

9r+-wqkvlr+0{

9+p+n+pzp-0

9-+pvLp+Nzp0

9+-+-+N+P0

9psnPzP-+-+0

9+-+-+-+Q0

9PzP-+-zPP+0

9+-mKRtR-+-0

xiiiiiiiiy

White gets ready to exploit the weakness of the light squares on the 

». Except for the ¦ at d1, all

of Whitels pieces participate in the attack.

 fxg6

 [ 19...

¥xd6  20.¤xd6# ]

 20.

¦xe6+  ¢f7  21.hxg6+!!  ¢xe6  22.¦e1+  ¤e5  23.¥xe5

and Black resigned, rather than face

an ignominious checkmate.

 

¤d3+  24.¢b1  ¤xe5

 [ 24...

¢d7  25.¤xg7+  ¢e7  26.£e6# ]

 25.

¦xe5+  ¢f6  26.¤g3  £c8  27.£h5  ¥d6  28.¤e4#

1-0

background image

37

65

Geller
Burger

Reykjavik

1984

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.¤e4

69

XIIIIIIIIY

9r+-wqk+-tr0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zPNvL-+0

9+-+Q+N+-0

9PzPP+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

Black can achieve a reasonable game by exchanging knights here.

 

¤xe4

 14.

£xe4

 

£a5?

But excessive greed can land him in deep trouble!

 [ 14...

¤f6

is the obvious and natural move.

 15.

£d3  ( 15.£e2  £d5  16.¢b1

is evaluated as

better for White by Karpov - a remark which Kasparov & Shakarov quote but do not comment
on. This received a test (via transposition) in Kupreichik - Lobron, Ljubljana 1989 (16...0-0).

)

 15...

£d5  ( 15...£a5?  16.¢b1  ¤xh5  17.¥d2!± ) 16.c4  £e4= ]

 15.

¢b1  ¤f6  16.£e2

 [ 16.

£d3

is also good, since the pawn cannot be captured due to the trap mentioned in the

previous note.

]

 16...

£b5

 [ 16...

¤xh5??  17.¥d2± ]

 17.

¦d3!

 [ 17.

£xb5  cxb5

is still about even, because Black controls the light squares c4, d5, and e4.

]

 17...

¤xh5  18.¥c1  ¤f6  19.¤e5  £d5

 [ 19...0-0  20.g4

with a strong attack.

]

 20.

¦hd1

 b5

Black must try to prevent c4 followed by a breakthrough in the center.

 21.f4!

This simultaneously protects g2 and threatens to advance and disrupt the Black forecourt.

 g6?!

This doesn't really help.

 [ 21...

¦f8  22.f5  0-0-0?  23.¤xc6! ]

 22.g4  

¦b8  23.f5  gxf5  24.gxf5±  ¦b7  25.fxe6  £xe6

(Diagram 70)

background image

38

70

XIIIIIIIIY

9-+-+k+-tr0

9zpr+-vlp+-0

9-+p+qsn-zp0

9+p+-sN-+-0

9-+-zP-+-+0

9+-+R+-+-0

9PzPP+Q+-+0

9+KvLR+-+-0[

xiiiiiiiiy

 26.

£f1!  ¤d5  27.¦f3  ¦h7  28.£g1!

Black could resign here.

 

¥h4

 [ 28...

¥f8  29.¦e1  ¦e7  30.¥d2  £d6  31.£g8  ¦g7  32.£h8  f6  33.£xh6  ¦g5  34.£h8+- ]

1-0

66

Kupreichik
Lobron

Ljubljana

1989

[Schiller]

 1.e4  c6  2.

¤c3  d5  3.d4  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥f4  ¤gf6  10.¥d3  ¥xd3  11.£xd3  e6  12.0-0-0  ¥e7  13.¢b1  0-0

71

XIIIIIIIIY

9r+-wq-trk+0

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-vL-+0

9+-+Q+NsN-0

9PzPP+-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

This is the newer approach from Lobron, one of the most successful employers of the Classical
Caro-Kann, who knows when to push his a-

§!

 14.

¤e4

 

¤xe4

 15.

£xe4

 

¤f6

 16.

£e2

We now have a line similar to that which arises after 13.

¤e4, which is not a promising line for

White, though Karpov seems to think that White has an advantage here, if Black plays his 

£ to

d5.

 

£d5

Evidently, Lobron disagrees.

 17.

¤e5  £e4!

This 

£ maneuver lies at the heart of many

of Black's games. In the endgame Black's chances are quite good, because the 

§ at h5 is

generally a liability.

 18.

£d2

 [ 18.

£xe4  ¤xe4

does not give White anything - see Thorsteins - Lobron, Reykjavik 1984.

]

 18...

¤d5

Lobron deftly exploits the d5-square.

 19.

¥g3  ¦fd8  20.¦de1  £f5

background image

39

72

XIIIIIIIIY

9r+-tr-+k+0

9zpp+-vlpzp-0

9-+p+p+-zp0

9+-+nsNq+P0

9-+-zP-+-+0

9+-+-+-vL-0

9PzPPwQ-zPP+0

9+K+-tR-+R0[

xiiiiiiiiy

Black has achieved full equality.

 21.

¤d3  ¦ac8  22.¥e5  c5

The thematic advance has been

well-prepared.

 23.dxc5  f6!

 [ 23...

¥xc5  24.¤xc5  ¦xc5  25.g4!? ]

 24.g4  

£f3

 [ 24...

£xg4

would be very risky.

 25.

¦eg1  £b4  26.£xh6  ¥f8  27.¥d6 ]

 25.

¥d4  £xg4

But now there is a gain of tempo involved.

 26.

¥e3  £f5  27.¥xh6!?

73

XIIIIIIIIY

9-+rtr-+k+0{

9zpp+-vl-zp-0

9-+-+pzp-vL0

9+-zPn+q+P0

9-+-+-+-+0

9+-+N+-+-0

9PzPPwQ-zP-+0

9+K+-tR-+R0

xiiiiiiiiy

Is this sacrifice necessary or correct or simply optimistic?

 gxh6

 28.

£xh6

 

¢f7

 29.

£c1

The retreat is motivated by the fact that Black is getting ready to attack by moving his 

¤ and then

sacrificing the exchange on d3. Clearly Kupreichik did not evaluate the position correctly when he
went in for the sacrifice.

 

¥xc5  30.¦eg1  ¥d6!

Overprotecting f4 and opening the c-

‘ which can

be useful if the rooks stay on the board.

 31.h6  

¦g8™  32.£d1  ¦xg1  33.¦xg1

 [ 33.

£xg1  £g6∓ ]

 33...

¦g8  34.¦h1  ¦h8  35.¦h5  £e4  36.a3  ¥f8-+  37.£d2  b6  38.f3  £g6  39.£h2  ¦xh6

 40.

¦xh6  £xh6  41.£b8  £h1+  42.¢a2  £xf3  43.£xa7+  ¥e7  44.£a4  ¤e3  45.£h4  ¤xc2

 46.

¤f4  ¤d4

0-1

background image

40

74

Ivanchuk

2680

Seirawan

2635

Novi Sad Olympiad

1990

[Schiller/Seirawan]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  e6  12.0-0-0  ¥e7  13.c4!?  b5!?

 [ 13...a5

was preferred by Larsen.

 14.

¢b1  ( 14.¦he1  b5  15.c5  ¤d5

gave Black a good

game in Tal - Larsen, Tilburg 1980, but as Kasparov & Shakarov noted, the advance of the b-

§

can be played without a5 as well.

) 14...a4  15.

¤e5  ¤xe5  16.¥xe5  £a5?!  ( 16...0-0! ) 17.¤e4

 0-0-0?!  18.c5!  

¤xe4  19.£xe4±

Karpov - Larsen, Amsterdam 1980.

]

 14.c5!

Even though this concedes the d5 square, the only way to avoid this would be to play 14.

b3?!, which would be too weakening on the queenside.

 [ 14.cxb5?  cxb5  15.

£xb5  0-0∓

’b

]

 14...0-0

 15.

¢b1!

The idea is to allow the 

¥ to retreat to c1 and allow a ¤ to occupy f4.

 a5!

 16.

¥c1

(

∆ ¤e2-f4)

 [ 16.

¤e4?!  ¤xe4  17.£xe4  ¦c8  18.¤e5  ¤f6  19.£e2  ¤d5  20.¥c1

 A)  20...

¥g5!?

(But doesn't this fail to

 21.

¥xg5  £xg5  ( 21...hxg5  22.g3² ) 22.g3

∆ f4)

;

 B)  20...a4 ]

 16...a4  17.

¤e2  £b8!

(

∆ e5,¦d8,¤c5). From this post the £ can be useful both on the b-‘ and

long 

’.

 [ 17...

¤g4  18.¦hf1  ¤df6  19.¤e1!

(

∆ f3,g4)

 

¤d5  20.f3  ¤gf6  21.g4± ]

74

XIIIIIIIIY

9rwq-+-trk+0

9+-+nvlpzp-0

9-+p+psn-zp0

9+pzP-+-+P0

9p+-zP-+-+0

9+-+Q+N+-0

9PzP-+NzPP+0

9+KvLR+-+R0[

xiiiiiiiiy

 18.g4?!

A premature, and somewhat panicky response.

 [ 

¹18.¤f4!  ¦d8  19.£c2  b4  20.£c4  ¤d5  21.¤xd5  exd5  22.£d3

and there is no way to

continue the 

« attack, so White can launch his own offensive on the ».

]

 18...

¤xg4™  19.¦dg1

(Diagram 75)

background image

41

75

XIIIIIIIIY

9rwq-+-trk+0{

9+-+nvlpzp-0

9-+p+p+-zp0

9+pzP-+-+P0

9p+-zP-+n+0

9+-+Q+N+-0

9PzP-+NzP-+0

9+KvL-+-tRR0

xiiiiiiiiy

 f5!

Although the 

§s at c6 and e6 will be very weak, it is important to seal the » and keep control

of central squares, including e4.

 [ 19...

¤xf2?

 A)  20.

£e3  ¤xh1  21.£xh6  ( 21.¦xg7+  ¢xg7  22.£xh6+  ¢g8  23.¤g5  ¥xg5  24.£xg5+= )

 21...

¤g3! ;

 B)  20.

£c2!!  ¤xh1  21.¥xh6

is devastating:

 

¥f6  22.¤f4!  ¦d8  23.¥xg7  ¥xg7  24.¤xe6!

 fxe6  25.

£g6+- ]

 20.

¤f4!

 [ 20.

¦g2  a3!?  21.b3  e5! ]

 20...

¦f7!

Once again Black must avoid temptation at f2.

 [ 20...

¤xf2  21.£c2!  ¤xh1  22.¤xe6  ¦f7  23.¥xh6  ¥f6  24.¥f4  £c8  25.h6+- ]

 21.

£e2  e5?

 [ 21...

¤f8!

would have been a more effective defense.

 22.

¤xe6  ¥f6

Intending to establish a

pin on the e-

‘ with the £.

 23.

¤xf8  £xf8  24.£e6?!

One can well understand the appeal of

this move, which attacks two loose 

§s and pins the ¦. But Black has a magic solution.

 

£c8∓ ]

 22.

¤g6!  £e8™

 [ 22...e4  23.

¤xe7+  ¦xe7  24.¤h4!  £f8  ( 24...¦f7  25.¤xf5! )  25.¤g6  £f7  26.¤xe7+  £xe7

 27.f3! ]

76

XIIIIIIIIY

9r+-+q+k+0

9+-+nvlrzp-0

9-+p+-+Nzp0

9+pzP-zpp+P0

9p+-zP-+n+0

9+-+-+N+-0

9PzP-+QzP-+0

9+KvL-+-tRR0[

xiiiiiiiiy

 23.

¤h2?

 [ 23.

¤fxe5!

would have been very strong here.

 

¤dxe5  24.dxe5  ¥xc5  25.¦g2!

∆ f3±

]

 23...

¤xh2  24.¦xh2  ¢h7

background image

42

77

XIIIIIIIIY

9r+-+q+-+0

9+-+nvlrzpk0

9-+p+-+Nzp0

9+pzP-zpp+P0

9p+-zP-+-+0

9+-+-+-+-0

9PzP-+QzP-tR0

9+KvL-+-tR-0[

xiiiiiiiiy

Although White has planted his pieces all over the 

», but it is hard to find a good continuation. But

Ivanchuk succeeds.

 25.f3!

The point of this move is to hold up the advance of Black's e-

§.

 [ 25.dxe5  

¤xc5

(

∆ ¤e6)

 26.e6  

¦f6  27.¤f4  ¥d6  28.¦hg2  ¦a7! ]

 [ 25.

¤xe5?  ¥xc5! ]

 25...

¥f8

 [ 25...

¥f6  26.dxe5  ¤xe5  27.¦e1

is a pin that wins.

]

 26.

¦e1  e4!

∆ ¤f6

 27.fxe4  

£xe4+  28.£xe4  fxe4  29.¦xe4  ¦f5!?  30.¦e6?

The c-

§ proved

too inviting a target, but this allows Black to escape.

 [ 

¹30.¤f4² ]

 30...

¦c8  31.¢c2  ¢g8  32.¥d2?!  ¢f7

Now the interdependence of White's pieces is exposed

as a weakness. If the 

¦ leaves the 6th rank, then Black can sacrifice the exchange by capturing

the 

§ at h5 and then the ¤ at g6.

 33.

¦ee2  ¤f6“  34.¦ef2“

The game was drawn, but might

have continued 34...

¦d5 35.¦h4 ¥e7 ∆ ¥d8-c7. The analysis in this game is by Yasser Seirawan,

to which I added some prose comments and a few clearly identified lines.

½-½

75

Tal
Larsen

Tilburg

1980

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¤gf6  12.0-0-0  ¥e7  13.¦he1  a5  14.c4  b5  15.c5

(Diagram 78)

background image

43

78

XIIIIIIIIY

9r+-wqk+-tr0{

9+-+nvlpzp-0

9-+p+psn-zp0

9zppzP-+-+P0

9-+-zP-vL-+0

9+-+Q+NsN-0

9PzP-+-zPP+0

9+-mKRtR-+-0

xiiiiiiiiy

This position can also be reached via 13.c4.

 

¤d5  16.¥e5  0-0  17.¤e4  ¤7f6  18.¤xf6+  ¤xf6

 19.

¥xf6  ¥xf6

The exchanges have worked to Black's favor, since his 

¥ is better than the ¤ and

there will be opportunities to put pressure on the d-

‘.

 20.g4  

£d5  21.¢b1  ¦fd8  22.¤e5  a4

 23.f3

White has no constructive plan here.

 b4  24.f4  a3  25.b3  

¥xe5  26.¦xe5

 [ 26.fxe5  

¦d7  27.¦e4  ¦ad8  28.¢c2=  ( 28.¢c1??  £xc5+  29.dxc5  ¦xd3  30.¦xd3  ¦xd3

 31.

¦xb4  ¦d5  32.¦c4  ¦xe5∓ )]

 26...

£g2  27.£e2  £xe2  28.¦xe2  ¦d5

Black has the more active rooks and better pawn

structure, but the position is too closed to allow progress to be made.

 29.

¦e5  ¦e8  30.¢c2  f6

 31.

¦e4  e5  32.¢d3

 [ 32.dxe5  

¦xc5+ ]

 32...

¦xd4+  33.¦xd4  exd4  34.¢c4

 [ 34.

¢xd4??  ¦d8+ ]

 34...

¦e2  35.¢xb4  ¦xa2  36.¦xd4  ¦a1  37.¦d6

½-½

80

Karpov
Larsen

Tilburg

1982

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+

(Diagram 79)

background image

44

79

XIIIIIIIIY

9r+-wqk+ntr0

9zpp+n+pzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-vl-zP-vL-+0

9+-+Q+NsN-0

9PzPP+-zPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

Larsen's move, introduced in this game, which did not catch on for several years, probably
because this game ended in defeat.

 12.c3  

¥e7  13.¤e4

ECO II (1987) stops here, claiming an

advantage for White. Indeed, this may be the most promising move, but it is by no means clear
that an advantage is guaranteed.

 

¤gf6

"You would rather have expected 13...

¤df6." - Kasparov,

Shakarov.

 14.

¤d6+  ¥xd6  15.¥xd6  £a5  16.¥b4  £c7

It is possible that the 

£ would be better

positioned at b5 - see the game Santo Roman - Lobron, Lyon 1988.

 17.

¥a3  b5  18.£e2  ¤d5

 19.

£d2  a5  20.¦c1  £b8  21.c4!  b4  22.cxd5  cxd5

Kasparov and Shakarov claim that this

position "was not a pleasant sight" for Karpov, but they give no analysis to justify this evaluation.

 23.g4

In return for the temporary investment of a 

§, White has a strong initiative.

 bxa3  24.bxa3

 

£d6  25.£e3  ¦b8  26.¢f1  0-0  27.g5!  hxg5  28.£xg5  £xa3  29.h6

80

XIIIIIIIIY

9-tr-+-trk+0{

9+-+n+pzp-0

9-+-+p+-zP0

9zp-+p+-wQ-0

9-+-zP-+-+0

9wq-+-+N+-0

9P+-+-zP-+0

9+-tR-+K+R0

xiiiiiiiiy

 

£d3+  30.¢g2  £h7  31.¦h3  f6  32.£e3  £e4  33.hxg7!  ¢xg7  34.¦c7  ¦bd8

 [ 34...

£xe3??  35.¦xd7+ ]

 35.

¦g3+  ¢f7  36.£c3  £h7  37.£c6  ¢e7  38.£c5+  ¢e8  39.£d6  £e7

Black, though being

pummeled by fierce blows, manages to cover up, but White has more punches to throw.

 40.

£c6

 

¦h8  41.¤h4!  £f7

 [ 41...

¦xh4  42.¦g8+  ¢f7  43.¦xd8  £xd8  44.¦xd7+ ]

(Diagram 81)

background image

45

81

XIIIIIIIIY

9-+-trk+-tr0

9+-tRn+q+-0

9-+Q+pzp-+0

9zp-+p+-+-0

9-+-zP-+-sN0

9+-+-+-tR-0

9P+-+-zPK+0

9+-+-+-+-0[

xiiiiiiiiy

 42.

¤f5!  exf5  43.¦e3+  ¢f8  44.£d6+  ¢g7  45.¦g3+

1-0

81

Chandler
Berg

Bundesliga

1986

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+  12.c3  ¥e7  13.0-0-0  ¤gf6  14.¤e5

82

XIIIIIIIIY

9r+-wqk+-tr0{

9zpp+nvlpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+-zP-vL-+0

9+-zPQ+-sN-0

9PzP-+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is perhaps a more effective move than shuffling the king.

 0-0  15.

¢b1

 [ 15.c4!?  c5  16.d5  exd5  17.

¤f5!?  ¤xe5  18.¥xe5  ¤g4÷

Andreas - Rodriguez, Palma

Soriano 1983.

]

 15...c5  16.

£f3  cxd4  17.¦xd4

(Diagram 83)

background image

46

83

XIIIIIIIIY

9r+-wq-trk+0{

9zpp+nvlpzp-0

9-+-+psn-zp0

9+-+-sN-+P0

9-+-tR-vL-+0

9+-zP-+QsN-0

9PzP-+-zPP+0

9+K+-+-+R0

xiiiiiiiiy

 

¤xe5

 [ 17...

£c8!? ]

 18.

¥xe5  £c8  19.¦hd1  ¦d8  20.¤e4  ¦xd4  21.¦xd4  ¤xe4  22.£xe4  b5

 [ 22...a5!?

∆ ¦a6!?

]

 23.

¦d3  ¥f8  24.g4  a5  25.f4  f6  26.¥d6  ¥xd6  27.¦xd6  ¦a6  28.¦d4

84

XIIIIIIIIY

9-+q+-+k+0{

9+-+-+-zp-0

9r+-+pzp-zp0

9zpp+-+-+P0

9-+-tRQzPP+0

9+-zP-+-+-0

9PzP-+-+-+0

9+K+-+-+-0

xiiiiiiiiy

Black has a few weaknesses, but there is no reason why he should lose this position.

 

¦a8  29.a3

 

¢h8

 [ 29...

¦b8!?  30.g5  b4  31.axb4  axb4  32.¦xb4  ¦xb4  33.£xb4  hxg5  34.fxg5  fxg5÷  35.£g4

 

£c6  36.£xg5  £e4+

and White will find it difficult to escape the checks.

]

 30.

¢a1  ¢g8

 [ 30...

¦b8 ]

 31.g5  hxg5  32.fxg5  fxg5  33.h6  

£e8  34.¦d6±  ¦d8??  35.£d4

1-0

82

Riemersma
Van Mil

Dieren

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+  12.c3  ¥e7  13.0-0

background image

47

85

XIIIIIIIIY

9r+-wqk+ntr0{

9zpp+nvlpzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-+-zP-vL-+0

9+-zPQ+NsN-0

9PzP-+-zPP+0

9tR-+-+RmK-0

xiiiiiiiiy

 

¤gf6  14.¦fe1  0-0  15.c4

Here we see same-side castling, but to an unusual side! On the one

hand, this limits White's ability to use a 

» §storm, but on the other hand, Black's « counterplay

does not have the advantage of bothering the White 

¢.

 

£a5  16.¤e5  ¦ad8  17.£e2  £a6?!

This allows an effective reply.

 18.

¤g6!  ¦fe8

 [ 18...fxg6  19.

£xe6+  ¢h8  20.£xe7  ¤xh5  21.¥c7  ¤xg3  22.¥xd8 ]

 19.

¤xe7+  ¦xe7  20.¤f5  ¦ee8

86

XIIIIIIIIY

9-+-trr+k+0

9zpp+n+pzp-0

9q+p+psn-zp0

9+-+-+N+P0

9-+PzP-vL-+0

9+-+-+-+-0

9PzP-+QzPP+0

9tR-+-tR-mK-0[

xiiiiiiiiy

 21.

¤xh6+!

 gxh6  22.

¥xh6  ¢h8  23.¥g5  £a5  24.c5

Now it is clear the the Black 

£ is

offsides.

 

¤h7  25.b4!  £c7

 [ 25...

£xb4  26.¥xd8  ¦xd8  27.£e3± ]

 26.

¥xd8  ¦xd8  27.¦ad1  ¤df6  28.£e5  £c8

 [ 28...

£xe5  29.dxe5  ¦xd1  30.¦xd1  ¤d5÷ ]

 29.d5!  exd5

 [ 29...

¦xd5  30.¦xd5  exd5  31.£e7² ]

 30.

£c3  £g4  31.¦d4  £xh5  32.¦e7

The material balance has shifted to Black, but White's

pieces are much more active.

 

¢g8  33.£g3+  ¢f8  34.£c7  ¦e8  35.¦xe8+  ¤xe8  36.£xb7

 

¤hf6

(Diagram 87)

background image

48

87

XIIIIIIIIY

9-+-+nmk-+0

9zpQ+-+p+-0

9-+p+-sn-+0

9+-zPp+-+q0

9-zP-tR-+-+0

9+-+-+-+-0

9P+-+-zPP+0

9+-+-+-mK-0[

xiiiiiiiiy

Black's pawns drop like ripe mulberries.

 37.

£xc6  ¤g4  38.£xd5  £h2+  39.¢f1  £h1+  40.¢e2

and there is no more attack, so White's material advantage is decisive.

 

¤ef6

 41.

£f3

 

£a1

 42.

£f4  £xa2+  43.¦d2  £a6+  44.¢e1  £a1+  45.¦d1  £c3+  46.¢f1

 [ 46.

£d2  £e5+  47.£e2  ¤e4  48.f3?  £c3+  49.¢f1  ¤e3+  50.¢g1  ¤xd1  51.£xe4  £e3+

 52.

£xe3  ¤xe3-+ ]

 46...

¢g7  47.¦c1  £d3+  48.¢g1  £e2  49.c6  ¤d5  50.£f3

 [ 50.

£g5+  ¢f8  51.£d8+  ¢g7  52.£g5+  ¢h7  53.£h5+= ]

1-0

83

Ernst
Larsen

Gausdal

1985

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+  12.c3  ¥e7  13.0-0-0  ¤gf6  14.¢b1  a5

88

XIIIIIIIIY

9r+-wqk+-tr0

9+p+nvlpzp-0

9-+p+psn-zp0

9zp-+-+-+P0

9-+-zP-vL-+0

9+-zPQ+NsN-0

9PzP-+-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

Typical Larsen!

 15.

¤e4  ¤xe4  16.£xe4  ¤f6  17.£d3  £d5!

Black would like to exchange 

£s,

so that he can obtain an endgame where the 

§ at h5, already under attack, becomes a real

liability.

 18.

¤e5  £e4  19.£xe4  ¤xe4  20.¥e3  a4  21.a3?

Weakening the 

« § structure, and

insuring that the 

§ at b2 will require support for the rest of the game. Because of that, either ¢ or

¥ will be required to remain in the lower left-hand corner of the board.

 

¥f6  22.g4  ¦d8  23.f4

 

¤d6

Larsen correctly heads for an endgame with good 

¤ vs. bad ¥, by exchanging at e5 and

establishing a 

¤ outpost at c4.

 24.

¥c1  ¥xe5  25.fxe5  ¤c4  26.g5  hxg5  27.¥xg5  ¦d5

background image

49

 28.

¥c1  c5  29.¢c2  ¤a5  30.¦h4  b5  31.¥g5  f6  32.¥c1  fxe5  33.dxc5  ¦xd1  34.¢xd1

89

XIIIIIIIIY

9-+-+k+-tr0{

9+-+-+-zp-0

9-+-+p+-+0

9snpzP-zp-+P0

9p+-+-+-tR0

9zP-zP-+-+-0

9-zP-+-+-+0

9+-vLK+-+-0

xiiiiiiiiy

This position is hopeless for White because the Black 

¢ can infiltrate along the light squares.

 

¢d7  35.¦g4  ¦xh5  36.¦xg7+  ¢c6  37.¦e7  ¢d5  38.¥e3  ¤c4  39.¥f2
0-1

84

Santo Roman

2435

Lobron

2490

Lyon

1988

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  ¥b4+  12.c3  ¥e7  13.¤e4  ¤gf6  14.¤d6+  ¥xd6  15.¥xd6

 

£a5  16.¥b4  £b5

90

XIIIIIIIIY

9r+-+k+-tr0

9zpp+n+pzp-0

9-+p+psn-zp0

9+q+-+-+P0

9-vL-zP-+-+0

9+-zPQ+N+-0

9PzP-+-zPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

An important attempt to improve on Karpov-Larsen.

 17.

£xb5

 cxb5

This is an interesting

endgame. White has an effective 

¥, but the disrupted Black § structure does have the merit of

controlling important light squares, especially c4 and d5, which the 

¥ cannot touch.

 18.a4  bxa4

 19.

¦xa4  ¤d5  20.¥d6  a5

White has taken control of c4 and has pinned down the enemy 

¢, but

Black now has a healthy 

§ structure.

 21.

¦c4  f6  22.0-0  ¢f7  23.¥g3

Suddenly this 

¥ does not

look so useful.

 a4  24.

¦a1  b5  25.¦c6  ¦hc8!

(Diagram 91)

background image

50

91

XIIIIIIIIY

9r+r+-+-+0

9+-+n+kzp-0

9-+R+pzp-zp0

9+p+n+-+P0

9p+-zP-+-+0

9+-zP-+NvL-0

9-zP-+-zPP+0

9tR-+-+-mK-0[

xiiiiiiiiy

The tide has turned. Black's pieces are clearly more active.

 26.

¦d6  ¤7b6  27.¦e1  ¦e8  28.¤d2

 

¦e7  29.¦c6  ¦c8

The pseudo-active White 

¦ is finally run down.

 30.

¦c5  ¦xc5  31.dxc5  ¤c8

 32.

¦a1

This 

¦ just can't find a job.

 e5  33.c4  bxc4  34.

¤xc4  ¦c7  35.¦xa4  ¦xc5  36.f3  ¦c7

 37.

¥f2  ¤f4

92

XIIIIIIIIY

9-+n+-+-+0

9+-tr-+kzp-0

9-+-+-zp-zp0

9+-+-zp-+P0

9R+N+-sn-+0

9+-+-+P+-0

9-zP-+-vLP+0

9+-+-+-mK-0[

xiiiiiiiiy

In all of the main lines with the advance of the h-

§ to h5, the § can often become a major liability

in the endgame. Now White must weaken his 

».

 38.g4  

¦d7  39.¥e3  ¤d5  40.¢f2  ¦c7  41.¢e2

 

¢e6

Naturally Black has no interest in trading his excellent 

¤ for the ¥.

 42.

¤d2  ¤ce7  43.¦c4

 

¦b7!  44.b3  ¦b8  45.¥c5  ¤c6  46.b4

The threat was 46...

¤a5, so the pawn falls anyway.

 

¤cxb4  47.¥xb4  ¦xb4  48.¦c6+

White is no longer seeking exchanges!

 

¢d7  49.¦a6

(Diagram 93)

background image

51

93

XIIIIIIIIY

9-+-+-+-+0{

9+-+k+-zp-0

9R+-+-zp-zp0

9+-+nzp-+P0

9-tr-+-+P+0

9+-+-+P+-0

9-+-sNK+-+0

9+-+-+-+-0

xiiiiiiiiy

 

¦a4!  50.¦xa4  ¤c3+  51.¢e3  ¤xa4

But the 

¦s come off anyway, and the endgame is a simple

win for Black.

 52.

¤e4  ¤b6  53.¤g3  ¤c4+  54.¢e4  ¢e6  55.f4  ¤d6+  56.¢f3  ¢d5  57.fxe5

 fxe5-+  58.g5  

¢e6  59.gxh6  gxh6  60.¢g4  ¢d5  61.¢f3  ¢d4  62.¤e2+  ¢d3  63.¤c1+  ¢c2

 64.

¤e2  ¢d2  65.¤g3  ¢d3  66.¢g4  e4  67.¢f4  e3  68.¢f3  ¤f5

0-1

88

Spassky
Karpov

Leningrad (m/4)

1974

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.b3

94

XIIIIIIIIY

9r+-wqkvlntr0{

9zpp+n+pzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+P+Q+NsN-0

9P+P+-zPP+0

9tR-vL-mK-+R0

xiiiiiiiiy

The fianchetto plan might be playable against 10...

£c7, but here it is not effective.

 

¤gf6  12.¥b2

 

£a5+  13.¥c3

 [ 13.c3  

¥a3  14.0-0-0  ¥xb2+  15.¢xb2= ]

 13...

¥b4  14.¥xb4  £xb4+  15.£d2  £xd2+  16.¢xd2  c5

Black has already achieved full

equality.

 17.c4

(Diagram 95)

background image

52

95

XIIIIIIIIY

9r+-+k+-tr0{

9zpp+n+pzp-0

9-+-+psn-zp0

9+-zp-+-+P0

9-+PzP-+-+0

9+P+-+NsN-0

9P+-mK-zPP+0

9tR-+-+-+R0

xiiiiiiiiy

 cxd4

 [ 17...

¦c8  18.dxc5  ¤xc5

might have been even stronger.

]

 18.

¤xd4  a6  19.¢e3?!

This gives Black the advantage, according to Botvinnik.

 [ 19.f3  

¦c8  20.¤ge2  ¦c5  21.g4

was best, according to Botvinnik, who evaluated this position

as even.

]

 19...

¦c8  20.¦ac1  ¢e7  21.f3  ¦c5  22.¤de2  ¦hc8  23.f4

96

XIIIIIIIIY

9-+r+-+-+0{

9+p+nmkpzp-0

9p+-+psn-zp0

9+-tr-+-+P0

9-+P+-zP-+0

9+P+-mK-sN-0

9P+-+N+P+0

9+-tR-+-+R0

xiiiiiiiiy

 b5?!

 [ 23...

¦5c7

would have been a good preliminary move, as the immediate advance allowed

Spassky to exchange into a tenable endgame.

]

 24.cxb5  axb5  25.

¦xc5  ¦xc5  26.¦c1  ¤d5+  27.¢f3  ¦xc1  28.¤xc1  f5

Although this causes

some pawn weaknesses, it was necessary to control e4.

 29.

¤d3  ¢d6

(Diagram 97)

background image

53

97

XIIIIIIIIY

9-+-+-+-+0

9+-+n+-zp-0

9-+-mkp+-zp0

9+p+n+p+P0

9-+-+-zP-+0

9+P+N+KsN-0

9P+-+-+P+0

9+-+-+-+-0[

xiiiiiiiiy

 30.a4!

This establishes a passed pawn on the extreme flank, which diverts Black's forces

sufficiently to obtain a draw.

 bxa4  31.bxa4  

¤7f6  32.¤e5  ¢c5  33.¤f7  ¢b4  34.¤d8  ¤c7

 35.

¤e2  ¤xh5  36.¤d4  ¤d5  37.¤8xe6  ¤e7  38.¤xf5  ¤xf5  39.g4  ¤h4+  40.¢f2  ¤xf4

 41.

¤xf4  ¢xa4  42.¤e6  ¤g6

½-½

89

Lasker
Lee

London

1899

[Schiller]

 1.e4  c6  2.

¤c3  d5  3.d4  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.¥d3  ¥xd3

 9.

£xd3  ¤gf6  10.¥d2  e6  11.0-0-0  £c7  12.¦he1  0-0-0  13.£b3  ¥d6

 [ 13...c5!?

- See Zapata - Dorfman.

]

 14.

¤e2

98

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwqn+pzp-0

9-+pvlpsn-zp0

9+-+-+-+-0

9-+-zP-+-zP0

9+Q+-+N+-0

9PzPPvLNzPP+0

9+-mKRtR-+-0

xiiiiiiiiy

For the alternative 14.

¤e4, see Zapata - Adianto.

 

¤g4?!

 [ 14...

¤e4  15.¥e3 ]

 [ 14...

£b6!  15.£a4  ¥c7= ]

 15.

¦f1  ¤df6  16.£a4  ¢b8  17.c4  £e7?!

 [ 17...

£c8² ]

 [ 17...c5!

would have equalized.

]

 18.

¤c3  £c7

∆ ¥f4.

 19.g3  

£c8  20.b4!  e5?!  21.dxe5  ¤xe5  22.¥e3!  ¤xc4

 [ 22...b6  23.

¦xd6!  ¦xd6  24.¤xe5± ]

background image

54

 [ 22...

¤xf3  23.£xa7+  ¢c7  24.¥b6+  ¢d7  25.¥xd8  ¦xd8  26.c5  ¤e8  27.cxd6  ¤xd6

 28.

¤e4  ¢e7  29.¤xd6  ¦xd6  30.£e3++- ]

 23.

¥xa7+  ¢c7  24.¦d4±

99

XIIIIIIIIY

9-+qtr-+-tr0{

9vLpmk-+pzp-0

9-+pvl-sn-zp0

9+-+-+-+-0

9QzPntR-+-zP0

9+-sN-+NzP-0

9P+-+-zP-+0

9+-mK-+R+-0

xiiiiiiiiy

 b5

 [ 24...

£e6  25.¦e1  ¤e5  26.¥b6+!!  ¢c8  27.£a8+  ¢d7  28.£xb7+  ¢e8  29.¦xe5!+- ]

 [ 24...

¤e5  25.¤xe5  ¥xe5  26.£a5++- ]

 [ 24...

¤b6  25.¥xb6+  ¢xb6  26.£a5# ]

 25.

¤xb5+!  cxb5  26.£xb5  ¤a3  27.£a5+  ¢b7+  28.¥c5  ¥xc5  29.bxc5  ¦xd4

 [ 29...

£a8  30.¦b4+  ¢c6  31.¦b6+  ¢c7  32.¦a6++- ]

 30.

¤xd4  £d8  31.c6+  ¢c8  32.£a8+  ¢c7  33.£a7+  ¢d6  34.£xa3+  ¢d5  35.¦d1+-  £b6

 36.

¤f3+  ¢e6  37.£d6+  ¢f5  38.£d3+  ¢g4  39.¤e5+

1-0

90

Fischer
Steinmeyer

USA ch

1963

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤f6

100

XIIIIIIIIY

9rsn-wqkvl-tr0

9zpp+-zppzpp0

9-+p+-snl+0

9+-+-+-+-0

9-+-zP-+-+0

9+-+-+NsN-0

9PzPP+-zPPzP0

9tR-vLQmKL+R0[

xiiiiiiiiy

It is uncommon to play this so early.

 7.h4  h6  8.

¥d3

 [ 8.

¤e5!

is a more effective move - see Spassky - Petrosian (m/13) 1966.

]

 8...

¥xd3  9.£xd3  e6  10.¥d2  ¤bd7

 [ 10...

£c7!?  11.c4  ¤bd7  12.¥c3

would have transposed to Fischer - Donner, Varna Olympiad

background image

55

1962, a game with which Black was no doubt familiar, but Fischer seemed to get a very good
position there and Steinmeyer had a specific variation in mind.

]

 11.0-0-0  

£c7  12.c4  0-0-0

 [ 12...

¥d6

was preferred by Fischer, who gave further:

 13.

¤e4  ( 13.¤e2  0-0-0  14.¢b1  c5= )

 13...

¥f4!

and the removal of the dark-squared 

¥s solves Black's opening problems.

]

 13.

¥c3!

101

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+-0

9-+PzP-+-zP0

9+-vLQ+NsN-0

9PzP-+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

Eliminating the exchange of 

¥s. Now Steinmeyer reveals his plan, but it turns out that it is not a

very good one, to put it mildly!

 

£f4+?

 [ 13...c5  14.d5

² ]

 [ 13...

¥d6!  14.¤e4  ¥f4+  15.¢b1  ¤e5!

exploits the pin on the d-file to gain equality.

 16.

¤xe5

 

¥xe5= ]

 14.

¢b1  ¤c5?

 [ 14...

£c7  15.¤e4  ¤xe4  16.£xe4  ¤f6  17.£e2² ]

 15.

£c2  ¤ce4

 [ 15...

¤cd7  16.¤e5!  ¤xe5  17.dxe5  ¤d7  ( 17...¤g4  18.¦xd8+  ¢xd8  19.¦d1+  ¢c8

 20.

¦d4+- ) 18.¦d4  £xe5  19.¦xd7!

- Fischer.

]

102

XIIIIIIIIY

9-+ktr-vl-tr0

9zpp+-+pzp-0

9-+p+psn-zp0

9+-+-+-+-0

9-+PzPnwq-zP0

9+-vL-+NsN-0

9PzPQ+-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

This position had already been reached in Shamkovich - Goldberg, USSR 1961, where White
continued ineffectively.

 16.

¤e5!

 [ 16.

¥a5?

was played in the above-mentioned game, and Steinmeyer no doubt was quite

pleased with the prospect of meeting that variation. But Fischer's improvement destroys the
entire variation with the 

£ check at f4.

]

 16...

¤xf2

 [ 16...

¤xg3  17.fxg3  £xg3  18.¦d3  £f4  19.¦f3  £e4  20.¤xf7+-

- Fischer.

]

 [ 16...

¤xc3+  17.bxc3!  ¦g8  ( 17...¤g4  18.¤h5!  £f5  19.£xf5  exf5  20.¤xf7 )  18.¦d3  h5

background image

56

 19.

¦f3  £h6  20.¤xf7+-

- Fischer.

]

 17.

¦df1!

and Black resigned, because of

 

£xg3  18.¦xf2  £e3  19.¦e2  £f4  20.¤xf7

1-0

98

Tarrasch
Capablanca

Bad Kissingen

1928

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.¥d3  ¥xd3

 9.

£xd3  ¤gf6  10.¥d2  e6  11.0-0-0  ¥d6  12.¦he1!  ¥xg3?!

 [ 12...

£c7  13.¤f5  0-0-0  14.¤xg7?!  ( 14.¤xd6+  £xd6= )  14...¦hg8

would force the sacrifice

of the 

¤ for three pawns, but this is not enough compensation, according to Kmoch.

]

 13.fxg3  0-0

 [ 13...

£b6  14.¤e5±

Kmoch - Hoenlinger, Vienna 1928.

]

 14.

¥b4  ¦e8  15.¤e5  ¤xe5  16.dxe5  £xd3  17.¦xd3  ¤d5  18.¥d6  b5  19.g4  ¦ad8  20.¦e4

 f6  21.c4  fxe5  22.

¥xe5  ¤b4  23.¦xd8  ¦xd8  24.cxb5  ¤d3+  25.¢c2  cxb5  26.¥c7  ¦d7

 27.

¦xe6  ¤xb2  28.¢xb2  ¦xc7  29.¦e8+  ¢h7  30.¦e4  ¦c5  31.a4  a5  32.axb5  ¦xb5+

 33.

¢c3  ¦c5+  34.¢d3  ¦c8  35.¦a4  ¦a8  36.¢e4  ¢g6  37.¢e5  ¦a6  38.g3  ¦a7  39.¢e6  ¦a8

 40.

¢e5  ¦a6  41.¢d5  ¢f6  42.¦f4+  ¢e7  43.¦e4+  ¢d7  44.¦a4  ¢c7  45.¢c5  ¦e6  46.¢d5

 

¦a6  47.¢c5
½-½

108

Jones
Lee

London

1900

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.¥d3  ¥xd3

 9.

£xd3  ¤gf6  10.£b3  £c7  11.¥e3  e6  12.0-0-0  ¥d6  13.¤e2  £b6  14.¤d2  £xb3  15.¤xb3

 

¤d5

103

XIIIIIIIIY

9r+-+k+-tr0

9zpp+n+pzp-0

9-+pvlp+-zp0

9+-+n+-+-0

9-+-zP-+-zP0

9+N+-vL-+-0

9PzPP+NzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

This time Black emerges from the opening with a clear advantage, controlling the center and
enjoying a sounder pawn structure.

 16.c4  

¤xe3  17.fxe3

Giving up the bishop for the knight,

with the weak base of the pawn chain at e3 compounding the situation, shows that White did not
appreciate the type of endgame that the Classical Caro-Kann leads to.

 

¤f6

 18.

¤c3

 

¥b4

background image

57

 19.

¦hf1

 

¥xc3!?

Returning the minor exchange may not have been necessary, but the 

§

structure will now be in Black's favor on a fairly permanent basis. Still, castling was also to be
considered.

 20.bxc3  

¤e4  21.¢c2

There is no time for 21.

¤d2 because the c-§ hangs.

 b6

 22.

¦f4  ¤f6  23.e4  ¦d8

104

XIIIIIIIIY

9-+-trk+-tr0

9zp-+-+pzp-0

9-zpp+psn-zp0

9+-+-+-+-0

9-+PzPPtR-zP0

9+NzP-+-+-0

9P+K+-+P+0

9+-+R+-+-0[

xiiiiiiiiy

 24.e5?!

 [ 24.g4!? ]

 24...

¤d7  25.¦e1

A very passive move, hoping for some action on the e-file.

 

¤f8  26.h5  ¤h7

Whatever White does, there are still holes. That is why these endgames are often good for Black,
when there are 

¤s rather than ¥s on the board.

 27.a4

 

¢e7  28.a5  ¤g5  29.axb6  axb6

 30.c5?!

105

XIIIIIIIIY

9-+-tr-+-tr0{

9+-+-mkpzp-0

9-zpp+p+-zp0

9+-zP-zP-snP0

9-+-zP-tR-+0

9+NzP-+-+-0

9-+K+-+P+0

9+-+-tR-+-0

xiiiiiiiiy

Overlooking a powerful reply!

 

¦a8!

Seizing the only open file.

 31.

¦ff1

 [ 31.

¢b2  bxc5  32.¤xc5  ¦hb8+  33.¤b3  ¦a5  34.¦b1  c5!  35.¢c1  ¦a3∓ ]

 31...

¦a2+  32.¢d3  b5

 [ 32...

¦xg2  33.cxb6  ¦b8  34.¤c5  ¦xb6  35.¦a1

is not so clear.

]

 33.

¦a1  ¦ha8  34.¦xa2  ¦xa2  35.¦a1  ¦xa1  36.¤xa1

(Diagram 106)

background image

58

106

XIIIIIIIIY

9-+-+-+-+0{

9+-+-mkpzp-0

9-+p+p+-zp0

9+pzP-zP-snP0

9-+-zP-+-+0

9+-zPK+-+-0

9-+-+-+P+0

9sN-+-+-+-0

xiiiiiiiiy

A pure 

¤ endgame, and one which is every Caro Kann player's dream!

 f5!  37.

¤c2

 [ 37.exf6+  

¢xf6  38.¤c2  ¤f7  39.¤b4  ¤d8

and the h-

§ falls.

]

 37...

¤e4  38.¤b4  ¢d7  39.c4  bxc4+  40.¢xc4  ¤g3∓  41.d5  exd5+  42.¤xd5  cxd5+

 43.

¢xd5  ¤xh5  44.e6+  ¢c7  45.¢e5  f4  46.¢f5  g5  47.¢g6  g4  48.¢f7  f3  49.gxf3  gxf3

 50.e7  f2

Well-calculated!

 51.e8

£  f1£+

0-1

109

Tarrasch
Duras

San Sebastian

1912

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.¥d3  ¥xd3

 9.

£xd3  ¤gf6  10.¥f4  £a5+  11.¥d2  £c7  12.0-0-0  0-0-0  13.£e2  e6  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦a5

107

XIIIIIIIIY

9-+k+-vl-tr0

9+pwq-+pzp-0

9-zpp+psn-zp0

9tr-+-sN-+-0

9-+PzP-+-zP0

9+-+-+-sN-0

9PzP-+QzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

For 17...Rd8?! see Matulovic - Torfasson.

 18.

¢b1  ¥d6  19.f4  £e7!

∆ ¢c7, ¦h8-a8.

 20.

£f3!

∆ ¤g3-e2-c1 (× a2).

 

¢c7  21.¤e2  ¦ha8  22.¤c1

(Diagram 108)

background image

59

108

XIIIIIIIIY

9r+-+-+-+0{

9+pmk-wqpzp-0

9-zppvlpsn-zp0

9tr-+-sN-+-0

9-+PzP-zP-zP0

9+-+-+Q+-0

9PzP-+-+P+0

9+KsNR+-+R0

xiiiiiiiiy

 h5!

Or else g2-g4-g5.

 23.g3  g6  24.

¦he1  £f8

Taking measures against an eventual c4-c5.

 25.

¦e2  b5  26.c5

 

¥e7  27.a3  ¤d5  28.¤a2  ¦d8

× d4.

 29.

¤c3

109

XIIIIIIIIY

9-+-tr-wq-+0{

9+pmk-vlp+-0

9-+p+p+p+0

9trpzPnsN-+p0

9-+-zP-zP-zP0

9zP-sN-+QzP-0

9-zP-+R+-+0

9+K+R+-+-0

xiiiiiiiiy

 

¤xc3+

 [ 29...

¥xc5?

 A)  30.dxc5?!  

¤xc3+  31.£xc3  ¦xd1+  32.¢c2  b4!  33.£xb4  ( 33.axb4  ¦aa1 )  33...¦b5

 34.

£xb5  cxb5  35.¢xd1  £e8³

∆ f7-f6.

;

 B)  30.

¤xd5+!  ¦xd5  31.b4!  ¥xb4  32.axb4  £xb4+  33.¦b2N

- Tarrasch.

]

 30.

£xc3  ¦a4  31.¦ed2  £g7!

∆ £g7-f6-f5 × ’b1-h7.

 32.b4!

Preventing Black from advancing

the b-

§.

 

£f6  33.¢b2  ¦da8  34.¦a1

Now it will be difficult for Black to make progress on the a-

‘.

 

¢d8  35.£d3  ¢e8  36.£e4  £f5  37.£g2

 [ 37.

£xf5?!  gxf5

∆ f7-f6, b7-b6.

 38.

¤xf7 ]

 37...

¦d8!  38.¦e1

 [ 38.

¤xc6  bxc6  39.£xc6+  ¦d7  40.£xb5  ¦a8³

× d4.

]

 38...

¦d5  39.¦e3  ¦a8  40.£e4  ¦ad8  41.£xf5  gxf5  42.¢c3=  ¥f6  43.¦ed3  ¢e7  44.¤f3  ¦a8

 45.

¦a2  ¥h8  46.¤g1  ¢d7  47.¤e2  ¢c7  48.¢b3  ¦ad8  49.¦ad2  b6  50.¢c2!  ¥f6  51.¦d1

 

¢b7
½-½

background image

60

113

Fischer
Donner

Varna ol

1962

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.¥d3  ¥xd3

 9.

£xd3  e6  10.¥f4  £a5+  11.¥d2  £c7

110

XIIIIIIIIY

9r+-+kvlntr0

9zppwqn+pzp-0

9-+p+p+-zp0

9+-+-+-+-0

9-+-zP-+-zP0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

 12.c4

 [ 12.0-0-0  

¥d6  13.¤e4  ¥f4!= ]

 12...

¤gf6

 13.

¥c3

White overprotects e5 and also avoids the exchange of bishops via the

method used in the previous note.

 a5!  14.0-0

 [ 14.0-0-0  

¥b4!

is given by Fischer.

]

 14...

¥d6  15.¤e4

 [ 15.d5!?

was suggested by Tal, but Fischer provided a good reply:

 

¥xg3!  16.fxg3  ( 16.dxe6?

 

¤e5! ) 16...cxd5  17.cxd5  ¤xd5  18.¥xg7  ¦g8  19.£h7  ¤7f6  20.¥xf6  ¤xf6  21.£xh6  £xg3

 22.

£d2

is evaluated as equal by Fischer.

]

 15...

¤xe4  16.£xe4  0-0=

111

XIIIIIIIIY

9r+-+-trk+0

9+pwqn+pzp-0

9-+pvlp+-zp0

9zp-+-+-+-0

9-+PzPQ+-zP0

9+-vL-+N+-0

9PzP-+-zPP+0

9tR-+-+RmK-0[

xiiiiiiiiy

Black is secure in his position, not fearing a kingside attack because his pieces are close enough
to defend, and he overprotects e5 as well.

 17.d5!?

This commital move leads to a position

where Black's pieces are tied down, but Fischer whet his appetite for attack, and tried to satisfy it
prematurely. It might have been wiser to delay, retaining control of the dark squares.

 [ 17.

¦ad1!? ]

 17...

¦fe8  18.dxc6  bxc6  19.¦ad1  ¥f8  20.¤d4  ¦a6

background image

61

112

XIIIIIIIIY

9-+-+rvlk+0

9+-wqn+pzp-0

9r+p+p+-zp0

9zp-+-+-+-0

9-+PsNQ+-zP0

9+-vL-+-+-0

9PzP-+-zPP+0

9+-+R+RmK-0[

xiiiiiiiiy

White has an excellent game here, with well-coordinated pieces and control of the center.

 21.

¤f5

Another ambitious move.

 

¤c5  22.£e3  ¤a4  23.¥e5  £a7

113

XIIIIIIIIY

9-+-+rvlk+0

9wq-+-+pzp-0

9r+p+p+-zp0

9zp-+-vLN+-0

9n+P+-+-zP0

9+-+-wQ-+-0

9PzP-+-zPP+0

9+-+R+RmK-0[

xiiiiiiiiy

Now Fischer must choose between exchanging 

£s, which would gut the attack, or sacrificing a

piece.

 24.

¤xh6+!?  gxh6  25.¦d4

An aesthetically powerful move, but Black can now get his 

£

over to the aid of the 

¢.

 f5!  26.

¦fd1

 [ 26.

£g3+  ¥g7 ]

 26...

¤c5  27.¦d8  £f7  28.¦xe8  £xe8  29.¥d4  ¤e4

The attack is over, and the material

imbalance is too important.

 30.f3  e5!

The bishop has no retreat.

 31.fxe4  exd4  32.

£g3+  ¥g7

 33.exf5  

£e3+  34.£xe3  dxe3-+  35.¦d8+  ¢f7  36.¦d7+  ¢f6  37.g4  ¥f8  38.¢g2  ¥c5

 39.

¦h7  ¢e5  40.¢f3  ¢d4  41.¦xh6  ¦b6  42.b3  a4  43.¦e6  axb3  44.axb3  ¢d3  45.g5

and that is how Donner, famous for getting clobbered quickly, defeated the great Bobby Fischer!

0-1

114

Gligoric
Golombek

Zagreb

1965

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  e6  8.¥d3  ¥xd3

 9.

£xd3  £c7  10.¥d2  ¤d7  11.0-0-0  ¤gf6  12.¢b1  0-0-0  13.c4  ¥e7  14.¥c3  ¦he8  15.¦he1

 c5  16.d5  exd5  17.cxd5  

¥f8  18.¤f5  ¦xe1  19.¦xe1  c4  20.£d2  £c5  21.¤e3  ¤e4³

background image

62

114

XIIIIIIIIY

9-+ktr-vl-+0

9zpp+n+pzp-0

9-+-+-+-zp0

9+-wqP+-+-0

9-+p+n+-zP0

9+-vL-sNN+-0

9PzP-wQ-zPP+0

9+K+-tR-+-0[

xiiiiiiiiy

White's d-

§ is very weak, and Black's ¥ will be useful on the dark squares.

 22.

£c2

 

¤xc3+

 23.

£xc3  b5  24.¦d1  ¤b6  25.£a5  ¢b7  26.¤e5  f6  27.¤c6  ¦a8  28.¤d4  b4  29.£xc5  ¥xc5

 30.h5  

¦e8  31.¤df5  a5  32.g4  ¥f8  33.¦d4  ¥c5  34.¦f4  b3  35.¦f3

115

XIIIIIIIIY

9-+-+r+-+0{

9+k+-+-zp-0

9-sn-+-zp-zp0

9zp-vlP+N+P0

9-+p+-+P+0

9+p+-sNR+-0

9PzP-+-zP-+0

9+K+-+-+-0

xiiiiiiiiy

 

¤xd5  36.¤xg7  ¦e4  37.¤gf5  ¢c6  38.axb3  cxb3  39.¢c1  a4  40.¤xd5  ¢xd5  41.¦d3+

 

¢c4  42.¦d1  ¦xg4  43.¤xh6  ¦g5  44.¦h1  ¥xf2  45.¤f7  ¥e3+  46.¢b1  ¦g2  47.¤d6+  ¢b4

 48.

¤f5  ¥f4  49.¤d4  ¢c4  50.¤f5  ¢c5  51.h6  ¥e5  52.h7  ¦xb2+  53.¢c1  ¦c2+  54.¢d1

 

¥c3

116

XIIIIIIIIY

9-+-+-+-+0

9+-+-+-+P0

9-+-+-zp-+0

9+-mk-+N+-0

9p+-+-+-+0

9+pvl-+-+-0

9-+r+-+-+0

9+-+K+-+R0[

xiiiiiiiiy

 55.h8

£  ¦d2+  56.¢c1

 [ 56.

¢e1  ¦d8+  57.¢e2  ¦xh8  58.¦xh8  b2  59.¦h1  a3-+ ]

 56...

¦c2+  57.¢d1  ¦d2+

½-½

background image

63

115

Spassky
Petrosian

World Championship (m/1)

1966

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.¥d3

117

XIIIIIIIIY

9r+-wqkvlntr0{

9zpp+nzppzp-0

9-+p+-+lzp0

9+-+-+-+-0

9-+-zP-+-zP0

9+-+L+NsN-0

9PzPP+-zPP+0

9tR-vLQmK-+R0

xiiiiiiiiy

It is generally held that the further advance of the h-

§ is the only way for White to try to establish

an opening advantage, but this line is also seen.

 

¥xd3  9.£xd3  £c7  10.¥d2  e6  11.0-0-0

 0-0-0  12.c4  

¤gf6

Black continues with his standard scheme of development. Note that there is

no way for White to return to the lines with the pawn at h5 except by conceding a tempo. The die
is cast!

 13.

¢b1  c5!

With the White 

¢ at b1, there is little point in transfering the ¥ from f8 to f4

via d6.

 14.

¥c3

 [ 14.

£e2  ¥d6  15.¤e4  ¤xe4  16.£xe4  ¤f6  17.£e2  cxd4  18.¤xd4  a6

and Black has no

problems.

 19.

¥c3  ¦d7!=

Smyslov - Botvinnik (m/3) 1958.

]

 14...cxd4  15.

¤xd4

 [ 15.

¥xd4  ¥c5  16.¤e4  ¥xd4  ( 16...¤xe4  17.£xe4  ¤f6!?

- Kasparov & Shakarov.

) 17.

£xd4

 

¢b8= ]

 15...a6

118

XIIIIIIIIY

9-+ktr-vl-tr0

9+pwqn+pzp-0

9p+-+psn-zp0

9+-+-+-+-0

9-+PsN-+-zP0

9+-vLQ+-sN-0

9PzP-+-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

Black can be satisfied with his game at this point.

 16.

¤f3

 [ 16.

£e2  ¥d6  17.¤e4  ¤xe4  18.£xe4  ¤c5!  19.£e2  ¥e5  20.¦he1  ¥f6  21.g3  ¦d7!=

Unzicker - Porath, Munich ol 1958.

]

 [ 16.

¤b3  ¤c5  17.£f3  ¥e7  18.¥a5  ¦xd1+  19.¦xd1  £e5  20.¥c3  £c7=

Spassky - Portisch,

Budapest 1961.

]

 16...

¥c5

background image

64

 [ 16...

¤c5?  17.£xd8+  £xd8  18.¦xd8+  ¢xd8  19.¤e5!

would be most unpleasant.

]

 17.

£e2  ¥d6

 [ 17...

¤g4  18.¤e4  ¤df6

is irresponsibly given as leading to equality in Varnusz (1991), based

on Sokolov - Susic, Yugoslavia 1965. But Kasparov & Shakarov had already printed the
refutation in 1983!

 19.

¤xc5  £xc5  20.¥d4² ]

 18.

¤e4  ¥e7  19.¤xf6

 [ 19.

¦he1

is an important alternative, ignored by Varnusz (1991).

 

¤xe4

 ( 19...

£f4

is suggested by Kasparov & Shakarov.

) 20.

£xe4  ¥f6  21.£e3  ¥xc3  22.£xc3  ¤f6  23.¦xd8+

 

¦xd8  24.¤e5  h5!?

(Kasparov & Shakarov)

 ( 24...

¤e8?  25.c5!²

Spassky - Matulovic, 1964.

)

 25.c5  

¦d5!?

- analysis.

]

 19...

¥xf6

 [ 19...gxf6

∆ ¤e5 was suggested by Boleslavsky but the text is also playable.

]

 20.

¥xf6  ¤xf6  21.¤e5

119

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9p+-+psn-zp0

9+-+-sN-+-0

9-+P+-+-zP0

9+-+-+-+-0

9PzP-+QzPP+0

9+K+R+-+R0

xiiiiiiiiy

Varnusz considers this position worse for Black, but offers no improvements for White in the
remainder of the game.

 

¦xd1+  22.¦xd1  ¦d8  23.¦xd8+  ¢xd8  24.£d3+

 [ 24.h5

 

¢e7

brings about a position that might have arisen from the main lines, except that

Black has used his extra time to bring his 

¢ to a useful defensive post.

 25.g4  

¤d7= ]

 24...

¢e7  25.£d4  h5  26.a3  ¤d7!=  27.¤xd7  £xd7  28.£c5+

 [ 28.

£xg7?  £d3+  29.¢c1  £xc4+  30.¢b1  £xh4³ ]

 28...

£d6  29.£g5+  ¢e8  30.£e3  £c6  31.£g3  g6  32.b3  £e4+  33.¢b2  e5  34.£e3  £xg2

 35.

£xe5+  ¢f8  36.£h8+  ¢e7  37.£e5+

½-½

135

Charousek
Von Popiel

Cologne

1898

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5

(Diagram 120)

background image

65

120

XIIIIIIIIY

9rsn-wqkvlntr0

9zpp+-zppzpp0

9-+p+-+-+0

9+-+-+l+-0

9-+-zPN+-+0

9+-+-+-+-0

9PzPP+-zPPzP0

9tR-vLQmKLsNR0[

xiiiiiiiiy

Sergeant, writing in 1919, described our line as an "old continuation, now generally abandoned in
favour of Kt-B3."

 5.

¤g3  ¥g6  6.¤f3  e6?

If this is how Black handled the opening in the good

old days, then it is no wonder that the line fell from favor!

 7.h4  h6  8.

¥d3  ¥xd3  9.£xd3  ¤d7

 10.

¥f4  ¤gf6?!  11.0-0-0  £a5  12.¢b1  0-0-0  13.¤f1

121

XIIIIIIIIY

9-+ktr-vl-tr0{

9zpp+n+pzp-0

9-+p+psn-zp0

9wq-+-+-+-0

9-+-zP-vL-zP0

9+-+Q+N+-0

9PzPP+-zPP+0

9+K+R+N+R0

xiiiiiiiiy

This position, however, seems strikingly modern, by comparison!

 

¥e7  14.¤1d2  ¤c5  15.£e2

 

¤d5  16.dxc5  ¤xf4  17.£e4  ¤d5  18.¤e5!±  ¦hf8

122

XIIIIIIIIY

9-+ktr-tr-+0

9zpp+-vlpzp-0

9-+p+p+-zp0

9wq-zPnsN-+-0

9-+-+Q+-zP0

9+-+-+-+-0

9PzPPsN-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

Now Charousek unleashes an effective, and prototypical combination.

 19.

¤xf7!  ¥f6

 [ 19...

¦xf7?  20.£xe6+ ]

 20.

¤c4!  ¤c3+

 [ 20...

¦xf7  21.¤d6+  ¦xd6  22.cxd6  ¤c3+  23.bxc3  £xc3  24.£xe6+

∆ £b3.

]

 21.bxc3  

£xc3  22.¤fe5  ¦d5

background image

66

 [ 22...

£b4+  23.¢c1  £xc5  ( 23...¥xe5?  24.¤d6++- )  24.¤g6  ¦fe8  25.¦xd8+  ¦xd8

 26.

£xe6++- ]

 23.

¦xd5  cxd5  24.£f3  £b4+  25.¤b2  £xb2+  26.¢xb2  ¥xe5+  27.¢b3  ¦xf3+  28.gxf3+-

 

¥d4  29.¦g1  ¢d7  30.c3  ¥f6  31.h5  ¢c6  32.f4  ¢xc5  33.¦e1  ¢d6  34.¢c2  b6  35.¢d3  a5

 36.a4  

¢d7  37.f3  ¢d6  38.¦b1  ¢c7  39.c4  ¢c6  40.¦b5  ¥e7  41.f5  dxc4+  42.¢xc4  exf5

 43.

¦xf5  ¥f6  44.f4  ¢d6  45.¦b5  ¢c6  46.f5  ¥g5  47.¦e5  ¥f6  48.¦e6+  ¢c7  49.¢b5  ¥d4

 50.

¦c6+  ¢d7  51.¦c4  ¥c5  52.¦g4  ¢e7  53.¦xg7+  ¢f6  54.¦g6+  ¢xf5  55.¦xh6

1-0

139

Kallinger
Elgstrand

corr.

1958

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.¢f1?!

123

XIIIIIIIIY

9r+-+kvl-tr0{

9zppwqnzppzp-0

9-+p+-sn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9tR-+-+K+R0

xiiiiiiiiy

 e6  13.c4

 [ 13.

¦e1

 A)  13...0-0-0?!  14.b4!  

¥d6  15.£a3!

 A1)  15...

£b6  16.c4  ¤b8  ( 16...¥b8  17.b5

∆ ¥a5.

 17.c5  

£b5+  18.¤e2  ¥c7  19.£b3±

∆ a2-a4, O.Smith - Maricic, Correspondence 1963.

;

 A2)  15...

¢b8  16.c4  ( 16.¦h4!? )  16...¥xg3?!  ( 16...¢a8  17.c5  ¥xg3  18.fxg3  ¤d5²

- R.Schwarz.

 17.fxg3  

£xg3  18.¦h4!

∆ ¥f4+.

 

¤g4?  19.¦e2  ¢a8  20.£c1!  g5  21.¥e1

 gxh4  22.

¥xg3  hxg3  23.£f4±

Laue - Jakob, 1951.

;

 B)  13...

¥d6  14.¤e4  ¤xe4  15.£xe4  ¤f6  16.£e2  0-0-0=

Analysis.

]

 13...0-0-0?!

 [ 13...

¥d6!=

- R.Schwarz.

]

 14.

£c2  e5  15.dxe5  ¤g4

 [ 15...

¤xe5  16.¥f4  ¤fd7  17.¤xe5  ¤xe5  18.£f5+ ]

 16.

¥c3  f6?

 [ 16...

¤gxe5± ]

 17.e6!  

£xg3  18.¦e1!

 [ 18.fxg3  

¤e3+  19.¢f2  ¤xc2  20.exd7+  ¦xd7  21.¦ac1  ¥c5+  22.¢f1  ¤e3+  23.¢e2  ¦e8∓ ]

 18...

£f4  19.exd7+  ¢b8

 [ 19...

¦xd7  20.¦e4  £f5  21.¦e8++- ]

 20.

¦e4  £f5  21.¦h4

1-0

background image

67

140

Spassky
Botvinnik

USSR Teams

1966

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  £c7  12.0-0-0  0-0-0  13.£e2  e6  14.¤e5  ¤xe5

 15.dxe5  

¤d5  16.f4  c5

124

XIIIIIIIIY

9-+ktr-vl-tr0

9zppwq-+pzp-0

9-+-+p+-zp0

9+-zpnzP-+P0

9-+-+-zP-+0

9+-+-+-sN-0

9PzPPvLQ+P+0

9+-mKR+-+R0[

xiiiiiiiiy

This threatens 17...c4, so White's hand is forced.

 17.c4  

¤b4  18.¥xb4

 [ 18.

¢b1

was recommended by Botvinnik.

 

¥e7  19.¥c3

was appended by Kasparov, who

notes that sooner or later the 

¤ will retreat to c6, citing resemblences to Parma - Barcza,

Kapfenburg 1970. But there are perhaps some significant differences.

 

¢b8  ( 19...¤c6  20.¤e4

would be Parma-Barcza, except that the knight traveled via b8 there instead of b4.

)

 20.

¤e4

 

¦xd1+  21.¦xd1  ¦d8÷ ]

 18...

¦xd1+

 19.

¦xd1

 cxb4

Now, as Botvinnik noted, the White 

¢ will have difficulty finding

shelter, and Black will have counterplay in any 

£ endgame.

 20.

¤e4  ¥e7  21.¤d6+  ¢b8

125

XIIIIIIIIY

9-mk-+-+-tr0

9zppwq-vlpzp-0

9-+-sNp+-zp0

9+-+-zP-+P0

9-zpP+-zP-+0

9+-+-+-+-0

9PzP-+Q+P+0

9+-mKR+-+-0[

xiiiiiiiiy

A critical position which has been the subject of much discussion.

 22.

¤xf7

 [ 22.g3

was claimed by Boleslavsky to secure an advantage for White, but Kasparov has

shown that this is an overoptimistic evaluation.

 f6  ( 22...

¦f8  23.¢b1  a6  24.£e4

∆ £xb7+ or

c5 - Boleslavsky.

 23.exf6  

¥xd6  24.fxg7  ¦e8  25.£g4

(Boleslavsky)

 

£xc4+  26.¢b1  £e4+!

 27.

¢a1  ¦g8  28.¦xd6  ¦xg7

with chances for both sides, according to Kasparov. But I would

prefer to be Black here.

]

 22...

¦f8  23.¤d6  ¦xf4  24.g3  ¦f8  25.£g4  £d7!  26.¢b1

 [ 26.

£xg7?  ¥g5+-+ ]

background image

68

 26...

¥g5

 [ 26...

¦f2  27.£xg7  £a4  28.¦c1! ]

 27.

¤b5  ¦f1!

126

XIIIIIIIIY

9-mk-+-+-+0

9zpp+q+-zp-0

9-+-+p+-zp0

9+N+-zP-vlP0

9-zpP+-+Q+0

9+-+-+-zP-0

9PzP-+-+-+0

9+K+R+r+-0[

xiiiiiiiiy

Black already has sufficient counterplay.

 28.

¢c2

White has to settle for a pawn-down ending

here, hoping that his 

¤ will be able to outmaneuver the enemy ¥. Against Botvinnik, this is

wishful thinking!

 [ 28.

¦xf1  £d3+-+ ]

 28...

¦xd1  29.£xd1  £xd1+  30.¢xd1  ¥e3!

Botvinnik wastes no time in limiting the scope of the

¤.

 31.

¢e2

 [ 31.b3  

¥f2  32.g4  ¥c5

dominates the 

¤ completely. Botvinnik gives the following line:

 33.

¢e2

 a6  34.

¤d6  ¥xd6  35.exd6  b6  36.¢d3  ¢b7  37.¢e4  ¢c6  38.¢e5  ¢d7-+ ]

 31...

¥c1  32.b3  ¥b2!  33.¤d6  ¥xe5  34.¤e4  ¢c7  35.g4

The endgame has now taken shape.

Black must find a way to open up some lines so that his 

¢ can take an active role. To do so, he

will temporarily sacrifice a 

§ at b5.

 [ 35.

¤c5  ¥xg3  36.¤xe6+  ¢d6  37.¤xg7  ¢e5  38.¤e8  ¢e6

and the 

¤ gets trapped.

]

 35...

¢c6  36.¢d3  b5  37.cxb5+  ¢d5!

 [ 37...

¢xb5  38.¤d2  ¢c6  39.¤e4! ]

 38.g5?!

 [ 38.

¢e3  ¥c7  39.¢f3!  ¢d4  40.¤f2  ¢c3  41.¢e2  ¢b2  42.¢d3  ¢xa2  43.¢c2

would have

been a better drawing plan, as Spassky later demonstrated, because the Black 

¢ would not be

able to play any role, and the 

¤ could establish a blockade on the light squares.

]

 38...hxg5  39.

¤xg5  ¥f4  40.¤e4  ¥h6

As Botvinnik noted, the key here is for the 

¥ to occupy a

post where it can both control e3, to stop harrassing checks, and also defend the 

§b4.

 41.

¤f2

 

¥g5  42.¤g4  ¥f4  43.¤f2  ¥d6  44.¤g4

 [ 44.

¤e4  ¥c7!  45.¤f2  ¥b6  46.¤e4  ¢e5  47.¤d2  ¢f4  48.¢c4  ¢e3  49.¤f1+  ( 49.¤b1

 

¥a5! )  49...¢e2  50.¤g3+  ¢f3  51.¤f1  ¥c7!

guarantees victory for Black, according to

Botvinnik.

]

 44...

¥c5  45.h6  gxh6  46.¤xh6

Tbe 

» §s have been eliminated, but this means that Black can

concentrate his attention on advancing his passed 

§, which also limits White's ability to

maneuver.

 e5  47.

¤f5  e4+  48.¢e2  ¢e5  49.¤h4  ¢d4  50.¤f5+  ¢d5

 [ 50...

¢c3  51.¤g3  ¢b2  52.¤xe4  ¥d4  53.¢d3= ]

 51.

¤h6  ¥e7

 [ 51...

¢e6  52.¤g4  ¢f5  53.¤h6+  ¢f4  54.¤f7  ¥e7  55.¤h6

and although the 

¤ is stranded,

there is no way to pick it off, according to Botvinnik.

]

 52.

¤g4  ¥g5  53.¤f2  ¢d4  54.¤d1  ¥c1  55.¤f2  ¢d5  56.¤g4  ¥g5  57.¤f2  ¥f6  58.¤g4

 

¥d4  59.¤h2  ¥c5  60.¤f1  ¢d4  61.¤d2  ¥b6

background image

69

127

XIIIIIIIIY

9-+-+-+-+0

9zp-+-+-+-0

9-vl-+-+-+0

9+P+-+-+-0

9-zp-mkp+-+0

9+P+-+-+-0

9P+-sNK+-+0

9+-+-+-+-0[

xiiiiiiiiy

 62.

¤c4?

This natural move throws the game away.

 [ 62.

¤f1  ¢c3  63.¤g3  ¢b2  64.¢d1!  ¢xa2  65.¢c2  e3  66.¤e2

would have drawn, in similar

fashion to the alternative discussed at move 38.

]

 62...

¢c3  63.¢d1  ¥d4!

∆ ¢d3.

 64.

¢e2  e3  65.¤a5

 [ 65.

¤xe3  ¥xe3  66.¢xe3  ¢b2  67.¢d3  ¢xa2  68.¢c4  ¢a3  69.b6  axb6-+ ]

 65...

¢b2  66.¤c6  ¥c5  67.¤e5  ¢xa2  68.¤d3  ¥e7

and White resigned because his 

§-pawn

falls and then Black's b-

§ marches on.

0-1

144

Olafsson,F
Addison

Reykjavik

1968

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6

128

XIIIIIIIIY

9r+-+kvlntr0

9zppwqn+pzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

 12.c4

 [ 12.

¢f1!?  0-0-0  13.b4

is an interesting option.

 

¤gf6  14.¦e1  ¥d6  15.£a3!?  ¢b8

 ( 15...

¥xg3  16.£xa7  ¤g4  17.£a8+  ¤b8  18.fxg3  £xg3  19.¦e2  e5!? ) 16.c4  ¢a8  17.¤e2

 

£c8  18.¤c3  ¦he8  19.¦h4  ¥b8

led to unclear complications in Hector - Vladimirov, Gausdal

1990. Black's position looks very suspect here.

]

 12...

¤gf6  13.¥c3

 [ 13.

£e2!?  0-0-0  14.c5  ¤d5  15.b4  ¥e7  16.¢f1  e5÷

Ciocaltea - Valero, Spain 1980.

]

background image

70

 [ 13.c5  b6  14.b4  a5  15.cxb6  

£xb6  16.bxa5  £a6  17.£xa6  ¦xa6  18.¤e5  ¥d6  19.¤c4

 

¥xg3  20.fxg3  0-0  21.¢e2  c5  22.¦h4  ¦c8=

Romm - Porath, Israel 1976.

]

 [ 13.

¤e4  ¥e7  14.0-0-0  ¦d8!?  15.¤xf6+  ( 15.¦dg1  c5 )  15...¤xf6  16.£c2  0-0  17.¦dg1

 ( 17.

¦h4?!  c5!  18.¥e3  a6  19.¢b1  b5  20.cxb5  axb5  21.dxc5  ¦xd1+  22.£xd1  ¥xc5³

- Suetin.

 17...c5  18.

¥e3  a6  19.g4  b5  20.cxb5  c4!?  21.bxa6  £a5  22.¢b1  £xa6÷

- analysis.

]

 13...

¥d6

129

XIIIIIIIIY

9r+-+k+-tr0

9zppwqn+pzp-0

9-+pvlpsn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-vLQ+NsN-0

9PzP-+-zPP+0

9tR-+-mK-+R0[

xiiiiiiiiy

 14.

¤e4  ¥e7  15.g3  0-0-0  16.0-0-0

Play has transposed back into normal channels.

 

¦he8

 [ 16...

¤xe4

would be more natural.

]

 17.

¢b1  c5  18.£e2  ¤xe4  19.£xe4  ¥f6  20.£e3  a6  21.¦he1  cxd4  22.¥xd4  ¥xd4  23.¦xd4

 

¤f6  24.¦h4  e5
½-½

145

Williams
Schiller

New York City ch

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6

 [ 11...

¤gf6

is playable here, but this should just transpose elsewhere.

]

 12.0-0-0  0-0-0

This move is usually delayed until after the other 

¤ has been developed.

 13.c4

 [ 13.

¤e5?!  ¤xe5!  14.dxe5  £xe5  15.¦he1  £c7  16.£e3  ¢b8∓ ]

 13...

¤gf6  14.¤e4

 [ 14.

¥c3  c5  ( 14...¥d6  15.¤e4  ¥f4+  16.¢c2  ¤e5!  17.¤xe5  ¥xe5  18.¤c5  ¥d6  19.¤b3

 

£e7=

Bronstein - Kotov, Amsterdam 1968.

) 15.

¢b1  cxd4  16.¤xd4  a6  17.¤b3  ¤c5  18.£f3

 

¦xd1+  19.¦xd1  ¥e7  20.¥a5  £e5  21.¦e1  £d6!=

- Suetin.

]

(Diagram 130)

background image

71

130

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzPN+-+0

9+-+Q+N+-0

9PzP-vL-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

A new move, at the time, but one which is not particularly impressive.

 14...c5  15.d5?!

 [ 15.

£a3!?  ¢b8  16.¤xc5  ¤xc5  17.dxc5  ¥xc5  18.¥b4  £f4+  19.¢b1  £f5+  20.¢a1  ¥xb4

 21.

£xb4  ¤xh5  22.¦xd8+  ¦xd8  23.£e7÷ ]

 15...exd5  16.cxd5  c4!  17.

£d4  ¤xe4  18.£xe4  ¤f6  19.£f5+  £d7

131

XIIIIIIIIY

9-+ktr-vl-tr0

9zpp+q+pzp-0

9-+-+-sn-zp0

9+-+P+Q+P0

9-+p+-+-+0

9+-+-+N+-0

9PzP-vL-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

 20.

£xd7+  ¦xd7  21.¤e5  ¦xd5  22.¤xf7  ¦g8  23.¥c3  ¥e7  24.¦de1  ¥c5³  25.¥xf6  gxf6

 26.

¦e4  ¥xf2  27.¤xh6  ¦xg2

132

XIIIIIIIIY

9-+k+-+-+0

9zpp+-+-+-0

9-+-+-zp-sN0

9+-+r+-+P0

9-+p+R+-+0

9+-+-+-+-0

9PzP-+-vlr+0

9+-mK-+-+R0[

xiiiiiiiiy

White has an advanced pawn, but Black has the attack.

 28.

¦xc4+  ¢d8  29.¦e4  ¥d4  30.¤f7+

 

¢c7  31.h6  ¦c5+  32.¢d1  ¥xb2  33.¦e7+  ¢b6  34.¦e6+  ¢a5
0-1

background image

72

159

Bronstein
Bazan

Mar del Plata

1960

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¤e4

This is no longer seen in tournament play, and is not even

mentioned in ECO II (1987).

133

XIIIIIIIIY

9r+-wqkvlntr0{

9zpp+n+pzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-+-zPN+-+0

9+-+Q+N+-0

9PzPP+-zPP+0

9tR-vL-mK-+R0

xiiiiiiiiy

 

¤gf6

 12.

¥f4  ¤xe4  13.£xe4  ¤f6  14.£e2  £d5!?

This prevents White from castling

queenside, and also threatens to exchange queens with 15...

£e4.

 15.

¥e5  £e4  16.£xe4  ¤xe4

 17.

¢e2  ¦d8  18.¦ad1  ¦g8!?

The point of this move is not so much as to take action on the

kingside as to free the 

¥ from its defensive duties at g7.

 19.c4  

¥d6  20.¦d3  ¢e7  21.¦b3  ¦d7

 22.

¦h4?!

 [ 22.

¦d1

is more logical, but the game is still roughly level.

]

 22...

¤f6  23.¥xd6+  ¢xd6!  24.¤e5  ¦c7

Black will underminde the White center with c6-c5, and

thus force the 

¤ at e5 to abandon his outpost.

 25.

¦a3  a6  26.b4  ¢e7  27.¦g3  ¦cc8  28.¦f4

 

¦cf8=

134

XIIIIIIIIY

9-+-+-trr+0

9+p+-mkpzp-0

9p+p+psn-zp0

9+-+-sN-+P0

9-zPPzP-tR-+0

9+-+-+-tR-0

9P+-+KzPP+0

9+-+-+-+-0[

xiiiiiiiiy

Although Black's position is cramped, it is very solid.

 29.

¦h3  ¤d7  30.¤xd7  ¢xd7  31.¦hf3  f6

 32.

¦e3  ¦e8  33.¦fe4  ¦gf8  34.c5?!  ¦f7  35.f4  ¦fe7  36.g4  ¦f8  37.f5?!  ¦fe8!  38.fxe6+

 [ 38.

¢d3  exf5?  ( 38...e5  39.dxe5  fxe5  40.¦g3  ¦f8= )  39.¦xe7+  ¦xe7  40.¦xe7+  ¢xe7

 41.gxf5

² ]

 38...

¦xe6  39.¦xe6  ¦xe6  40.¢f3

 [ 40.

¦xe6  ¢xe6  41.¢e3  f5∓ ]

 40...

¦e7  41.¦xe7+?!

background image

73

 [ 41.

¦d3 ]

 41...

¢xe7  42.¢e4  ¢e6  43.a3  ¢f7

∆ g7-g6.

0-1

163

Belyavsky
Campora

Luzern

1985

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  e6

 9.

¥d3  ¥xd3  10.£xd3  ¤f6  11.¥d2  ¤bd7  12.0-0-0  £c7  13.¢b1

135

XIIIIIIIIY

9r+-+kvl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+NsN-0

9PzPPvL-zPP+0

9+K+R+-+R0

xiiiiiiiiy

This move rarely has independent significance, usually transposing after White eventually
chooses a real plan.

 0-0-0

Black can also choose 13...c5, opening up the 

« now that White has

commited his 

¢ to that side of the board, but castling is the more thematic move in the tradition

of the Caro Kann.

 14.

£e2  ¥d6  15.¤e4  ¤xe4

 [ 15...

¥f4!?

might be stronger.

]

 16.

£xe4  ¤f6

 [ 16...c5?!  17.dxc5  

¤xc5  18.£c4!±

Kurajica - Bagirov, Titovo Uzica 1978.

]

 17.

£e2  c5

 [ 17...

¦he8!?

is suggested by Kasparov & Shakarov, who give further

 18.

¤e5  ( 18.c4  e5

 19.c5  

¥f8  20.dxe5  ¤d7 ) 18...c5  19.¥c1  ¥f8  20.dxc5  ¥xc5 ]

 18.c4  

£c6  19.¤e5  £e4+  20.£xe4  ¤xe4

(Diagram 136)

background image

74

136

XIIIIIIIIY

9-+ktr-+-tr0

9zpp+-+pzp-0

9-+-vlp+-zp0

9+-zp-sN-+P0

9-+PzPn+-+0

9+-+-+-+-0

9PzP-vL-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

We have reached a position filled with dynamic tension, which must be resolved quickly.

 21.

¤xf7

 

¤xf2  22.¥e3  ¤xh1  23.¦xh1

 [ 23.

¤xh8  cxd4  24.¦xd4  ( 24.¥xd4  ¦xh8  25.¦xh1  e5³ )  24...¦xh8  25.¦xd6  ¤g3  26.¦xe6

 

¤xh5÷ ]

 23...

¥g3  24.¤xd8  ¦xd8  25.dxc5  ¦d3

137

XIIIIIIIIY

9-+k+-+-+0

9zpp+-+-zp-0

9-+-+p+-zp0

9+-zP-+-+P0

9-+P+-+-+0

9+-+rvL-vl-0

9PzP-+-+P+0

9+K+-+-+R0[

xiiiiiiiiy

Black's activity compensates for the weak doubled pawn.

 26.

¥c1  ¥f2  27.¥f4  ¥xc5  28.¥e5

 

¦d7  29.¦h4  ¥e3!  30.¦e4  ¥g5  31.¥d4  b6³  32.¢c2  ¦e7  33.a4  ¢d7  34.a5  bxa5  35.¥xa7

 

¢c6  36.¥f2  ¥f6  37.¥e1  a4  38.¥b4  ¦e8  39.¦e1  ¥d4  40.¦a1  ¦a8  41.¦a2  ¦a7

White's last few moves are incomprehensible. His 

¦ has been reduced to the status of a §.

 42.

¢d3  ¦b7!?

 [ 42...e5  43.b3  

¦f7  44.¦xa4  ¦f2  45.¦a6+  ¢b7  46.¦g6± ]

 43.

¦xa4  ¥xb2  44.¦a6+  ¢d7  45.¥c5  ¥f6=  46.¥b6  ¢c6  47.¥d4+  ¢d7  48.¥b6

One can only assume that the players continue for many more moves because this was a team
tournement.

 

¢c6  49.¥a5+  ¢c5  50.¦xe6  ¦d7+  51.¢e4  ¢xc4  52.¥b6  ¦d2  53.g4  ¦g2

 54.

¢f5  ¢d5  55.¦e1  ¢d6  56.¦e4  ¢d5  57.¦a4  ¦e2  58.¥c7  ¦f2+  59.¢g6  ¥c3  60.¥d8

 

¦g2  61.¥b6  ¦e2  62.¥d8  ¦e4  63.¦xe4  ¢xe4  64.g5  hxg5
½-½

background image

75

170

Evans
Berger

Amsterdam iz

1964

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¢b1  c5  14.c4

138

XIIIIIIIIY

9r+-+kvl-tr0{

9zppwqn+pzp-0

9-+-+psn-zp0

9+-zp-+-+P0

9-+PzP-+-+0

9+-+Q+NsN-0

9PzP-vL-zPP+0

9+K+R+-+R0

xiiiiiiiiy

 cxd4?!

Black should have castled instead of opening up the center which greatly increases the

scope of White's forces.

 15.

¤xd4  a6

 [ 15...

¤e5  16.£e2  ¤xc4  17.¤xe6!  ¤xd2+  18.¦xd2  fxe6  19.£xe6+  £e7  ( 19...¥e7  20.¤f5

 

¢f8  21.¦c1+- ) 20.£c4±

∆ ¦e2 - Evans.

]

 [ 15...0-0-0  16.

¤b5  £b8  17.¤e4!  ¤xe4  18.£xe4±  a6  ( 18...¤f6  19.£e3  a6  20.¤a7+

 

¢c7  21.¥a5+  b6  22.¦xd8+- )  19.¥f4  e5  20.¦xd7!  ¦xd7  21.¥xe5  £a8  22.¤c7  ¦xc7

 23.

£f5+  ¢b8  ( 23...¦d7  24.¦d1+- ) 24.£xf7+-

- Evans.

]

139

XIIIIIIIIY

9r+-+kvl-tr0

9+pwqn+pzp-0

9p+-+psn-zp0

9+-+-+-+P0

9-+PsN-+-+0

9+-+Q+-sN-0

9PzP-vL-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

 16.

¤xe6!  fxe6  17.£g6+  ¢d8  18.¦he1!+-  ¢c8

 [ 18...e5  19.

¥c3  ¢c8  20.f4!

- Evans.

]

 [ 18...

£xc4  19.¥c3  ¥e7  20.£xg7  ¦g8  21.£xh6

∆ ¥xf6.

]

 19.

¦xe6  b6  20.£f5!

∆ ¥f4.

 

¢b7  21.¥f4  £c5

 [ 21...

£c8  22.¤e4  ¢a7  ( 22...¤xe4  23.£xe4+  ¢a7  24.¦c6!+- )  23.¤xf6  ¤xf6  24.¦xf6!

 gxf6  25.

¦d7+  £b7  26.¦xb7+  ¢xb7  27.£xf6  ¥c5  28.£g7+  ¢c6  29.£c7# ]

 22.

¦xf6‡  ¤xf6  23.¦d7+  ¢c6

 [ 23...

¤xd7  24.£xd7+  £c7  25.£xc7# ]

background image

76

 24.

¦c7#

1-0

173

Spassky
Petrosian

World Ch (m/13)

1966

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.£e2  ¤gf6  13.0-0-0  0-0-0  14.¤e5  ¤xe5

 15.dxe5  

¤d7

 [ 15...

¤d5!?  16.f4  c5  17.c4  ¤b4  18.¥xb4  ¦xd1+  19.¦xd1  cxb4  20.¤e4

is discussed in

Spassky - Botvinnik, USSR 1966.

]

 16.f4  

¥e7  17.¤e4  ¤c5  18.¤c3  f6

 [ 18...

¦he8!?  19.¥e3  ( 19.g4!?

also comes into consideration, for example:

 

¥f8  20.g5

with a strong initiative.

 19...

£a5  20.¢b1  ¤a4  21.¤xa4  £xa4  22.£f2  b6²

Tiller -

Groszpeter, Groningen 1977/78.

]

 [ 18...

¦d4  19.¥e3!  ¦xd1+  20.¦xd1  ¦d8  21.£g4!

would have given White strong pressure on

the kingside.

]

 19.exf6  

¥xf6  20.£c4

 [ 20.b4?

represents a wrongheaded approach.

 

¥xc3!  21.¥xc3  £xf4+  22.¢b1  ( 22.¥d2  £e4!

 23.

£xe4  ¤xe4  24.¥e3  ¦xd1+  25.¦xd1  ¦d8  26.¦xd8+  ¢xd8  27.¥xa7  ¤g3  28.¥d4  ¤xh5

 29.g4  

¤f6∓ )  22...¤e4  23.¥xg7  ¦hg8  24.¦xd8+  ¢xd8  25.¦d1+  ¢c8  26.¥d4  ¦d8!

and the threat of a family fork at c3 is very important.

]

 20...

£b6

140

XIIIIIIIIY

9-+ktr-+-tr0

9zpp+-+-zp-0

9-wqp+pvl-zp0

9+-sn-+-+P0

9-+Q+-zP-+0

9+-sN-+-+-0

9PzPPvL-+P+0

9+-mKR+-+R0[

xiiiiiiiiy

 21.b4!

²  ¤a6  22.¤e4!

 [ 22.

£xe6+?

would have been an error.

 

¢b8  23.¤e4  ( 23.a3  ¦xd2!  24.¢xd2  £d4+  25.¢c1

 

£xc3 ) 23...¦he8  24.£f5  £d4-+ ]

 22...

¤c7  23.¦he1  ¦d4

This is the logical and most aggressive move, but there was a worthy

alternate of a more defensive nature.

 [ 23...

¥e7  24.¥c3  ¤d5  25.¥xg7  ¥xb4  26.¥xh8  ¥xe1  27.¥d4  £b4  28.£xb4  ¥xb4

 29.

¥xa7  ¤xf4  30.¦xd8+  ¢xd8  31.¥e3  ¤xh5  32.¥xh6  e5  ( 32...¥e7?  33.g4  ¤f6  34.¤xf6

 

¥xf6  35.g5 ) 33.g4  ¤f4

with a likely draw.

]

 24.

£b3  £b5  25.c3  ¦xe4

 [ 25...

¦hd8  26.¤c5!

exposes the weakness of e6.

]

 26.

¦xe4  £xh5  27.£c4  £f5

background image

77

141

XIIIIIIIIY

9-+k+-+-tr0

9zppsn-+-zp-0

9-+p+pvl-zp0

9+-+-+q+-0

9-zPQ+RzP-+0

9+-zP-+-+-0

9P+-vL-+P+0

9+-mKR+-+-0[

xiiiiiiiiy

Black has one 

§ for the exchange, but White's position is rather exposed. With careful play

perhaps White has the advantage in this unbalanced position.

 28.

£e2  h5  29.¥e1  ¦e8  30.g3

 a5  31.bxa5  

£xa5  32.£c2  £f5  33.¦a4  g5?

Perhaps Petrosian was running out of patience,

or perhaps he thought it was necessary to open up the position, but this was a poor decision. A
counter on the queenside with 33...b5 would have been more appropriate.

 34.fxg5

 

¥xg5+

 35.

¢b1  £xc2+  36.¢xc2  e5

 [ 36...b5

is still an interesing option. Black will plant his 

¤ at d5 and his active pieces would

provide sufficient compensation.

]

 37.

¦e4  ¤d5  38.¥f2  ¤f6  39.¦a4  ¢c7  40.¥c5  ¤d5  41.¦e4

142

XIIIIIIIIY

9-+-+r+-+0{

9+pmk-+-+-0

9-+p+-+-+0

9+-vLnzp-vlp0

9-+-+R+-+0

9+-zP-+-zP-0

9P+K+-+-+0

9+-+R+-+-0

xiiiiiiiiy

Here the game was adjourned. Black has a difficult defensive task in this complex endgame, and
could only hope for a draw.

 b6  42.

¥g1!

This is the best square for the 

¥. Complicating matters

with 42.c4 was not needed.

 

¥d8  43.¦f1  ¤f6  44.¦e2  c5  45.¦f5  ¢d6  46.a4  ¢d5

Black is

properly aggressive with his 

¢, a technique usually associated with his opponent!

 47.

¢d3  ¤g4!

 48.

¦b2!

 [ 48.

¦xh5

would have gained a pawn, but forfeited an important file:

 

¦f8!

and Black has plenty

of counterplay.

]

 48...

¦h8  49.a5  c4+  50.¢e2  ¢e4  51.¦f7  bxa5  52.¦b8  a4  53.¦c8

 [ 53.

¦d7  a3! ]

 53...

¥f6

(Diagram 143)

background image

78

143

XIIIIIIIIY

9-+R+-+-tr0

9+-+-+R+-0

9-+-+-vl-+0

9+-+-zp-+p0

9p+p+k+n+0

9+-zP-+-zP-0

9-+-+K+-+0

9+-+-+-vL-0[

xiiiiiiiiy

 54.

¦xc4+?

 [ 54.

¦xh8  ¥xh8  55.¦c7!

would have won easily.

 

¢d5  56.¦c5++- ]

 54...

¢f5  55.¦a7  a3?!

 [ 55...

¦d8

was the best try, hoping for

 56.

¦cxa4  ¥g5

with counterplay.

]

 56.

¦xa3  ¦b8  57.¦b4  ¦c8  58.c4  ¥e7  59.c5  e4  60.¦a7  ¥f6  61.¦h7?

 [ 61.

¦ba4!

would have left Black in a hopeless position.

]

 61...

¢g6  62.¦d7  ¢f5  63.¦d5+  ¥e5  64.¦b6  e3  65.¢f3  ¤f6  66.¦d3  ¦xc5  67.¥xe3  ¦c2

 68.

¦d8  ¦c3  69.¢e2  ¦c2+  70.¢d1  ¦c3  71.¥f2

144

XIIIIIIIIY

9-+-tR-+-+0{

9+-+-+-+-0

9-tR-+-sn-+0

9+-+-vlk+p0

9-+-+-+-+0

9+-tr-+-zP-0

9-+-+-vL-+0

9+-+K+-+-0

xiiiiiiiiy

 

¤e4?

 [ 71...

¦a3

followed by the check at g4 would have given Black better chances of surviving .

]

 72.

¦f8+  ¢g5

 [ 72...

¤f6!?

was worth a try, since mass liquidation does not succeed.

 73.

¦fxf6+

 

¥xf6

 74.

¦xf6+  ¢xf6  75.¥d4+  ¢g5  76.¥xc3  h4!

and a draw is assured.

]

 73.

¦b5  ¦d3+  74.¢e2  ¦d5  75.¦xd5  ¤c3+  76.¢f3  ¤xd5  77.¦a8!

and now it is just a matter

of time.

 

¢f5  78.¦a5  ¢e6  79.¥e1  ¤f6  80.¦b5  ¤d5  81.¥d2  ¥g7  82.¥c1  ¥e5  83.¥b2  ¥c7

 84.

¦c5  ¥d6  85.¦c1  ¤e7  86.¦e1+  ¢f5  87.¦a1  ¤c6  88.¦a6  ¥e5  89.¦xc6  ¥xb2  90.¦c5+

 

¢g6  91.¢f4  ¥g7
1-0

background image

79

175

Massana
Schiller

New York City ch

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.£e2  0-0-0  14.¤e5  ¤xe5

 15.dxe5  

¤d7  16.f4  ¦g8!?

145

XIIIIIIIIY

9-+ktr-vlr+0

9zppwqn+pzp-0

9-+p+p+-zp0

9+-+-zP-+P0

9-+-+-zP-+0

9+-+-+-sN-0

9PzPPvLQ+P+0

9+-mKR+-+R0[

xiiiiiiiiy

Kasparov and Shakarov indicate that my idea is original, but point out that White can play more
strongly than in the game.

 17.

¥c3

 [ 17.

¤e4  f5

was the point of my previous move.

]

 17...f5  18.

£c4  ¤c5  19.¤xf5?

White falls for the optical illusion. There is much less space on

the 

« than there seems to be.

 [ 19.b4  b5! ]
 [ 19.

¥b4  ¦d5!  20.¦xd5  cxd5  21.£c3  ¤d3+  22.cxd3  ¥xb4  23.£xc7+  ¢xc7

is slightly better

for Black.

]

 [ 19.

¦xd8+!

was the correct move.

 

£xd8

 20.

¦d1

this is the line given by Kasparov and

Shakarov, intending Bb4. But with all due respect, the claim that my position would have been
suspect is not clear:

 

£h4

 A)  21.

¥b4  b5  22.£d4  £xg3  23.¥xc5  ¥xc5  24.£xc5  ( 24.£d7+  ¢b8  25.£xc6  £xf4+

 26.

¢b1  ¦c8  27.£xb5+  ¥b6-+ ) 24...£xf4+  25.¢b1  £e4

and Black seems safe to me. Still,

one should respect the opinion of the  World Champion and I would examine these positions
carefully before adopting the plan in an important game.

;

 B)  21.

¤e2 ]

 19...b5!  20.

¤d6+?

(Diagram 146)

background image

80

146

XIIIIIIIIY

9-+ktr-vlr+0{

9zp-wq-+-zp-0

9-+psNp+-zp0

9+psn-zP-+P0

9-+Q+-zP-+0

9+-vL-+-+-0

9PzPP+-+P+0

9+-mKR+-+R0

xiiiiiiiiy

 

£xd6!!  21.£e2  £c7  22.¦xd8+  £xd8-+  23.¦d1  £e8  24.b4  ¤a4  25.¥d4  ¥xb4  26.c4  £f8

 27.

£f3  ¥a3+  28.¢c2  ¢c7  29.cxb5  cxb5  30.£b3  £f5+  31.¦d3  ¦d8  32.¢d2  £xf4+

0-1

179

Malchikov
Shakarov

USSR

1976

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦a5  18.¢b1  ¥d6  19.f4  ¦d8  20.¦d3

 [ 20.

¤e4  ¤xe4  21.£xe4  ¢b8  22.g3

For 22.b3 see Jansa - Podgayets, Sombor 1970.

 b5

 23.c5  

¥xe5  24.dxe5?!  ( 24.fxe5  ¦a4÷ )  24...¦a4!  25.£e3  ¦d5  26.b3?!  ( 26.¦xd5  cxd5³ )

 26...

£d7!  27.¦xd5  £xd5  28.¦c1  ¦d4∓

Maeder - Podgayets, 1969.

]

147

XIIIIIIIIY

9-+ktr-+-+0{

9+pwq-+pzp-0

9-zppvlpsn-zp0

9tr-+-sN-+P0

9-+PzP-zP-+0

9+-+R+-sN-0

9PzP-+Q+P+0

9+K+-+-+R0

xiiiiiiiiy

We are in the thick of the theoretical jungle here, exploring a sideline to the main variant where
the 

¦ is placed at d2. There is no danger, however.

 20...b5

 [ 20...c5

is not as effective.

 21.

¦hd1²

- Kasparov & Shakarov.

]

 [ 20...

£e7  21.¦hd1  ¥c7  22.¤e4  ¤xe4  23.£xe4  b5  24.d5!  f5  25.£e1  bxc4  26.d6  ¥xd6

 27.

¤g6±

Vogt - Boensch, GDR 1979.

]

 21.c5  

¥xe5  22.fxe5  ¤d5

background image

81

148

XIIIIIIIIY

9-+ktr-+-+0

9+pwq-+pzp-0

9-+p+p+-zp0

9trpzPnzP-+P0

9-+-zP-+-+0

9+-+R+-sN-0

9PzP-+Q+P+0

9+K+-+-+R0[

xiiiiiiiiy

This position was evaluated as inferior to 20.

¦d2 by Boleslavsky. We follow the analysis by

Kasparov & Shakarov in their 1983 book.

 23.

£d2  ¦a4  24.b3  ¦a3  25.¤e4

The 

¤ heads for d6,

but without a supporting cast it will not make much of an impression.

 b4

If White gets d6, then

Black will be able to occupy c3 in return.

 26.

¦f1

 [ 26.

¦g3  f5!  27.exf6  ¤xf6  28.¤d6+  ¦xd6  29.cxd6  £xd6  30.¦xg7  ¤e4  31.£xh6  ¤c3+

Black's attack looks very dangerous, but White has sufficient resources to get the half-point.

 32.

¢c2  ¢b8!  ( 32...¦xa2+  33.¢d3  ¢b8

transposes.

 33.

¦g8+  ¢a7  34.£f8!  ¦xa2+

 ( 34...

£xd4??  35.£a8+  ¢b6  36.£d8+  £xd8  37.¦xd8  ¦xa2+  38.¢d3  ¦xg2  39.h6+- )

 35.

¢d3  ¦d2+!  36.¢xd2  £xd4+  37.¢e1  £e3+  38.¢f1  £e2+  39.¢g1  £e1+  40.¢h2

 ( 40.

£f1??  ¤e2+  41.¢h2  £h4# ) 40...£h4+= ]

 26...

¢b8  27.¦df3  ¦d7  28.¦1f2  ¢a7

The Black 

¢ is now safe, providing more flexibility in

choice of plans.

 29.g4  

£d8!

149

XIIIIIIIIY

9-+-wq-+-+0

9mkp+r+pzp-0

9-+p+p+-zp0

9+-zPnzP-+P0

9-zp-zPN+P+0

9trP+-+R+-0

9P+-wQ-tR-+0

9+K+-+-+-0[

xiiiiiiiiy

 30.

£c1

 [ 30.

¦xf7!?  ¦xf7  31.¦xf7  £h4

allows the 

£ into the game, but it is not clear that there is great

danger.

 32.

£e2  £h1+  33.¢b2  ( 33.¦f1??  £xe4+!  34.£xe4  ¤c3+  35.¢b2  ¦xa2+  36.¢c1

 

¤xe4  37.¦f7  ¦d2  38.¦xg7  ¦xd4  39.¦g6  ¤xc5  40.¦xh6  ¦xg4  41.¦g6  ¦h4-+ ) 33...£g1

 A)  34.

£f2  £xg4  35.¤d6?  ¦xa2+  36.¢xa2  ¤c3+  37.¢a1  ( 37.¢b2  ¤d1+  38.¢c2  ¤xf2

 39.

¦xf2  £xd4-+ ) 37...£d1+  38.¢b2  £b1# ;

 B)  34.

¦f2  ¦a6

and according to Kasparov & Shakarov, neither side can make progress.

]

 30...

£h4  31.£g1  ¤c3+

 [ 31...

¢a8!?  32.¦xf7  ¦xf7  33.¦xf7  £h3!? ]

 32.

¤xc3  bxc3  33.¦c2

background image

82

150

XIIIIIIIIY

9-+-+-+-+0{

9mkp+r+pzp-0

9-+p+p+-zp0

9+-zP-zP-+P0

9-+-zP-+Pwq0

9trPzp-+R+-0

9P+R+-+-+0

9+K+-+-wQ-0

xiiiiiiiiy

 

¦xd4  34.£xd4  £h1+  35.¦c1  £xf3  36.¦xc3

With checkmates no longer likely, a draw is

inevitable.

 

£e2  37.¦c2  £e1+  38.¦c1  £e2  39.¦c2  £e1+  40.¢b2  £a5  41.¢b1

½-½

180

Korolyov
Vdovin

Corr.

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦a5  18.¢b1  ¥d6  19.f4  ¦d8  20.¦d2

151

XIIIIIIIIY

9-+ktr-+-+0{

9+pwq-+pzp-0

9-zppvlpsn-zp0

9tr-+-sN-+P0

9-+PzP-zP-+0

9+-+-+-sN-0

9PzP-tRQ+P+0

9+K+-+-+R0

xiiiiiiiiy

This move, originally recommended by Boleslavsky, has not had been tested in the Grandmaster
arena but it has seen action in the former Soviet Union.

 b5

 [ 20...c5

is not as effective.

 21.

¦hd1²

- Kasparov & Shakarov.

]

 21.c5  

¥xe5  22.fxe5

 [ 22.dxe5  

¤d5÷  23.¤e4  ¦a4  24.¤d6+  ¢b8  25.g3  £a5!  26.a3  ( 26.¤xf7  ¦xa2  27.¤xd8

 

¦a1+  28.¢c2  ¤b4+  29.¢b3  £a4+  30.¢c3  ¦xh1

and White is in big trouble.

 26...

¦xa3!

 27.bxa3  

¤c3+  28.¢b2  ¤xe2  29.¦xe2  b4∓ ]

 22...

¦a4!

background image

83

152

XIIIIIIIIY

9-+ktr-+-+0

9+pwq-+pzp-0

9-+p+psn-zp0

9+pzP-zP-+P0

9r+-zP-+-+0

9+-+-+-sN-0

9PzP-tRQ+P+0

9+K+-+-+R0[

xiiiiiiiiy

 23.

¦hd1

 [ 23.

¦h3  ¤d5  24.¤e4

Kasparov & Shakarov have a low opinion of this sacrifice.

 

¤f4  25.£f2

 

¤xh3  26.gxh3  ¢b8  27.¤d6  ¦f8  28.b3  ¦a6?  ( 28...¦a8

would have been better, allowing

Black to reorganize along the back rank.

 29.

£g2!  f6  30.exf6  gxf6  31.£g6  e5  32.¦g2!

and White had more than enough compensation in Zakharov - Shakarov, corr. 1978

]

 [ 23.

£f2  ¤g4  ( 23...¤d5  24.¤e4÷ ) 24.£f4

 A)  24...

£xe5!?  25.£xg4  ( 25.dxe5  ¦xf4  26.¦xd8+  ¢xd8  27.¦d1+  ¢e7∓ ;  25.£xe5

 

¤xe5∓ ) 25...¦axd4  26.¦xd4  ¦xd4  27.£f3  ¦d2  28.£a3  ( 28.£c3  £d5 ) 28...b4  29.£a8+

 ( 29.

£xb4  ¦xg2  30.¤e4  ¦xb2+!!  31.£xb2  £xe4+  32.¢c1  £xh1+  33.¢c2  £g2+  34.¢b3

 

£xb2+  35.¢xb2-+ )  29...¢c7  30.£a5+  ¢c8  ( 30...¢b8  31.£xb4  ¦xg2  32.¦d1+- )

 31.

£a8+= ;

 B)  24...

¤xe5  25.b3  £a5!?

leads to wild complications!

153

XIIIIIIIIY

9-+ktr-+-+0

9+p+-+pzp-0

9-+p+p+-zp0

9wqpzP-sn-+P0

9r+-zP-wQ-+0

9+P+-+-sN-0

9P+-tR-+P+0

9+K+-+-+R0[

xiiiiiiiiy

 B1)  26.

¦hd1  ¤c4!  27.bxc4  ( 27.bxa4  £c3 )  27...£c3  28.¦b2  ¦b4  29.¦xb4  £xb4+

 30.

¢a1  £c3+  31.¢b1  £b4+  32.¢c2  £xc4+= ;

 B2)  26.

¤e4  ¤d3!  27.£e3  ( 27.¦xd3  ¦xa2  28.¦dd1  ¦a1+  29.¢c2  £a2+  30.¢d3

 

£xb3+  31.¤c3  £c4+  32.¢c2  ¦a2+  33.¢b1  £b3+ )  27...¦axd4  28.¤d6+  ¦4xd6

 29.cxd6  

¤b4  30.£c3!  £a3  31.£xg7  ¤d5

and, according to Kasparov & Shakarov, "the

outcome is obscure". Who says the Classical Caro-Kann is boring?

;

 B3)  26.bxa4  

£b4+  27.¢c1  ( 27.¦b2?  £xb2+  28.¢xb2  ¤d3+  29.¢c3  ¤xf4  30.¦h2

 e5!-+ )

 B3a)  27...

£c3+

was not as effective in Marzell - Shakarov, Correspondence 1977.

 28.

¢d1  ¤c4  29.¦f1!  e5  ( 29...¤xd2?  30.¤e2 )  30.£f5+  ¢b8  31.¤e4  £b4  32.¢e2

Perhaps White can do better than this!?

 

¤xd2  33.£xe5+  ¢a7  34.¤xd2  ¦xd4  35.£e3

 bxa4  36.

¢e1  f5!  37.a3  £b2

and Marzell - Shakarov, Correspondence 1977 eventually

ended in a draw.

;

 B3b)  27...

£c4+!  28.¢d1  ¤d3  29.£e3  ( 29.£xf7  £xd4  30.£xe6+  ¢b8-+ )  29...¦xd4

background image

84

 30.axb5  ( 30.

¤e2  £xa4+  31.¦c2  ¦d7∓ ;  30.¢e2  ¤e5+  31.¢e1  £c1+  32.¢e2

 

£c4+= )  30...f5!  31.bxc6  f4

Kasparov & Shakarov stop here, claiming an advantage for

Black. But the position merits further study.

 32.cxb7+  

¢xb7?  ( 32...¢b8!

is correct.

)

 33.

£f3+  ¦d5  34.¤e2  ¤b2+  35.¢e1  ¤d3+ ]

 23...

¤d5  24.¤e4  £a5  25.b3  ¦a3  26.£f3  f5  27.exf6  gxf6  28.g4  b4  29.£g3  f5  30.gxf5

 exf5

 31.

£h3

This wins a pawn, but it is of no importance since White's pieces are totally

paralyzed by the threatening Black forces.

 

¢b8  32.£xf5  ¦e8  33.¢c1  ¢a7  34.£g6  ¦e7

 35.

¦f2  £a6  36.¦fd2  £a5

½-½

183

Widera
Tarnai

cr

1974

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.£e2  ¤gf6  13.0-0-0  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦a5  18.¢b1  ¥d6  19.f4  ¦d8  20.¦hf1

154

XIIIIIIIIY

9-+ktr-+-+0{

9+pwq-+pzp-0

9-zppvlpsn-zp0

9tr-+-sN-+P0

9-+PzP-zP-+0

9+-+-+-sN-0

9PzP-+Q+P+0

9+K+R+R+-0

xiiiiiiiiy

This seminal game is not mentioned in Kasparov & Shakarov, but the interest is mailnly historical,
since White achieves nothing with this plan.

 

£e7  21.¤e4  ¤xe4  22.£xe4  f6

Black will play to

achieve e6-e5, after which he will have the better game.

 23.

¤g6  £f7  24.£e2  ¦e8  25.¦d3  b5!

 26.b3  bxc4  27.bxc4  e5!

and Black has taken over the initiative.

 28.

¦e3  e4  29.¦c1  f5  30.g4

 

£c7  31.£f2  £d7  32.¤e5  ¥xe5  33.dxe5  fxg4  34.£e1  ¦a4  35.¦xe4  £f5  36.¦c2  £xh5

 37.

¦d2  £f5  38.¢a1  £f8  39.¦d6  ¦xc4  40.¦xc4  £xd6  41.£a5  £d1+  42.¢b2  ¦d8  43.¦c2

 

£d4+  44.¦c3  g3
0-1

185

Martin
Pomar

Las Palmas

1977

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦d8  18.¤e4  ¤xe4  19.£xe4  ¥d6  20.f4  f5  21.£e3  ¥xe5

background image

85

 22.

£xe5  £xe5  23.dxe5

155

XIIIIIIIIY

9-+ktr-+-tr0{

9+p+-+-zp-0

9-zpp+p+-zp0

9+-+-zPp+P0

9-+P+-zP-+0

9+-+-+-+-0

9PzP-+-+P+0

9+-mKR+-+R0

xiiiiiiiiy

This endgame, which could have been reached a few moves earlier, must be handled properly.
The 

¦s must not come off the board too quickly!

 

¦hg8?

 [ 23...g5!  24.hxg6  ( 24.g3  

¦hg8  25.¦hg1  ¦d7!

Kasparov & Shakarov.

 24...

¦dg8  25.¦d3

 

¦xg6  26.g3  ¦hg8  27.¦h3  h5  28.¢c2  h4!  29.gxh4  ¦h6  30.¦d2  ¦g4= ]

 24.

¦xd8+  ¢xd8

 [ 24...

¦xd8  25.¦d1  ¦xd1+  26.¢xd1  ¢d7  27.¢c2  c5  28.¢b3  ¢c7  29.¢a4  ¢c6  30.a3

 

¢c7  31.¢b5+- ]

 25.

¦d1+  ¢c7  26.¦d6  g5  27.g3  gxf4  28.gxf4  ¦e8  29.¢c2  ¦e7  30.¢b3  ¦e8  31.¢b4  ¦e7

 32.a3  

¦e8  33.a4  ¦e7  34.c5  bxc5+  35.¢xc5  b6+  36.¢c4  ¦g7  37.¦xe6  ¦g4  38.¦xh6

 

¦xf4+  39.¢b3  ¦f3+  40.¢a2  ¦h3  41.¦h7+  ¢d8  42.b4  f4  43.a5  ¢c8  44.a6  ¢b8  45.e6

 

¦e3  46.e7
1-0

186

Van der Wiel

2590

Korchnoi

2625

Amsterdam

1987

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  £c7  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦d8  18.¢b1

(Diagram 156)

background image

86

156

XIIIIIIIIY

9-+ktr-vl-tr0{

9+pwq-+pzp-0

9-zpp+psn-zp0

9+-+-sN-+P0

9-+PzP-+-+0

9+-+-+-sN-0

9PzP-+QzPP+0

9+K+R+-+R0

xiiiiiiiiy

The ubiquitous waiting move makes an appearance in this topical variation.

 

¥d6

 19.f4

 c5

 20.dxc5  

¥xc5!=  21.¤e4  ¥d4  22.g3

157

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9-zp-+psn-zp0

9+-+-sN-+P0

9-+PvlNzP-+0

9+-+-+-zP-0

9PzP-+Q+-+0

9+K+R+-+R0

xiiiiiiiiy

Korchnoi now proceeds to clear the pieces off the board, confident that the endgame poses no
problems.

 

¤xe4  23.£xe4  ¥xe5  24.£xe5  £xe5  25.fxe5  ¦hg8  26.¦xd8+  ¦xd8  27.¢c2

 

¦d4  28.¦h4  ¦xh4  29.gxh4

158

XIIIIIIIIY

9-+k+-+-+0{

9+p+-+pzp-0

9-zp-+p+-zp0

9+-+-zP-+P0

9-+P+-+-zP0

9+-+-+-+-0

9PzPK+-+-+0

9+-+-+-+-0

xiiiiiiiiy

A very unbalanced pawn structure. White has greater mobility but fewer chances to create a
passed pawn. And Viktor the Great is involved in the game!

 

¢d7  30.a4  ¢c6  31.¢c3  ¢c5

 32.b4+  

¢c6  33.¢d4  ¢d7  34.¢e3  ¢c8

Korchnoi makes it clear that in his opinion White has

no winning chances at all.

 35.

¢f4  ¢b8  36.¢g3  ¢c8  37.¢h3  ¢b8  38.¢g2  ¢c8  39.¢f3

 

¢b8  40.¢e3
½-½

background image

87

187

Gepuriani
Guliev

Frunze

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.£e2  £c7  13.0-0-0  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦d8

159

XIIIIIIIIY

9-+ktr-vl-tr0

9+pwq-+pzp-0

9-zpp+psn-zp0

9+-+-sN-+P0

9-+PzP-+-+0

9+-+-+-sN-0

9PzP-+QzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

This move is less active than the transfer to the a-

‘, but it is also a solid continuation which

provides a peaceful alternative.

 18.

¤e4

 [ 18.a3  c5  19.dxc5  

¥xc5  20.b4  ¥xf2  21.¤xf7÷

Wiedeman - Groszpeter, Groningen 1976/

77.

]

 [ 18.

¤f3  ¥d6  19.¤e4  ¤xe4  20.£xe4  ¦he8  21.¢b1  ¢b8  22.¦d3²

Hort - Pomar, Las

Palmas 1976.

]

 [ 18.f4

is discussed in Palac - Neidhardt.

]

 18...

¤xe4

 [ 18...c5?  19.

¤c3  ¥d6  20.¤b5  £e7  21.dxc5  ¥xc5  22.¤a7+  ¢c7  23.¤xf7!±

Tatai - Pomar,

Malaga 1968.

]

 19.

£xe4  ¥d6  20.¤f3

 [ 20.f4  f5  21.

£e3  ¥xe5  22.£xe5  £xe5  23.dxe5

160

XIIIIIIIIY

9-+ktr-+-tr0{

9+p+-+-zp-0

9-zpp+p+-zp0

9+-+-zPp+P0

9-+P+-zP-+0

9+-+-+-+-0

9PzP-+-+P+0

9+-mKR+-+R0

xiiiiiiiiy

 g5!

 ( 23...

¦hg8?  24.¦xd8+!  ¢xd8  25.¦d1+  ¢c7  26.¦d6±

Martin - Pomar, Las Vegas

1977.

) 24.hxg6  ( 24.

¦xd8+  ¢xd8  25.fxg5  hxg5  26.h6  ¦h7∓ ; 24.g3  ¦hg8  25.¦hg1  ¦d7!³ )

 24...

¦dg8  25.¦d3  ¦xg6  26.g3  ¦hg8  27.¦h3  h5  28.¢c2  ( 28.¦f3  h4!  29.gxh4  ¦g1+

 30.

¢c2  ¦8g2+  31.¢b3  ¦b1 )  28...h4!  29.gxh4  ¦h6  30.¦h2  ¦g4  31.¦f3  ¦hxh4=

- Korolyev.

]

 20...

£e7

background image

88

 [ 20...

¦he8  21.¢b1  £e7  22.¦he1  £f6  23.g3  ¥c7  24.a3²

Spassky - Pomar, Palma de

Mallorca 1968.

]

 [ 20...

¥e7!

is preferred by Kasparov & Shakarov, inviting the following conclusion:

 21.

¤e5

 ( 21.

¦d3  ¥f6  22.¢b1  ¦d7  23.¦hd1  ¦hd8

and after a preliminary 

¢ move to get off the c-‘,

Black will be ready to play b5.

) 21...

¥d6  22.¤f3  ¥e7

etc.

]

 21.

¦d3  £f6  22.g3  ¦he8

Playing for e6-e5.

 23.

¦hd1  £f5!?

Another plan - the exchange of 

£s

will open the e-

‘. and the doubled § will control an important central square.

 24.

£xf5

 exf5

 25.

¤h4  f4!  26.g4

 [ 26.gxf4?!  

¥xf4+  27.¢b1  ¦e2³ ]

 26...

¦e2  27.¦1d2  ¦e1+  28.¦d1  ¦e2  29.¦3d2

 [ 29.

¦1d2= ]

 29...f3  30.

¦d3

 [ 30.

¤xf3?  ¥f4∓ ]

 30...

¥e7  31.¤xf3  ¦xf2  32.¦1d2

161

XIIIIIIIIY

9-+ktr-+-+0{

9+p+-vlpzp-0

9-zpp+-+-zp0

9+-+-+-+P0

9-+PzP-+P+0

9+-+R+N+-0

9PzP-tR-tr-+0

9+-mK-+-+-0

xiiiiiiiiy

 

¦xf3!  33.¦xf3  ¥g5  34.¦fd3

 [ 34.

¦xf7??  ¦xd4  35.¦ff2  ¦xc4+  36.¢d1  ¥xd2  37.¦xd2  ¦xg4³ ]

 34...

¦e8  35.¢c2  ¥xd2  36.¢xd2  ¦e4  37.¦g3  ¦xd4+  38.¢c3  ¦f4  39.g5  ¦h4  40.gxh6

 gxh6  41.

¦f3  ¦xh5  42.¦xf7  ¦h3+³  43.¢b4  ¦h2  44.¢c3  h5  45.¦h7  h4  46.¦h8+  ¢c7

 47.

¦h7+  ¢b8  48.¦h8+  ¢a7  49.¢b3  ¦h1  50.a3  ¦h2  51.¢c3  h3  52.¢b3  b5  53.cxb5

 cxb5  54.

¦h6  b6  55.¦h7+  ¢a6  56.¢c3  ¦h1

½-½

188

Palac
Neidhardt

Bordeaux

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  0-0-0  13.£e2  ¤gf6  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.¥xb6  axb6  17.c4  ¦d8  18.f4

(Diagram 162)

background image

89

162

XIIIIIIIIY

9-+ktr-vl-tr0{

9+pwq-+pzp-0

9-zpp+psn-zp0

9+-+-sN-+P0

9-+PzP-zP-+0

9+-+-+-sN-0

9PzP-+Q+P+0

9+-mKR+-+R0

xiiiiiiiiy

A recent attempt to rehabilitate an old and discarded line.

 

¥d6  19.¤e4

 [ 19.

£c2  c5  20.¦he1  cxd4  21.¦xd4  ¥xe5!  22.¦xd8+  ¦xd8  23.fxe5  ¤d7  24.£a4  ¢b8

 25.

£b5  f6∓

Litvinov - Begun, USR 1978.

]

 19...

¤xe4  20.£xe4  c5

 [ 20...f5

is usually played here.

]

 21.

¤d3  cxd4  22.£xd4  ¥c5  23.£xg7

 [ 23.

£e4  ¦d4 ]

 23...

¦hg8  24.£xh6  ¥e3+!

 [ 24...

¦xg2  25.¦he1÷ ]

 25.

¢b1  ¦xg2  26.£h7  ¥d4  27.£e4  £c6  28.£xc6+  bxc6  29.¦h3²

Although White has a

powerful passed pawn, the centralized 

¥ and more active ¦s provide a lot of compensation.

 

¦dg8  30.h6  ¦8g3!  31.¦dh1?!

 [ 31.

¦xg3  ¦xg3  32.¤b4!? ]

 31...

¦g1+  32.¦xg1  ¦xh3  33.¦g8+  ¢c7  34.¢c2  ¦xh6  35.¦f8  f6  36.a3  ¦h2+  37.¢c1  e5

 38.

¦xf6  e4  39.¤e5  ¥xb2+  40.¢d1  e3  41.¦f7+  ¢d6  42.¦d7+  ¢c5  43.¦d3  e2+  44.¢e1

 

¥xe5  45.fxe5  ¢xc4  46.¦d6  ¢c5  47.¦d3  ¦h5  48.¦c3+  ¢d4  49.¦b3  ¦xe5  50.¦xb6  c5

 51.

¦b2  c4  52.¦xe2  ¦a5  53.¢d2  ¦xa3  54.¦e8  ¦a2+  55.¢c1  ¢d3

½-½

193

Eshazarian
Shirokovsky

Roslavl

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 

¦d5  16.b4

(Diagram 163)

background image

90

163

XIIIIIIIIY

9-+k+-vl-tr0{

9zppwq-+pzp-0

9-snp+psn-zp0

9vL-+rsN-+P0

9-zP-zP-+-+0

9+-+-+-sN-0

9P+P+QzPP+0

9+-mKR+-+R0

xiiiiiiiiy

This allows an effective exchange sacrifice.

 

¦xa5  17.bxa5  ¥a3+  18.¢b1  ¤a4  19.¦d3

 [ 19.

£e1  ¤d5! ]

 19...

¥b4

 [ 19...

¥b2?!  20.£d2!  c5  21.c3  £xa5÷

Kosanski - Dely, Yugoslavia 1975.

]

 [ 19...

£xa5!? ]

 20.

£f3  £xa5  21.¤e2  ¤d5

 [ 21...

¦f8?!  22.¦b3  ¤d5  23.¤c4  £a6  24.£d3

gave Black nothing in Byrne - Saidy, USA

1969.

]

 22.

¦h3?!

 [ 22.

£xf7!  ¤ac3+  23.¤xc3  ¤xc3+!  24.¦xc3  ( 24.¢c1  £xa2 )  24...¥xc3  25.£xe6+  ¢c7

 26.

£f7+  ¢c8  27.£e6+=

Kasparov & Shakarov.

]

 22...f6  23.

¤g6  ¦d8  24.¤gf4  ¤dc3+

 [ 24...

£b5!  25.¦b3  ¤xf4  26.¤xf4  ( 26.£xf4  £xe2  27.¦xb4  £e1+

is deadly.

) 26...

£f1+-+ ]

 25.

¤xc3  ¥xc3

This position had already been reached in Schepers - Tarnai, Correspondence

1972.

 26.

¦xc3  ¦xd4?!

 [ 26...

£b4+!

was the superior move, as played by Tarnai.

]

 27.

¤e2  ¦d1+  28.¤c1  £b4+  29.¦b3  £d2  30.£xd1  £xd1  31.¦bd3  £e1  32.¦hg3

 [ 32.

¦he3  £xf2  33.¦xe6

would have provided stiffer resistance.

]

 32...

£e5  33.c3  £f5

0-1

197

Ipek

2095

Rocio

Novi Sad olw

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.£e2  0-0-0  14.¤e5  ¤b6  15.¥a5

 c5?!

(Diagram 164)

background image

91

164

XIIIIIIIIY

9-+ktr-vl-tr0

9zppwq-+pzp-0

9-sn-+psn-zp0

9vL-zp-sN-+P0

9-+-zP-+-+0

9+-+-+-sN-0

9PzPP+QzPP+0

9+-mKR+-+R0[

xiiiiiiiiy

Tbis is unwise, and White can gain the upper hand immediately.

 16.dxc5?!

 [ 16.c4!

 A)  16...cxd4  17.

¢b1

gives White a strong initiative.

 

¥d6  ( 17...¢b8  18.¦c1  ¥c5  19.b4± )

 18.c5!  

¥xc5  19.¦c1± ;

 B)  16...

¦xd4!  17.¦xd4  cxd4  18.¢b1  ¢b8  19.¦c1  ¥c5!  20.a3  ( 20.f4  ¦c8  21.¤e4  ¤xe4

 22.

£xe4  £e7  23.¥xb6  ¥xb6  24.¤d3  £f6∓

Agapov - Shishin, USSR 1982.

;  20.

¤d3  £e7

 21.b4  

¥d6  22.c5  ¥xg3  23.cxb6  ¥d6  24.bxa7+  ¢a8!

- Kasparov & Shakarov.

 20...

¦c8

 21.f4  

¤fd7  22.¤d3

(Korsunsky - Bykhovsky, USSR 1979)

 

£c6!∓

- Bykhovsky.

;

 C)  16...

¢b8  17.dxc5  ¥xc5  18.f4  ¥d4  19.¢b1  ( 19.¤xf7  £xf7  20.¦xd4  ¦xd4  21.£e5+

 

£c7  22.£xd4  £xc4+=

Maric - Vukic, Kraljevo 1967.

 19...

¥xe5  20.fxe5  ¤fd7  21.¤e4±

 

£xe5  22.¥c3±

Runau - Mohadam, Hastings 1971/72.

]

 [ 16.

¦h4  ¥d6  17.dxc5  ¥xe5  18.¦xd8+  ¦xd8  19.cxb6  axb6!÷

Diaz - Noguieras, Cuba ch

1990.

]

 16...

¥xc5  17.¤d3  ¥d6  18.¦h3  ¢b8  19.¤e4  ¤xe4  20.£xe4  ¦c8  21.¦d2  £c4  22.¦e2

½-½

200

Timman

2660

Granda Zuniga

2485

Novi Sad olm

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  0-0-0  14.£e2  e6  15.¤e5

 

¤b6  16.¦h4

(Diagram 165)

background image

92

165

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-snp+psn-zp0

9+-+-sN-+P0

9-+-zP-+-tR0

9+-+-+-sN-0

9PzPPvLQzPP+0

9+-mKR+-+-0

xiiiiiiiiy

This move has generally fallen out of favor.

 

¥d6!

 [ 16...c5

 17.

¥a5  ¥d6  ( 17...cxd4  18.¦hxd4  ¥c5!?

- Trifunovic.

 18.dxc5

 

¥xe5

 ( 18...

¥xc5!? )  19.¦xd8+  ¦xd8  20.cxb6  ¥f4+  21.¢b1  axb6  22.¥xb6  £xb6  23.¦xf4±

Ubilava - Peres, USSR 1974.

]

 17.f4!?

A new move.

 [ 17.

¥a5  ¥xe5  ( 17...¦he8  18.¤f1!  ¥xe5  19.dxe5  ¦xd1+  20.¢xd1  ¤fd7  21.¦e4  ¦d8

 22.

¢c1  ¤c5  23.¦g4±

Gaprindashvili - Pomar, Olot 1975.

 18.dxe5  

¦xd1+  19.¢xd1  ¤fd7

 20.

¦e4  ¦d8  21.¢c1  ¤c5  22.¦g4±

Haag - Flesch, Salgotarjan 1967.

]

 [ 17.

¤f1  ¢b8?!

The start of an artificial maneuver.

 ( 17...c5  18.dxc5  

¥xe5  19.¥a5  ¦xd1+

 20.

¢xd1  ¦d8+  21.¢c1  ¦d4

- Kasparov & Shakarov. Black is no worse here.

 18.

¢b1  ¢a8?!

 19.

¤h2  c5  20.dxc5  ¥xc5  21.¤hf3²

Gipslis - Suleymanov, USSR 1978.

]

 17...c5  18.

¥e3  ¤fd5  19.dxc5  ¥xe5  20.fxe5  ¤xe3  21.£xe3  ¦xd1+  22.¢xd1  ¤d5

166

XIIIIIIIIY

9-+k+-+-tr0

9zppwq-+pzp-0

9-+-+p+-zp0

9+-zPnzP-+P0

9-+-+-+-tR0

9+-+-wQ-sN-0

9PzPP+-+P+0

9+-+K+-+-0[

xiiiiiiiiy

White's extra pawn is not so important, since it is doubled and weak. The problem is, how to get
the 

¤ to d6 without losing the e-§.

 23.

£e2

Timman chooses to give up the pawn immediately.

 [ 23.

£d4  ¦d8© ]

 23...

£xc5  24.¢e1  ¢b8  25.c3  ¤e7  26.¦f4  ¦f8  27.¦c4  £g1+!

Since his other pieces are

passive, Black must operate actively with his 

£.

 28.

¤f1  ¤c6  29.¦g4  £c5  30.¦xg7  ¤xe5

 31.

£e3  £c7

 [ 31...

£xe3+  32.¤xe3²  ¤d3+  33.¢e2  ¤xb2  34.¦h7  ¤a4  35.¦xh6  ¤c5  36.¢f3

and the h-

§ looks very dangerous.

]

 32.

¢f2  ¤c4  33.£xh6  £c5+  34.¢g3  ¤d6  35.£f4  ¦h8  36.¤e3  ¦xh5

(Diagram 167)

background image

93

167

XIIIIIIIIY

9-mk-+-+-+0

9zpp+-+ptR-0

9-+-snp+-+0

9+-wq-+-+r0

9-+-+-wQ-+0

9+-zP-sN-mK-0

9PzP-+-+P+0

9+-+-+-+-0[

xiiiiiiiiy

 37.b4

 [ 37.

¦xf7  £g5+  38.£xg5  ¦xg5+  39.¢h4  ¤xf7-+ ]

 37...

£e5  38.¦g8+  ¢c7  39.£xe5  ¦xe5  40.¢f4  ¦e4+  41.¢f3  f5=  42.¦g7+  ¢c6  43.¦g6

 

¢d7  44.¦g7+  ¢c6  45.¦g6  ¢d7
½-½

203

Hellers
Khalifman

New York open

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  0-0-0  14.£e2  ¤gf6  15.¤e5

 

¤b6  16.c4

168

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-snp+psn-zp0

9+-+-sN-+P0

9-+PzP-+-+0

9+-+-+-sN-0

9PzP-vLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

Supposedly a new move attributed to Shirazi, but actually introduced in 1987 .

 

¦xd4

 [ 16...c5!?  17.

¥f4  ¥d6  18.dxc5  £xc5

- Dlugy.

]

 17.

¥e3!  ¦xd1+  18.¦xd1

(Diagram 169)

background image

94

169

XIIIIIIIIY

9-+k+-vl-tr0{

9zppwq-+pzp-0

9-snp+psn-zp0

9+-+-sN-+P0

9-+P+-+-+0

9+-+-vL-sN-0

9PzP-+QzPP+0

9+-mKR+-+-0

xiiiiiiiiy

 

¦g8!

 [ 18...

¥d6?  19.¦xd6!  £xd6  20.¤xf7+- ]

 [ 18...

£xe5  19.¦d8+!!  ¢xd8  20.¥xb6+  axb6  21.£xe5±

- Khalifman.

]

 [ 18...

¥b4  19.¤d3!  ¥e7  ( 19...£e7  20.a3  ¥xa3  21.¥xb6  axb6  22.bxa3  £xa3+  23.£b2

 

£xb2+  24.¢xb2

∆ ¤e5.

 

¦d8  25.¢c2  ¤g4

²/÷ - Analysis.

 20.

¥f4  £d8  21.¤e5  £e8

 22.

¤g6!  fxg6  23.£e5+-

- Khalifman.

]

 19.

¥f4?!

 [ 19.f4!  

¤a4  ( 19...c5  20.£d3!

∆ ¤xf7 - Dzhindzichashvili.

;  19...

¢b8  20.f5!  ¥d6  21.¥f4

- Dlugy.

) 20.

¥xa7  c5  21.£d3!  £a5  ( 21...b6  22.b3! ) 22.¤d7!+-

- Dlugy.

]

 19...

¤bd7!

This takes advantage of the fact that the 

¥f4 can be captured with check if the ¤

moves away.

 20.

£d2

 [ 20.

¤g6?!  £a5  21.¤xf8  ¦xf8  22.¥d6  ¦d8

Khalifman considers White to have compensation

here, but it is not clear to me that it is enough.

]

 20...

¥b4!  21.£xb4  ¤xe5  22.¤e2

 [ 22.

¢b1  ¤d3!  23.¥xc7  ¤xb4  24.¥d6  ¦d8  25.c5  b6  26.a3  ¤a6  27.cxb6  axb6  28.¦d2

 

¤e8  29.¥f4  ¦xd2  30.¥xd2³ ]

 [ 22.

¥e3  ¦d8  23.¦xd8+  £xd8  24.£c3  ¤eg4-+

- Khalifman.

]

 22...

¤xh5  23.¥e3  ¦d8!  24.¦xd8+  £xd8

170

XIIIIIIIIY

9-+kwq-+-+0

9zpp+-+pzp-0

9-+p+p+-zp0

9+-+-sn-+n0

9-wQP+-+-+0

9+-+-vL-+-0

9PzP-+NzPP+0

9+-mK-+-+-0[

xiiiiiiiiy

White does not have compensation for the pawn.

 25.

£c3  £d6  26.¥xa7  c5  27.£a5  ¤d3+

 28.

¢b1  £a6!  29.£c3

 [ 29.

£xa6  bxa6  30.¢c2  ¢b7  31.¢xd3  ¢xa7  32.¢e4  ¢b7  33.¢e5  ¢c6∓ ]

 29...

¤xb2  30.£xb2  £xa7  31.£e5  £b6+  32.¢c2  ¤f6  33.¤c3  £c7  34.£e3  ¤g4  35.£e2

 

¤e5?

 [ 35...

£f4  36.¤e4  h5!-+

- Khalifman.

]

 36.

¤b5

background image

95

171

XIIIIIIIIY

9-+k+-+-+0{

9+pwq-+pzp-0

9-+-+p+-zp0

9+Nzp-sn-+-0

9-+P+-+-+0

9+-+-+-+-0

9P+K+QzPP+0

9+-+-+-+-0

xiiiiiiiiy

This leads to an endgame where Black's extra pawns are decisive.

 

¤c6

 [ 36...

£b8  37.£h5!

- Khalifman.

]

 37.

¤xc7  ¤d4+  38.¢d2  ¤xe2  39.¤e8!

 [ 39.

¢xe2  ¢xc7

would have been immediate suicide.

]

 39...

¤f4  40.g3  ¤h3  41.¢e3  ¢d7  42.¤xg7  ¤g5  43.¤h5

 [ 43.f4  

¤h7  44.g4  ¤f6  45.g5  hxg5  46.fxg5  ¤g4+  47.¢f4  ¤f2!-+

- Khalifman.

 48.

¢e5

 

¢e7  49.¤h5  ¤d3+  50.¢e4  ¤b4  51.a4  ¤c6  52.¤f4  ¤a5  53.¢d3  ¢d6 ]

 43...f5  44.

¤f4  ¢d6  45.¤d3  e5

172

XIIIIIIIIY

9-+-+-+-+0

9+p+-+-+-0

9-+-mk-+-zp0

9+-zp-zppsn-0

9-+P+-+-+0

9+-+NmK-zP-0

9P+-+-zP-+0

9+-+-+-+-0[

xiiiiiiiiy

It is now just a matter of technique, but White's next move makes Black's job a lot easier.

 46.f3?

 [ 46.f4  

¤f7  47.fxe5+  ( 47.¤b2  b6-+ ) 47...¤xe5  48.¤b2  ( 48.¤xe5  ¢xe5-+ ) 48...b6  49.¢f4

 

¢e6  50.¢e3  ¢f7!

- Khalifman.

 51.

¢f4  ¢f6  52.¢e3  ¢g5  53.¢f2  ¢g4  54.¢g2  h5  55.¢h2

 h4  56.gxh4  

¢xh4  57.¢g2  ¢g4  58.¢f2  f4  59.¢g2  f3+  60.¢f2  ¢f4  61.¢e1  ¢e3  62.¢f1

 f2  63.a3  

¢f3  64.¤d1  ¤g4-+ ]

 46...

¤xf3!

0-1

205

Shahal

2200

Lederman

2335

Beer−Sheva

1991

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  £c7  13.£e2  0-0-0  14.¤e5  ¤b6  15.c4

background image

96

 

¦xd4  16.¥e3  ¦xd1+  17.¦xd1  ¦g8

 [ 17...

¥b4!?  18.¤d3  £e7  19.a3  ¥d6  20.c5  ¥xg3  21.cxb6  ¥d6  22.bxa7  ¢c7  23.¤c5  ¦a8

 24.

¤a4  b5  25.£d2  ¤d7  26.£a5+  ¢b7  27.£d2  ¢c7  28.£a5+  ¢b7  29.£d2  ¢c7

 30.

£a5+  ¢b7

and a draw was agreed in Sion-Magem, Leon 1991. Black's position seemed a

bit suspect to me and I suppose that time pressure was involved.

]

 18.f4  g5!?

 [ 18...c5  19.

£d3  ¥e7  20.¤xf7  ¦f8  21.¤e5  ¦d8  22.£c2  ¦xd1+  23.¢xd1  ¥d6  24.¤g6  e5

 25.fxe5  

¥xe5  26.£f5+  £d7+  27.£xd7+  ¤bxd7  28.¤xe5  ¤xe5  29.¥xc5  ¤xc4  30.b3²  b6

 31.

¥f8  ¤e3+  32.¢d2  ¤xg2  33.¥xg7  ¤g8  34.¢d3  ¢d7  35.¢e4

1-0, Sax-Andersson,

Szirak 1990. A loss on time?

]

 19.hxg6  fxg6  20.

£d3  ¤bd7

½-½

206

Fedorowicz
Panno

Buenos Aires

1991

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.£e2  £c7  13.0-0-0  0-0-0  14.¤e5  ¤b6  15.c4

15.Ba5 is the normal move, and 15.Rh4 is also seen. The advance of the c-

§ is rare - and with

good reason.

 [ 15.c3  c5  16.

¢b1  ¥d6  17.f4  cxd4  18.cxd4  ¢b8=

Boleslavsky.

]

173

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-snp+psn-zp0

9+-+-sN-+P0

9-+PzP-+-+0

9+-+-+-sN-0

9PzP-vLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

 15...c5!  16.

¥f4  ¥d6  17.dxc5  £xc5  18.¢b1

One can now find the logic in White's plan. The

idea is to try to get the c-

§ to move one square forward. But the goal will not be achieved.

 

¥c7

 19.

¦he1  ¤bd7

Black has calmy withdrawn his pieces from the danger zone and now challenges

control of e5.

 20.

¤xd7

 [ 20.

¤xf7?  ¥xf4  21.¤xh8  ¦xh8  22.£xe6  ¦e8  23.£f7  ¦xe1  24.¦xe1  ¥xg3  25.fxg3  £f2

and Black is certainly no worse.

]

 20...

¦xd7  21.¦xd7  ¢xd7  22.¥e3  £c6  23.f4

The slighly exposed 

¢ is not a problem for Black,

so peace was declared.

½-½

background image

97

207

Chiburdanidze
Sturua

Tbilisi

1991

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  0-0-0  13.£e2  ¤gf6  14.¤e5  ¤b6  15.c4

 c5  16.

¢b1!?

174

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-sn-+psn-zp0

9+-zp-sN-+P0

9-+PzP-+-+0

9+-+-+-sN-0

9PzP-vLQzPP+0

9+K+R+-+R0

xiiiiiiiiy

This strong preliminary move improves White's chances in the variation.

 

¥d6

 [ 16...cxd4  17.

¥a5±

- Chiburdanidze.

]

 [ 16...

¦xd4  17.¥c3  ¦xd1+  18.¦xd1  ¤a4  19.¥a5!

- Chiburdanidze.

]

 17.

¥a5  £e7  18.dxc5  ¥xc5  19.¤d3  ¦d7  20.¦c1  ¢b8  21.¤e4  ¤xe4  22.£xe4  ¦c8

 23.

¥c3±

Black's kingside is very vulnerable, and the coming exchange of White's 

¤ for Black's ¥

only makes things more difficult.

 

¢a8  24.¤xc5  £xc5  25.¥xg7  f5  26.£e5  £c6  27.b3  £xg2

 28.

¥xh6  ¦h7  29.¥e3  £c6  30.£d4  £e8  31.h6  e5  32.£d3  £e6  33.¦h5  ¦f8  34.¦g1  ¦hh8

 35.

¦g7  f4  36.£e4  ¤d7  37.¥d4  ¦d8  38.¦xe5  £xh6  39.¦xd7

1-0

209

Kavalek
Karpov

Waddinxveen

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  e6  14.£e2  c5  15.¢b1

 0-0-0  16.c4  

¥d6  17.¤e4  ¤xe4  18.£xe4  ¤f6  19.£e2

(Diagram 175)

background image

98

175

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-+-vlpsn-zp0

9+-zp-+-+P0

9-+PzP-+-+0

9+-+-+N+-0

9PzP-vLQzPP+0

9+K+R+-+R0

xiiiiiiiiy

 

¦he8

 [ 19...cxd4!?  20.

¤xd4  a6  21.¥c3  ¦d7

is suggested by Kasparov & Shakarov.

]

 20.

¥c3  ¦e7  21.¤e5  cxd4  22.¥xd4  ¥xe5  23.¥xe5  £a5

 [ 23...

£c6!? ]

 24.

¦xd8+  ¢xd8  25.f3  ¦d7  26.g4  ¢e7  27.¦h2?!

 [ 27.

¥c3!² ]

 27...

¤e8  28.a3  £a4  29.¦h1  £b3  30.¥c3  ¤d6  31.¦c1  ¤xc4  32.¥b4+  ¤d6  33.¦c3

½-½

210

Faibisovich
Okhotnik

USSR

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.0-0-0  £c7  13.£e2  c5  14.¤f5  0-0-0  15.¤e3

 

¤b8  16.¦h4  ¤c6  17.¥c3  ¥e7  18.dxc5  ¥xc5  19.¦c4  ¥xe3+  20.£xe3  ¦xd1+  21.¢xd1

 

¦d8+  22.¢c1²

176

XIIIIIIIIY

9-+ktr-+-+0{

9zppwq-+pzp-0

9-+n+psn-zp0

9+-+-+-+P0

9-+R+-+-+0

9+-vL-wQN+-0

9PzPP+-zPP+0

9+-mK-+-+-0

xiiiiiiiiy

White has the advantage here due to the pin on the c-file and 

¥ vs. ¤.

 

¤d5

 23.

£e1

 

¤xc3

 24.

£xc3  £b6  25.b4  ¢b8  26.¤e5!

White now forces a favorable endgame.

 

£xf2  27.¦xc6

 bxc6  28.

¤xc6+  ¢c7  29.¤xd8+  ¢xd8  30.£d2+  £xd2+  31.¢xd2

background image

99

177

XIIIIIIIIY

9-+-mk-+-+0{

9zp-+-+pzp-0

9-+-+p+-zp0

9+-+-+-+P0

9-zP-+-+-+0

9+-+-+-+-0

9P+PmK-+P+0

9+-+-+-+-0

xiiiiiiiiy

Each side has a defensible passed pawn, so a draw would be the likely outcome, were it not for
the fact that Black's g6 square becomes weak.

 f5?

This move should have been delayed until

absolutely necessary. Now White can aim for a timely advance of the g-

§, once his ¢ is in the

right position.

 32.c4  

¢c7  33.c5  ¢c6  34.¢d3  ¢d5  35.g3  e5

Already, Black was almost in

zugzwang.

 [ 35...

¢e5  36.¢c4+- ]

 36.

¢c3  a6  37.¢d3  a5  38.a3  a4  39.¢c3  e4  40.¢d2  ¢c6  41.¢e3+-  ¢d5  42.¢f2  ¢c6

 [ 42...

¢e5  43.b5  ¢d5  44.b6  ¢c6  45.¢e3

∆ g4.

]

 43.

¢e2  ¢d5  44.¢e3  ¢c6

White's triangulation proves decisive, as Black is limited to the d5/c6

pair.

 45.g4

1-0

227

Buljovcic
Vukic

Novi Sad

1976

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.£e2  e6  13.0-0-0  ¥d6  14.¤f5  ¥f4  15.¤e3²

178

XIIIIIIIIY

9r+-+k+-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-vl-+0

9+-+-sNN+-0

9PzPPvLQzPP+0

9+-mKR+-+R0

xiiiiiiiiy

The 

¥ maneuver now looks rather pointless.

 

¤e4

 [ 15...b5  16.

¦h4!  0-0-0  17.c4  ( 17.a4!

looks even stronger.

) 17...

¥xe3  18.fxe3  bxc4  19.¢b1

 

¢b7  20.¦c1

gave White a good game in Westerinen - Rytov, Tallinn 1973.

]

 16.

¥e1  ¤df6?!

background image

100

 [ 16...

¤g5!?  17.g3  ¤xf3  18.£xf3  ¥g5 ]

 17.g3  

¥xe3+  18.£xe3  0-0-0  19.g4?!

This turns out to be the wrong plan, since the pawn

never makes an impact.

 [ 19.

¤d2!? ]

 19...c5  20.

¦g1  ¦d5  21.dxc5  ¦xc5  22.c3  ¦a5  23.¢b1  ¦d8  24.¦xd8+  £xd8  25.¤d2  ¦e5!

179

XIIIIIIIIY

9-+kwq-+-+0

9zpp+-+pzp-0

9-+-+psn-zp0

9+-+-tr-+P0

9-+-+n+P+0

9+-zP-wQ-+-0

9PzP-sN-zP-+0

9+K+-vL-tR-0[

xiiiiiiiiy

Black has taken over the initiative and White's pieces look silly.

 26.

¢c2  £a5  27.£d4  ¤xd2

 28.

¥xd2  ¦e4  29.£d6  ¦e2  30.f3  ¤d7  31.£d3  £a4+!  32.¢b1

180

XIIIIIIIIY

9-+k+-+-+0{

9zpp+n+pzp-0

9-+-+p+-zp0

9+-+-+-+P0

9q+-+-+P+0

9+-zPQ+P+-0

9PzP-vLr+-+0

9+K+-+-tR-0

xiiiiiiiiy

 

¦g2!  33.¦e1

 [ 33.

¦xg2  £d1+-+ ]

 33...b6  34.b3  

£c6  35.c4  ¦f2  36.f4  ¤c5  37.£d4  £g2  38.¦d1  £e4+!∓  39.£xe4  ¤xe4

 40.

¥b4  a5

0-1

238

Timman

2610

Portisch

2610

Antwerp (m/2)

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  ¤gf6  14.¤e4  0-0-0  15.g3

 

¤xe4  16.£xe4  ¥e7  17.¢b1  ¦he8

background image

101

181

XIIIIIIIIY

9-+ktrr+-+0

9zppwqnvlpzp-0

9-+p+p+-zp0

9+-+-+-+P0

9-+-zPQ+-+0

9+-+-+NzP-0

9PzPPvL-zP-+0

9+K+R+-+R0[

xiiiiiiiiy

 18.

£e2

{insert Lanc-Garcia}

 

¥f8?!

That this is an error is quickly conceded by Black. {insert

Kuczynski-Garcia}

 19.

¥c1  ¥d6  20.¦he1  £a5  21.¤d2

Speelman considers White's position

better here and I agree. Black's massed center does not have any way to expend its potential
energy, and White's control of c4 is important.

 

¤f6  22.g4  ¥c7  23.¤b3

 [ 23.c4

is considered stronger by Speelman, restraining Black's b-pawn.

]

 23...

£d5  24.f3  ¥g3?!

Tempting, but not best.

 [ 24...b5!

would provide a useful square for Black's queen at c4.

]

 25.

¦g1  £d6  26.¤d2

 [ 26.

£d2  ¤d5  27.c4  ¥f4  28.£a5  ¥xc1  29.cxd5  ¥e3  30.dxc6  ¥xg1  31.£xa7  bxc6

 32.

£a6+  ¢c7  33.£a7+= ]

 26...

£c7  27.¤c4  ¤d5  28.¤e5  ¥xe5  29.dxe5  £b6?!

Better are 29...c5 and 29...b5

 30.

¥d2

 

¦d7  31.c4  £a6  32.¦ge1  ¤b6  33.b3  ¦ed8  34.¥b4  ¦xd1+  35.¦xd1  ¦xd1+  36.£xd1  ¤d7

 37.

¥d6

 [ 37.

£d4!  £b6  38.£xb6  axb6  39.¥d6± ]

 37...

£a5  38.£e2  b5?

 [ 38...

£c3  39.f4  c5

would have provided more resistance.

]

 39.cxb5  

£xb5  40.£e3?

 [ 40.

£xb5!  cxb5± ]

 40...

¢b7  41.£f4  £d3+  42.¢b2  £e2+  43.¢a3  £a6+  44.¢b2  £e2+  45.¢a3  £a6+

½-½

247

Hellers
Miles

Biel

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  0-0-0  13.¤e4  ¤gf6  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.¥c3  ¤f6  18.£e2  cxd4  19.¥xd4

(Diagram 182)

background image

102

182

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-+-vlpsn-zp0

9+-+-+-+P0

9-+PvL-+-+0

9+-+-+NzP-0

9PzP-+QzP-+0

9+-mKR+-+R0

xiiiiiiiiy

The Caro-Kann can be as theory-oriented as any other opening. In this line, there has already
been a fair bit of experience!

 

£a5  20.¢b1  £f5+!

 [ 20...

¥c7?!

{Insert Huebner-Hjartarson here}

]

 21.

¢a1  ¥b8

 [ 21...

¥c7  22.¥xa7  ¦xd1+  23.¦xd1  £xh5

is evaluated as unclear by Huebner. If Black's

meager defenses can handle the queenside attack, then White has long-term trouble on the
kingside. But that is a big "if".

]

 22.

£e3

 [ 22.c5

{Insert Khalifman-Douven}

]

 22...

¦d7  23.¥e5  ¤g4!  24.£c5+

183

XIIIIIIIIY

9-vlk+-+-tr0{

9zpp+r+pzp-0

9-+-+p+-zp0

9+-wQ-vLq+P0

9-+P+-+n+0

9+-+-+NzP-0

9PzP-+-zP-+0

9mK-+R+-+R0

xiiiiiiiiy

 

¦c7!!

A wonderfully aesthetic move, exploiting the pin on the fifth rank.

 25.

£d4  £xf3  26.¥xc7

 

¥xc7  27.£xa7  ¤e5!?

 [ 27...

¤xf2  28.¦df1  £xh1  29.¦xh1  ¤xh1∓ ]

 28.

¦hf1  ¤c6  29.£a8+  ¤b8  30.c5  ¦d8  31.£a4  ¤c6  32.£a8+  ¥b8  33.¦d6  ¦xd6  34.cxd6

 

£d3  35.¦c1  £xd6  36.f4  £d2
0-1

background image

103

251

Kayumov
Shahzadov

corr.

1988

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¤f6  16.£e2  ¥d6  17.c4  c5  18.¢b1?!

184

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-+-vlpsn-zp0

9+-zp-+-+P0

9-+PzP-+-+0

9+-+-+NzP-0

9PzP-vLQzP-+0

9+K+R+-+R0

xiiiiiiiiy

 cxd4  19.c5!?

 [ 19.

¤xd4  ¥xg3!  20.¤xe6?  ( 20.¤b5  £e5³

- Kasparov & Shakarov.

 20...

¦he8  21.fxg3

 

¦xe6  22.£f3  £c6!

and in Perevyortsev - Shakarov, Correspondence 1982, White resigned,

rather than face:

 23.

£xc6+  ¦xc6  24.b3  ( 24.¦h4  ¦c5 ) 24...¤e4 ]

 19...d3

Kasparov & Shakarov stop her with an exclamation point for Black, but no more analysis.

185

XIIIIIIIIY

9-+ktr-+-tr0

9zppwq-+pzp-0

9-+-vlpsn-zp0

9+-zP-+-+P0

9-+-+-+-+0

9+-+p+NzP-0

9PzP-vLQzP-+0

9+K+R+-+R0[

xiiiiiiiiy

 20.

£e1  £c6

 [ 20...

¥xc5  21.¥f4

∆ ¦c1.

]

 21.

¤d4  £d5  22.cxd6  £xd4  23.¦h4!  £d5

 [ 23...

£xd6  24.¦c1+

∆ ¥f4.

]

 24.

£e3  ¦xd6  25.¦a4!  ¦hd8  26.£xa7  £f3  27.¦c1+±  ¢d7  28.¦b4  ¢e8  29.¦xb7

(Diagram 186)

background image

104

186

XIIIIIIIIY

9-+-trk+-+0{

9wQR+-+pzp-0

9-+-trpsn-zp0

9+-+-+-+P0

9-+-+-+-+0

9+-+p+qzP-0

9PzP-vL-zP-+0

9+KtR-+-+-0

xiiiiiiiiy

 

¤e4??

 [ 29...

¦6d7  30.¦xd7  ¦xd7  31.¦c8+  ¦d8  ( 31...¢e7  32.¥b4# )  32.¦xd8+  ¢xd8  33.¥a5+

 

¢e8  34.£b8+  ¢d7  35.£c7+  ¢e8  36.£d8# ]

 [ 29...

¤d7!? ]

 30.

¦e7+  ¢f8  31.¥f4!  £xh5™  32.¥xd6  ¢g8  33.¥b4  d2  34.¥xd2  ¤xd2+  35.¢a1

1-0

255

Anand
Adams

Oakham

1986

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  0-0-0  12.0-0-0  e6  13.¤e4  ¤gf6  14.g3  ¤xe4  15.£xe4

 

¤f6  16.£e2  ¥d6  17.¢b1  ¢b8?

A move doubly cursed, since White has two effective replies.

 18.

¤e5

 [ 18.c4  c5  19.dxc5  

£xc5  20.¥e3  £c7  21.¦xd6!  ¦xd6  22.c5

- Kasparov & Shakarov.

]

 18...

¢a8  19.¤c4  ¥e7  20.¥f4  £c8

White has clearly obtained a strong initiative and Black has

no counterplay at all.

 21.g4  

¤d5  22.¥d2  ¥f6  23.¤e5  ¦hf8  24.c4  ¤e7  25.¥b4!±  ¦de8

 26.f4  

¥xe5  27.fxe5  f5  28.¦hf1!  £d7  29.£f2  ¦f7  30.£h4  b6  31.£h1!

187

XIIIIIIIIY

9k+-+r+-+0{

9zp-+qsnrzp-0

9-zpp+p+-zp0

9+-+-zPp+P0

9-vLPzP-+P+0

9+-+-+-+-0

9PzP-+-+-+0

9+K+R+R+Q0

xiiiiiiiiy

What a beautiful maneuver to get the 

£ to h1!

 

¢b7  32.£g2  g5

Desperation.

 33.hxg6  

¤xg6

 34.gxf5  

¤h4  35.fxe6!  £xe6

 [ 35...

¤xg2  36.exd7  ¦xd7  37.¦d2  ¤e3  38.¦c1  c5  ( 38...a5  39.¥d6  ¤f5  40.c5  bxc5

background image

105

 41.dxc5

± ) 39.dxc5  ¦xd2  40.¥xd2 ]

 36.

£e4  ¤f5  37.¦f3  a5  38.¥a3  h5  39.b3!  ¤h6  40.¦xf7+  ¤xf7  41.¥b2  ¤g5  42.£d3  h4

 43.d5  cxd5  44.cxd5  

£g4  45.d6  h3  46.¦c1  h2  47.£d5+  ¢b8  48.d7  ¦d8  49.£d6+

1-0

256

Markovic

2370

Miladinovic

2350

Yugoslav Team Ch

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¤f6  16.£e2  ¥d6  17.¢b1  ¦he8

188

XIIIIIIIIY

9-+ktrr+-+0

9zppwq-+pzp-0

9-+pvlpsn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NzP-0

9PzPPvLQzP-+0

9+K+R+-+R0[

xiiiiiiiiy

 18.

¥c1

 [ 18.c4  e5  19.c5  

¥f8  20.dxe5  ¤d7

- Kasparov & Shakarov.

]

 [ 18.

¤e5  c5  19.¥c1  ¥f8  20.dxc5  ¥xc5

- Kasparov & Shakarov.

]

189

XIIIIIIIIY

9-+ktrr+-+0{

9zppwq-+pzp-0

9-+pvlpsn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NzP-0

9PzPP+QzP-+0

9+KvLR+-+R0

xiiiiiiiiy

Probably best.

 18...c5  19.dxc5  

¥xc5  20.¦xd8+  ¦xd8  21.¦h4

White threatens some action

on the c-

‘, but that is about all.

 

£b6!

By striking at the weakpoint in White's camp, Black finally

achieves an equal game.

 22.

¤e5  ¦d4

 [ 22...

¥xf2  23.¦c4+  ¢b8  24.¤xf7 ]

 23.

¦xd4  ¥xd4  24.¤xf7  ¥xf2=  25.£f3  £c7  26.£xf2  £xf7  27.£c5+  ¢d8

 [ 27...

£c7?  28.£f8+± ]

background image

106

 28.

£xa7  £d7

Black can afford to be patient - the h-

§ isn't going anywhere.

 29.a4  

¢e8  30.£c5

 

£d5

190

XIIIIIIIIY

9-+-+k+-+0

9+p+-+-zp-0

9-+-+psn-zp0

9+-wQq+-+P0

9P+-+-+-+0

9+-+-+-zP-0

9-zPP+-+-+0

9+KvL-+-+-0[

xiiiiiiiiy

 31.

£c7

If White exchanges 

£s then he not only drops the h-§, but probably the g-§ too since

the 

¢ and § ending would be horrible:

 [ 31.

£xd5  exd5  32.a5  ¤xh5  33.¥f4  ¤xf4  34.gxf4  h5-+ ]

 31...

£d7  32.£b8+  ¢f7  33.£f4  £d5  34.b3  e5  35.£f5  £e4  36.£c8

It is rare that the side

with the extra 

§, and ¥ vs. ¤, is the one that must avoid the exchange of £s!

 

¤xh5  37.£d7+

½-½

260

Tal
Huebner

Montreal

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  e6  14.¤e4  0-0-0  15.g3

 

¤xe4  16.£xe4  ¤f6  17.£e2

191

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NzP-0

9PzPPvLQzP-+0

9+-mKR+-+R0

xiiiiiiiiy

Now 17...Bd6 is normal, but there are alternatives.

 c5

Although this is a thematic move, it cannot

be played in all positions.

 [ 17...

¦d5  18.¥f4  ¥d6

looks very artificial.

 19.

¤e5!  ¤d7  ( 19...¥xe5  20.¥xe5  £d7  21.c4± )

 20.

¦he1  ¦d8  21.c4!  ¦a5  22.¢b1  ¤xe5  23.dxe5!  ¥b4  24.¦xd8+  ¢xd8  25.¦d1+  ¢e8

 26.a3

 

¥e7

 27.

£e4

and White's pieces are much better placed, providing a significant

advantage, Sopie-Vinagre, Correspondence 1985/88.

]

background image

107

 18.dxc5  

¥xc5  19.¦h4!

The rook rushes into the game, threatening Rc4.

 

¢b8  20.¥f4  ¥d6

 21.

¦xd6  ¦xd6

192

XIIIIIIIIY

9-mk-+-+-tr0

9zppwq-+pzp-0

9-+-trpsn-zp0

9+-+-+-+P0

9-+-+-vL-tR0

9+-+-+NzP-0

9PzPP+QzP-+0

9+-mK-+-+-0[

xiiiiiiiiy

Now comes a surprising move by Tal.

 22.

¤e5!

The threats are Nxc7 and Nc4.

 

¢a8!?

 [ 22...

¤d5  23.¤xf7  ¤xf4  24.¦xf4  ¦f8  25.¤xd6  ¦xf4  26.¤b5!  £c4  27.£e5+!

--Tal.

]

 [ 22...

¦hd8  23.¤c4  ¤e8  24.¤xd6  ¤xd6  25.¦g4

--Tal.

]

 23.

¤c4!  ¤e8

 [ 23...e5  24.

¥xe5  ¦e6  25.¥xc7!!  ¦xe2  26.¤b6+!

--Tal.

]

 24.

¦g4  £e7  25.¤xd6  ¤xd6  26.¦xg7

193

XIIIIIIIIY

9k+-+-+-tr0{

9zpp+-wqptR-0

9-+-snp+-zp0

9+-+-+-+P0

9-+-+-vL-+0

9+-+-+-zP-0

9PzPP+QzP-+0

9+-mK-+-+-0

xiiiiiiiiy

The material is now even, but White's position is far superior.

 

¤f5

 27.

¦g4

 

¦d8

 28.

¥e5!

Now the rook gets back into the game without difficulty.

 f6  29.

¥c3  e5  30.b3  a6  31.¢b2  £e6

 32.

£c4  £e8  33.¦g6

The target is the pawn at h6.

 

¦c8  34.£a4  £d8  35.£e4!

 [ 35.g4  

¤d6  36.¦xh6  ¤b5

would have been much more complicated, according to Tal.

]

 35...

¤d6  36.£d3  £c7

 [ 36...e4  37.

£d4  £c7  38.a4

--Tal.

]

 37.

¥b4  ¤b5

 [ 37...e4  38.

£xd6  £xc2+  39.¢a3  £c1+  ( 39...b5  40.£xa6+  ¢b8  41.¥d6+ )  40.¢a4  b5+

 41.

¢a5+- ]

 38.

¦xf6  a5

 [ 38...

¤d4  39.¦xa6+!  bxa6  40.£xa6+  ¢b8  41.¥d6+- ]

 39.

¥d6  ¤xd6  40.¦xd6  e4  41.£d2

1-0

background image

108

262

Kudrin

2570

Douven

2475

Palma de Mallorca

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  ¤gf6  14.¤e4  0-0-0  15.g3

 

¤xe4  16.£xe4  ¤f6  17.£e2

194

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwq-+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NzP-0

9PzPPvLQzP-+0

9+-mKR+-+R0

xiiiiiiiiy

 

¥d6  18.¤e5  c5

As in Tal-Huebner, this is premature when White can lift the rook into the game

via the 4th rank.

 19.

¦h4!  ¥xe5

 [ 19...

¢b8

is recommended by Skembris, but it is not clear that it is any good.

 20.

¤c4  ¢a8

 21.

£f3  ¤d5  22.¥a5!

forces Black to critically weaken the pawn cover.

 b6  23.

¤xd6  ¦xd6

 24.dxc5

 

¦c6

 ( 24...

£xc5

 25.

¥b4!

exploits the pin on the a8-h1 diagonal.

)

 25.cxb6

Black cannot do any damage on the queenside, despite dominating the c-file.

 

¦xc2+  26.¢b1

 

£b7

 A)  27.

¢xc2  ¤b4+  28.¦xb4  £xf3  29.b7+  £xb7  ( 29...¢b8??  30.¦d7

∆ Bc7.

 30.

¦xb7

 

¢xb7  31.¦d7+  ¢a6  32.¥c3+- ;

 B)  27.

¦f4!  axb6  28.¦xd5!  exd5  29.¢xc2  bxa5  30.¦xf7

led to a win in O'Donnell-Vranesic,

Toronto 1990.

]

 20.dxe5  

¤d7  21.¦g4  ¦hg8  22.¦e1  £c6  23.£e4  ¤b8  24.¦f4

195

XIIIIIIIIY

9-snktr-+r+0{

9zpp+-+pzp-0

9-+q+p+-zp0

9+-zp-zP-+P0

9-+-+QtR-+0

9+-+-+-zP-0

9PzPPvL-zP-+0

9+-mK-tR-+-0

xiiiiiiiiy

 

¦d7

 [ 24...

£xe4  25.¦exe4  ¦d7

might have been more resistant, but stil grovelly.

]

 25.

£h7  ¦gd8  26.¥a5  b6  27.¥c3  £d5  28.b3  b5  29.¢b1  b4  30.¥b2±  f5  31.exf6  g5

 32.hxg6  

¦xh7  33.gxh7  e5  34.¦xe5  £f7  35.¦e7  £f8  36.f7  £xe7  37.f8£  ¦xf8  38.¦xf8+

background image

109

 

£xf8  39.h8£  £xh8  40.¥xh8  h5  41.¢c1  ¢d7  42.¢d2  ¢e6  43.¢e3  ¢f5  44.f3  ¤d7

 45.

¢d3  ¤b6  46.¥g7  a5  47.¥f8  ¤d7  48.¥d6  ¢e6  49.¥c7  ¢d5  50.c4+  bxc3  51.¢xc3

1-0

266

Hjartarson

2615

Timman

2610

Amsterdam

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  £c7  12.0-0-0  e6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.¥c3  cxd4  18.¤xd4  ¤c5  19.£c2  a6  20.¦he1  ¥e7  21.¢b1  ¥f6  22.f4

 

¦d7  23.¤f3  ¦xd1+  24.¦xd1  ¦d8  25.¦xd8+  £xd8  26.¥xf6  gxf6  27.a3  f5  28.¢a2  f6

 29.b4  

¤e4  30.g4  £d6  31.gxf5  £xf4  32.£g2  ¤g5  33.¤xg5  £xc4+  34.¢b2  fxg5  35.fxe6

 

£xe6

196

XIIIIIIIIY

9-+k+-+-+0

9+p+-+-+-0

9p+-+q+-zp0

9+-+-+-zpP0

9-zP-+-+-+0

9zP-+-+-+-0

9-mK-+-+Q+0

9+-+-+-+-0[

xiiiiiiiiy

Many queen and pawn endings are drawn, but Black's king has just enough shelter to allow his
kingside pawn to advance.

 36.

£c2+  ¢d7  37.£h7+  ¢c6  38.£g6  ¢d6!

 [ 38...

£xg6??  39.hxg6+- ]

 39.

£d3+  £d5  40.£g6+  £e6  41.£d3+  ¢e7  42.£h7+  £f7  43.£e4+

 [ 43.

£c2!?  £xh5  44.£c7+  ¢f6  45.£d6+!? ]

 43...

¢f8  44.£g4  ¢g7  45.¢c3  £d5  46.£g3  ¢f6  47.£f2+  ¢e6  48.£f8  £c6+!  49.¢b3

 

¢e5  50.£g7+

 [ 50.

£e7+??  £e6+-+ ]

 50...

¢f5

The king will snare the h-pawn, with or without the help of his queen.

0-1

271

Arakhamia

2440

Van der Sterren

2475

Sydney

1991

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.d5

background image

110

197

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwqn+pzp-0

9-+-vlp+-zp0

9+-zpP+-+P0

9-+P+Q+-+0

9+-+-+NzP-0

9PzP-vL-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

This is a commital move which brings the focus of attention to the critical square d5.

 

¤f6

 [ 17...

¦he8

is too passive.

 18.

¥c3  ( 18.£g4!

gives Black problems, according to Van der

Sterren (NIC YB 21).

 18...exd5  19.

£xd5  ¤e5  20.£e4  ¤xf3  21.£xf3  f6  22.¦he1

gave White an advantage on the kingside in I.Ivanov-A.Miles, World Open 1989.

]

 [ 17...exd5  18.cxd5

{insert Volchok-Akopov}

 ( 18.

£xd5

{insert Solomon-Adianto}

)]

 18.

£c2  exd5  19.cxd5  ¦he8  20.¥c3  £d7

 [ 20...

¢b8

was seen in Tiviakov-Miles, Moscow GMA Open 1989, but then White can simply

capture at f6 and play 

¤h4, securing the f5 square and the advantage.

]

 21.

¥xf6

 [ 21.

¦h4?!  ¤g4!

is a promising 

§ sacrifice which leads to an advantage for Black:

 22.

¥xg7  f6

 23.

£g6  ¤xf2  24.¥xf6  ( 24.¦f1?  ¦g8  25.¦xf2  ¦xg7  26.£xh6  ¥xg3  27.¦g2  ¥f4+!  28.£xf4

 

¦xg2-+ ) 24...¤xd1  25.¥xd8  ¤e3  26.¥f6  ¤xd5³

according to analysis by Van der Sterren.

]

 21...gxf6

 22.

¤h4  ¦e5!

White's advanced pawns have become inviting targets, and Black is

succesfully contesting the f5-square.

 23.f4

White must dislodge this well-placed 

¦.

 

¦xh5

 24.

£e2  ¦xd5  25.¦xd5  ¥xf4+  26.gxf4  £xd5

198

XIIIIIIIIY

9-+ktr-+-+0

9zpp+-+p+-0

9-+-+-zp-zp0

9+-zpq+-+-0

9-+-+-zP-sN0

9+-+-+-+-0

9PzP-+Q+-+0

9+-mK-+-+R0[

xiiiiiiiiy

After this forced series of moves Black has three 

§s for the ¤, but they are very weak. The

double attack on the 

¦ at h1 and the § at a2, however, provides sufficient counterplay.

 27.

¦d1

 

£xa2  28.¦xd8+  ¢xd8  29.¤f5

King evaluates this position as 

±, but this is hard to justify, since

Black seems to have sufficient defensive resources and White is running out of 

§s.

 

£e6

 30.

£d3+

 [ 30.

£xe6  fxe6  31.¤xh6  ¢e7

is unwinnable for White.

]

 30...

¢c7  31.¤xh6  £e1+  32.¢c2

background image

111

199

XIIIIIIIIY

9-+-+-+-+0{

9zppmk-+p+-0

9-+-+-zp-sN0

9+-zp-+-+-0

9-+-+-zP-+0

9+-+Q+-+-0

9-zPK+-+-+0

9+-+-wq-+-0

xiiiiiiiiy

 

£f2+?

A critical error.

 [ 32...

£h4!  33.¤xf7  £xf4  34.£d8+  ¢c6

is correctly evaluated by Van der Sterren as =.

]

 33.

£d2  £f1?

A second, terminal error. There was still a way out, as demonstrated by Van der

Sterren.

 [ 33...

£f3!  34.b3  ( 34.¤xf7  £e4+  35.£d3  £xf4= )  34...£h5  35.f5  £f3  36.¢b2  ¢c6

 37.

¤xf7  ( 37.¤g8  £e4= ) 37...£xf5  38.£d6+  ¢b5= ]

 34.

£a5+  ¢c6  35.£a4+  ¢c7  36.£a5+  ¢c6  37.£a4+  ¢c7  38.£e4!  £f2+  39.¢c3  £f1

 40.

¤xf7

Now the White 

¢ will find a home at a2, and the extra piece will be put to good use.

 

£c1+  41.¢b3  £d1+  42.¢a2  £d7  43.¤h6  b5  44.¤f5  c4  45.¤e3
1-0

279

Medina
Campora

Torremolinos

1983

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  ¤gf6  14.¤e4  0-0-0  15.g3

 

¤xe4  16.£xe4  ¥d6  17.c4  c5  18.¥c3

200

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwqn+pzp-0

9-+-vlp+-zp0

9+-zp-+-+P0

9-+PzPQ+-+0

9+-vL-+NzP-0

9PzP-+-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

 

¢b8

 [ 18...

¦he8  19.¢b1  ¢b8  20.dxc5  ¤xc5  21.£c2  f6!  22.¤d4  a6  23.¦dg1  e5  24.¤f5  ¥f8

 25.

¤e3

(Speelman suggests an advance of the g-pawn here.)

 

¤e6  26.¤d5  £c6  27.f4  exf4

 28.gxf4

 

¥d6

Kruppa-Karpman, Minsk 1990 reached this position, which Speelman (1991)

background image

112

evaluates as even.

]

 19.d5  e5  20.

¦he1  ¦de8  21.¤h4  ¤f6  22.£c2  ¤xh5  23.¤f5  g6  24.¤xd6  £xd6  25.£e4

 

¢a8  26.¥xe5  £d8  27.£d3  ¦hg8  28.¥c3  £d6  29.¦e3  a6  30.¦de1  £d7  31.£e2  ¦xe3

 32.

£xe3  ¦c8  33.£f3  f5  34.¦e6  £f7  35.£e2  f4  36.¦e7  £f8  37.d6  fxg3  38.fxg3  ¤xg3

 39.

£g2  £f4+  40.¥d2  £xc4+  41.¥c3  £f4+  42.¥d2  £c4+  43.¢d1  £g4+  44.¢e1  ¦c6

 45.d7  

¦e6+  46.¥e3  ¦xe3+  47.¦xe3  £xd7  48.£xg3  g5  49.£e5

1-0

280

Watson,W
Van der Sterren

Budapest

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  £c7  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¥d6  16.¢b1  ¦he8

201

XIIIIIIIIY

9-+ktrr+-+0

9zppwqn+pzp-0

9-+pvlp+-zp0

9+-+-+-+P0

9-+-zPQ+-+0

9+-+-+NzP-0

9PzPPvL-zP-+0

9+K+R+-+R0[

xiiiiiiiiy

 17.

£e2

 [ 17.

¥c1  ¤f6

was agreed drawn in Smirin-Kharitonov, USSR Championship 1988.

]

 17...a6

 18.c4

 c5

 19.

¥c3

 cxd4?!

This is a poor idea, since White can advantageously

recapture with the rook.

 [ 19...

¥f8!

--Speelman (1992).

]

 20.

¦xd4  ¥e7  21.¦g4  ¥f6  22.¥xf6  gxf6  23.c5  ¤e5  24.¦f4  ¦d5  25.¦xf6  ¦xc5?!

 [ 25...

¦ed8

is considered best by Speelman (1992). This would maintain control of the

important d-file.

]

 26.

¤xe5  ¦xe5

 [ 26...

£xe5  27.£xe5  ¦xe5  28.¦d1  ¦xh5  29.¦xf7  ¦f5  30.¦dd7  ¦xf7  31.¦xf7

is clearly

better for White, since the 7th rank is controlled and the pawns are very weak on the sixth rank.
Analysis by Speelman (1992).

]

 27.

£f3  ¦f8  28.¦xh6  ¦f5  29.£xf5  exf5  30.¦c1  ¦e8  31.¦xc7+  ¢xc7  32.¦f6  ¦e1+  33.¢c2

 

¦e2+  34.¢c3  ¦xf2  35.g4  ¦f3+  36.¢d4  ¦f4+  37.¢e5  ¦xg4  38.¦xf7+  ¢c6  39.¢xf5  ¦g2

 40.h6  

¦xb2  41.h7  ¦f2+  42.¢g6  ¦g2+  43.¢f6  ¦f2+  44.¢g7  ¦g2+  45.¢f8  ¦h2  46.¦f6+

1-0

background image

113

281

De Firmian
Miles

Biel

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  0-0-0  13.¤e4  ¤gf6  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.¥c3  ¤f6  18.£e2  cxd4  19.¤xd4  a6

202

XIIIIIIIIY

9-+ktr-+-tr0

9+pwq-+pzp-0

9p+-vlpsn-zp0

9+-+-+-+P0

9-+PsN-+-+0

9+-vL-+-zP-0

9PzP-+QzP-+0

9+-mKR+-+R0[

xiiiiiiiiy

This has been the critical position of the variation for almost a decade now.

 20.

¤f3  ¦d7

 [ 20...

¥c5

is suggested by the Zarkov program (15 min/move), with a fluctuating opinion

generally resolving in Black's favor if White captures at f6.

 21.

¥xf6  gxf6  22.¤d2  ¦d4  23.¤e4

 

£e5  24.¦xd4  ¥xd4  25.f4  £c7  26.¦d1  ¦d8  27.¤d2  £b6  28.¤b3  ¥e3+  29.¢c2  ¦xd1

 30.

£xd1  £c6

and I would agree that in this position Black's chances are to be preferred.

]

 [ 20...

£c6

is an untested idea of Kasparov & Shakarov.

]

 21.

¤e5

 [ 21.

¢b1  ¦hd8  22.a3  £c6  23.¦h4  ¥c7  24.¦xd7  ¦xd7  25.¤e5  ¥xe5  26.£xe5  ¤e8

 27.

£e2  f6  28.¦e4  e5

and Black had a comfortable position in Benko - Kagan, Israel 1967.

]

 21...

¥xe5  22.¥xe5

203

XIIIIIIIIY

9-+k+-+-tr0{

9+pwqr+pzp-0

9p+-+psn-zp0

9+-+-vL-+P0

9-+P+-+-+0

9+-+-+-zP-0

9PzP-+QzP-+0

9+-mKR+-+R0

xiiiiiiiiy

Even here, Black seems to be holding the balance nicely.

 

£a5  23.a3  ¦hd8  24.¦xd7  ¤xd7

 25.

¥c3  £g5+!  26.£d2  £xd2+  27.¢xd2  f6  28.¢c2  ¤c5  29.¦e1  ¦d6=  30.¦e3  ¢d8  31.b4

 

¤d7  32.¦d3  ¦c6  33.¢b3  ¢e7  34.c5  e5  35.g4  ¢e6  36.f3  a5  37.¦d1  axb4  38.axb4  b6

 39.cxb6  

¦xb6  40.¢c4  ¦c6+  41.¢b3  ¦b6  42.¦d2  ¦b7  43.¦a2  ¤b8  44.¦a5  ¤c6  45.¦c5

 

¢d6  46.¢c4  ¦c7  47.¦d5+  ¢e6  48.¦c5  ¢d6  49.¥b2  ¤a5+  50.¢b5  ¤c6  51.¢c4  ¤a5+

background image

114

 52.

¢b5  ¤c6  53.¢c4

½-½

282

Cabrilo
Vadasz

Trnava

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  £c7  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  ¤f6  17.£e2  c5  18.¥c3  cxd4  19.¤xd4  a6  20.¦d2

204

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9p+-vlpsn-zp0

9+-+-+-+P0

9-+PsN-+-+0

9+-vL-+-zP-0

9PzP-tRQzP-+0

9+-mK-+-+R0

xiiiiiiiiy

A sensible approach - doubling 

¦s before undertaking any serious operations. But this also give

Black time to complete his development.

 

£c5  21.¢c2  ¥c7  22.g4  ¥a5!  23.¤b3  £c6!

 24.

¦xd8+  ¦xd8  25.¥xa5  £xh1  26.¥xd8  ¢xd8  27.f3  £g1

205

XIIIIIIIIY

9-+-mk-+-+0

9+p+-+pzp-0

9p+-+psn-zp0

9+-+-+-+P0

9-+P+-+P+0

9+N+-+P+-0

9PzPK+Q+-+0

9+-+-+-wq-0[

xiiiiiiiiy

This endgame poses no problems for Black.

 28.

£d2+  ¤d7  29.£f4  ¢e7  30.a4  £f2+  31.¢b1

 

£b6  32.¢c2  £b4  33.a5  g6  34.£c7  gxh5  35.gxh5  e5  36.¤d2  f5  37.b3  ¢e6  38.£c8

 

¢e7  39.£h8  £xa5  40.£h7+  ¢e6  41.£g8+  ¢e7  42.£g6  £a2+  43.¢d1  £a1+  44.¢e2

 

£h1  45.£xh6  £g2+  46.¢d1  £g1+  47.¢c2  ¤f6  48.£h8  £g8  49.£xg8  ¤xg8  50.c5  ¢e6

 51.

¤c4  ¢d5  52.¤e3+  ¢xc5  53.¤xf5  ¤f6  54.h6  a5

½-½

background image

115

283

Magerramov
Tavadian

USSR

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  £c7  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¤f6  16.£e2  ¥d6  17.c4  c5  18.¥c3  cxd4  19.¤xd4  a6  20.¤b3

206

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9p+-vlpsn-zp0

9+-+-+-+P0

9-+P+-+-+0

9+NvL-+-zP-0

9PzP-+QzP-+0

9+-mKR+-+R0

xiiiiiiiiy

 

£c6  21.¤a5

 [ 21.

¦h4  ¥c7  22.¤d4  £c5  23.b4  £g5+  24.¥d2  £e5  25.£xe5  ¥xe5

207

XIIIIIIIIY

9-+ktr-+-tr0

9+p+-+pzp-0

9p+-+psn-zp0

9+-+-vl-+P0

9-zPPsN-+-tR0

9+-+-+-zP-0

9P+-vL-zP-+0

9+-mKR+-+-0[

xiiiiiiiiy

Kasparov & Shakarov evaluate this endgame as holding chances for both sides, Kudriashov -
Kharitonov, USSR 1981.

]

 21...

£c7  22.¤b3  £c6  23.¤a5

½-½

284

Renet

2495

Miles

2520

Cannes

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  0-0-0  13.¤e4  ¤gf6  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.£e2  ¤f6  18.¥c3  cxd4  19.¤xd4  a6  20.¢b1

background image

116

208

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9p+-vlpsn-zp0

9+-+-+-+P0

9-+PsN-+-+0

9+-vL-+-zP-0

9PzP-+QzP-+0

9+K+R+-+R0

xiiiiiiiiy

 

¦d7  21.g4?!

Still inappropriate.

 [ 21.

¤b3  £c6  22.¦h4  ¦hd8  23.¦c1  £g2!÷

Chandler - Arkell, British Ch 1984.

]

 21...

¦hd8  22.¤b3  ¥f4  23.¦xd7  £xd7  24.¥xf6!?

I am highly suspicious about the positional

value of such an exchange, though the Zarkov computer program holds similar ideas.

 [ 24.f3

∆ Kc2 is evaluated as equal by Speelman (1992).

]

 24...gxf6  25.

¢c2  £a4!  26.£e4  ¥e5  27.¢b1  £b4

It is clear that Black has all the play here.

209

XIIIIIIIIY

9-+ktr-+-+0

9+p+-+p+-0

9p+-+pzp-zp0

9+-+-vl-+P0

9-wqP+Q+P+0

9+N+-+-+-0

9PzP-+-zP-+0

9+K+-+-+R0[

xiiiiiiiiy

 28.g5?

A confusionary riff?

 [ 28.

¦c1

was required.

]

 [ 28.f4  

¥c7

would still be hopeless for White.

]

 28...

¦d2!

0-1

287

Reeve
Hawkes

Canada Zonal

1987

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  £c7  12.0-0-0  e6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¤f6  16.£e2  ¥d6  17.c4  c5  18.¥c3  cxd4  19.¤xd4  a6  20.g4?!

background image

117

210

XIIIIIIIIY

9-+ktr-+-tr0{

9+pwq-+pzp-0

9p+-vlpsn-zp0

9+-+-+-+P0

9-+PsN-+P+0

9+-vL-+-+-0

9PzP-+QzP-+0

9+-mKR+-+R0

xiiiiiiiiy

This reckless move betrays a fundamental lack of understanding of the opening, and costs White
dearly.

 

¥c5  21.f3  £f4+  22.£d2  £c7  23.£h2  £b6!  24.¤b3  ¥d6  25.£e2  £c6  26.¢b1

 

¥c7  27.¤d4  £c5  28.b4!?

White must take some action before Black brings a 

¦ to the e-‘

and starts the advance of the e-

§, undermining the base of the § chain.

211

XIIIIIIIIY

9-+ktr-+-tr0{

9+pvl-+pzp-0

9p+-+psn-zp0

9+-wq-+-+P0

9-zPPsN-+P+0

9+-vL-+P+-0

9P+-+Q+-+0

9+K+R+-+R0

xiiiiiiiiy

 

¤d5!

White probably overlooked this.

 29.

¥b2

 [ 29.bxc5?  

¤xc3+  30.¢b2  ¤xe2  31.¤xe2  ¦xd1  32.¦xd1  ¦d8

gives Black a much better

endgame.

]

 29...

¤xb4  30.¤b3  £g5  31.¤d2  ¦hg8  32.¤e4  £e7  33.¦xd8+  £xd8  34.¦d1  £e7  35.¥a3

 f5  36.

¤c3  fxg4  37.fxg4  ¢b8  38.¤d5

(Diagram 212)

background image

118

212

XIIIIIIIIY

9-mk-+-+r+0{

9+pvl-wq-zp-0

9p+-+p+-zp0

9+-+N+-+P0

9-snP+-+P+0

9vL-+-+-+-0

9P+-+Q+-+0

9+K+R+-+-0

xiiiiiiiiy

A clever set of pins, but the points are not sharp.

 

¤xd5!  39.£b2

 [ 39.

¥xe7  ¤c3+  40.¢b2  ¤xe2  41.¦e1  ¦e8-+ ]

 39...

¥d6  40.¥xd6+  £xd6  41.cxd5  exd5∓  42.£d4  ¦c8  43.g5  hxg5  44.£xg7  £b4+

 45.

¢a1  d4  46.¦b1  £c3+  47.¦b2  £e1+  48.¦b1  £c3+  49.¦b2  ¦c7  50.£xg5  d3  51.£d8+

 

¢a7  52.a4  ¦c6  53.£g5  £e1+  54.¢a2  ¦c1  55.£g4  ¦a1+  56.¢b3  £e3
0-1

288

Tal
Miles

Bugonjo

1984

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.c4  ¥b6

213

XIIIIIIIIY

9-+ktr-+-tr0

9zppwq-+pzp-0

9-vlp+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-+Q+NzP-0

9PzP-vL-zP-+0

9+-mKR+-+R0[

xiiiiiiiiy

It is very strange that ECO II ignores this line, even though it seems to be the most playable
move in the position.

 17.

¥c3

 [ 17.

¥f4  £e7  18.£e3  ¦he8  19.¢b1

was agreed drawn in Miles - Hort, Bath 1983.

]

 17...

¦he8  18.¢b1

 [ 18.

£e2

was an attempt to improve, introduced months later in Van der Wiel - Miles, Tilburg

1984.

]

 18...a6  19.

£c2  ¦e7  20.¤e5  ¥a5!

An important resource, which indirectly undermines the

outpost at e5.

 21.b4

background image

119

 [ 21.c5

 

¤d5!  ( 21...¥xc3  22.bxc3

would leave Black with problems on the dark squares,

especially at b6.

 22.

¤c4  ¥xc3  23.bxc3  b5!

as suggested by Miles, would take advantage of

the attack on the 

¤ to force White either to capture the pawn, or retreat. In either case Black

would no longer have a problem at b6.

]

 21...

¥b6  22.a4  £b8!

Black has a choice of creating a 

£ and ¥ battery on either diagonal.

 23.f4

 

£a7  24.¦d2  ¢b8

Black could not capture the pawn here.

 [ 24...

¥xd4?  25.¦hd1± ]

 25.a5  

¥c7  26.g4

 [ 26.d5?

 exd5

 27.

¥d4

 

£a8

looks imposing but Black can slide his pieces in puzzle-like

fashion and bring the 

¢ to c8 and £ to b8, after which White has nothing for the § (Analysis by

Miles.)

]

 26...

¢a8=

214

XIIIIIIIIY

9k+-tr-+-+0

9wqpvl-trpzp-0

9p+p+psn-zp0

9zP-+-sN-+P0

9-zPPzP-zPP+0

9+-vL-+-+-0

9-+QtR-+-+0

9+K+-+-+R0[

xiiiiiiiiy

White controls a great deal of space, but Black's position is solid and his pieces have just enough
breathing room.

 27.g5?!

This only accentuates the weakness at f4.

 

¤e8  28.c5?!

White seems

obsessed with the dark-squares, but Black's next move shows just how weak the pawns are!

 

£b8  29.g6  f6  30.¤c4  ¥xf4∓  31.¦e2  ¤c7  32.¥b2  ¤b5  33.¦he1

 [ 33.

¦d1  ¥c7

and the 

¦ will advance to d5, after which the h-§ or d-§ must fall.

]

 33...

¤xd4  34.¥xd4  ¦xd4  35.¦xe6  ¦xe6  36.¦xe6  £d8  37.¦e1  ¢a7!  38.¢a2  ¥d2!  39.¦b1

 

£d5  40.¢b3  ¦d3+
0-1

289

Van der Wiel
Miles

Tilburg

1984

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.c4  ¥b6  17.¥c3

(Diagram 215)

background image

120

215

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-vlp+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-vLQ+NzP-0

9PzP-+-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

 

¦he8  18.£e2

Van der Wiel prepared this as an improvement on Tal - Miles, Bugojno 1984, but

it does not achieve much here.

 c5

with the two possible thrusts at e5 and c5, Black can usually

manage to undermine White's center early in the middlegame.

 19.

¢b1

 [ 19.dxc5  

¦xd1+  20.¦xd1  £xc5

would put a lot of pressure on the diagonal, and the pawn at

h5 would also be weak.

]

 19...

¦e7

Black is ready to double 

¦s on the d-‘, and can already lay claim to equality.

 20.a3?!

The threat of capturing at c5 followed by b4 is irrelevant, as it is time for Black to capture at d4
anyway.

 cxd4

216

XIIIIIIIIY

9-+ktr-+-+0

9zppwq-trpzp-0

9-vl-+psn-zp0

9+-+-+-+P0

9-+Pzp-+-+0

9zP-vL-+NzP-0

9-zP-+QzP-+0

9+K+R+-+R0[

xiiiiiiiiy

 21.

¤xd4

 [ 21.

¥xd4  ¥xd4  22.¦xd4  ( 22.¤xd4  ¦ed7  23.¤b5  £c5∓ )  22...¦xd4  23.¤xd4  £c5

- Miles. Once again the weakness of the pawn at h5 is a major factor.

]

 21...

¦ed7  22.c5

 [ 22.

¤b5  £c6  23.¦xd7  ¦xd7  24.¦d1  a6  25.¦xd7  £xd7

loses material.

 26.

¥xf6  gxf6

 27.

¤c3  £d4  28.¤e4  ( 28.f4  £g1+ ) 28...f5∓ ]

 22...

£xc5  23.¦c1  ¦c7

 [ 23...

¥c7  24.¤b5÷ ]

 [ 23...

¢b8??  24.¤c6+!  £xc6  25.¥e5+  ¢a8  26.¦xc6  bxc6  27.¥xf6  gxf6  28.£f3+- ]

 24.

¤b5

(Diagram 217)

background image

121

217

XIIIIIIIIY

9-+ktr-+-+0{

9zpptr-+pzp-0

9-vl-+psn-zp0

9+Nwq-+-+P0

9-+-+-+-+0

9zP-vL-+-zP-0

9-zP-+QzP-+0

9+KtR-+-+R0

xiiiiiiiiy

 

¦c6

 [ 24...

£f5+

was suggested by Miles, and it might be even more effective than the text.

]

 25.

¥e5

 [ 25.

¥a5?

 

£f5+

 26.

¢a1

 

¥xa5

is evaluated as winning for Black, but it is not so simple.

 27.

¤xa7+  ¢c7  28.¤xc6  bxc6

and the minor pieces are better than the rooks, but it is not

hopeless.

 29.

£a6 ]

 25...

£xf2

218

XIIIIIIIIY

9-+ktr-+-+0

9zpp+-+pzp-0

9-vlr+psn-zp0

9+N+-vL-+P0

9-+-+-+-+0

9zP-+-+-zP-0

9-zP-+Qwq-+0

9+KtR-+-+R0[

xiiiiiiiiy

Here Van der Wiel decided to go into the endgame, and Miles cleaned up.

 26.

£xf2

 [ 26.

¤d6+!

would have been more resistant, but Miles provided the following analysis that

shows that he would have prevailed anyway.

 

¢d7  ( 26...¦dxd6  27.£xf2  ¥xf2  28.¥xd6  ¤e4

 29.

¦xc6+  bxc6  30.¥e5!  f6  31.¦h4!  ¤d2+  32.¢c2  ¤f3  33.¦f4  ¤e1+  34.¢d1  ¥xg3

 35.

¦g4  ¥xe5  36.¢xe1  f5∓ )  27.£b5  ¢e7  28.¤xb7  ( 28.¦xc6  bxc6  29.£xc6  £c5 )

 28...

¦xc1+  29.¦xc1  £f5+  30.¢a1  ¦d4!! ]

 26...

¥xf2  27.¤d6+  ¢d7!  28.¤xb7

 [ 28.

¤xf7  ¦f8

traps the 

¤.

]

 28...

¦xc1+  29.¦xc1  ¦c8!

The endgame is now a clear win for Black, provided he avoids a few

traps.

 30.

¦f1

 [ 30.

¦d1+  ¢e7  31.¥d6+  ¢e8

and White's attack fizzles.

]

 30...

¤e4

 [ 30...

¥b6?!  31.¤d6³ ]

 31.

¦d1+  ¢e7  32.¥xg7  ¥xg3  33.¦d4  f5  34.¥xh6  ¦h8  35.¥e3  ¦xh5  36.¦a4  ¦h1+  37.¢a2

 

¦e1  38.¥xa7  ¦e2

 [ 38...f4?!

 39.

¥b8!

would have made things tougher for Black, e.g.,

 f3

 40.

¦xe4!

 

¦xe4

 41.

¥xg3 ]

background image

122

 39.

¦b4  f4  40.¥b8  f3  41.¦xe4  ¥xb8  42.¤c5  ¥d6

0-1

290

Barua
Ravikumar

Calcutta

1986

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.c4  ¦he8  17.¥c3  ¥b6  18.£c2

This was wrongly attributed to Anand by Berg (1991).

 

£e7!

 [ 18...c5?!  19.d5  exd5  20.

¥xf6  gxf6  21.cxd5!

(Stronger than 21.Qf5+, seen in GAME REF).

 c4  22.

¦h4!  ¢b8  23.¢b1  ¦d6  24.¦f4  £c5  25.¦xc4  £xf2  26.£xf2  ¥xf2  27.g4±

Anand-Gerber, Biel 1988.

]

 19.

¤e5  ¤d7  20.f4

219

XIIIIIIIIY

9-+ktrr+-+0{

9zpp+nwqpzp-0

9-vlp+p+-zp0

9+-+-sN-+P0

9-+PzP-zP-+0

9+-vL-+-zP-0

9PzPQ+-+-+0

9+-mKR+-+R0

xiiiiiiiiy

Here Black can afford to start liquidating pieces.

 

¤xe5  21.dxe5

 [ 21.fxe5?  

£g5+  22.¢b1  £xg3  23.¦hg1  £f3  24.¦xg7  £xh5³ ]

 21...

¦xd1+  22.¦xd1  ¦d8  23.£e2  ¦xd1+  24.¢xd1  £d8+  25.¢c2  ¥d4  26.£d2  ¥xc3

 27.

£xd8+  ¢xd8  28.¢xc3

220

XIIIIIIIIY

9-+-mk-+-+0{

9zpp+-+pzp-0

9-+p+p+-zp0

9+-+-zP-+P0

9-+P+-zP-+0

9+-mK-+-zP-0

9PzP-+-+-+0

9+-+-+-+-0

xiiiiiiiiy

There is obviously no danger to either side in this position.

 b6  29.g4  

¢d7  30.b4  ¢e7  31.¢d4

 

¢d7  32.¢e4  ¢e7  33.g5  ¢d7  34.a4  c5  35.b5
½-½

background image

123

294

Christiansen
Chandler

Wijk aan Zee

1982

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.c4  ¦he8

 [ 16...

¥d6  17.¥c3

gives White a solid grip on the position.

 

¢b8  18.£e2  ¢a8  19.¢b1  b5?!

 20.d5!

 bxc4

 21.dxe6

 ( 21.

¥xf6  gxf6  22.dxe6  c3

was not as clear in Timoschenko-

Marushenko, Budapest 1991.

)]

 [ 16...

¥b6

is the reasonable alternative.

]

 17.

¥c3

221

XIIIIIIIIY

9-+ktrr+-+0{

9zppwq-+pzp-0

9-+p+psn-zp0

9+-vl-+-+P0

9-+PzP-+-+0

9+-vLQ+NzP-0

9PzP-+-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

 

¢b8  18.£e2  ¥f8  19.¤e5²

The 

¤e5 is very strong, and the £c7 is tied to the defense of f7, so

Black is without a clear strategy and must remain passive.

 c5

 20.dxc5

 

¥xc5  21.f4  ¤g8

Black will drive back the enemy 

¤, but at the cost of a significant weakening of his § structure.

 22.

¢b1  f6  23.¤g6  £b6  24.¦xd8+  ¦xd8  25.¦d1  ¦xd1+  26.£xd1

222

XIIIIIIIIY

9-mk-+-+n+0{

9zpp+-+-zp-0

9-wq-+pzpNzp0

9+-vl-+-+P0

9-+P+-zP-+0

9+-vL-+-zP-0

9PzP-+-+-+0

9+K+Q+-+-0

xiiiiiiiiy

Black is now forced to take measures to prevent the infiltration of the White 

£.

 

¢c8

 [ 26...

¤e7  27.¤f8!± ]

 27.

£e2  ¢d7  28.g4  ¢e8

 [ 28...

¤e7?  29.¤f8+  ¢e8  30.¤xe6± ]

 29.

£e4

background image

124

223

XIIIIIIIIY

9-+-+k+n+0{

9zpp+-+-zp-0

9-wq-+pzpNzp0

9+-vl-+-+P0

9-+P+QzPP+0

9+-vL-+-+-0

9PzP-+-+-+0

9+K+-+-+-0

xiiiiiiiiy

Whtie's forces are well-coordinated, while Black's are scattered.

 

£d6

Threatening mate at d1.

 30.

¢c2  £d7  31.a3  a5  32.f5!  e5

Forced.

 33.

¤f4  a4  34.¤e6

The 

¤ occupies yet another

outpost, and this time its effect is decisive.

 

¥f8  35.¥a5!  ¤e7  36.¥b4  ¢f7  37.£d3  £c8

An exchange of 

£s would be out of the question here.

 [ 37...

£xd3+  38.¢xd3  ¢e8  39.¢e4  b6  40.¤c7+  ¢d7  41.¤d5  ¤xd5  42.¥xf8± ]

 38.

£d8

1-0

299

Kunovac

2260

Ostojic

2265

Yugoslavia Team Ch

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  £c7  12.¤e4  ¤gf6  13.0-0-0  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.¥f4

224

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-+p+psn-zp0

9+-vl-+-+P0

9-+-zP-vL-+0

9+-+Q+NzP-0

9PzPP+-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

This move attempts to create a strongpoint at e5, but Black can defend without difficulty.

 

¥d6

 17.

¥xd6

 [ 17.

¥e5  ¥xe5  18.¤xe5  c5  19.£c4  ¦d5  20.f4  ¤e4=

Belinkov - Podgayets, USSR 1968.

]

 17...

¦xd6

 18.

£e2

For 18.c4 see Flejsch - Namzhilov. The c-

§ should remain in a position to

support the 

§ at d4, which otherwise becomes a target.

 

¦hd8  19.c3  ¦d5  20.¤d2?!

This also

drops the h-

§.

 [ 20.

¤e5  c5

shows just how fragile the outpost really is.

]

background image

125

 [ 20.g4  

¤xg4  21.¦dg1  f5  22.¦xg4  fxg4  23.£xe6+  £d7  24.£xd7+  ¦8xd7  25.¤e5  ¦e7

 26.

¤xg4  ¦g5

does not provide enough compensation.

]

 20...

£a5  21.¤c4?!

This pawn sacrifice does not lead to any compensation, so it was probably

better to let the h-

§ go.

 [ 21.a3  

¦xh5 ]

 21...

£xa2  22.¢c2  £a4+  23.b3  £b5  24.¦a1  ¦xh5∓

225

XIIIIIIIIY

9-+ktr-+-+0

9zpp+-+pzp-0

9-+p+psn-zp0

9+q+-+-+r0

9-+NzP-+-+0

9+PzP-+-zP-0

9-+K+QzP-+0

9tR-+-+-+R0[

xiiiiiiiiy

 25.

¦a5

Perhaps White thought that this would get him off the hook, but it simply adds a little

flash to the game.

 

£xa5!  26.¤xa5  ¦xh1  27.b4  ¦h5

The rooks and pawns are more than a

match for the queen.

 28.

¤c4  ¦hd5  29.£e1  ¦5d7  30.£c1  ¤d5  31.¤e5  ¦c7  32.g4  ¦e8

 33.

¢b3  f6  34.¤d3  e5

and the lines are going to be opened for the 

¦s.

 35.c4  

¤f4  36.¤xf4

 exf4  37.

£xf4  ¦d7  38.¢c3  ¦ed8-+  39.d5  cxd5  40.c5  ¦e8  41.£f5  a6  42.£d3  ¦e4  43.b5

 

¦c4+  44.¢b3  axb5  45.£e2  d4  46.c6  ¦xc6
0-1

302

Ljubojevic
Karpov

Linares

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  ¤gf6  14.¤e4  0-0-0  15.g3

 

¤c5  16.¤xc5  ¥xc5  17.£c4

(Diagram 226)

background image

126

226

XIIIIIIIIY

9-+ktr-+-tr0{

9zppwq-+pzp-0

9-+p+psn-zp0

9+-vl-+-+P0

9-+QzP-+-+0

9+-+-+NzP-0

9PzPPvL-zP-+0

9+-mKR+-+R0

xiiiiiiiiy

Not as popular as 17.c4.

 

¥d6  18.£a4  ¢b8  19.¤e5  ¤d5

Because White has not established a

pawn at c4, Black can also lay claim to a useful outpost. Ljubojevic tries to drive back the 

¤ later,

but it is not a successful strategy.

 20.f4  

¤b6=  21.£b3  ¥xe5  22.dxe5  ¤d5

227

XIIIIIIIIY

9-mk-tr-+-tr0

9zppwq-+pzp-0

9-+p+p+-zp0

9+-+nzP-+P0

9-+-+-zP-+0

9+Q+-+-zP-0

9PzPPvL-+-+0

9+-mKR+-+R0[

xiiiiiiiiy

A critical position. White should now concentrate on the kingside, accepting the fact that Black
will have a powerful 

¤ at d5.

 23.c4?!

 [ 23.

£f3  ¦d7  24.£g4  ( 24.g4!?

comes strongly into consideration - author.

 24...

¦hd8

is a promising sacrificial defence:

 25.

£xg7  £b6  26.£g4  ¤e3  27.¥xe3  £xe3+  28.¢b1

 

¦xd1+  29.¦xd1  ¦xd1+  30.£xd1  ¢c8!=

was given by Suetin.

 ( 30...

£xg3??  31.£d8# )]

 23...

¤e7  24.¥e3  c5!

Black aims to establish a new outpost for his 

¤ at d4.

 25.

¦xd8+  ¦xd8

 26.

¦d1  ¦xd1+  27.£xd1  b6!

(Diagram 228)

background image

127

228

XIIIIIIIIY

9-mk-+-+-+0

9zp-wq-snpzp-0

9-zp-+p+-zp0

9+-zp-zP-+P0

9-+P+-zP-+0

9+-+-vL-zP-0

9PzP-+-+-+0

9+-mKQ+-+-0[

xiiiiiiiiy

It is already clear that the 

¤ will be much more effective than the ¥ in the endgame.

 28.

£d3  g6

This move is effective for two reasons. First, it prevents the White 

£ from sneaking into the » via

h7. Second, it secures another new outpost for the 

¤ - this time at f5.

 29.hxg6  fxg6  30.a3  a5

 31.b3  h5

229

XIIIIIIIIY

9-mk-+-+-+0

9+-wq-sn-+-0

9-zp-+p+p+0

9zp-zp-zP-+p0

9-+P+-zP-+0

9zPP+QvL-zP-0

9-+-+-+-+0

9+-mK-+-+-0[

xiiiiiiiiy

The 

¥ has no gainful employment anywhere on the board.

 32.

£e4  ¤f5  33.¥f2  £d7  34.a4

 

¢c7  35.¢c2

 [ 35.

£a8  £d3  36.£a7+  ¢c8  37.£a8+  ¢d7  38.£b7+  ¢e8  39.£b8+  ¢f7  40.£b7+  ¤e7

 41.

£g2  £c3+-+ ]

 35...

£d8  36.¢c1  g5  37.fxg5  £xg5+  38.¢c2  ¤e7

Naturally Black would be happy to

exchange 

£s if possible, and this sets up 39...£g6.

 39.

£h7?!

This allows Black to achieve a

winning endgame.

 

¢d7?

 [ 39...

£g6+  40.£xg6  ¤xg6  41.¥e3  ¢d7  ( 41...¤xe5  42.¥f4  ¢d6  43.¢d2!±

and Black is in

zugzwang!

) 42.

¥f4  ( 42.¥g5  ¤xe5∓ ) 42...¤xf4  43.gxf4  h4-+ ]

 40.

£e4  £f5  41.£d3+  ¢c6  42.£xf5  exf5

But even if this is not the most efficient method, it is

still a win, as Karpov demonstrates.

 43.

¥e3  ¤g6  44.e6  ¢d6  45.¥g5  ¢xe6  46.¢d2

 [ 46.

¥d8  f4  47.gxf4  h4  48.¥c7  h3  49.f5+  ¢xf5  50.¥h2  ¢g4  51.¢d3  ¢f3  52.¥c7  ¢g2

 53.

¢e4  ¤h4  ( 53...h2  54.¥xh2  ¢xh2  55.¢d5

is less clear.

) 54.

¢d5  ¤f5  55.¢c6  ¤g3-+ ]

 46...f4  47.gxf4  h4  48.

¢e3  h3  49.¢f3  ¢f5  50.¢g3  ¤xf4  51.¥d8  ¤e2+  52.¢xh3  ¤d4

 53.

¥xb6  ¤xb3  54.¥d8  ¢e4  55.¢g4  ¢d3  56.¢f4  ¢xc4  57.¢e4  ¢c3  58.¥f6+  ¢c2

 59.

¥e5  c4  60.¢e3  c3  61.¥f6  ¤c5  62.¢e2  ¢b3

0-1

background image

128

305

Karpov
Miles

Amsterdam

1985

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.£e2  ¥b6

 [ 16...

¥xd4

is the correct move.

]

230

XIIIIIIIIY

9-+ktr-+-tr0

9zppwq-+pzp-0

9-vlp+psn-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+-+NzP-0

9PzPPvLQzP-+0

9+-mKR+-+R0[

xiiiiiiiiy

An original idea by Miles, aiming at d4. But Karpov quickly switches to an advantageous
endgame.

 17.

¥f4

 [ 17.

¦h4!?  ¦d7  18.c4  c5  19.¥c3

is considered better for White by Karov & Zaitsev.

]

 17...

£e7  18.c4  ¦he8  19.£e5!  ¥c7  20.£xc7+  £xc7  21.¥xc7  ¢xc7  22.¦h4!  ¦e7  23.¤e5

231

XIIIIIIIIY

9-+-tr-+-+0{

9zppmk-trpzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+PzP-+-tR0

9+-+-+-zP-0

9PzP-+-zP-+0

9+-mKR+-+-0

xiiiiiiiiy

White has secured an outpost and a significant spatial advantage. Black must eliminate the 

¤s,

but this leads to a difficult 

¦ & § endgame.

 

¤d7

 [ 23...b5  24.b3  bxc4  25.bxc4  

¦b8  26.¦d3  ¢d6!  27.¦a3  ¦c7  28.¦a6  ¦bc8  29.¦f4

and the White 

¦s provide enough pressure to lay claim to an advantage, Ermenkov-Campora,

Amsterdam 1985.

]

 24.

¦f4  ¦f8

 [ 24...f5!?

might have limited the damage, though with a 

¤, rather than a §, at e5, White can

more easily target the weak 

§ at e6.

]

 25.

¢c2  ¤xe5  26.dxe5  ¦d7  27.¦xd7+  ¢xd7  28.c5!

background image

129

232

XIIIIIIIIY

9-+-+-tr-+0{

9zpp+k+pzp-0

9-+p+p+-zp0

9+-zP-zP-+P0

9-+-+-tR-+0

9+-+-+-zP-0

9PzPK+-zP-+0

9+-+-+-+-0

xiiiiiiiiy

White has two big advantages - the active rook and the permanent control of more space.

 

¢e7

 29.

¦a4  ¦a8  30.¢c3  ¢f8  31.¦d4  ¢e7  32.¦b4  ¦b8

The comparison of the 

¦s is

embarrassing for Black.

 33.

¦a4  ¦a8  34.¦a3  ¢e8  35.¦b3  ¦b8  36.¦a3  ¦a8  37.¢c2  ¢e7

 38.

¦b3  ¦b8  39.¦a3  ¦a8  40.¦a4

obviously White was just temporizing until the time control

had passed.

 

¢e8  41.¦b4  ¦b8  42.¦a4  ¦a8  43.¢c3  ¢e7  44.¢c4  ¢e8  45.¦a3  ¢e7  46.¦b3

 

¦b8  47.¦a3  ¦a8  48.f4  g6

 [ 48...

¢e8  49.g4  g6  50.g5  gxh5  ( 50...hxg5  51.h6  ¢f8  52.fxg5

and White wins by taking

the d-file, and/or simply advancing the b-

§.

) 51.gxh6  

¢f8  52.¦h3  ¢g8  53.¦xh5  ¦d8  54.¦h3

 

¦d2  55.¢c3  ¦d5  56.b4  ¦d1  57.¦d3  ¦a1  58.¦d8+  ¢h7  59.¦f8  ¦xa2  60.¦xf7+  ¢xh6

 61.

¦xb7  ¢g6  62.b5+- ]

 49.hxg6  fxg6  50.

¢d4  h5  51.¢e4  ¢f7  52.¦b3  b6

 [ 52...

¦b8  53.a4  b6  54.a5  b5  55.¦d3  ¢e7  56.¦d6  ¦c8  57.a6  ¦c7  58.¢f3  ¢f7  59.¢g2

 

¢e7  60.¢h3  ¢f7  ( 60...¦d7  61.¢h4  ¦xd6  62.exd6+  ¢d7  63.¢g5+- )  61.¢h4  ¢e7

 62.

¢g5  ¢f7  63.¢h6+- ]

 53.

¦d3!

 [ 53.cxb6  axb6  54.

¦xb6  ¦xa2  55.¦xc6  ¦xb2

would be a much more difficult position to play

for the win.

]

 53...

¢e7  54.¦d6  bxc5  55.¦xc6  ¦b8  56.¦xc5  ¦xb2  57.¦c7+  ¢f8  58.¦xa7±  ¦c2  59.¢f3

 

¢g8  60.a4  ¦a2  61.a5  ¢f8  62.a6  ¢g8  63.¦a8+  ¢g7  64.a7  ¦a3+  65.¢e4

Since the g-

§

can never be captured because of 

¦g8+, the win is now trivial.

1-0

311

Kruppa

2460

Khenkin

2450

Minsk

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.£e2  ¥xd4

(Diagram 233)

background image

130

233

XIIIIIIIIY

9-+ktr-+-tr0

9zppwq-+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-vl-+-+0

9+-+-+NzP-0

9PzPPvLQzP-+0

9+-mKR+-+R0[

xiiiiiiiiy

This gambit has been around for some time, but there seems no reason to refuse the offer.

 17.

¥f4

 [ 17.

¤xd4?  ¦xd4  18.¥f4  ¦xd1+  19.£xd1  ( 19.¦xd1  £a5 )  19...e5  20.¥e3  £a5∓

was miserable for White in Tal - Chandler, Wijk aan Zee 1982.

]

 17...e5  18.

¥xe5  ¥xe5  19.¤xe5

This does not promise any advantage for White, according to

Kasparov & Shakarov, though Campora considers the position better for White already.

 

¦xd1+

 20.

¦xd1  ¦d8  21.¦f1

234

XIIIIIIIIY

9-+ktr-+-+0{

9zppwq-+pzp-0

9-+p+-sn-zp0

9+-+-sN-+P0

9-+-+-+-+0

9+-+-+-zP-0

9PzPP+QzP-+0

9+-mK-+R+-0

xiiiiiiiiy

Clearly when White is encouraged to play a move like this, Black must be happy with the results
of the opening!

 

£e7  22.¦e1  £e6  23.b3  ¦d4  24.f3  ¤d7  25.¤g4  £xe2  26.¦xe2  ¦d5

 27.

¦e8+  ¢c7  28.f4

This move is not easy to understand.

 [ 28.

¦g8  ¦xh5  ( 28...¤f6  29.¤xf6  gxf6  30.¦g7  ¦xh5  31.¦xf7+± ;  28...f5  29.¤e3  ¦e5

 30.

¢d2  f4  31.gxf4  ¦xh5  32.¦xg7

might be tenable.

) 29.

¦xg7  ¦g5  ( 29...¦f5  30.¤xh6  ¦xf3

 31.

¤xf7± ) 30.¦xf7  ¢d6  31.¤xh6± ]

 28...

¦xh5  29.¦e7  ¢d8  30.¦xf7  ¦h3  31.¤e5  ¤xe5  32.fxe5  ¦xg3  33.¦xb7  a5  34.¦a7  h5

 35.

¦xa5  h4  36.¦a8+  ¢c7  37.¦h8  g5  38.¦h7+  ¢b6  39.¢d2  ¢c5  40.e6  ¢d6  41.e7  ¢d7

 42.a4  h3  43.a5  g4  44.a6  

¦g1  45.a7  ¦a1  46.¢e3  g3  47.¦xh3  g2  48.¦g3  ¦xa7  49.¦xg2

 

¦a2  50.¢d4  ¢xe7  51.¢c5  ¢d7  52.¦g7+  ¢c8  53.c4  ¦a6  54.b4  ¢b8  55.¦g6  ¢b7  56.¦f6

 

¦a4  57.¦f7+  ¢b8  58.¦f4  ¢b7  59.¦e4  ¢c7  60.¦h4  ¢b7  61.¦h7+  ¢b8  62.¦g7  ¦a6

 63.

¢d6  ¦b6  64.c5  ¦xb4  65.¢xc6  ¦c4  66.¦g8+  ¢a7

½-½

background image

131

313

Khanov
Shakarov

USSR

1979

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.c4  b5  14.¤e5

 [ 14.c5  

¥e7  15.¢b1  0-0

 A)  16.

¦de1  ¤g4  17.£e2  ( 17.¤e4  f5 ;  17.¤f5  exf5  18.¦xe7  ¤xc5!  19.¦xc7  ¤xd3

 20.

¦xc6  ¤gxf2  21.¦f1  ¤e4³ ) 17...¦ae8

- Kasparov & Shakarov.

;

 B)  16.

¤e4  ¤d5?!  ( 16...e5!?  17.¤xe5  ¤xe5  18.dxe5  £xe5  19.¤xf6+  £xf6  20.¥c3  £f4

is suggested by Kasparov.

 17.

¤c3  ¤xc3+  18.£xc3  ¤f6  19.£c1!  ¤d5  20.¦de1  b4

 21.g4  

¦ab8  22.¢a1  b3  23.a3  a5  24.¢b1  £c8  25.£c4!  ¥d8  26.¦hg1  £b7  27.¤e5  f6

 28.

¤g6  ¦e8  29.f4  £f7  30.£d3  ¤e7  31.g5±

Shishov - Vdovin, Sochi 1980.

]

 [ 14.cxb5  cxb5+  15.

¢b1  £b7= ]

 14...

¤xe5  15.dxe5  £xe5  16.¦he1  bxc4  17.£c2  £b5  18.a4

 [ 18.

¤f5  ¦d8  19.¤xg7+  ¥xg7  20.¦xe6+  fxe6  21.£g6+  ¢d7!∓

- Kasparov.

]

 18...

£b3?!

 [ 18...

£b7!  19.¤f5  ¦d8

- Kasparov & Shakarov.

]

 19.

¦xe6+  fxe6  20.£g6+  ¢e7  21.¥c3  ¤d5!  22.¤f5+!!

 [ 22.

¥xg7?  c3 ]

 [ 22.

¦e1?  ¢d8  23.¥a5+  ¢c8  24.£xe6+  ¢b7  25.£d7+  ¢a6  26.£xc6+  ¤b6  27.¥xb6

 

£xb6  28.£xa8  ¥a3!-+ ]

 22...exf5  23.

¦e1+  ¢d7  24.¥a5!  ¤e7

 [ 24...

¤b6  25.£f7+  ¢d6  26.¦e6+  ¢c5  27.¦e5+  ¤d5  28.¦xd5+  cxd5  29.£c7+  ¢d4

 30.

£f4+= ]

 25.

£e6+  ¢e8  26.£xc6+  ¢f7  27.£e6+

½-½

314

Spassky
Portisch

Mexico City (m/8)

1980

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  e6  11.¥d2  ¤gf6  12.c4

(Diagram 235)

background image

132

235

XIIIIIIIIY

9r+-wqkvl-tr0{

9zpp+n+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-+Q+NsN-0

9PzP-vL-zPP+0

9tR-+-mK-+R0

xiiiiiiiiy

Spassky tries to improve on his previous meeting experience with Portisch in this line, which
went nowhere (Tilburg 1978) after 12.0-0-0.

 

£c7  13.0-0-0  0-0-0  14.¥c3

This position should

be compared with Fischer - Steinmeyer. The only change is the presence of the 

§ at h5 instead

of h4.

 c5  15.

¢b1

 [ 15.d5!

should have been played, as suggested by Fischer for the similar position.

]

 15...cxd4  16.

¤xd4  a6  17.¤b3  ¥e7  18.¥a5  b6  19.¥c3  ¤c5  20.£f3  £b7  21.£xb7+  ¢xb7

236

XIIIIIIIIY

9-+-tr-+-tr0

9+k+-vlpzp-0

9pzp-+psn-zp0

9+-sn-+-+P0

9-+P+-+-+0

9+NvL-+-sN-0

9PzP-+-zPP+0

9+K+R+-+R0[

xiiiiiiiiy

The endgame should not be a problem for Black, but Portisch plays weakly.

 22.

¤xc5+

 bxc5

 23.f3  

¦xd1+  24.¦xd1  ¢c6  25.¦h1

It is obvious that the weak h-

§ limits White's play.

 

¤d7?!

 [ 25...

¦d8= ]

 26.

¢c2  ¦g8

Black's plan is too ambitious.

 27.

¤e2  ¥d6  28.a3  f5

We see this pawn formation

adopted by Black in a number of games, especially when e6-e5 follows. But there is always a
price to pay at g6.

 29.b4  

¤b6  30.¢b3  ¢d7  31.¦d1  ¢e7  32.bxc5  ¥xc5  33.¤f4!

(Diagram 237)

background image

133

237

XIIIIIIIIY

9-+-+-+r+0{

9+-+-mk-zp-0

9psn-+p+-zp0

9+-vl-+p+P0

9-+P+-sN-+0

9zPKvL-+P+-0

9-+-+-+P+0

9+-+R+-+-0

xiiiiiiiiy

Now it seems that e6-e5 is no longer achievable, and Black is left with too many weaknesses.

 

¦b8  34.¥b4  ¤d7  35.¢c3  ¦c8  36.¤d3  ¥xb4+  37.axb4²  e5  38.¦a1  ¦c6  39.¦a5

White's active pieces give him the only real chances to win the game.

 

¢f6  40.g3  ¦e6  41.¦d5

 

¤f8  42.¦d8  ¢e7  43.¦a8±

A fine set of rook moves has increased the advantage.

 g6  44.

¤c5

 

¦d6  45.¤xa6  ¤e6  46.b5  gxh5  47.c5  ¦d5  48.¦a7+  ¢e8  49.b6
1-0

315

Adams
Suesman

?
[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.c4  0-0-0  14.¥c3

238

XIIIIIIIIY

9-+ktr-vl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+PzP-+-+0

9+-vLQ+NsN-0

9PzP-+-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is one of the earliest examples of the main line of the Classical Caro- Kann, and Black was
not well prepared.

 

¤g4!

A one-trick move.

 15.

£e2  ¥d6  16.¤e4!

The attacked 

¤ not only

escapes, but it simultaneously defends f2 and attacks the Black 

¥.

 

¥f4+  17.¢b1  f5

This leaves

e6 weak, but that isn't the real problem here. The central pawns will be exchanged after e6-e5,
and then it is the f-

§ that lacks support.

 18.

¤ed2  e5  19.dxe5  ¤gxe5?!

 [ 19...

¥xe5  20.¤xe5  ¤gxe5

 A)  21.

¤f3  ¦he8  22.¤xe5  ¤xe5  23.¦xd8+  ¢xd8  24.¦d1+  ¤d7  ( 24...¢c8  25.f4 )

 25.

£d3² ;

 B)  21.f4?!  

¤g4  22.¥xg7?!  ¦he8  23.£f3  ( 23.£f1  ¤e3 )  23...¦e3  24.£f1  ¤c5!

background image

134

gives Black excellent play for the 

§.

]

 20.

¤d4  ¦he8

 [ 20...

¥xd2  21.¦xd2  ¦he8  22.£d1² ]

 21.

¤2b3!

239

XIIIIIIIIY

9-+ktrr+-+0{

9zppwqn+-zp-0

9-+p+-+-zp0

9+-+-snp+P0

9-+PsN-vl-+0

9+NvL-+-+-0

9PzP-+QzPP+0

9+K+R+-+R0

xiiiiiiiiy

The battle rages over c5 - a fight only White can win.

 

¤b6  22.c5  ¤d5  23.¥a5!  b6

240

XIIIIIIIIY

9-+ktrr+-+0

9zp-wq-+-zp-0

9-zpp+-+-zp0

9vL-zPnsnp+P0

9-+-sN-vl-+0

9+N+-+-+-0

9PzP-+QzPP+0

9+K+R+-+R0[

xiiiiiiiiy

 24.

¤xf5!  bxa5  25.¤d6+  ¦xd6

Forced.

 [ 25...

¢b8  26.¤xe8  ¦xe8  27.g3  ¥g5  28.f4  ¥xf4  29.gxf4  ¤xf4  30.£a6± ]

 [ 25...

¢d7  26.g3  ¥g5  27.f4  ¥xf4  28.gxf4  ¤xf4  29.£e4! ]

 26.cxd6  

£xd6  27.g3  £c7

(Diagram 241)

background image

135

241

XIIIIIIIIY

9-+k+r+-+0

9zp-wq-+-zp-0

9-+p+-+-zp0

9zp-+nsn-+P0

9-+-+-vl-+0

9+N+-+-zP-0

9PzP-+QzP-+0

9+K+R+-+R0[

xiiiiiiiiy

And now White finishes nicely!

 28.

¦xd5!

and Black resigned rather than face...

 cxd5  29.gxf4

 

£c4  30.¦c1
1-0

321

Shamkovich
Lein

New York

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.¤f3  ¤d7  7.h4  h6  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  e6  12.0-0-0  £c7  13.¤e5

242

XIIIIIIIIY

9r+-+kvl-tr0{

9zppwqn+pzp-0

9-+p+psn-zp0

9+-+-sN-+P0

9-+-zP-+-+0

9+-+Q+-sN-0

9PzPPvL-zPP+0

9+-mKR+-+R0

xiiiiiiiiy

This is premature.

 

¥d6

 [ 13...

¤xe5

is also good.

 14.dxe5  

£xe5  15.¦he1  £c7  ( 15...£d5?  16.¦xe6+  fxe6  17.£g6+

 

¢d7  18.¥c3± )  16.¥c3!?  ( 16.¤f5  ¤d5  17.c4  0-0-0!∓

Zhidkov-Podgayets, USSR 1969.

)

 16...

¦d8  ( 16...¤d5  17.¥d4© )  17.¦xe6+  fxe6  18.£g6+  ¢e7  19.¤f5+  exf5  20.¦e1+  ¤e4

 21.

£xf5  ¦d6!  22.¥f6+!  ( 22.£xe4+  ¢f7  23.£c4+  ¦d5 ) 22...¦xf6  23.£xe4+  ¢d7  24.£e8+

 

¢d6  25.£e5+=

Solyu-Oeney, Istambul 1988.

]

 14.f4  0-0  15.

£f3

This move gives the variation an individual flavor.

 

¦fd8  16.¢b1  c5  17.¤xd7

 

¦xd7  18.dxc5

There was no way to preserve the center.

 

¥xc5  19.¥c3  ¤d5!

The bishop on c3

might prove dangerous.

 20.

¥e5  ¥d6  21.¥xd6  ¦xd6  22.¦d4  ¦c6

background image

136

243

XIIIIIIIIY

9r+-+-+k+0

9zppwq-+pzp-0

9-+r+p+-zp0

9+-+n+-+P0

9-+-tR-zP-+0

9+-+-+QsN-0

9PzPP+-+P+0

9+K+-+-+R0[

xiiiiiiiiy

Black has now taken over the initiative.

 23.c3  

¦c8  24.¤e2  £a5

Black is applying maximum

pressure at c3, which can no longer be defended by a bishop.

 25.

¦hd1  b5  26.a3  £b6  27.f5

This move has little effect, as the White forces are not in a position to support kingside play.

 

¤f6

 28.fxe6  

¦xe6  29.¤f4  ¦e5  30.¤d5  ¤xd5  31.¦xd5  ¦xd5  32.£xd5  a6

244

XIIIIIIIIY

9-+r+-+k+0

9+-+-+pzp-0

9pwq-+-+-zp0

9+p+Q+-+P0

9-+-+-+-+0

9zP-zP-+-+-0

9-zP-+-+P+0

9+K+R+-+-0[

xiiiiiiiiy

Equal? Perhaps, but the Black king is much safer.

 33.

¦f1  £c7  34.g4  £c4  35.£f5

 [ 35.

£xc4  ¦xc4³ ]

 35...

¦c5  36.£f3  ¦g5  37.¦g1  £e6  38.£a8+  ¢h7  39.£f3  f5!  40.£d3

 [ 40.gxf5  

£xf5+³ ]

 40...

£c4!  41.£c2  ¢h8

And now the pawns fall like ripe mangoes.

 42.

¦d1  £xg4  43.¦d4

 

£xh5  44.¦d8+  ¢h7  45.£b3  £h1+  46.¢a2  £c6  47.£g8+  ¢g6  48.¦c8  £d7  49.c4

White has run out of useful moves.

 f4  50.

¦d8  £c6  51.¦c8  £e4  52.¦c7  ¢h5!  53.£c8

 [ 53.

¦xg7  ¦xg7  54.£xg7  £xc4+  55.¢a1  £d5∓ ]

 53...f3  54.

¦c6  ¢h4  55.cxb5  axb5  56.¦c1  f2  57.£c7  ¢h3!  58.¢a1  ¢g2

0-1

326

Kapengut
Podgayets

USSR

1970

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  ¤c5  15.¤xc5

 

¥xc5  16.a3  ¥d6  17.£e2  ¤d7

background image

137

 [ 17...c5  18.dxc5  

¥xc5  19.¥f4  ¥d6  20.¥xd6  ¦xd6  21.¦xd6  £xd6  22.¤e5  £c7  23.¦h4!

 

¢b8  24.¦c4  £e7  25.¦d4²

- Boleslavsky.

]

 18.c4  c5

 [ 18...e5  19.dxe5  

¤xe5  20.¥c3²

- Boleslavsky.

]

 19.

¥c3  cxd4  20.¤xd4  a6  21.¤b3  ¦hg8  22.¦d2  ¥e7  23.¦hd1  ¤f6  24.¤d4  ¦ge8  25.b4

 

¥f8  26.¢b2  ¦d7  27.¤b3  ¦ed8  28.¥d4  £c6!  29.¥xf6  gxf6  30.¦xd7  ¦xd7  31.¤a5  £c7

 32.

¦xd7  £xd7  33.c5  f5

and, according to Kasparov & Shakarov, Black has chances to draw.

332

Tseshkovsky
Kasparov

USSR Championship

1978

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.¤e4  0-0-0  14.g3  c5  15.¥f4  c4?!

245

XIIIIIIIIY

9-+ktr-vl-tr0

9zppwqn+pzp-0

9-+-+psn-zp0

9+-+-+-+P0

9-+pzPNvL-+0

9+-+Q+NzP-0

9PzPP+-zP-+0

9+-mKR+-+R0[

xiiiiiiiiy

 16.

£e2

 [ 16.

¥xc7!

is the refutation of this line.

 cxd3  17.

¥xd8!  ( 17.¤xf6

is what Kasparov had been

expecting:

 

¢xc7  18.¤xd7  dxc2  19.¢xc2  ¢xd7  20.¤e5+  ¢e8  21.d5  ¥d6= )  17...¤xe4

 18.

¦h4!  dxc2  19.¢xc2  ¤xf2  20.¦f1± ]

 16...

£c6  17.¤xf6  gxf6  18.d5  exd5  19.¤d4  £a6  20.¢b1  ¥d6  21.£f3  ¥xf4  22.£xf4  ¤c5

 23.

£f5+  ¢b8  24.f4²

Black's pawn structure is in very bad shape.

 

¤d7  25.£xd5  ¤e5  26.£e4

 

¤g4  27.£e2  £b6  28.c3  f5  29.¦he1  £c5  30.£e7  £xe7  31.¦xe7  ¦he8  32.¦de1  ¦xe7

 33.

¦xe7  ¤f6  34.¦xf7  ¤xh5  35.¤xf5  ¦d3  36.¦f8+  ¢c7  37.¦g8  ¢d7  38.¦g6  b5  39.a3

 

¦d1+  40.¢a2  ¦g1  41.¦d6+  ¢c7  42.¦xh6  ¤xg3  43.¤d4  ¤e4  44.¤xb5+  ¢d7  45.¦h7+

 

¢e6  46.¦xa7  ¤c5  47.¤d4+  ¢d6  48.¤f5+  ¢d5  49.¤e3+  ¢e4  50.¦c7  ¤d3  51.¦e7+
1-0

333

Fedorowicz
De Jong

Wijk aan Zee

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤c3  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.h5  ¥h7  8.¤f3  ¤d7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  0-0-0  14.g3  c5?!

background image

138

246

XIIIIIIIIY

9-+ktr-vl-tr0

9zppwqn+pzp-0

9-+-+psn-zp0

9+-zp-+-+P0

9-+-zPN+-+0

9+-+Q+NzP-0

9PzPPvL-zP-+0

9+-mKR+-+R0[

xiiiiiiiiy

This move creates significant weaknesses on the 

«.

 15.

¥f4  £c6

 [ 15...

£a5!?  16.¤xf6  ¤xf6  17.¢b1  ¤d5  18.¥d2  £c7  19.c4  ¤f6  20.¥c3±

- Fedorowicz.

]

 [ 15...c4

- see Tseshkovsky - Kasparov, USSR Championship 1978.

]

 16.

¤xf6  gxf6

 [ 16...

¤xf6  17.¤e5  £e8  18.£a3!  a6  19.£a5

- Fedorowicz.

]

 17.d5  

£a4

 [ 17...exd5  18.

£xd5  £xd5  19.¦xd5±

but 

÷ - Fedorowicz.

]

 18.

£b3  £a6  19.dxe6  fxe6  20.c4  ¤b6

 [ 20...

¥e7  21.¤h4  ¤b6!?  22.¤g6  ¦xd1+  23.¦xd1  ¦e8  24.¤xe7+  ¦xe7  25.¥xh6  £xc4+

 26.

£xc4  ¤xc4

∆ ¦h7.

]

 21.

¦xd8+  ¢xd8  22.¤d2  ¦h7  23.¢b1?!

 [ 23.

£d3+!  ¦d7  24.£g6!+-

- Fedorowicz.

]

 23...

¦d7  24.¦c1  e5  25.¥e3  f5  26.¤f3  ¥g7  27.¤h4  f4  28.¥xc5  ¤a4  29.¥a3  e4  30.¤f5

 

¥f6  31.¦d1  £c6  32.gxf4  ¤xb2  33.¥xb2  ¥xb2  34.¦xd7+  £xd7  35.¢xb2  £xf5  36.£xb7

 

£xf4  37.£a8+  ¢e7  38.£xa7+  ¢f6  39.£e3  £b8+  40.¢c2  ¢f5  41.£xh6  £b4  42.£g6+

 

¢f4  43.£g3+  ¢f5  44.£b3  £e1  45.£h3+
1-0

339

Karpov
Seirawan

Linares

1983

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  ¤gf6  12.0-0-0  e6  13.¤e4  ¥e7

(Diagram 247)

background image

139

247

XIIIIIIIIY

9r+-+k+-tr0

9zppwqnvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zPN+-+0

9+-+Q+N+-0

9PzPPvL-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

This is an interesting variation. Black intends to castle kingside. In this game Karpov tries to
discourage that plan.

 14.

¤xf6+  ¥xf6

 [ 14...

¤xf6  15.¤e5  0-0  16.g4  ¦fd8  17.g5  hxg5  18.h6!

- Matanovic.

]

 15.

£e4!

A strong centralizing move which lends support to the f4-square, which can be used by

the 

¥.

 0-0-0  16.

¥f4  £a5  17.¢b1  ¦he8  18.¥g3²

White has a comfortable position, but as the

game shows, it is not clear that there is an easy way to convert this to victory, and even the
World Champion failed to gain the point.

 

£f5  19.£e2  b5  20.¦d3  ¤b6  21.¤e5  ¥xe5  22.¥xe5

 f6  23.g4  

£h7  24.¥g3  ¢b7  25.¦e1  a5  26.£d2  a4  27.f3  £g8  28.¦e4  £f7  29.£e1  ¦d5

 30.a3  

£d7  31.£d1  ¦d8  32.¥e1  f5  33.¦e2  £f7  34.¥b4  fxg4  35.fxg4  g6  36.£e1  gxh5

 37.

¦xe6  ¦8d7  38.gxh5  ¦f5  39.¦d1  ¦xh5  40.£e4  ¤d5  41.¥c5  ¦h2  42.¦c1  h5  43.¦h6

 

¦f2  44.£e1  ¦d8  45.£d1  ¦f3  46.£e1
½-½

340

Kudrin
Benjamin

New York Open

1987

[Schiller]

 1.e4  c6  2.

¤c3  d5  3.d4  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  £c7  11.¥d2  e6  12.0-0-0  ¤gf6  13.¤e4  ¥e7  14.¤xf6+  gxf6

248

XIIIIIIIIY

9r+-+k+-tr0

9zppwqnvlp+-0

9-+p+pzp-zp0

9+-+-+-+P0

9-+-zP-+-+0

9+-+Q+N+-0

9PzPPvL-zPP+0

9+-mKR+-+R0[

xiiiiiiiiy

The pawn capture is overambitious.

 15.g4  0-0-0  16.

£e4  ¤b6  17.¢b1  ¦d5  18.£e2  c5

 19.dxc5  

¥xc5  20.¥c1  £c6  21.c4  ¦d7  22.b3  ¥e7  23.¥f4  e5  24.¥c1  ¦hd8  25.¦xd7

 

¤xd7  26.¦d1  ¥f8  27.¤h4  ¤c5  28.¦xd8+  ¢xd8  29.¤f5  £h1  30.¢c2  ¢e8  31.f3  ¤e6

background image

140

 32.

£d1  £g2+  33.¢b1  e4  34.fxe4  £xe4+  35.¢a1  ¥c5  36.¥b2  ¤f4  37.¥xf6  ¤d3  38.a4

 a5  39.

¥c3  b6  40.¤g7+  ¢f8  41.¤f5  ¢e8  42.¤g3  £e3  43.£e2  £xe2  44.¤xe2

249

XIIIIIIIIY

9-+-+k+-+0{

9+-+-+p+-0

9-zp-+-+-zp0

9zp-vl-+-+P0

9P+P+-+P+0

9+PvLn+-+-0

9-+-+N+-+0

9mK-+-+-+-0

xiiiiiiiiy

White's goals now are to get the dark-squared 

¥s off the board and exchange his g-§ for Black's

h-

§.

 

¤f2  45.g5  ¤g4  46.gxh6  ¤xh6  47.¥d4  ¢e7  48.¢b2  ¤f5  49.¥xc5+  bxc5

250

XIIIIIIIIY

9-+-+-+-+0

9+-+-mkp+-0

9-+-+-+-+0

9zp-zp-+n+P0

9P+P+-+-+0

9+P+-+-+-0

9-mK-+N+-+0

9+-+-+-+-0[

xiiiiiiiiy

This endgame is winning for White because the Black 

¢ will have to travel to  the edge of the

board to deal with the h-

§, while White's ¤ remains in the ”.

 50.

¤f4  ¤d6  51.¢c2  ¢f6  52.¢d2

 

¢g5  53.¤d3  ¤b7  54.¢e3!  f5

 [ 54...

¢xh5  55.¢f4  ¢g6  56.¢e5  f6+  57.¢d5  f5  58.¢c6  ¤d8+  59.¢xc5  ¤e6+  60.¢b5  f4

 61.

¢xa5  f3  62.¤f2+- ]

 55.

¢f3  ¢xh5  56.¢f4  ¢g6  57.¢e5  ¢g5  58.¢d5  f4  59.¢c6  ¤d8+  60.¢xc5  f3  61.¢d5

 

¢f5  62.c5  ¤e6  63.¢d6  ¢e4  64.¤f2+  ¢e3  65.¤h1  ¢d4  66.¢xe6  ¢xc5  67.¢d7  ¢b4

 68.

¢c6  ¢xb3  69.¢b5

1-0

343

Tarjan
Christiansen

USA Ch

1981

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  e6  14.¤e4  ¥e7  15.¢b1

background image

141

251

XIIIIIIIIY

9r+-+k+-tr0{

9zppwqnvlpzp-0

9-+p+psn-zp0

9+-+-+-+P0

9-+-zPN+-+0

9+-+Q+N+-0

9PzPPvL-zPP+0

9+K+R+-+R0

xiiiiiiiiy

 0-0?!

 [ 15...c5!

is more flexible.

]

 16.

¤xf6+?!

This is not the most effective plan. White could have gone for the jugular on the

kingside.

 [ 16.

¦dg1!  ¤xe4  17.£xe4  ¤f6  18.£e2  ¤g4  19.¤e1!

∆ f3 and g4. Black has no counterplay

and would not last long.

]

 16...

¤xf6  17.¦dg1  ¤g4  18.£e2  ¦ad8  19.¤e5?!

 [ 19.

¤e1!?  ¤f6  ( 19...¦xd4  20.¥c3± ) 20.¤f3  ¤g4= ]

252

XIIIIIIIIY

9-+-tr-trk+0{

9zppwq-vlpzp-0

9-+p+p+-zp0

9+-+-sN-+P0

9-+-zP-+n+0

9+-+-+-+-0

9PzPPvLQzPP+0

9+K+-+-tRR0

xiiiiiiiiy

White needs all his forces for the attack. Thus a retreat of the knight would have been preferable.

 19...

¤xe5  20.dxe5  f6

 [ 20...

¦d5  21.f4  ¦fd8  22.¥c1

does not leave Black any useful follow-up.

]

 21.exf6  

¥xf6  22.¥c1

 [ 22.

£xe6+  ¢h8  23.¥c1  ¦fe8  24.£h3  £b6„

--Christiansen.

]

 22...

£e5!=  23.¦e1  £xe2  24.¦xe2  e5  25.c3

 [ 25.b3!?

∆ Bb2.

]

 25...b5  26.

¢c2  ¦d5  27.¥e3

 [ 27.

¦e4  ¥g5  28.¥xg5  hxg5  29.f3  ¦fd8  30.¦e2  ¦8d6³ ]

 27...a5  28.a4  

¦b8  29.¦d2  bxa4  30.¦a1  ¦db5  31.¦a2  a3  32.bxa3  a4  33.¦d6  ¦c8  34.¦b2

 [ 34.

¥xh6!  e4  35.¥d2  ¦xh5  36.¦b2  ¦d5  37.¦xd5  cxd5  38.¦b5!  d4  39.¦b4

and, according

to Christiansen, White cannot lose.

]

 34...

¦d5  35.¦xd5  cxd5  36.¦b4  ¦c4  37.¦xc4  dxc4

background image

142

253

XIIIIIIIIY

9-+-+-+k+0

9+-+-+-zp-0

9-+-+-vl-zp0

9+-+-zp-+P0

9p+p+-+-+0

9zP-zP-vL-+-0

9-+K+-zPP+0

9+-+-+-+-0[

xiiiiiiiiy

White seems to have the better bishop, but in fact the fixed queenside pawns make the situation
very much in Black's favor, and the weak h5-pawn is a bonus

 38.f3

 [ 38.

¥c5!

would have provided stiffer resistance.

]

 38...

¥e7  39.¥c1  ¢f7  40.¢d1  ¢e6  41.¢e2  ¢d5  42.g3  ¥c5  43.g4  ¥e7  44.¢f2  ¥h4+

 45.

¢e2  ¥f6  46.¢d2?

 [ 46.

¢f2  e4  47.fxe4+  ¢xe4  48.¥d2  ¢d3-+ ]

 [ 46.

¥d2!  ¥e7  47.¥c1  ¥c5  48.¥b2  e4  49.f4 ]

 46...

¥g5+  47.¢d1  ¥xc1  48.¢xc1

254

XIIIIIIIIY

9-+-+-+-+0{

9+-+-+-zp-0

9-+-+-+-zp0

9+-+kzp-+P0

9p+p+-+P+0

9zP-zP-+P+-0

9-+-+-+-+0

9+-mK-+-+-0

xiiiiiiiiy

The king and pawn endgame is a trivial matter, as Black demonstrates.

 e4

(Notes after

Christiansen, in his book on the 1981 US Championship.)

0-1

349

Kuczynski
Dejkalo

Poland Ch

1990

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥f4  £a5+  12.¥d2  £c7  13.0-0-0  e6  14.¤e4  ¥d6  15.¢b1

 b5?

 [ 15...

¤xe4  16.£xe4  ¤f6

would be more sensible.

]

 16.

¥a5  £xa5  17.¤xd6+  ¢e7  18.¤e5  ¢xd6  19.£g3  ¤e4  20.¤c4+

1-0

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143

374

Wittman
Izeta

Haifa

1989

[Schiller]

 1.e4  c6  2.d4  d5  3.

¤d2  dxe4  4.¤xe4  ¥f5  5.¤g3  ¥g6  6.h4  h6  7.¤f3  ¤d7  8.h5  ¥h7

 9.

¥d3  ¥xd3  10.£xd3  ¤gf6  11.¥d2  £c7  12.0-0-0  e6  13.¤e4  0-0-0  14.g3  ¤xe4  15.£xe4

 

¥d6  16.c4  c5  17.¥c3  cxd4  18.¥xd4  £xc4+  19.¢b1  ¤f6  20.£e3  ¤g4

255

XIIIIIIIIY

9-+ktr-+-tr0

9zpp+-+pzp-0

9-+-vlp+-zp0

9+-+-+-+P0

9-+qvL-+n+0

9+-+-wQNzP-0

9PzP-+-zP-+0

9+K+R+-+R0[

xiiiiiiiiy

It seems that Black has an initiative in addition to his pawn. But there is potential danger on the
queenside.

 21.

£d2  ¢b8  22.£a5!  £a6  23.£xa6  bxa6  24.¥xg7  ¦hg8  25.¥d4

White has

regained the pawn, but the initiative remains with Black.

256

XIIIIIIIIY

9-mk-tr-+r+0{

9zp-+-+p+-0

9p+-vlp+-zp0

9+-+-+-+P0

9-+-vL-+n+0

9+-+-+NzP-0

9PzP-+-zP-+0

9+K+R+-+R0

xiiiiiiiiy

 e5  26.

¥c3

White concedes the exchange rather than go into a very bad endgame.

 [ 26.

¥e3  ¤xe3  27.fxe3  ¦xg3  28.¦hf1  ¢c7! ]

 26...

¤xf2  27.¤xe5  ¤xd1  28.¦xd1  ¥xe5  29.¥xe5+  ¢b7  30.¦f1  ¦d7  31.¥f4  f5  32.¦e1

 

¦c8  33.a3  ¦c6  34.¦e8  ¦b6  35.¦b8+  ¢c6  36.¦h8  ¦d1+  37.¢c2  ¦h1  38.¦xh6+  ¢d5

 39.

¦h8  ¦h2+  40.¥d2  ¢e4  41.h6  ¦d6  42.¦e8+  ¢f3  43.¦e3+  ¢g4  44.¦d3  ¦xd3

0-1

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Document Outline