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essent?rving?48 Essen tiał Woodcarving Techxiques Fig 3.5 From the bot tom: two correct chip cuts; t
essent?rving?49 First Cuts: Chip C a r v i n g Fig 3.9 A hole madę by rotating tbe No. 8 gotige whil
essent?rving?50 Essen tial W o o d c a r vin g Techniques Fig 3.11 Making the stab aa at too shallow
essent?rving?51 First Cuts: Chip C a r v i n g Fig 3.14 Startinga morę complex flower. The centre ri
essent?rving?52 Essen’ tial W o o d c a r v i n g Techniques Fig 3.18 A No. 3 fishtail being used to
essent?rving?53 CHAPTER 4CARVEDMOULDINGS The carving of architectural and frame mouldings, while res
essent?rving?54 Essential Wo o d c a R VIN g Techniques Fic. 4.1 Various mouldings (from the top): a
essent?rving?55 C A R V E D M O U L D I N G S Fic, 4.2 A torus moulding in profile. FlG 4.3 Ovolo (l
essent?rving?56 Essential Woodcarvixc Techniques Critical factors in cutting mouldings are the sizes
essent?rving?57 C A R V F. D M O V 1 D I N C. S Any bits still lefr in rhe intersection should pop o
essent?rving?58 Essen-tial Woodcarvig Techxiques Fig 4.10 Cu tti fig the cup. The gouge en ten the w
essent?rving?59 Car ved Mo u l dix g s Fig 4.12 After the rim ofthe cup has been stabbed in, a chip
essent?rving?60 ESSENTIA.L w o O D C a R v I N G T E C H X I Q V E S FlG 4.15 Cutting the side of th
essent?rving?61 C A R V E D MOULDIKCS Fic 4.17 Yarious examples of water leaf camed in limę wood, wi
essent?rving?62 E S S E N T I A L W O O D C A R v I N G T F. C H N I Q U E S FlG 4.18 The edges of t
essent?rving?63 C A R V E D M O U L D I N G S FlG 4.20 A finishedpractice section of moulding. The s
essent?rving?64 Essential W o o d c a r V in g T e c h niqie s Fic 4.23 A large No. 5gouge shaping t
essent?rving?65 CHAPTER 5FOLIAGE:COPYING A NATURAL LEAF IN WOOD The usc of foliage as a subjcct for
essent?rving?66 Essen ti al Woodcarvixg Techniques Fig 5.1 Oak leafstudies by a student (Howard Spie
essent?rving?67 F O L I A G E :    Co P V I N G A NT A T URAL L F. A F I N W O O D Fi

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