Obraz0010 (2)

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] Identify the following excerpts (provide the title, the literary period to which a given work belongs) words.

the name of the author- when applicsble - and the name of Answer one accompanying ąuestion in approxLmately 100

)

; this the region, this the soil, the clime,

aid then the lost Archangel, this the seat

hat we must change for Heaven?-this moumful gloom

or that celestial light? Be it so, sińce he

•/ho now is sovereign can dispose and bid

Vhat shall be right: farthest from him is best

/hom reason hath equalled, force hath madę supremę • .

.bove his e'quals. Farewell, happy fields, • .•

/here joy for ever dwells! Hail, horrors! hail,

Tema) world! ar^d thou, profoundestHell,

.eceive thy new possessor— one who brings * mind not to be changed by place or time.

The mind is its own place, and in itself Can make a Heaven of Heli, a Heli of Heaven. What matter where, ifl be still the same,

And what I shouldbe, all but less than he \Vhom thunder hath madę greater? Here at least We shall be free; th* Almighty hath not built Here for his envy, will not drive us hence:

Here we may reign secure; and, in my choice, Tó reign is worth ambition, though in Heli: Better to reign in Heli than serve in Heaven.

Should these words be treated as a proof of heroism or stubbom foolishness? Justify your opLnion.

[a^    . r i-/ a i O fi    .    j . .    o Ia. <. .    fi    a    - _ . n

\ <To ^

lut at my back I alwaysmear    A *

‘ime's winged chariot hurrying near;

\nd yonder all before us lie )eserts of vast eternity.

'hy beauty shall no morę be found,

!or, in thy marble vault, shall sound •ly echoing song: then worms shall tiy ‘hat long preserved virginity, • vnd your auaint honour tum to dusi md into ashes all my lust:

’he grave's a fine and private place, lut nonę, I think, do there embrace.

.§coł-o-^_    OA-^Oz-t ftvc_fc    itr&zą o->. C-^v    b-c*~

•p-W    oX Cteot    y^- -WOo ZAisjsJ. i-o Ccc.;

€-Ooi UouoL    /irhrZJ^CjsH^    Ht. Wtto

cu^ol    £b    <^Cu^Jr

'T&z iu    LoJ. /KJt ol W , Ht.    ^UxxZ    /C",

^ -^J-oast ht&lL cr&śsrt. l^AJ~ Ias&joI fe    /i-rO^o/w t ck,

ik. bsrai^ol c>~. Sn-to^    IU*- -p-teo

oLuJcUjok p

'j.T'. ... j¹    ^

to    .    c⁷"

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here

wo(Ai,    VH^xł<    , oJrgiuS

K&yA- ^Ł    "Aa.    Jp-/ A.'O^T    I

Place the above quoted excerpt in the context of the whole poem. Explain in what way(s) images evoked

in "fnm/ar/l fhe- cnpaVpr’c ormimpnf    _ _. .„ — v! . t~ j ..    r\«    -^Cc-

help to forward the speaker’s argument.

4{.    ^(    1

/v«0

o-morrow, and to-morrow, and to-morro\v, Ireeps in this petty pace from day to day ■'o the last syllabie of recorded time,

Ynd all our yesterdays have lighted fools "he way to dusty dcath. Out, out, bricf candlc! ńfe’s but a walking shadow, a poor player fhat struts and frets his hour upon the stage \jid then is heard no morę: it is a tale fold by an idiot, fuli of sound and fury,

- w ___ _v    _    ___^ ^    ^    j\yO^~ ~ I

j\Od^ -6v!, OŁŁoOrvte^i f

L.'\sZ,cJ.    ^cv </OOO y ło^ _ -Ju    J;    ^<^'^ŁI-'^r

W ctt ■Ccok Zcfc*.    ę* UdJ. cJsJt. !    ,

l^r    Ledjidckj 'uiU U- o.    tó    ^A

^K/o-zt- tv<_    /■~rloc^U/UyJ-oJ 'tato a^ocT

■jic k/o Scs-crjf-pt; h"t-    6^-Oh    h-"-^c'^v

rn^Jr' fo    ⁷---    ''

/(^-o

»7o

l-u. 4/ru tko

'ignifying nothing.

t is the speaker’s attitude towards life? \Vhat might have led to it? (Basc your answer on the knowledge of the

^leWOrk)- ■    .W    ^    •• ‘

, /Otc. VvSfc -wł    l    “yf ;^Ua^%b'"    A?,-

'/ — rKK^fc u.'    ti    ^&    ,

-■ tó^/tru^    ' ir^U, WUT -a«    MCC

ocojjoi

Vj> /

Z/. .

f/    *    *    V/

V    w

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