Picture 4

i Track O Funk Frenzy

lfvou kaw a phason flanger or wali. now is tłu* inne to use it T'ho miro soction which repeafcs each Nino ronnd i ho ohonl pmgression is ideał for i bose $h<jft-si\ \o peroussk o wab ofWts. The n\st of the track is great for jazzy pentatonie lines, tnnk\ chord camping or ovon wailing rock solos. Ołwiousk a lmgo \ ariety oi tones will \vork\ so tiy Ip&nt a tow oł vom tacountcs. k minor pentatonio is a first ehoico horo. although lor melodie lines, E natura! minor gives a nioo clioicc ol notes.

L The socond section ol tlić song (starting on AtnT) is onK pla\xxł after seetion 1 has tooped through tferee times.

o o o o o o

	)0	0
T			)0

w		M	X
				!
		W	)
<r		<	X	>0

			1
H	H	n	i	T
><	}		<	rr
	<	>

Section t x3

r	: Em7	V.	X	'L J
r	: Am7	Cmaj'7	Em7	X
r	: Bm7	Am7	Bm7	Cmaj7
Secfcon 2
r	; Am7	Z	Em9	V. \
[	: C9		09	BS

Track O Thick And Thin

A bouncy rocker in G minor wilh lots of ehances to show ofl tliose łast lieks you've been pructising, \lternativelv. try a moro bluesy approaeh for eou&lły cool rosults. This will prove particularly e(Teeiive dnring the quiei middle section ol' this track whero the guilnrs \-olume eonlroi. cau hecom© a use ful tool f( > r d\ i nimi- oxp re ssi on. The CC minor pentatonie (all positions). C natura! minor and relative major Bb scaleń ar*.? all goocl ehoiees for soloing. the pontatonies give a Itarder’ roek ol blues feel while the minor/relative major scaleś are useftil when dewloping mel<xlic lines. Tiy using the bridge picklip with distortion for long sustain witli a little reverb or short echo.

Section 1

: Gm7 x7	Cm7 x2	Cm7/F	Gm7 x4
: Bb5	z.	CS	05
: Gm7	Bb5	C5	D5

Outro

0<	Vi	ii	ii	>0
1	n	H
f			(	r?

	n	r
T			>«	rT

d
		(	>
Ó(	n	)	<	H
T				f
Ói		)(	}
			A	>

: Gm7

Bb5

CS

D5

O minor    G blues scalę Bk majo * b'.t es

pentatonie    sca le