THEChaUenge!
New idea for language True or false?
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1. Inkjet cartridges can be refilled up to three times T/F
2. Colour images are printed by mixing red, green and yellow ink. T/F
3. "ppm" stands for pages per minutę. T/F
4. Most inkjet printers can print out lOOppm or morę. T/F
5. Inkjet cartridges are very difficult to change. T/F
6. Photo-paper is a lot morę expensive than plain paper. T/F
7. Recycled paper is madę out of bottles. T/F
8. Some inkjet printers have three print qualities: draft, normal and best. T/F
9. Before you can use a new printer, you have to install the driver from a CD-
ROM. T/F
10. When a print job has started, it can't be cancelled. T/F
What is a Print?
What is printmaking?
What type of prints can you name?
RELIEF PRINTING
In this technique, the artist sketches a composition on a błock of materiał and then cuts away pieces from the surface, leaving a raised area which will receive the ink. A roller is then used to apply ink to this raised surface and the image transferred to paper with a press or by hand burnishing or rubbing. Since the recessed, cut-away areas do not receive ink, they appear white on the printed image. Relief prints are characterised by bold dark-light contrasts and an impress into the paper of the inked lines. They primary relief techniques are woodcut, wood engraving, and linocut.
INTAGLIO PRINTS
Intaglio comes from the Italian word intagliare, meaning, "to incise." In intaglio printing, an image is incised with a pointed tool or "bitten" with acid into a metal piąte, usually copper or zinc. The piąte is covered with ink and then wiped so that only the incised grooves contain ink. The piąte and a dampened sheet of paper are then run through a press which applies pressure to create the print. Usually the paper sheet is larger than the piąte so that the physical impress of the piąte edges, or the piąte mark, shows on the paper. The ink on the print tends to be slightly raised above the surface of the paper. The intaglio family of printmaking techniques includes engraving, drypoint, mezzotint, etching, aquatint, and spitbite aquatint.
LITHOGRAPHY
The process is based on the mutual antipathy of oil and water. To make a lithograph, the artist uses and oily or greasy medium such as a crayon or tusche (an oily liquid wash) to draw a composition on a fiat, ground stone. The surface of the stone is then flooded with water, which is
Niniejszy skrypt jest własnością intelektualną firmy The Challenge Group A. J. Molscy sp. j.oraz stanowi utwór w rozumieniu Ustawy o prawie autorskim i prawach pokrewnych (Dz.U.24/1994 poz 83 z późn.zm). Jakiekolwiek zastosowanie niniejszego utworu bez uprzedniej jednoznacznej i nie domniemanej pisemnej zgody The Challenge jest kradzieżą własności intelektualnej i stanowi czyn nieuczciwej konkurencji.
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