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21898 tmta2 Smocks 3. Smock a. The smock is cut like a longer shirt, with a wider hem produced by f
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htdctmw 007 THE TOOLS-AND THE TALK- OF THE TRADE! Since very few of us draw with just our fingernail
htdctmw 019 As promised, let’s see how what we’ve learned relates to the human figurę. In this quick
htdctmw 020 NOW, LET S get a little heavier. EVEN SPHERES, CUBES, AND CyLINDERS CAN USE SOME EM
htdctmw 027 Here, just because Johnny hates to let his ruler go to waste, he’s given you a couple mo
htdctmw 030 Let’s say you want to draw the inside of a room. Sounds simple, huh? But what about the
htdctmw 036 LET S STUDY- THE FIGURĘ! This is it, gang! This is what you’ve been waiting for! The pre
htdctmw 044 LETS DRAW THE FIGURĘ! This part is dynamite! So let’s not waste a second—!
htdctmw 055 Now let’s study some figures in motion and see which we like and which we don’t—and why.
htdctmw 062 Let’s follow those same five steps again, this time ending with a figurę of Spider-Man.
htdctmw 076 For starters, let’s draw a typical hero-type head. Since everything is easier when you’v
htdctmw 089 Let’s say a story calls for a sophisticated villainess type. Okay, we make the jawline a
htdctmw 090 Just to make surę we haven’t missed anything, let’s give these important points to remem
htdctmw 103 Let’s play a gamę. Let’s take a typical Marvel Comics situation—something that might hap
htdctmw 112 Okay! Since you did such a great job on that one, let’s try another! This time let’s see
htdctmw 130 Now let s analyze two morę typical panels through the use of simplified diagrams. In the
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