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Screen shot 13 02 08 at 58 50 ; UcLiiśJk P.W.MWrr-ff- One day, quite somc cimc ago, I happencd on a
Screen shot 13 02 08 at 59 00 Who could help me? From the First step, that of classification (wc mu
Screen shot 13 02 08 at 59 10 p amorous or funereal immobility, at the very heart of the moving wor
Screen shot 13 02 08 at 59 19 laiaJUBlMM sonal impulscs, I would try to formulate the fundamenta! f
Screen shot 13 02 08 at 59 29 hole" (stenope) through which he looks, limits, frames, and pers
Screen shot 13 02 08 at 59 36 apart from any effigy. What I want, in short, is that my (mobile) ima
Screen shot 13 02 08 at 59 45 image-repertoire, thc Photograph (thc one I intend) rep-resents that
Screen shot 13 02 08 at 59 53 The disordcr which from thc very flrsc I had ob-servcd in Photography
Screen shot 13 02 08 at 00 11 are ccrtłinly consurutcd as persons, but only bccause of their resemb
Screen shot 13 02 08 at 00 19 } "I undtntood as once thas tbis photograph s 9adventuret 
Screen shot 13 02 08 at 00 28 .. the shcet carried by tbe weeping mofbtr (w by tbis skuci?) ., KOUN
Screen shot 13 02 08 at 00 39 skal body of Information: rebcllion, Nicaragua, and all thc signs of
Screen shot 13 02 08 at 00 46 them, to approve or disapprove of them, but always to underscand them
Screen shot 13 02 08 at 00 58 phocographs "Mayday, 1959" in Moscow, he tcaches me how Rus
Screen shot 13 02 08 at 02 07 A. KBRTESZ: TilP YlOUNISTS TUNŁ ARONY. HUNGARY, 1921 A detail overwhe
Screen shot 13 02 08 at 02 16 >Liai screen only the chickcn Crossing one comer of che village sq
Screen shot 13 02 08 at 02 24 Nadar: Savoxgnan* db Brazza. 1882 V name; it is Sharp and yet lands i
Screen shot 13 02 08 at 02 32 R. MAPPLETKORP*: PlflL Gl-ASS AND BOB WILSON ™Bob Wilson hołds me, bu
Screen shot 13 02 08 at 02 41 -Qu*en Vietoriś, tmirtly mnesthettc .. (Virgioia Woolf) G. W. Wilson:
Screen shot 13 02 08 at 02 48 1 .. the ha»d at the rigbt degree oj openness, the ńght Jensśty of ah

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