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Different Ways to Draw Characters' Expressions
I A gentle, cheerful girl who doesn't talk much. Her naivete is expressed in the large baby eyes. Draw her with fiat features and few contours, a smali upturned nose and tiny mouth like a Japanese festival doli. Everything is rounded. The upper parts ot the eyes are slightly covered by the eyelids and this gives the face a positive expression. Take care not to conceal too much ot the upper eyes or the face will become severe and cheeky (Refer to the Anti-Hero/ine). It is best to imagine her as someone you'd be happy to have around.
The fringe falls slightly over the eyebrows. The eyebrows are not heavily defined.
The chin tapers only at one point.
_ _ _ _ A slight depression on the top of her head.
Thin eyebrows. The lines for the eyebrows and eyes are parallel, with the distance between them the same from the inside to the outside corners.
The eyes are wide apart. The bridge of the nose is not drawn.
The circular irises are right in the middle of the eyes. Not much of the whites of the lower parts of the eyes are shown (If they were, the character would look cheeky). Although her eyes are the same size as those of the Anti-Heroine, they look bigger because they are not partly hidden by the eyelids.
A rather down-turned mouth makes her look a little sulky. Don't draw a linę for the bottom lip.
A deep fold for the eyelids.
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/ Y | ||
A smali, upturned nose. No bridge of the nose. |
Je / , / ✓ /■ | ||
The mouth is drawn smaller than that of the Anti- | |||
Heroine. The lips don’t protrude. | |||
No lines on the neck.
This character always has a round face and chubby cheeks.
This character always has short hair. Fine locks of hair are drawn to make the hair look in good condition.