Screen shot 13 02 08 at 03 51

Screen shot 13 02 08 at 03 51



31


From che bcginning, I had determined on a pnnciple for mysclf: ncver to rcduce myself-as-subject, confroming ccrtain phocographs, to the disincamared, disaffected socius which science is con-cerned with. This prineiple obliged mc to "forget" two insritutions: the Family, the Mothcr.

An unknown person has written me: “I hcar you are preparing an album of family photographs” (rumor’s cx-travagant progress). No: neither album nor family. For a long timc, the family, for mc, was my mother and, at my side, my brother; beyond that, nothing (cxcept the mem-ory of grandparents); no "cousin," that unit so necessary to the constitution of the family group. Desides, how op-posed I am to that scicntific way of treating the family as if it were unkjuely a fabric of constraints and rites: cither we codę it as a group of immediatc allcgiances or else we make it into a knot of conflicts and repressions. As if our cxperts cannot conceivc that there arc families "whose members love one another.”

And no morę than I would reduce my family to the Family, would I reduce my mother to the Mother. Reading ccrtain generał studies, I saw that they might apply quite convincingiy to my situation: commenting on Freud (Moses and Monolheism^J- J■ Goux explains that luda-ism rejcacd the image in order to ptotcct itself from the risk of worshipping the Mother; and that Christianity, by making nossihlr rhf-rcprr»rnranon of the maternal fem-inine, transccnded the rigor of ihc Law for the sake of the Image-Rcpertoirc^ AIthough growing up in a religion-without-lmages where rhe Mother is not worshipped (Protcsrantism) but doubtlcss formed cu Im rally by Cath-olic art, when 1 confronted the Winter Garden Photo-graph F gave mysclf up to the Image, to the Image-Repcr-toire. Thus I could understand my generality; but having understood it, invincibly I escaped from it. In the Mother, there was a radiant, irrcducible corc: my mother. It is always maintained that I should suffer morę becausc I have spent my whole life with her; but my suffering pro-ceeds from who she was\ and it is becausc she was who she was that I lived with her. To the Mother-as-Good, she had added that grace of bcing an individua! soul. I might say, likc the Proustian Narrator at his grand-mother’s dcath: "I did not insist only upon suffering, but upon respecting the originality of my suffering"; for this originality was the reflection of what was absolucely irrcducible in her, and thereby lost forever. It is said that mourning, by its gradual labor, slowly erases pain; I could not, I cannot believc this; because for me, Time eliminates the emotion of loss (I do not weep), that is a 11. For the rest, everything has remained motionlcss. For what 1 havc lost is not a Figurę (the Mother), but a being; and not a being, but a quality (a soul): not the indispensable, but the irrcpiaccable. F could live without the Mother (as we all do, sooner or latcr); but what life remained would be absolutely and cntirely unąualifuthle (without quality).


Wyszukiwarka

Podobne podstrony:
Screen shot 13 02 08 at 03 01 Now, one Novembcr evening shortly after my morher’s death, I was goin
Screen shot 13 02 08 at 03 07 i nonę seemcd to me really "right": ncither as a photo-grap
Screen shot 13 02 08 at 03 16 say rhat I missed her bęjnę, and that thercfore I missed hcr alcogcth
Screen shot 13 02 08 at 03 23 NaDAR: Thh Artists Mon i er {or Wiph) one ńnger in the other hand, as
Screen shot 13 02 08 at 03 33 had just discovered. "Not a just image, just an image," God
Screen shot 13 02 08 at 03 42 (ir was impossible for me co participatc in a world of scrength, to g
Screen shot 13 02 08 at 03 59 What I had noced at the beginning, in a frec and casy manncr, undcr c
Screen shot 13 02 08 at 59 36 apart from any effigy. What I want, in short, is that my (mobile) ima
Screen shot 13 02 08 at 00 01 pher; but I hadn’t—I don’t like all o f Mapplethorpc. Hcncc I could n
Screen shot 13 02 08 at 04 21 (Hence the Winter Garden Photograph, however pale, is for me the trea
Screen shot 13 02 08 at 05 03 cxplosion$, in short, of impaticnces, of cverything which denies ripe
Screen shot 13 02 08 at 58 32 i V Ćf-u/r/t/j i Pa i U Z c H r i Specialty of tbe Photograph
Screen shot 13 02 08 at 58 42 .Sdtory After-tbe-Fact and Silence Blind Field Palinodc RT Two "
Screen shot 13 02 08 at 58 50 ; UcLiiśJk P.W.MWrr-ff- One day, quite somc cimc ago, I happencd on a
Screen shot 13 02 08 at 59 00 Who could help me? From the First step, that of classification (wc mu
Screen shot 13 02 08 at 59 10 p amorous or funereal immobility, at the very heart of the moving wor
Screen shot 13 02 08 at 59 19 laiaJUBlMM sonal impulscs, I would try to formulate the fundamenta! f
Screen shot 13 02 08 at 59 29 hole" (stenope) through which he looks, limits, frames, and pers
Screen shot 13 02 08 at 59 45 image-repertoire, thc Photograph (thc one I intend) rep-resents that

więcej podobnych podstron