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As you analyze the figures on the facing page, notice how the cubes and cylinders always shorłen as they go away from you.
As a matter of fact, it might help you to think of the entire figurę as a bunch of connected building blocks. The artist (you) has the task of stringing them out and arranging them in the proper position—making surę that they’re correctly foreshortened as they tilt away from the viewer’s eye.
On the pages that follow, you’ll see examples of various problems in perspective taken from actual drawings which have appeared in Marvel Comics. Next to each drawing, John has sketched the “building blocks” and perspective lines to illustrate how each of the problems was solved by the artist.
By comparing the finished drawing with the corresponding building-block sketch, you should be able to see how the rules we have given you apply to almost any type of illustration.
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htdctmw 084 Tell you what. We’ll operate on the honor system. John and I will take your word for thehtdctmw 049 Now then, for those of you who’ve mastered the cubes and its cousins, and forhtdctmw 110 This is where the artist starts building his figures, using the spheres, cubes, and cyliimage099 or granite. The małe figures usually wear caps or helmets, sometimes cuir-asses, and aimostlabirynty łatwe (82) The Rabbit and the Turtle are having a race. Can you help the rabbit and the tuG13 PCX You catch the horse and bring it back to its owner. The owner of the horse is grateful and gd0 is for dairy. Milk, ice cream and cheese are dairy products. They are madę from the milk of a dahtdctmw 020 NOW, LET S get a little heavier. EVEN SPHERES, CUBES, AND CyLINDERS CAN USE SOME EMPicture5 .ong, Slender Legs Draw the legs and feet large so that they are shaped like those in theautostretching0140 THE TOES 2. Your difficulty is: Moving your big toe away from the other toes.page (5) It doesn t take long for McQueen to get into morę trouble. As he races away from Sheriff,htdctmw 025 As usual, we ll study the pix on the page opposite. And this time there are two new wordhtdctmw 013 When you re up above the scene, looking down at it, as in this panel, what else couhtdctmw 019 As promised, let’s see how what we’ve learned relates to the human figurę. In this quickhtdctmw 050 (U As you can see, the same technique applies for any pose, any mood, and any htdctmw 057 Even when characters are just standing, the same rules apply. Notice the figures on thewięcej podobnych podstron