Criticism as Art: Form in Oscar Wilde's Critical Writings
Author(s): Herbert Sussman
Source:
Studies in Philology, Vol. 70, No. 1 (Jan., 1973), pp. 108-122
University of North Carolina Press
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Document Outline
- Article Contents
- Issue Table of Contents
- Studies in Philology, Vol. 70, No. 1 (Jan., 1973), pp. 1-122
- Front Matter
- Don Juan Manuel: The Literary Process [pp. 1-18]
- "Amis and Amiloun" and the Aesthetics of Middle English Romance [pp. 19-41]
- The Concept of the Feminine Ideal in Villon's "Testament: Huitain LXXXIX" [pp. 42-50]
- George Chapman's Stoic-Christian Revenger [pp. 51-61]
- The Dramatic Functions of Love in the Tragedies of John Ford [pp. 62-76]
- "Novel," "Romance," and Popular Fiction in the First Half of the Eighteenth Century [pp. 77-91]
- Irruption of Nothingness: Sleep and Freedom in "Madame Bovary" [pp. 92-107]
- Criticism as Art: Form in Oscar Wilde's Critical Writings [pp. 108-122]
- Studies in Philology, Vol. 70, No. 1 (Jan., 1973), pp. 1-122
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