Wyniki wyszukiwana dla hasla essent�rving�22
essent?rving?68 E S 5E NTI A L W O O D C A R VIN G TECHNIQLES Fig 5.6 The gouge can removeplenty of
essent?rving?69 F O I. I A G F. :    COPYING A NATURAL LEAF IN W O O D Fic; 5.7 Thegr
essent?rving?70 Essential Woodcaryinc Techntiques Fig 5.11 The top surface of the leaffinished, with
essent?rving?71 F O L I A G E : COPYING A NATURAL L E A F IN W O O D ignore. The carver of this oak
essent?rving?72 Essen tial Woodcarving Techniques although the temptarion ro use a router co set clo
essent?rving?73 CHAPTER6 CARVING TRADITIONAL FOLIAGE The essence of art is to express what is intend
essent?rving?74 E S S E N T I A L W O O D C A R V I N G T E C H N I Q U F. S Fig 6.2 Oak leaf copied
essent?rving?75 C a r vin c Traditional Foliace Fic. 6.4 Copy offijteenth-century vine leaf running
essent?rving?76 Fig 6.6 Baroąue acanthus leaf originally carved in oak in 1685for Tunbridge Wells pa
essent?rving?77 C A R VI X G T RADITIONAL F O L 1 A G E Fig 6.8 Rococo frame showing leafedges to un
essent?rving?78 Essential Woodcarving T e gh N 1 Q U E s FlG 6.9 Eigbteenth-century acanthus from a
essent?rving?79 C A R v I N C. T R A D i T I O N A I. F O L I A G F. ridgcs running up co rhem. Thes
essent?rving?80 CHAPTER 7LINENFOLD Goihic furniture and panelling are out of favour so cherc is lini
essent?rving?81 FlG 7.2 An example of lute, debased, linenfoldfrom a Welsb church. The colour was us
essent?rving?82 ESSENTIAL W o O D C A R VIXG T E C H N1Q U E S Fig 7.3 Drawings ofa linenfoldpatiem
essent?rving?83 Linenfold Fig 7.4 The grouttd leuel bas been sawn down at the sides and ends and a n
essent?rving?84 Essential Woodcarving Techniques Fig 7.7 This is how a piece of card would look if f
essent?rving?85 Linenfoi. D pcrspcctive is Iost as the bortom edge is a mirror image of rhe lop. If
essent?rving?86 Essen tial W o o d c a r vin g Tech kiqu es fold. If these arc forgotten irrcversibl
essent?rving?87 L I N F. N F O I. D Fig 7.13 Cutting along the top of the lower fołd.COLOUR AND FlNI

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