32. Explain the title of Pygmalion.
The title alludes to mythology. The Pygmalion myth comes from Ovid's Metamorphoses. Pygmalion is a sculptor who creates a sculpture of a woman so perfectly formed that he falls in love with her. Aphrodite is moved by his love and touches the statue to life so that she becomes Galatea, and the sculptor can experience live bliss with his own creation.
In Shaw's play, Henry Higgins creates Eliza, whom he considers to be his great work. The girl is brought to life by two men in speech — the goal for their masterpiece is for her to marry and become a duchess. It has an interesting spin on the original story and has a subtle hint of feminism.
While Shaw maintains the skeletal structure of the fantasy in which a gifted male fashions a woman out of lifeless raw material into a worthy partner for himself, Shaw does not allow the male to fall in love with his creation. Right to the last act, Higgins is still quarrelsome and derisive in his interaction with Eliza, and does not even think of her as an object of romantic interest. Shaw goes on to undo the myth by injecting the play with other Pygmalion figures like Mrs. Pearce and Pickering, and to suggest that the primary Pygmalion himself is incomplete, and not ideal himself. In transforming the Pygmalion myth in such a way, Shaw calls into question the ideal status afforded to the artist, and further exposes the inadequacies of myths and romances that overlook the mundane, human aspects of life.