0:01:08:ANNOUNCER (ON RADIO): The resulting|action, known now by all the world... 0:01:11:... has marked Sunday,|September the 3rd, 1939... 0:01:15:... as a date to be long remembered. 0:01:17:At 11: 15 this morning,|the prime minister... 0:01:20:... speaking to the nation|from Number 10 Downing Street... 0:01:23:... announced that Great Britain|is at war with Germany. 0:01:27:The London public|are earnestly reminded... 0:01:29:... of the emergency orders|already issued. 0:01:31:No light of any description|should be visible after blackout time. 0:01:35:No dogs or cats will be allowed|to roam the streets after dark. 0:01:38:It should be remembered that pets will not|be permitted in public air-raid shelters. 0:01:43:Gas masks and warm clothing|should be placed at hand before retiring. 0:01:47:It is suggested that a warm drink|in a Thermos... 0:01:49:... would be of great comfort|to children... 0:01:52:... who might have to be awakened|at an unusual hour. 0:01:54:Every effort should be made|to quiet the nerves... 0:01:57:... of those children who remain|despite the evacuation... 0:02:00:... which will continue|until a late hour this evening. 0:02:05:MAN:|Colonel Cronin's car. 0:02:17:I was right, Thomas. It's tonight. 0:02:20:To France, sir? 0:02:22:Waterloo Station. 0:02:24:Yes, sir. 0:02:31:Be familiar to you, won't it, sir? 0:02:33:I mean, having been through|the last one. 0:02:36:Yes. It'll be familiar. 0:02:44:- Thomas.|- Sir? 0:02:47:Go by way of Waterloo Bridge, will you? 0:02:49:Waterloo Bridge, sir? 0:02:52:We have plenty of time. 0:02:54:Right, sir. 0:03:05:Wait for me at the other end of the bridge.|I'll walk across. 0:03:08:THOMAS:|Right, sir. 0:04:22:MYRA:|Here. Take this. 0:04:26:ROY:|Your good-luck charm? 0:04:28:MYRA:|Perhaps it'll bring you luck. 0:04:30:I hope it will. 0:04:32:I'll pray it will. 0:04:36:ROY:|That's wonderfully kind of you. 0:04:38:MYRA:|Do you think you'll remember me now? 0:04:41:ROY:|I think so. 0:04:45:I think so. 0:04:48:For the rest of my life. 0:05:13:(SIREN WAILING IN DISTANCE) 0:05:34:WOMAN 1: It was a siren. I heard it.|WOMAN 2: You're dreaming. 0:05:36:- I didn't hear a thing.|WOMAN 1: Did you, Myra? 0:05:38:Stop, listen. 0:05:40:There it is again. 0:05:43:Be quiet, please, all of you. 0:05:45:- Was that an air-raid warning?|- I'm afraid it was. We'll know in a minute. 0:05:49:An air raid. I told you we'll be late.|Madame will be furious. 0:05:52:- We should worry about madame.|WOMAN: Look. Look. 0:05:57:MAN:|Air raid! 0:05:59:(SPEAKING INDISTINCTLY) 0:06:01:- Where can we go?|- The underground station. 0:06:03:- Come on, girls.|- To your right! To your right! 0:06:06:- To your right.|WOMAN: Hurry. 0:06:07:Come on. 0:06:09:(SIREN WAILING IN DISTANCE) 0:06:17:Stupid bag. It always does this. 0:06:20:- Thank you so much.|- They're out to strafe this bridge. 0:06:22:- We'd better get off it.|- Oh, my lucky charm. 0:06:28:You little fool. Are you tired of life? 0:06:30:- I've had it for years. It brings me luck.|- Such as air raids. 0:06:34:(EXPLOSION IN DISTANCE) 0:06:36:Do you think it'd be too unmilitary|if we were to run? 0:06:39:Not at all. 0:06:43:Do you mind? 0:06:46:MAN:|News Weekly. Read about it. 0:06:52:Paper. 0:06:54:"Here, no pushing," he says. 0:06:55:And I says, "You'd blooming well push|if your hind legs were still outside." 0:06:59:OLD WOMAN: I always run about,|meseIf. As me old man says: 0:07:02:"A moving target is harder to hit." 0:07:04:- Ain't it?|OLD MAN: Not haIf. 0:07:06:(EXPLOSION) 0:07:09:Blimey, 'Erman's a ruddy marksman,|ain't he? 0:07:12:- 'Erman?|- Yes, 'Erman the German. 0:07:15:(LAUGHING) 0:07:18:Oh...! 0:07:19:Oh, I'm... I'm sorry. 0:07:21:There seems to be|a certain amount of shoving. 0:07:24:It is a crush, isn't it? 0:07:25:(EXPLOSION) 0:07:28:Mm, that one was close. 0:07:30:We're safe here. 0:07:32:There may be some space|over there by the wall. 0:07:34:- Shall we wiggle through?|- All right. 0:07:36:- Excuse us, please.|- All right. 0:07:39:Excuse me. Thank you very much. 0:07:41:(INDISTINCT MUTTERING) 0:07:46:- Better, eh?|- Yes, thanks. Much better. 0:07:51:- Looking for your friends?|- Yes. Perhaps they took another entrance. 0:07:55:- Do you mind?|- Oh, no, no. 0:07:58:I suppose I mustn't offer you one? 0:08:00:Uh, no, thanks. 0:08:02:You're at school, aren't you? 0:08:04:(LAUGHS) 0:08:06:Am I being funny? 0:08:08:Oh, look, that's our school.|Madame Kirowa's International Ballet. 0:08:14:- International Ballet?|- Mm-hm. 0:08:16:Look here,|you don't mean to say you're a dancer? 0:08:18:- Yes.|- A professional dancer? 0:08:20:Uh, now and then, I wonder. 0:08:23:And you mean you can pirouette|and all that sort of thing? 0:08:26:Certainly. I can do an entrechat six. 0:08:29:- I beg your pardon?|- I can cross my feet six times in midair. 0:08:33:Nijinsky could do 10,|but that only happens once in a century. 0:08:36:Well, it must be good for the muscles|of the... Must be good for the muscles. 0:08:41:I should think a dancer's muscles|would be like a strongman. 0:08:43:Oh, not quite. That'd be dreadful. 0:08:45:We try to combine slenderness|with strength. 0:08:47:Well, I've been dancing since I was 12. 0:08:50:I don't think the muscles|are overdeveloped. 0:08:52:Oh, no. No, no. Not in your case. 0:08:55:Of course, we have to train like athletes.|Madame believes in rigid discipline. 0:08:59:- You expect to get to the theater tonight?|- Certainly. We don't go on till 10. 0:09:04:- I wish I could be there.|- Why don't you come? 0:09:07:No, unfortunately,|I have a colonel's dinner. 0:09:09:It takes a lot of nerve|to miss a colonel's dinner. 0:09:12:- Are you on leave?|- I have been. My home's in Scotland. 0:09:14:Now you have to go back?|To France, I mean. 0:09:16:- Tomorrow.|- Oh, I'm so sorry. 0:09:19:This hateful war. 0:09:21:Yes, I suppose it is. 0:09:24:And yet there's, I don't know... 0:09:26:...a certain amount of excitement|about it too. 0:09:28:Around the corner of every second,|the fascination of the unknown. 0:09:33:We're facing it this instant. 0:09:34:Oh, we face the unknown|in peacetime too. 0:09:37:- You're rather matter-of-fact, aren't you?|- Yes. 0:09:41:You're rather romantic, aren't you? 0:09:43:(WHISTLE BLOWS) 0:09:45:MAN:|All clear! 0:09:47:All clear! 0:09:50:Well, there we are. I'm afraid it's over.|Never enjoyed an air raid more. 0:09:54:Shall we go now or wait for the next? 0:09:56:Oh, it's very tempting,|but I think we'd better go. 0:10:00:Shall I carry that? 0:10:01:No, no. I only drop it in emergencies. 0:10:03:Well, I hope I'm around|the next time it happens. 0:10:06:It isn't very likely, is it?|You go back to France and... 0:10:09:- And you?|- We may go to America. 0:10:12:Oh, that does make it unlikely. 0:10:14:I'm sorry. 0:10:16:So am I. 0:10:19:MAN:|Read all about it. 0:10:22:Read all about it. 0:10:24:It's so late.|I'm afraid I'll have to take a taxi. 0:10:27:That may not be so simple. 0:10:38:- I don't know any...|- I wish I could have seen the... 0:10:40:(BOTH CHUCKLE) 0:10:42:- What were you going to say?|- I wish I could have seen the ballet. 0:10:45:I'm sure it would have been|a pleasant memory in the trenches. 0:10:48:What were you going to say? 0:10:50:Oh, it's just that I don't know anyone|at the front... 0:10:53:...and I'm afraid it'll bring it home|to me now, knowing you. 0:10:56:- Not that I really know you, of course.|BOY: Here you are, governor. 0:11:04:Thank you very much. 0:11:07:I hope you get back safe and sound. 0:11:09:Thank you. 0:11:10:Here... 0:11:12:...take this. 0:11:17:ROY:|Your good-luck charm? 0:11:18:Perhaps it'll bring you luck.|I hope it does. 0:11:20:Oh, now, look here.|I can't take it. It means so much to you. 0:11:23:You'd better have it.|I was beginning to rely on it too much. 0:11:26:Well, that's wonderfully kind of you. 0:11:29:Olympic Theatre, please. 0:11:32:- Goodbye.|- Goodbye. 0:11:48:(ORCHESTRA PLAYING|"SWAN LAKE, OP. 20") 0:12:55:- Kitty, he's here.|- Who? 0:12:57:Oh, the man in the underground? 0:13:03:I don't understand.|He said he couldn't come. 0:13:05:- I suppose he just came to see the show.|- You don't suppose anything of the kind. 0:13:09:- You said he had to go to a colonel's dinner.|- It's not what I said. It's what he said. 0:14:03:(APPLAUSE) 0:14:14:He's nice, isn't he? 0:14:15:He's a bit of all right.|Must have ditched the colonel. 0:14:18:Think he'll come backstage?|What'll madame say? 0:14:20:We must watch and pray. 0:14:25:Oh, girls. Girls, girls.|Please. Please do be quiet. 0:14:29:You know how madame hates noise. 0:14:33:Shh! Shh, shh! 0:14:39:Maureen. 0:14:42:What is pas de bourrée? 0:14:45:A pas de bourrée is a progression on points|by a sequence of very small, even steps. 0:14:49:If you know it, why don't you do it|during the performance? 0:14:55:Elsa. 0:14:59:Your arabesques were jumpy.|They were positively epileptic. 0:15:05:Really, I was concerned for you. 0:15:07:Ana. 0:15:11:Show the young ladies, please,|how to do an entrechat quatre. 0:15:19:And may I ask, why didn't you do it|that way for the audience? 0:15:24:They also have some rights, you know. 0:15:28:The performance tonight was disgraceful. 0:15:32:We are playing for the moment|in a variety theater but... 0:15:35:(KNOCKING ON DOOR) 0:15:36:Kitty. 0:15:38:But that doesn't mean|you should work with less precision... 0:15:43:...than performing seals,|which precede you. 0:15:47:You don't honor the ballet|by your presence in it. 0:15:51:The ballet honors you. 0:15:54:Are there questions? 0:15:56:Hm. 0:16:04:- Yes, madame?|- The note, Kitty. 0:16:07:The note that was handed to you. 0:16:10:Oh, well, it... It's just from an old friend,|a man I used to know in a show. 0:16:14:I don't need to be reminded|that you were a chorus girl in a revue. 0:16:19:- Your behavior...|- Madame. 0:16:20:- Myra.|- No, Kitty. It's for me, madame. 0:16:24:Then you may read it. 0:16:31:Aloud, please. 0:16:33:- Madame, I...|- Read it, please. 0:16:41:(SIGHS) 0:16:42:"As you see, I cannot bear to spend|my last evening with my colonel after all. 0:16:47:Please have supper with me.|Your friend of the shelter. 0:16:50:P.S. I am sure you will|because I have a good-luck charm... 0:16:54:...which has already changed my luck." 0:16:56:- And the signature?|- There isn't one. 0:16:58:And if there were one, what would it be? 0:17:02:I don't know. I only know he's an officer. 0:17:04:Indeed? 0:17:05:I must emphasize that if you want|supper parties, officers and delights... 0:17:11:...you shouldn't be here with me|but in other occupation. 0:17:16:Lydia, paper, please. 0:17:20:A war is no excuse for indecorum. 0:17:35:Write, please. "Dear sir."|What's his rank? 0:17:40:Captain. 0:17:41:"Dear captain." 0:17:54:- Here you are, sir.|- Oh, thank you. 0:17:57:Thank you, sir. 0:18:01:No-go, sir? 0:18:03:No, I'm afraid not. 0:18:09:Oh, captain. Captain. Wait a minute. 0:18:13:I'm Kitty, Myra's friend.|Where do you want to meet her? 0:18:16:What? Myra? 0:18:17:- Oh, how do you do?|- I do very well, thank you. 0:18:20:- But where do you want to meet her?|- Well, l... But she, uh, she refused. 0:18:24:Oh, take no notice.|The old dragon made her write that. 0:18:26:- She'll come after all?|- Name the place. 0:18:28:- Yes, does she know the Candlelight Club?|- No, but I do. 0:18:31:- Good, then. I'll be there in an hour, say?|- An hour. 0:18:35:Look here.|I hope I'm doing the right thing. 0:18:39:Myra's just a sweet child.|You can see that, can't you? 0:18:44:I can see that, Kitty. 0:18:49:Bye-bye, captain. 0:18:54:(LAUGHS) 0:19:24:MYRA: Hello.|- Oh, hello. 0:19:27:I'm delighted. I was afraid Kitty|had directed you to the wrong place. 0:19:30:Oh, no, but your note was read out|before the whole class. 0:19:34:Were you embarrassed? 0:19:35:Yes, and so would you have been. 0:19:36:Ha, ha, I dare say. I'm afraid|I've made it difficult for you. 0:19:40:Well, you gave up the colonel,|so I expect I made it difficult for you too. 0:19:44:Yes, you did, but I have my reward.|It was wonderful of you to come. 0:19:47:- Shall we go in?|- All right. 0:20:08:Excuse me. 0:20:10:How nice you look. 0:20:12:Thank you. 0:20:16:(ROY CHUCKLES) 0:20:17:What do dancers eat? 0:20:18:Oh, dull things mostly.|Nutritious yet not fattening. 0:20:22:Oh, no, not tonight. 0:20:23:What could you suggest that would be|particularly rich and indigestible? 0:20:27:- The grouse is very nice, sir.|- Mm-hm. 0:20:29:And wine. It isn't against the rules|for a dancer to drink a little light wine, is it? 0:20:34:- Tonight...|- Good. Number 40, please. 0:20:35:Number 40, sir. 0:20:38:- Ah, the ballet was beautiful.|- Madame didn't think so. 0:20:41:Well, experts never know.|It takes outsiders to know. 0:20:44:- And I tell you it was beautiful.|- That certainly proves you're an outsider. 0:20:49:Are you glad to see me again? 0:20:51:Yes. 0:20:53:I sense a reservation. 0:20:57:- Well, I suppose there is one.|- What? Why? 0:21:00:What's the good of it? 0:21:03:You're a strange girl, aren't you?|What's the good of anything? 0:21:06:- What's the good of living?|- That's a question too. 0:21:09:Now wait a minute. I'm not|going to let you get away with that. 0:21:12:The wonderful thing about living|is that this sort of thing can happen. 0:21:16:In the shadow of a death raid, I can|meet you and feel more intensely alive... 0:21:19:...than walking around in peacetime,|taking my life for granted. 0:21:22:It's a high price to pay for it. 0:21:24:- I don't think so.|- I do. 0:21:27:Do people have to kill each other|to give them a heightened sense of life? 0:21:32:That's got nothing to do|with people killing each other. 0:21:35:Either you're excited about life|or you're not. 0:21:38:You know, I've never been able|to wait for the future. 0:21:41:When I was very young, a child in fact,|I climbed to the top of a high tree... 0:21:45:...stood like a diver, and announced|to my horrified governess: 0:21:48:"Now I shall take a leap|into the future," and jumped. 0:21:52:- I was in the hospital for two months.|- Ha. 0:21:54:Let the future catch up|with you more slowly. 0:21:56:Oh, no, no, never.|Temperament. I can't help it. 0:21:59:If we'd met in ordinary times|in an ordinary way, we'd just about... 0:22:03:...be telling each other|what schools we went to. 0:22:09:We're much further along,|don't you think? 0:22:12:Are we? 0:22:14:You know we are. 0:22:17:- Oh, I'm too excited to eat. Let's dance.|- All right. 0:22:20:(BAND PLAYING|"LONG WAY TO TIPPERARY") 0:22:37:- To you.|- Thank you. 0:22:39:To us. 0:22:45:Still don't get it. Not quite. 0:22:47:What? 0:22:49:Your face. It's all youth, all beauty. 0:22:53:What is it you still don't get? 0:22:57:You know, when I left you this afternoon,|I couldn't remember what you looked like. 0:23:01:I thought, "Was she pretty? 0:23:03:Was she ugly? What was she like?"|I couldn't remember. 0:23:06:I had to get to that theater tonight|to see what you looked like. 0:23:09:And do you think|you'll remember me now? 0:23:13:I think so. 0:23:16:I think so. 0:23:18:For the rest of my life. 0:23:23:But what is it about me|you still don't get? 0:23:26:(VIOLINS PLAY FANFARE) 0:23:28:Ladies and gentlemen, we now come|to the last dance of the evening. 0:23:32:I hope you'll enjoy the farewell waltz. 0:23:35:I'll tell you later. Let's dance now. 0:23:38:What's it mean, these candles? 0:23:40:You'll find out. 0:23:42:(BAND PLAYING "AULD LANG SYNE") 0:26:30:I'll write to you. Will you answer? 0:26:32:Of course. 0:26:34:Wonderful evening, wasn't it? 0:26:36:Yes. Thank you very much. 0:26:39:When I come back, we'Il...|We'll go there again. 0:26:41:- Yes.|- That'll be our place. 0:26:44:That's where we'll always|recapture this evening. 0:26:48:Do you think we'll ever|see each other again? 0:26:50:I think it's doubtful, don't you? 0:26:53:Yes, I suppose it is. 0:26:56:What was it you started to tell me|in the restaurant... 0:26:59:...that you didn't understand about me? 0:27:01:Heh. No use going into it now. 0:27:04:No, but tell me, please. I'd like to know. 0:27:07:Well, it struck me as curious|ever since I met you... 0:27:10:...you know, from that very|early moment ages ago... 0:27:14:...that you're so young,|so lovely and so defeatist. 0:27:18:I mean, you don't seem|to expect much from life. 0:27:21:Well, aren't I right? 0:27:23:For instance, I met you... 0:27:26:...I liked you... 0:27:28:...and now so soon we have to part... 0:27:30:...and perhaps|we'll never see each other again. 0:27:32:You can conceive that, then,|our never seeing each other again? 0:27:36:Yes, I can. 0:27:42:- This is where you live?|- Yes. 0:27:44:Well, nothing to do about it, is there? 0:27:47:Nothing except to say goodbye. 0:27:50:I suppose so. 0:27:53:Goodbye. 0:27:54:Goodbye, Myra, dear. 0:27:56:Goodbye, Roy. 0:27:59:- Keep well.|- Yes, you too. Keep well. 0:28:02:(CHUCKLES) 0:28:04:Nothing can happen to me.|Your lucky charm will see to that. 0:28:07:I hope it will. I'll pray it will. 0:28:11:- Goodbye.|- Goodbye. 0:28:17:Please leave me first. 0:28:20:All right. 0:29:07:Oh, I shall have|to get this catch mended. 0:29:09:KITTY:|Well, I've been telling you. 0:29:11:It broke open twice yesterday. 0:29:17:Oh, Kitty, what time is it? 0:29:19:It's, uh, haIf past 11. 0:29:22:Oh. 0:29:24:(KNOCKING ON DOOR) 0:29:28:GIRLS: Good morning, madame.|- Good morning. 0:29:31:- I came to congratulate you, Myra.|- On what, madame? 0:29:34:On being up. 0:29:36:Considering that you didn't go|to bed until 4, it's remarkable. 0:29:41:I have the feeling your performance tonight|will give the effect of sleepwalking. 0:29:46:Well, it's the first time|Myra's been out, madame. 0:29:49:When I made you send the note|to the military gentleman last night... 0:29:52:...it was you I was trying to protect. 0:29:56:I am fond of the girls who work for me. 0:29:58:- I don't want them to be camp followers.|- You don't know him... 0:30:02:...or you wouldn't say that.|- Can't we have any private lives at all? 0:30:06:Not when it hurts your public life|at the theater. 0:30:10:I'm happy that|he didn't stay here a week. 0:30:13:Otherwise he would have ruined|six performances instead of one. 0:30:17:If such a thing should happen|again with you... 0:30:19:...or any of the others,|it means instant dismissal. 0:30:26:I will see you at the theater tonight... 0:30:30:...if it's not too much trouble. 0:30:41:Oh, why is she so cruel and hateful? 0:30:43:KITTY:|Oh, the old broomstick. 0:30:45:She talks to us all like that. 0:30:47:Never mind. 0:30:49:- She spoils everything.|- Oh, rubbish. 0:30:52:You're upset and tired. 0:30:54:Why don't you go back to bed?|There's no rehearsal today. 0:30:57:No, I'm not tired. 0:31:02:Horrible morning for the channel crossing. 0:31:04:I suppose he's gone now. 0:31:06:Yep, suppose so. 0:31:28:Kitty. Kitty, look. He's here. 0:31:31:Look. 0:31:32:KITTY:|Good heavens, he deserted. 0:31:34:MYRA: He's here. He hasn't gone.|KITTY: He'll be court-martialed for this. 0:31:37:Oh, I've gotta go. Gotta go. 0:31:38:Now, calm down, will you?|I can't stand this excitement now. 0:31:42:- You see him, don't you?|- If that's his ghost, don't bring him up. 0:31:46:Get away from that window.|He'll see you in your slip. 0:31:48:Kitty, come on, help me. Where's my hat?|Oh, why wasn't I dressed? Oh! 0:31:53:Oh, Kitty, Kitty. Come on. 0:31:55:Oh, Kitty, what if l...? What'll he...?|Do you suppose...? Oh, dear. 0:31:59:Oh, Kitty, what do you think? Oh, Kitty. 0:32:02:- Oh, there. Do I look all right?|- Yes, you look all right. 0:32:05:- You'd look better with a dress on.|- Oh, yes. 0:32:07:- Come on, now.|- Hurry. 0:32:09:A little lower. Myra, stop it. 0:32:11:Oh, come on. Goodness,|I don't know what I'm doing. 0:32:14:I must see him.|Oh, dear. These stupid buttons. 0:32:17:Oh, Kitty, I just want to...|I just want to... 0:32:20:Oh, Kitty, he came back.|I was beginning to think... 0:32:23:But he didn't. He came back. Oh! 0:32:27:Is he still there? 0:32:29:- He is. He is.|- Hey, wait a minute. Wait a minute. 0:32:32:I'll get you a mackintosh. 0:32:33:Your umbrella's in the corner there. 0:32:36:Here, put this on. 0:32:38:Now, I'm going to go first. You don't|want to run into madame on the way down. 0:32:46:Wait a minute. 0:32:50:All clear. And please|tell him no more false alarms. 0:32:53:I can't stand the excitement. 0:33:07:- Hello.|- Hello. 0:33:17:Nice of you to come and see me. 0:33:19:Not at all. 0:33:20:You didn't go. 0:33:23:Couldn't. Mines in the channel.|Forty-eight hours' leave. 0:33:26:Oh, isn't that wonderful? 0:33:29:Yes. 0:33:30:I have two whole days. 0:33:35:I thought about you all last night,|couldn't sleep a wink. 0:33:39:- You managed to remember me at last?|- Yes, barely managed. 0:33:43:Myra, what do you think|we're going to do today? 0:33:45:- Well, l...|- You won't have time for that. 0:33:47:- For what?|- For hesitating. No more hesitating. 0:33:50:- No?|- No. 0:33:51:- What am I going to do instead?|- You're going to get married. 0:33:55:- Roy, you must be mad.|- I know it. Marvelous sensation. 0:33:57:- Oh, Roy, do be sensible.|- Not me. 0:33:59:But you don't know me. 0:34:00:I'll discover you.|Spend the rest of my life doing it. 0:34:03:This is wartime.|It's because you're leaving so soon. 0:34:05:Because you feel that you must spend|the whole of your life in 48 hours. 0:34:09:We're going to be married.|It's you. It'll never be anyone else. 0:34:13:But how can you tell that? 0:34:14:Listen. None of your quibbling,|your questioning. 0:34:17:None of your doubts.|This is positive, you see? 0:34:19:This is affirmative, you see?|This is final, you see? 0:34:23:You're going to marry me, you see? 0:34:26:I see. 0:34:32:(WHISTLES) 0:34:34:What's the matter, darling? 0:34:35:- Where are we going?|- To announce our engagement. 0:34:39:To the barracks. Armour Square. 0:34:43:Now, Myra, I wanna give you|a picture of what you're in for. 0:34:46:- All right.|- I have to acquaint you with certain facts. 0:34:49:In the first place, my dear young lady,|I am a captain in the Rendleshire Fusiliers. 0:34:53:- Are you impressed?|- Very much. 0:34:55:A captain in the Rendleshire Fusiliers|cannot marry casually. 0:34:58:It requires immense preparation,|formality, etiquette. 0:35:01:- I see it does.|- It's an elaborate ritual. 0:35:03:- Is it?|- Mm-hm. For example... 0:35:05:...a captain in the Rendleshire Fusiliers|has to get the consent of his colonel. 0:35:10:- Is that difficult?|- Well, it might or it might not be. 0:35:12:- I feel it's going to be difficult.|- A great deal depends upon the petitioner. 0:35:17:On the charm of the petitioner.|On his ardor, on his eloquence. 0:35:20:- Myra, look at me.|- Yes, captain. 0:35:23:Can you doubt the outcome? 0:35:25:You are very conceited, captain.|You are quite mad, captain. 0:35:29:You are reckless and headstrong and... 0:35:32:And I adore you, captain. 0:35:42:Now, sit here and don't speak to strangers.|I'll be right back. 0:35:54:- Myra.|- So soon? 0:35:56:No, I haven't seen him yet. I forgot|something very important, indispensable. 0:36:00:- What?|- Your vital statistics. 0:36:01:- Oh, I'm afraid I mislaid them.|- I'll dig them up. 0:36:04:Now, then, I assume|you were born. Where? 0:36:06:- Birmingham.|- When? 0:36:08:Uh, June 9th, 1895. 0:36:10:- Father's profession?|- Schoolmaster. 0:36:12:- Parents living?|- No. 0:36:14:Ah. 0:36:15:Uh, let's see. What else? 0:36:18:Oh, yes. What's your last name? 0:36:20:Oh, Roy. Lester. 0:36:23:It's lucky I thought of that. That's vital. 0:36:25:- Goodbye, Miss Lester.|- Goodbye. 0:36:28:I'll be just a second. 0:36:39:MAN: I suppose it is, as a matter of fact,|if it works out that way. 0:36:42:Then you have to test the thing|before you get to any particular point... 0:36:45:Excuse me, sir. 0:36:47:- Yes, what is it, Cronin?|- May I see you privately, sir? 0:36:50:- I am at lunch.|- It's extremely important, sir. 0:36:53:You held us up last night waiting for you.|Now you interrupt my lunch. 0:36:56:It's all part of the same thing, sir. 0:36:59:(SIGHS) 0:37:01:Very well. Back in a minute. 0:37:07:I'm sorry, but I think you'll understand.|I hope you'll understand. 0:37:10:Do you mind giving me|some sort of a clue? 0:37:13:I'm sorry about not turning up|for your dinner last night... 0:37:16:...but you see, colonel... 0:37:17:Well, whatever it is, I hope you straighten|it out before I get chronic indigestion. 0:37:21:Sit down. 0:37:23:I'd rather stand, if you don't mind, sir.|I'm in a hurry. 0:37:27:The fact is, colonel... The fact... 0:37:30:- The fact...|- What is the fact? 0:37:33:With your permission, sir, if you don't mind,|I'd like to get married this afternoon. 0:37:37:Oh. 0:37:39:And who is the bride-to-be, may I ask? 0:37:41:Her name is Myra Lester.|I have her vital statistics. 0:37:43:Oh. 0:37:45:Sit down. 0:37:49:Have you known her long? 0:37:51:Long enough to be absolutely sure, sir. 0:37:53:- Has she been presented at court?|- I believe not, sir. 0:37:56:But she is eligible|for presentation, I presume? 0:38:00:Cronin, you're leaving|for the front tomorrow. 0:38:03:Are you sure that hasn't a good deal|to do with your haste? 0:38:06:I wanna marry her before I leave... 0:38:08:...so she can stay with my mother|until I get back. 0:38:10:I see. 0:38:12:Well, Cronin, this... 0:38:14:- This is a good deal of responsibility.|- I know, sir. 0:38:17:And a responsibility|that I cannot assume by myseIf. 0:38:23:I wish you'd try, sir. 0:38:25:Sorry, but I'll have to ask you|to get the consent of His Grace... 0:38:28:...the colonel in chief.|- I see. 0:38:30:As he is your relative, he can inquire|more closely into this than I can. 0:38:35:However, if you get his consent,|you have mine. 0:38:37:Thank you, sir. 0:38:38:And I hope your future engagements|will not take place during mealtimes. 0:38:44:I'll try, sir. 0:38:45:- Good luck.|- Thank you, sir. 0:38:54:- Revelstoke House, Belrose Square.|- Yes, sir. 0:39:03:Captain Cronin, Your Grace. 0:39:05:- Ah, my boy, I'm glad to see you.|ROY: Thank you, sir. 0:39:08:- Very glad indeed. How are you?|- Very well, sir. 0:39:11:- When do you go back?|- Day after tomorrow. 0:39:13:For that push at Cambrai, I expect. 0:39:15:- I hope so, sir.|- Sit down. 0:39:17:- Thank you.|- Had a nice leave? 0:39:19:- Wonderful.|- Good, good. You deserve it. 0:39:23:Well, my boy,|is there anything I can do for you? 0:39:26:- Yes, sir.|- What is it? 0:39:30:Well, I'd like your consent, sir,|to my marriage. 0:39:34:Your marriage? 0:39:35:(LAUGHS) 0:39:38:- Well, who's the girl?|- Miss Myra Lester. 0:39:41:Lester. Lester. Surrey? 0:39:44:No, Birmingham. 0:39:47:Birmingham, oh. Lester. 0:39:51:- Do I know them?|- No, but I can remedy that, sir. 0:39:55:- Does your mother know her?|- No, but she will. At least Myra. 0:39:58:- Her parents are dead, sir. She's all alone.|- Dear, dear, dear, dear. Hm. 0:40:02:Well... 0:40:04:...what does she do?|- She's a dancer. 0:40:08:A dancer? 0:40:10:Yes, sir. 0:40:14:She's, uh... She's terribly nice, sir. 0:40:17:A dancer. 0:40:21:You know, Roy... 0:40:24:You know, Roy... 0:40:26:...I like dancers. 0:40:28:Well, thank you, sir.|I mean, I don't blame you. 0:40:31:Naturally. In my time,|you understand, in my time... 0:40:34:Of course, sir. 0:40:35:When I was your age,|I was in love with a dancer. 0:40:38:I wanted to marry her... 0:40:40:...but she wouldn't. 0:40:41:(BOTH LAUGH) 0:40:43:So if she'd accepted me,|she'd have been your aunt. 0:40:46:- That would have been delightful.|- Look here, my boy. 0:40:49:I don't mind telling you|I'm very proud of your war record. 0:40:53:Thank you, sir. 0:40:55:Now, you know what you're doing,|I suppose. 0:40:58:Yes, sir. 0:41:00:You'll be proud of her too, sir. I'm sure. 0:41:03:I don't necessarily believe in|what they call correct marriages. 0:41:07:Seen too many of them turn out badly. 0:41:11:- Well, good luck, my boy. And bless you.|- Thank you, sir. 0:41:14:- I'll never forget this. Neither will she.|- That's all right. 0:41:17:- Bring her to see me on your next leave.|- I shall. 0:41:20:- Fine fellow.|- Thank you again, sir. 0:41:30:(CHUCKLES) 0:41:31:A dancer, eh? 0:41:42:Miss Lester, His Grace has consented|to the marriage of Captain Roy Cronin... 0:41:46:...of the Rendleshire Fusiliers to Myra Lester|of Birmingham, Warwickshire, England. 0:41:50:- No family opposition?|- Not a speck. 0:41:52:Disappointed? 0:41:53:Oh, it's too easy. I'm frightened. 0:41:55:Ha-ha-ha, defeatist. 0:41:57:DRIVER: Where to, sir?|- Uh, to Bond Street. 0:42:00:Yes, sir. 0:42:03:- Bond Street?|- To Bond Street for a ring. 0:42:05:A simple ring.|I don't wanna spoil you straight off. 0:42:08:Then to the florist. You deserve a posy.|Then to St. Matthew's Church. 0:42:11:- St. Matthew's? Really?|- Of course St. Matthew's. 0:42:14:They have the proper tradition.|Swift, regimental marriages. 0:42:17:We walk in comparative strangers,|we walk out comparative friends. 0:42:22:(BOTH LAUGH) 0:42:33:The door beyond leads to the church, sir.|You'll find the vicar at choir practice. 0:42:37:Thank you. 0:42:50:- Well, darling?|- Oh, Roy. 0:42:53:Shall we face it? 0:42:54:It's been so quick.|Are you quite, quite sure? 0:42:59:Myra, I was never so sure|of anything in my life. 0:43:02:In the moment you left me after the air raid,|I knew I must find you again quickly. 0:43:07:I've found you and I'll never let you go. 0:43:10:Does that answer you? 0:43:25:Wait here a moment. 0:43:27:(CHOIR SINGING) 0:44:03:This is Miss Lester. 0:44:04:- How do you do?|- How do you do? 0:44:06:I'm sorry to disappoint you,|Miss Lester... 0:44:09:...but I'm afraid it's impossible|for me to marry you now. 0:44:13:No doubt you forget|that according to the law... 0:44:15:...no marriages can take place after 3:00. 0:44:18:I explained to the vicar, Myra,|that this is an emergency... 0:44:21:...that we thought during wartime,|something could be managed. 0:44:25:Isn't there anything you can do?|We'd be most grateful. 0:44:28:Oh, I'd like to help you,|but unfortunately that is the law. 0:44:32:However, if you'll come|tomorrow morning at 11:00... 0:44:35:...I shall be most happy|to perform the ceremony for you. 0:44:38:But we have so little time. 0:44:41:Well, it's only a few hours.|It just means we'll have to be engaged... 0:44:45:...for a whole day.|VICAR: Yes. 0:44:47:I don't believe in long engagements.|Do you, vicar? 0:44:51:Not when the parties are elderly. 0:44:53:But I think in your case,|it can do no harm. 0:44:56:Then I shall expect you tomorrow at 11? 0:44:59:- We'll be here.|- At 11 precisely, on the stroke of the hour. 0:45:02:I shall be punctual. 0:45:03:- Goodbye. Thank you very much.|- Goodbye, Miss Lester. 0:45:06:- Goodbye, sir.|- Goodbye. 0:45:17:Where is Myra? It's almost 8.|We've got to go to the theater. 0:45:19:- I tell you, I tremble for the poor girl.|- Oh, you're always trembling. 0:45:23:Maybe she went directly to the theater. 0:45:25:That's right.|She's probably waiting for us. 0:45:27:I hope so. 0:45:32:Well, where have you been?|I've been worried to death. 0:45:34:I thought you were with the boyfriend,|but he phoned. 0:45:37:MYRA:|Oh, did he? I wonder why. 0:45:39:He had to go back to the barracks.|I went shopping. 0:45:42:Hey, what's happened to you?|Whose dress is that? 0:45:44:- It's mine.|- Yours? 0:45:45:Yes. I spent my last penny on it. 0:45:47:- Are you crazy?|- Yes, quite, quite. 0:45:49:And I bought a hat, a lovely hat.|And shoes and a bag and then gloves and... 0:45:53:Oh, isn't it a dream, Kitty? It's... 0:45:55:It's my wedding dress. 0:45:59:What? 0:46:01:- Oh, Myra, you don't mean that?|- Yes. I'm going to be married. 0:46:04:Oh, darling, come here|and let me hug you. 0:46:07:- It's wonderful.|- When? When? How? 0:46:10:Tomorrow morning at St. Matthew's|Church. Oh, Kitty, I'm so madly happy. 0:46:13:Oh, darling, I can't believe it. 0:46:16:Neither can I. 0:46:19:It's silly. I'm crying. 0:46:21:I've been crying all day. 0:46:23:Oh, it's unbelievable.|Things like this just don't happen. 0:46:26:It's so wonderful. 0:46:29:Oh, what a joke on madame. 0:46:30:WOMAN:|Kitty, are you coming? 0:46:32:Yes, all right. Wait a second. Uh,|you're coming to the theater, aren't you? 0:46:35:- I wouldn't let madame down for anything.|- Then we'd better hurry. Come on. 0:46:42:Oh, girls. Girls. Hey, Lydia. Girls. 0:46:45:Girls, what do you think?|Myra's going to be married. 0:46:48:ALL:|Married? 0:46:49:(EXCITED CHATTERING) 0:46:51:May I tell them? You don't mind? 0:46:53:Darling, you seem to have done it. 0:46:55:WOMAN 1:|Tell us about him. 0:46:57:- When will it be?|- Tomorrow morning. 0:46:59:WOMAN 2: What's his name?|- Roy Cronin. 0:47:01:Well, Mrs. Cronin, I declare. 0:47:02:- Maybe it'll break out with the rest of us.|- Like the flu. 0:47:05:I'm so happy for you, Myra. 0:47:07:Oh, Vi, you are a darling.|You're all so sweet. 0:47:10:I feel like crying too. 0:47:12:But we haven't got time. Come on, girls.|We're late for the theater. Come on, girls. 0:47:17:Miss Myra,|you're wanted on the telephone. 0:47:20:Thank you. 0:47:23:Hello. Yes. 0:47:27:What? 0:47:29:Oh, no. When? 0:47:33:Oh, that's terrible. 0:47:34:Can't they give you one more day? 0:47:39:You have to...? 0:47:41:Oh, of course, I'll come at once. 0:47:45:I love you. 0:47:54:KITTY: What is it?|- The orders have been changed. 0:47:56:He's going tonight. 0:47:57:The train leaves in 25 minutes.|I'm going to see him off. 0:48:00:- Going where?|- To Waterloo Station. 0:48:02:You can't.|You won't be back for the show. 0:48:04:- Madame will...|- Sorry. 0:48:06:Myra, please. She'd never forgive you,|never. Don't do it, Myra. 0:48:10:I may never see him again. 0:48:45:(WHISTLE BLOWS) 0:48:46:She's just going, sir. 0:49:25:Excuse me. 0:49:37:Myra! 0:49:38:- Roy!|- Myra! 0:49:41:Roy! 0:50:29:(DOOR OPENS) 0:50:31:KITTY:|Myra. 0:50:33:- Myra, darling.|- Did he leave? 0:50:36:Did you talk to him? 0:50:38:- Didn't you see him at all?|- Just caught a glimpse of him. 0:50:41:Oh, what a shame. 0:50:44:I couldn't get a taxi|and they told me the wrong platform. 0:50:47:Oh, he'll be back. 0:50:48:It'll be all right, Myra.|The war can't last forever. 0:50:51:(DOOR OPENS) 0:51:01:Good evening, Myra. 0:51:03:It's very condescending of you|to come here at all. 0:51:07:She's very unhappy, madame.|Her fiancé was called to the front. 0:51:11:I'm not interest in troop movements. 0:51:13:- She was to be married in the morning.|- Nor in social events. 0:51:16:Well, the whole world doesn't|begin and end with a ballet. 0:51:19:My world does. 0:51:21:And while you are with me,|so must yours. 0:51:25:That prescription|no longer applies to Myra. 0:51:28:Oh, don't sack her, madame. 0:51:30:I warned you. You are dismissed. 0:51:34:- I never heard of such unreasonable...|- Be careful, Kitty. 0:51:37:- No, I won't.|- Oh, Kitty. 0:51:38:I'm fed up with her. I've been wanting to|tell her for years. Now I'm going to tell you. 0:51:42:And if you don't like it, you can lump it.|I'm sick of you and your tyranny. 0:51:46:You treat us like a lot of slaves|and call it discipline. 0:51:49:It isn't that.|It's just that you enjoy bullying us. 0:51:53:- Lydia.|- Yes, madame? 0:51:55:Rehearsal tomorrow at 11. 0:51:59:With two understudies. 0:52:02:Good night. 0:52:09:Well, no more ballet for me. 0:52:11:I'm sick of being highbrow with my feet. 0:52:14:You and I, ducky,|are going to get into a revue. 0:52:18:All we've got to do is|to get some manager to put one on. 0:52:21:That ought to be simple. 0:52:23:- Kitty.|- Yes? 0:52:25:- Do you think?|- Occasionally. What? 0:52:28:Do you think he'll write? 0:52:30:(LAUGHS) 0:52:44:Hello. I'm back and I didn't get the job. 0:52:47:Oh, Kitty, you startled me. 0:52:49:KITTY:|Did I? Sorry. 0:52:51:Well, now that I'm all settled,|how about you? 0:52:54:Oh, no luck. 0:52:55:There's nothing there.|It's no use looking. 0:52:58:Well, I had two letters last week. 0:53:00:- I didn't really expect any.|- Uh-huh. 0:53:02:- How about the dress shop?|- Experience needed. 0:53:05:- The tearoom?|- Filled. 0:53:08:Naturally. 0:53:09:But they put me on the waiting list. 0:53:11:That's a comfort, isn't it? 0:53:14:Well, Myra, we're a couple|of howling successes. 0:53:17:- Sitting on top of the world, aren't we?|- You're in a nice mood, aren't you? 0:53:21:No wonder, sitting in the dark,|feeling sorry for yourseIf. 0:53:24:If I don't feel sorry for myseIf, who will? 0:53:26:Trouble with you is, you're hungry.|Give me your hand. 0:53:29:You'll feel better|when you've had something to eat. 0:53:34:Myra. 0:53:36:Yes, Kitty? 0:53:38:You're probably sick of hearing this but,|honestly, why don't you let Roy know? 0:53:43:- That we're out of work?|- That we're broke. 0:53:45:Flat broke. Down to our last tin. 0:53:49:Oh, he'd worry. 0:53:50:Well, better for him to worry|than for us to starve. 0:53:53:Kitty, we're not starving.|Nobody starves. 0:53:55:You mean, people who starve|don't live to tell about it. 0:53:58:I don't know what we're going to do. 0:54:01:We can't get jobs in a show,|we can't get them anywhere else. 0:54:05:If madame were still here,|I'd go to her, pride or no pride... 0:54:08:...but as it is, there's nobody. 0:54:12:Myra... 0:54:14:...I'm frightened. 0:54:17:I've never been frightened before. 0:54:20:I don't like it. 0:54:25:Oh, Kitty. 0:54:27:Perhaps it's seIfish of me|not to let Roy know... 0:54:30:...but I've got a stupid sort of pride|about it. 0:54:33:Let me wait a little while.|Just a little while longer. 0:54:36:Something must turn up,|and if it doesn't, well... 0:54:39:(KNOCKING ON DOOR) 0:54:40:It's Mrs. Bassett for the rent. 0:54:42:- Remember, you're rehearsing.|- Oh, yes, that's right. 0:54:50:- Miss Lester?|- I'm Miss Lester. 0:54:53:For you, Miss Lester. 0:54:54:- Thank you.|- Quite all right, miss. 0:54:58:Kitty. Flowers. 0:55:00:- I can't imagine.|- Here, let's see. Put them down here. 0:55:05:Oh, gosh. 0:55:08:Oh, aren't they lovely?|Who do you suppose? 0:55:11:Kitty, it's Roy. It's his handwriting. 0:55:15:Sixteen, 18, 24... Oh. 0:55:19:They must have cost a pound at least. 0:55:21:Oh, enough to buy us food|for a whole week. 0:55:24:"One of my men got leave.|You'll be receiving these through him. 0:55:27:With them I send you all my..." 0:55:29:We, uh... We could sell them to the florist|at the corner and buy ourselves a real meal. 0:55:34:But I don't think you'd favor the idea. 0:55:40:No. 0:55:41:Oh, Kitty. His mother's coming here. 0:55:44:To London? 0:55:45:Yes, listen.|"My mother is snatching a few days... 0:55:48:...from her Red Cross work|and is coming to town to see you. 0:55:51:I know you'll get on well with her.|She's very nice. 0:55:53:In fact, she's quite like me." Ha. 0:55:55:Oh, Kitty, what'll I do?|I can't have her here. 0:55:58:Why not? Let's give her a little party|and open up the last tin. 0:56:02:I'll suggest meeting her somewhere.|For tea, perhaps. 0:56:05:Oh, but, Kitty, imagine. His mother. 0:56:08:I'm awfully nervous at meeting her.|I wonder... 0:56:11:What, you funny love-struck infant? 0:56:14:I wonder if she'll like me. 0:56:16:Well, she better,|or we won't invite her at all. 0:56:20:- Myra, you're trembling.|- Kitty, don't you see... 0:56:22:...that meeting her|would be like seeing Roy again. 0:56:25:You've been such a darling to me. 0:56:27:And now perhaps|I'll be able to repay you. 0:56:30:You know... 0:56:31:...I have a feeling that from now on... 0:56:33:...everything's going to|take a turn for the better. 0:56:36:I'm sure it is. 0:56:42:- One?|- No, there'll be another one later. 0:56:45:- Is there a table by the window?|- I think so. 0:57:01:Oh, no, thank you. I'll wait for my friend. 0:57:03:She's Lady Margaret Cronin|and I'm Miss Lester. 0:57:06:If she should ask for me,|direct her to me here. 0:57:09:Certainly. 0:57:34:What time is it, please? 0:57:36:- It's 10 minutes to 5, miss.|- Thank you. 0:57:38:- Your friend seems to be held up.|- Yes. 0:57:41:Sure you wouldn't like a cup of tea? 0:57:43:No, thank you.|I'm sure she'll be here any minute. 0:57:45:- Care to look at the evening paper?|- Oh, thank you. 0:59:15:Feeling better, miss? 0:59:18:Here, take another sip. 0:59:24:Feel faint, don't you? 0:59:27:You did give us a fright.|Wouldn't you like to go to the restroom... 0:59:30:...and lie down a bit?|- No, l... 0:59:33:I'd rather stay here, if you don't mind. 0:59:36:Better take another drop of this, then. 0:59:43:Better? 0:59:45:Sure? 0:59:46:Yes, I'll be all right. 0:59:49:Sit quiet and rest. 0:59:51:And if your friend doesn't turn up,|we'll call a taxi. 1:00:26:Are you Miss Lester? 1:00:28:Yes. 1:00:30:I'm Margaret Cronin, Roy's mother. 1:00:33:I'm afraid I've kept you waiting.|Oh, I'm terribly sorry. 1:00:36:My train was haIf an hour late.|You know how it is these days. 1:00:39:But I've come straight from Scotland|to keep this appointment... 1:00:42:...so I do hope you'll forgive me. 1:00:45:What shall we have? Tea? Little cakes? 1:00:48:No. No, thank you. I don't think so. 1:00:50:I can't stay very long. 1:00:54:Oh. 1:00:55:Tea for one, then. And some thin toast. 1:00:59:I do hope you're not going|to run off at once. 1:01:02:I've wanted so much to meet you,|but I've been so terribly busy. 1:01:05:I've been turning an old country place|into a rest home for wounded men. 1:01:09:By the way, I telephoned you|from Scotland to the hotel... 1:01:12:...where Roy told me you were staying.|They said you'd gone. 1:01:15:I tried to get in touch|with you through the ballet... 1:01:18:...but they said it had gone to America.|I was about to wire Roy... 1:01:21:...when your note came.|- I have my mail forwarded. There... 1:01:24:There are reasons. 1:01:26:Oh, my dear, I didn't mean to pry. 1:01:31:Forgive me, my dear,|but you're not afraid of me, are you? 1:01:34:I know it is a bit of an ordeal|meeting one's future in-laws. 1:01:38:I remember how I dreaded it. 1:01:40:But I'm not very terrifying, am I? 1:01:43:I know we're going to be good friends. 1:01:46:I feel that I know you already|through Roy's letters. 1:01:49:I want to write him... 1:01:50:...and tell him that you and I have met|and that we like each other very much. 1:01:54:- May I write him that?|- Yes, yes, of course. 1:02:00:I suppose there are things you want|to know about Roy I could tell you. 1:02:04:There are things about him|you could tell me. 1:02:06:Why don't they bring your tea?|They're very slow. Shall I call the waitress? 1:02:10:Don't bother. I'm in no hurry. 1:02:13:Would you rather that I didn't speak|to you about Roy? 1:02:17:No. 1:02:18:No. Why should you think that?|But what is there to say? 1:02:25:Forgive me, my dear,|but are you quite well? 1:02:28:Yes, yes, of course.|I had a drink, that's all. 1:02:31:It made me feel funny. 1:02:33:Queer. 1:02:36:What's it like in Scotland?|I have never been there. 1:02:39:It always sounds so quaint,|you know, the heather and the peat. 1:02:43:(LAUGHS) 1:02:44:Peat comes from Ireland, doesn't it? 1:02:47:I've never been there either. 1:02:50:Why do you stare at me like that? 1:02:54:I'm trying to see you as Roy sees you. 1:02:57:Myra, I want you to remember|that I tried to be your friend. 1:03:01:I've come because Roy wanted me|to come and because I wished to. 1:03:07:Perhaps we'll try again someday. 1:03:10:Perhaps on Roy's next leave,|he'll bring you to the country. 1:03:16:Goodbye, Myra. 1:03:25:The lady is leaving, miss? 1:04:27:Myra? 1:04:32:Myra. 1:04:44:WOMAN: Who is it?|- Has Miss Lester gone out, Mrs. Clarke? 1:04:47:- What...? What is it?|- Where's Miss Lester? 1:04:50:How should I know? She went out. 1:04:51:- When?|- About an hour ago. 1:04:53:You shouldn't have let her. 1:04:55:She's not well enough to go out,|and a night like this too. 1:04:58:This is a lodging house, Miss Meredith,|not a nursing home. 1:05:08:Myra, where have you been? 1:05:09:Whatever made you go out|on a night like this? 1:05:12:You went and got caught in the rain too. 1:05:14:Now, you come on upstairs|and get into bed. 1:05:17:We spend months trying to build you up|and you go and do a silly thing like this. 1:05:21:I can't trust you out of my sight. 1:05:27:Now, you get those things off. 1:05:29:Double-quick time too. 1:05:31:I'll fix you a hot-water bottle. 1:05:35:- Kitty.|- Yes? 1:05:38:How did the show go tonight? 1:05:39:Oh, same as usual. 1:05:42:Was it a good house? 1:05:44:So-so. 1:05:47:Why? 1:05:49:I went to the theater. 1:05:51:I thought I'd surprise you|by calling for you. 1:05:54:Oh, yes... 1:05:55:(SIGHS) 1:05:57:See, Myra, I didn't want to worry you. 1:05:59:I'm in a different sort of a show|than the one I said I was in. 1:06:02:A cheaper sort of a show, so it's... 1:06:04:Kitty, you haven't got a job at all.|You never did have one. 1:06:10:How have we been living? 1:06:11:What difference does it make|as long as we live? 1:06:15:Where's the money coming from?|Where are you getting it? 1:06:19:Where do you think I've been getting it? 1:06:28:I tried to keep it from you but... 1:06:31:Well, you know now. 1:06:40:You did it for me. 1:06:42:No, I didn't. 1:06:44:I'd have done it anyhow. 1:06:45:(SPEAKING IN FRENCH) 1:06:47:No jobs. 1:06:49:No boys who want to marry you. 1:06:52:Only men who wanna kill a few hours|because they know it may be their last. 1:06:57:Kitty, you did it for me|to buy me food and medicine. 1:07:01:I'd sooner have died. 1:07:05:No, no, you wouldn't. 1:07:07:You think you would, but you wouldn't. 1:07:09:I thought of that... 1:07:12:...but I wasn't brave enough. 1:07:14:I wanted to go on living. 1:07:16:Heaven knows why, but I did,|and so would you. 1:07:19:We're young and it's good to live. 1:07:22:Even the life I'm leading.|Though, God knows it... 1:07:28:I've heard them call it the easiest way. 1:07:33:I wonder who ever thought up|that little phrase. 1:07:37:I know one thing. 1:07:39:It couldn't have been a woman. 1:07:45:I suppose you think... 1:07:47:...I'm dirt. 1:07:49:Oh, Kitty. 1:07:54:(SOBBING) 1:08:25:MAN:|Hello. 1:08:32:A bit of weather we had this evening,|didn't we? 1:08:37:It's cleared up though, nicely after all. 1:08:46:How about a little stroll? 1:09:35:How's luck? 1:09:37:No such thing. 1:09:39:- How's Kitty?|- Oh, about the same as me. 1:09:41:Ah, nowadays, there don't seem to be|no luck for nobody. 1:09:45:Oh, well. 1:09:47:Better days coming, so the song says. 1:09:49:- I hope so. Toodle-oo.|- Bye-bye. 1:10:04:Hello, Myra. How's luck? 1:10:07:I'm not exactly prepared to retire yet. 1:10:09:Well, here they come. 1:10:14:- Cheerio.|- Cheerio. 1:10:48:- Welcome home.|- Thanks, ducky. 1:11:23:ROY:|Myra! 1:11:25:Myra! 1:11:28:Myra. 1:11:31:Myra, I can't believe it. 1:11:33:It is you, isn't it? 1:11:35:- It's really you.|- Oh, Roy. 1:11:38:It's really you. 1:11:40:Oh, darling, let me look at you. 1:11:43:I'm not dreaming, am I? 1:11:44:But think of finding you here,|waiting for me. Why, it's a miracle. 1:11:48:Roy, you... You're alive. 1:11:52:The months I've waited for this moment.|I'd begun to think it would never come. 1:11:57:How'd you know I was coming?|Did you telephone Mother? 1:12:00:Oh, now, darling, none of that.|Chin up. Where's your nerve? 1:12:07:It's over, darling. It's all over.|And we're together for always. 1:12:10:Oh, Roy. You're alive. 1:12:12:Yes, extravagantly. 1:12:14:(SOBS) 1:12:15:Oh, my poor darling. 1:12:20:Come on. We'll go sit down. 1:12:22:Oh, darling, don't cry.|It's a happy ending. 1:12:26:Have you missed me? 1:12:29:Did you think I was...? 1:12:32:Didn't you know I was indestructible? 1:12:34:How could I die when we're engaged?|Did you think I'd break our engagement? 1:12:37:Oh, you don't know me, young woman. 1:12:39:No, I was wounded and somehow|lost my identification disk. 1:12:42:It's a long story. I'll tell you someday. 1:12:44:I was in a German prison camp for a year. 1:12:46:Head wound. Pretty nearly signed off, but|I got out at last and went to Switzerland. 1:12:51:Mother came over, of course,|mines or no mines. 1:12:54:And then I heard that|she'd lost touch with you. 1:12:56:I almost lost my mind.|What happened? Did she find you? 1:12:59:- Did you get in touch with her?|- No. 1:13:02:- Then you didn't know I was coming?|- No. 1:13:07:What were you doing at the station?|Were you looking for a friend? 1:13:11:Yes. 1:13:12:Well, I'm the friend you were looking for. 1:13:16:Who was he? I insist upon knowing.|Who was he? 1:13:19:Oh, it was a girl. No one in particular. 1:13:21:(ROY LAUGHS) 1:13:23:It's a miracle|that I ran into you like this... 1:13:25:...when you were waiting|for no one in particular. 1:13:29:Here we are, good strong tea.|This will buck you up. 1:13:33:Come on, drink this.|I want to talk to you. 1:13:36:I've got a thousand questions.|What have you been up to? 1:13:40:You got a job? Where is it?|What does it pay? 1:13:42:Not that it really matters because|you're quitting it. This instant. 1:13:46:I'm not going to let you out of my sight... 1:13:48:...not till we're married.|You understand that? 1:13:54:You've been through a lot, haven't you? 1:13:56:It has been... 1:13:58:- It's been...|- Pretty tough, eh? 1:14:02:And I wasn't there to help you. 1:14:13:But that's all over now. 1:14:15:I'm going to make it up to you.|I'm going to make things easy for you. 1:14:18:I never want to see you cry again... 1:14:21:...except with happiness. 1:14:23:If only I'd known you were alive,|that you were in the world. 1:14:28:I'll never leave you again, darling. Never. 1:14:32:Now, Miss Lester, I have a program. 1:14:34:I'm a man with a program,|a man of action. 1:14:36:I'm phoning my mother that I found you|and we're coming up on the evening train. 1:14:40:Excuse me while I find a phone.|Don't you move until I come back to you. 1:15:36:- We'll be up on the nine-six.|- I must speak to you. 1:15:39:- There's something I must say.|- Will you? 1:15:41:Ha, ha, that'll be marvelous. 1:15:42:Thanks, Mother. Goodbye. 1:15:46:- Well, that's that.|- Roy, you must listen to me. 1:15:49:Myra, what is it? 1:15:52:I can't go to the country with you.|It's quite out of the question. 1:15:56:- Why not?|- Please don't ask me, but I simply can't. 1:15:59:But I've got to ask|and you've got to tell me. 1:16:04:Oh, I look terrible, for one thing.|I haven't any clothes and l... 1:16:08:- Well, I really can't go anywhere.|- Ha, ha. Oh, you little fool. 1:16:12:Let me have a squint at you.|I think you exaggerate. 1:16:16:Now that I look at you,|there's something in what you say. 1:16:19:Well, Madame Cronin-to-be,|we'll see what we can do. 1:16:21:How would you like to be|the smartest woman in London? 1:16:24:No, Roy, I can't. 1:16:37:Myra, darling. 1:16:40:I'm afraid I've been stupid.|Conceited and stupid. 1:16:45:Because you've never been|out of my thoughts... 1:16:47:...I took it for granted|that it was the same with you. 1:16:52:There's someone else, isn't there, Myra? 1:16:55:After all, you thought me dead. 1:16:59:There is someone else, isn't there?|Don't be afraid. Tell me. 1:17:02:Oh, Roy, of course|there isn't anyone else. 1:17:05:There couldn't be. 1:17:07:I loved you. 1:17:09:I've never loved anyone else. 1:17:12:I never shall. 1:17:14:That's the truth, Roy. 1:17:19:That's all I wanted to know. 1:17:24:Oh, darling, smile for a change. 1:17:27:Have you forgotten how? 1:17:30:That's a good girl. 1:17:33:I can't believe I'm with you again. 1:17:35:But you are. 1:17:37:- Happy?|- Yes. 1:17:39:Personally, I'm delirious. 1:17:42:Come on, we're going shopping. 1:17:49:KITTY:|Myra. 1:17:53:Well, what's all this?|Have you taken to shoplifting? 1:17:55:Oh, Kitty, darling. Roy's alive.|He's back. He's here. 1:18:01:- Roy?|- Mm-hm. 1:18:04:- No.|- Yes, he's back. 1:18:05:We've been together the whole afternoon.|He'll be here any minute. 1:18:09:Kitty... 1:18:10:...he wants to marry me. 1:18:14:- Oh, no. Such things don't happen.|- It's true. 1:18:18:Oh, Kitty, it's going to be so wonderful,|for you too. 1:18:21:Nothing will be too good for you|when I'm Roy's wife. 1:18:26:Oh, I know what you're thinking. 1:18:29:I've been thinking too. 1:18:32:You think that'd be|dreadful of me, don't you? 1:18:34:- Does he know?|- No. 1:18:37:Do you think you can get away with it? 1:18:40:- You mean deceiving him?|- Yes. 1:18:43:Oh, I'm going to tell him. 1:18:46:There are two sorts of people, Myra. 1:18:49:Those who get the breaks|and those who don't. 1:18:51:Well, I'm getting the breaks now,|and I'm not going to sink. 1:18:54:You remember you once said|that you wanted to live? 1:18:57:Well, I want to live. 1:18:58:This is my chance for life|and I won't let him go. 1:19:02:He's so kind, Kitty,|so sweet and clean and wonderful. 1:19:07:I'll devote myseIf to him. 1:19:10:After all, it's his happiness too,|Kitty. He... 1:19:13:He loves me. He's waited for me. 1:19:16:And in my soul, I've waited for him. 1:19:21:Tell me I can go to him. Please, Kitty. 1:19:34:(SIGHS) 1:19:36:Guess there are no rules, Myra... 1:19:38:...for what you feel... 1:19:40:...and what he feels. 1:19:42:Kitty. 1:19:44:After all, if he's... 1:19:45:...mad enough about you,|it may make up for everything. 1:19:48:It must. It must. 1:19:51:Well, try it. 1:19:53:Go to him. 1:19:56:Oh, Kitty. 1:20:17:The ancestral acres. Shall I|point out the things we're proudest of... 1:20:21:...no matter how boring?|- Oh, it's beautiful. Simply beautiful. 1:20:25:Mother will take you all over. 1:20:26:You mustn't tell her I showed you.|See it first with her. 1:20:29:- Be enthusiastic too.|- That won't be difficult. 1:20:43:It must be wonderful to spend|one's childhood in a place like this. 1:20:46:Yes, it's great when you're young. 1:20:49:- When you're really young.|- Oh, Roy. 1:20:52:Do you think of yourseIf as old? 1:20:55:No one who's been in this war is young. 1:20:57:No, that's true. 1:20:59:Remember Longfellow's line? 1:21:01:" The thoughts of youth|are long, long thoughts. " 1:21:07:- Myra.|- Yes, Roy? 1:21:10:We're awfully good together,|don't you think? 1:21:15:R.S.V.P. I mean, that was a question.|It requires an answer. Yes or no? 1:21:21:Yes. 1:21:22:Your answer is correct. 1:21:39:Our home, darling. 1:21:48:- Mother.|- Oh! 1:21:54:Myra, I'm so glad to see you again,|my dear. 1:21:57:Isn't it wonderful,|Roy finding you so quickly? 1:22:00:- I believe there's providence in it.|ROY: I'm sure of it. 1:22:02:You're very kind, Lady Margaret. 1:22:04:Roy, I do hope you|haven't shown Myra anything. 1:22:07:I want to show her round myseIf. 1:22:09:- I didn't show her a thing.|MARGARET: Good. 1:22:12:Come. Oh, I'm so happy. 1:22:16:- Hello, Barnes.|- Oh, Mr. Roy, do excuse me. 1:22:19:I've been waiting all afternoon|for the dogcart, and then I missed it. 1:22:23:Just at the crucial moment,|as you might say. 1:22:25:I missed my welcoming committee.|Wanted to impress Miss Lester. 1:22:29:However, this is my future wife, Barnes. 1:22:31:Myra, this is Barnes. 1:22:32:- How do you do?|- How do you do? 1:22:34:Brought me up from a baby. 1:22:36:- Tell you all about it in detail.|- I'd love to hear about it. 1:22:39:Well, he gave us an awful lot of trouble,|Miss Lester. 1:22:42:He wasn't what you would call|a good child... 1:22:45:...but you couldn't resist him. 1:22:46:One day he jumped from a treetop. 1:22:48:ROY: I've told her about that, Barnes.|You fish up something new. 1:22:51:- Yes, sir.|ROY: Come, Mother. 1:22:53:- What about showing Myra to her room?|- Oh, Roy, I forgot. 1:22:56:- I'm afraid we're going to be invaded.|- Invaded? 1:22:59:The neighbors.|I did my best to spare you... 1:23:01:...but the whole countryside is coming in|tonight to see you and your bride. 1:23:05:Ha, ha, oh, poor Myra.|She's going to see some wonderful types. 1:23:08:(ALL LAUGH) 1:23:11:(BAND PLAYING WALTZ) 1:23:30:They do look well together, don't they? 1:23:32:She's a lovely girl. Perfectly lovely. 1:23:35:I suppose very soon... 1:23:37:...these two young people|will be paying me a professional visit. 1:23:40:Tomorrow morning, I expect.|Roy's madly in love. 1:23:44:- Jealous?|- A little. 1:23:46:- But you like her, don't you?|- Very much. 1:23:50:More every minute. 1:24:04:She dances beautifully, doesn't she? 1:24:07:Well, that's her job. 1:24:09:Those Cronin men, they're always attracted|by girls who undress in public. 1:24:14:Why don't you try it, Viola? 1:24:15:Oh, I haven't the nerve. 1:24:18:I'm not quite sure that I've got the figure. 1:24:20:(GIRLS LAUGH) 1:24:30:All I can say is,|there are plenty of charming girls... 1:24:33:...of good family in the county|who would have jumped at Roy... 1:24:36:...and I don't mean my niece, Victoria. 1:24:38:I wonder if she can ride. 1:24:40:Who's ever heard of her?|Has anyone ever seen her dance? 1:24:44:Well, evidently, Roy's seen her|and evidently liked it. 1:24:48:You'll notice the duke isn't here. 1:24:50:Evidently, the duke doesn't like it. 1:25:22:- Happy?|- Yes. 1:25:24:- Completely?|- Yes. 1:25:26:- Ecstatically?|- Yes. 1:25:28:- No doubts?|- No. 1:25:29:- No reservations?|- No. 1:25:31:- No defeatism?|- No. 1:25:36:Darling, every once in a while,|I see fear in your eyes. 1:25:39:Why? 1:25:42:Oh, life's been hard for you, I know that. 1:25:45:You've had to struggle and endure|privation, but that's all over now. 1:25:50:You're safe now. 1:25:52:Don't be afraid. 1:25:54:You needn't be ever again. 1:25:57:I love you. 1:25:59:Oh, Roy, you're so good. You're so... 1:26:06:Oh, darling, it's... 1:26:08:- It's unreal, isn't it?|- Yes. 1:26:10:Shall we wake up suddenly|and find it untrue? 1:26:13:Roy, don't be defeatist. 1:26:15:(ROY CHUCKLES) 1:26:18:Rather like running the gauntlet,|wasn't it, to dance in there? 1:26:21:But you're a great success, darling. 1:26:23:- Everyone's enchanted with you.|- But they haven't met me yet. 1:26:27:- You warm?|- Yes, very. 1:26:29:- Would you like a drink?|- I'd love one. 1:26:31:I'll get you some of Barnes' famous punch.|Cool and innocent and deceptive. 1:26:35:You sit right here.|Don't move an eyelid till I come back. 1:26:38:MYRA: I shall run off|with the first strolling minstrel. 1:26:41:- Darling.|- Darling. 1:27:01:COLONEL: Of course I'm here.|I've come to see that young woman. 1:27:03:Where is she? Where are you hiding her? 1:27:08:This is Myra. 1:27:09:Myra, this is my uncle, the source|of those bellows you just heard. 1:27:12:How do you do? 1:27:14:So this is Myra, is it? 1:27:16:I am very glad you came. 1:27:18:- Why have you kept us apart?|- Ha, ha. 1:27:20:Now my troubles begin. 1:27:23:Roy, you told me you were going|to get Myra some punch. 1:27:26:What about it? 1:27:28:I knew it was too good to last. Darling. 1:27:31:Come, my dear. Let's sit down. 1:27:35:You gave me 10 of the|most anxious moments of my life. 1:27:38:Did I? When? 1:27:40:When I was waiting in a cab|while Roy was inside... 1:27:42:...asking your permission to marry me. 1:27:44:Were you outside in the cab? 1:27:46:Why didn't he bring you in? 1:27:48:I don't suppose he dared. 1:27:50:Quite right. Very shrewd of him. 1:27:53:If he had,|I'd never have given my consent. 1:27:56:- I should have asked for you myseIf.|- Ha, ha. 1:27:59:- And I'd have said yes.|- Ha-ha-ha. 1:28:02:My dear... 1:28:03:...will you do me a favor?|- Oh, I love to. 1:28:06:Will you do me the honor|to dance with me? 1:28:10:Of course, but I'm afraid Roy|will think we've eloped. 1:28:13:- Well, maybe we will.|- All right. 1:28:15:Come along. I haven't been here for ages. 1:28:18:Come on, my dear.|Let's make an entrance. 1:28:22:(UPBEAT MUSIC PLAYING) 1:28:39:You dance beautifully, my dear. 1:28:42:And why not, indeed? 1:28:43:- So do you.|- I? Oh, no. 1:28:48:COLONEL:|Oh, dear. Oh, dear. Oh, dear. Ah! 1:28:51:Well, that dance|is the climax of my career. 1:28:55:I can now retire permanently|and write my memoirs. 1:28:59:You're awfully kind.|I shall always be grateful to you. 1:29:02:Grateful? What are you talking about? 1:29:04:Think I don't know why you came here|and made a point of dancing with me... 1:29:07:...in front of all those people?|- Point? Point? What point? 1:29:10:You wanted to show them|that you approved of me. 1:29:13:You knew if you approved, they would. 1:29:15:- Incidentally, I jolly well liked it.|- Ha, ha. 1:29:18:You're awfully nice. 1:29:20:I do so want them to like me. 1:29:22:I want to be a success because of Roy. 1:29:25:Well, you know what these people are. 1:29:27:They're good people, mind you.|Kind people. 1:29:30:But they're old-fashioned|and rather limited in their social ideas. 1:29:35:"What's good enough for AIfred the Great|is good enough for me" sort of thing. 1:29:38:(BOTH LAUGH) 1:29:40:- You see that emblem?|- Mm-hm. 1:29:43:COLONEL:|Broken lance. Our regimental badge. 1:29:46:Roy's regiment too. 1:29:47:Well, they think the only way to keep up|the tradition is to lead a dull life... 1:29:51:...and marry one of themselves. 1:29:53:They think of a dancer|as someone a little racy, shall I say... 1:29:57:...to put it mildly. Ha-ha-ha! 1:29:59:Too bad you can't live up|to their idea, Myra, isn't it? Ha. 1:30:03:It would be good fun, wouldn't it? Hm. 1:30:05:Yes, it would. 1:30:08:But Roy's instinct tells him what you are. 1:30:11:My instinct tells me too. 1:30:14:You're sound and good. 1:30:17:That badge is never going to suffer|at your hands. 1:30:20:If I weren't sure of that... 1:30:23:...I wouldn't welcome you as I do now. 1:30:26:ROY:|Myra. 1:30:29:Uncle, I've been more than generous,|leaving you so long with Myra. 1:30:32:- Longer would be foolhardy.|- Yes. You'd better take her away... 1:30:35:...before she discovers|that I'm the better man. 1:30:37:(BOTH CHUCKLE) 1:30:39:(BAND PLAYING "AULD LANG SYNE") 1:30:44:Listen, Myra. 1:30:46:I had them play it. Let's dance to it. 1:30:49:Will you excuse us, sir? 1:30:52:- Thank you.|- For what? For what? 1:30:54:Go and enjoy yourselves. 1:31:07:Remember, darling, the Candlelight Club? 1:31:10:It's forever ago, isn't it?|And yet it's tonight. 1:32:06:(KNOCKING ON DOOR) 1:32:17:Come in. 1:32:20:Do I disturb you? 1:32:22:Uh, no. Please come in, Lady Margaret. 1:32:25:I knocked very gently, so in case|you were asleep, I shouldn't wake you. 1:32:30:MYRA: Won't you sit down?|- I thought you'd be awake. 1:32:32:I said, "She's far too happy and excited|to be asleep." 1:32:35:Two things keep one up,|great happiness or great misery. 1:32:39:- Don't you think so?|- Yes. 1:32:41:I couldn't go to sleep either|without getting something off my chest... 1:32:44:...as the Americans say.|Are you sure you're not too tired? 1:32:47:No, no, of course not. 1:32:49:It's about our last meeting in London. 1:32:51:That has preyed upon my mind|ever since. 1:32:54:Do you bear a grudge against me|for that, Myra? 1:32:57:Oh, no, Lady Margaret. 1:32:58:I came with a prejudice... 1:33:01:...and when I saw you,|you seemed strange to me. 1:33:04:I thought you couldn't be,|well, what I wanted Roy's wife to be. 1:33:11:I've no excuse, except a mother's excuse|for wanting an impossible ideal for her son. 1:33:16:Can you forgive me? 1:33:18:- But there's nothing to forgive.|- When I got home the next day... 1:33:21:...I found the telegram telling me|the dreadful news about Roy. 1:33:25:And when I could think again, it suddenly|struck me that you had known all the time. 1:33:29:That you'd just seen his name|in the paper... 1:33:31:...and that you hardly knew|what you were saying. 1:33:35:- Is that true?|- Yes. 1:33:38:Oh, you poor child. If I'd only known. 1:33:47:I did my very best to find you,|but you'd disappeared. 1:33:51:And now I want to make it up to you|in the future. 1:33:58:I'm very happy|about this marriage, Myra... 1:34:02:...and I know we're going|to be wonderful friends. 1:34:06:Forgive me for being sentimental. 1:34:10:Good night, my daughter. 1:34:33:Lady Margaret! 1:34:38:Lady Margaret. 1:34:44:- Lady Margaret.|- Yes, Myra? 1:34:47:I must speak to you. 1:34:49:Why, of course, Myra. 1:34:53:I can't marry Roy. 1:35:06:Sit down quietly, dear, and tell me. 1:35:09:I must go away. 1:35:10:I should never have come here. 1:35:12:I knew it was impossible... 1:35:14:...but I kept deceiving myseIf. 1:35:18:I've got to go away. 1:35:20:I must never see him again. 1:35:23:My dear, why don't you tell me|what it is? 1:35:25:- I'm sure I can help you.|- No one can help me. 1:35:29:But, my dear,|what can it be that is so terrible? 1:35:34:Has there been someone else? 1:35:39:Oh, Lady Margaret. 1:35:42:You are naive. 1:35:45:- Myra.|- Yes. 1:35:47:- Yes, yes.|- Myra. 1:35:49:That thought|which is now in your mind... 1:35:51:...which you are telling yourseIf|can't be true is true. 1:35:55:- Myra.|- Yes. 1:35:58:Why didn't you tell him? 1:36:01:I didn't have the courage. 1:36:03:Oh, I can give you plenty of reasons. 1:36:05:I was hungry. I was poor. 1:36:08:I thought Roy was dead, but... 1:36:10:I could make you understand,|but it wouldn't help me. 1:36:13:Oh. 1:36:15:I don't know what to say. 1:36:20:But it's my fault as much as yours|for not having understood... 1:36:24:...for not having taken care of you.|- Oh, don't be nice to me. 1:36:29:If l... 1:36:30:If I leave early in the morning... 1:36:33:If I never see Roy again... 1:36:36:...would you promise me|he'll never know? 1:36:39:I couldn't bear to hurt him like that. 1:36:43:Myra. 1:36:46:Oh, let us wait until the morning. 1:36:49:Let us think this over. 1:36:50:Will you promise? 1:36:55:I promise. 1:36:57:Thank you. 1:37:00:You've been so good. 1:37:03:I wish I could have been|all that you hoped. 1:37:15:(ROY HUMMING) 1:37:26:Myra. 1:37:29:Why, you little gadabout. 1:37:31:What are you doing|prowling around at this hour? 1:37:34:- You been with Mother?|- Yes. 1:37:35:Isn't she wonderful? 1:37:37:Yes, she is. 1:37:38:I knew I wouldn't sleep|so I've been in the garden... 1:37:41:...confiding my luck to the stars.|- Were they pleased? 1:37:44:They seemed indifferent. They went on|glittering, the little exhibitionists. 1:37:47:(LAUGHS) 1:37:49:Oh. 1:37:51:- Ever see this before?|- I think so. 1:37:55:Here. 1:37:57:But I gave it to you. It's yours. 1:37:59:I think it'll be safer with you,|just as I'll be. 1:38:03:I dropped it in the garden a moment ago.|I was frantic until I found it again. 1:38:07:I think you'd better have it from now on|because now that we're both... 1:38:10:...as they say, one, it really doesn't matter|which one of us keeps it, does it? 1:38:15:It's brought me luck.|Now let it bring you luck. 1:38:18:I'll keep it for you, Roy. 1:38:20:- I'm tired, darling.|- Yes, you look tired. 1:38:23:- Been a strenuous day for you.|- Yes. 1:38:26:Good night, darling. 1:38:28:Goodbye, darling. 1:38:30:Ha, ha, why "goodbye"|when it's only till morning? 1:38:33:Because every parting from you... 1:38:36:...is like a little eternity. 1:38:40:That's the way I feel too. 1:38:43:- Goodbye.|- Goodbye, little sentimentalist. 1:38:54:ROY:|Tomorrow, all day to ourselves. 1:38:58:Yes, my love. 1:40:08:Wait for me. 1:40:17:Myra. 1:40:18:Myra, it's Roy. 1:40:22:- Myra.|KITTY: What on earth's going...? 1:40:24:- Oh, it's you.|- Hello, Kitty. 1:40:26:- Where's Myra?|- She's not with you? 1:40:28:- What are you talking about?|- She left Scotland last night. 1:40:31:- Without telling you?|- She's not been here, then? 1:40:34:Not since she walked out with you|the other day. 1:40:36:- Look here, can I come in?|- Of course. 1:40:40:I was just having a bite to eat. 1:40:42:Sit down. What's happened? 1:40:45:She left a note|that she couldn't marry me. 1:40:48:Was there any trouble with your family? 1:40:50:No, no, no, none. 1:40:52:It's incredible. I can't understand it at all. 1:40:54:Last night we were together.|She told me she was happy. 1:40:57:- When did she leave?|- The first train for London. 1:41:00:- She must have arrived hours ago.|- Well, she's not been here. 1:41:03:Where is she? 1:41:06:Kitty, there's something|I haven't understood. 1:41:10:I've felt it in the back of my mind|since I came home. You know what it is. 1:41:13:Tell me. 1:41:16:Tell me. 1:41:19:I suppose you better face it, Roy. 1:41:22:I suppose she means for you|never to see her again. 1:41:25:- Why not?|- I don't know! Don't ask me. 1:41:31:What's in back of all this?|If you don't tell me, I'll go to the police. 1:41:34:- Oh, no. Don't go to the police.|- Why shouldn't I? 1:41:38:Roy, can you take it... 1:41:40:...no matter what you find out|about her? 1:41:43:- What are you hinting?|- Answer me. Can you take it? 1:41:46:No matter what I find out, it won't make|any difference. I've got to find her. 1:41:51:Well, come on, then. 1:41:54:We'll look for her. 1:41:58:- Hello, Kitty.|- Have you seen Myra? 1:41:59:- No.|- Are you sure? 1:42:01:See, I know every bit what comes in here,|and Myra particularly. 1:42:04:And when I tells you she ain't, she ain't. 1:42:07:Oh, all right. Thanks. 1:42:08:Why don't you and your gentleman|sit down here for the fight? 1:42:12:Seen Myra? 1:42:13:No, I ain't seen her for about four days.|Where has she gone, the Riviera? 1:42:17:- If you see her, tell her I'm looking for her.|- All right, I will, dearie. 1:42:23:- Hey, Mack.|- Hi, sister. 1:42:24:- Have you seen Myra?|- It's early for Myra. 1:42:27:She don't usually come around|till about midnight. 1:42:29:All right, thanks. 1:42:41:Roy, she don't seem to be anywhere. 1:42:44:There's only one place we haven't tried. 1:42:46:What place is that? 1:42:48:Waterloo Station. 1:42:54:Waterloo Station, driver. 1:43:01:Well? 1:43:04:Not anywhere? 1:43:06:No. Nobody's seen her. 1:43:08:- Oh, Roy, I'm scared.|- Kitty. 1:43:10:I'm scared, I tell you. Where is she? 1:43:13:She... 1:43:15:She couldn't go through with it. 1:43:18:She was too honest. 1:43:21:She said it was a chance to live. 1:43:25:- A chance to live?|- And that she'd never go back. 1:43:30:That she'd never go back to the... 1:43:37:You don't need to say it. I understand. 1:43:43:Then... 1:43:45:Then where is she? 1:43:50:She's lost, Kitty. 1:43:52:She's escaped us. 1:43:55:And I'll always look for her. 1:43:58:I'll never find her. 1:44:22:Is that you, Myra? 1:44:24:Hello. 1:44:28:Heard you was married. 1:44:31:- No.|- That Kitty... 1:44:33:...she told me.|Said you'd got off with some toff. 1:44:37:I knew it was too good to be true. 1:44:40:Yes. 1:44:43:Oh, well, cheer up. 1:44:45:Things can't be worse. 1:44:47:Going down to the station? 1:44:53:Oh, well. 1:44:55:I'll be off on me Ionesome, then. 1:44:59:Toodle-oo. 1:46:17:(SCREECHING) 1:47:16:MYRA:|I loved you. 1:47:18:I've never loved anyone else. 1:47:22:I never shall. 1:47:24:That's the truth, Roy. 1:47:28:I never shall. 1:48:34:(ENGLISH SDH)