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essent?rving?70 Es S E N TI A L W O O D C A R VING TeCHXIQUE$ Fig 15.23 The fishtail cutting the end
essent?rving?71 APPENDIXA Personal List of Woods Below I lisr woods that I have uscd and, although I
essent?rving?72 Essen tial W o o d c a r vin g Techniques Alder {Alnus glutinosa) Pale yellow or pin
essent?rving?73 A P P E N D I X Chestnut (sweet chestnut) (Castanea sativd) A pale, fairly light, ri
essent?rving?74 Essential W o o d c a r v i n g Techniques I.atian (Philippincs mahogany) (Sborea sp
essent?rving?75 A P P E N D I X cherry. Likc cherry, seasons verv slowly; can Split badly - possibly
essent?rving?76 Essential W o o d c a r v i n g Techniques largc. Pale greenish-yellow, finc-tcxturc
essent?rving?77 A P P E N D I X pine is much coarser in texturc with large expanses of casily torn c
essent?rving?78 FURTHER READING E. M. Catich, The Origin ofThe Serif (Davenport, Iowa, 1991) L. C. E
essent?rving?79 ABOUT THE AUTHOR Dick Onians, bom in 1940 in a house fuli of books, folk carvings an
essent?rving?80 INDEX Rcferencei in italics indicatc illusttations sWthout accontpanying tcxlA
essent?rving?81 1 N D E X h>łiui! thiscl* . 8. 9 flowcr design* 46-7, •)& 49-52 Umerom
essent?rving?82 — 00 NJII18 <3I "8il ttg a 5 yi 1=5 .1 S i5* 2 3 <?*    P
essent?rving?83 TITLES AYAILABLE EROMGMC Publications BOOKS GMC Publications Freder-.ck Wilbur 
essent?rving?84 Making Kumihimo: Japancse Interbccd Braids Rodrtek Owen Crossing Cacti and Other Su
essent?rving?85 A COMPREHENSIVE INTRODUCTION TO ESSENTIAL TOOLS, SKILLS, TECHNIQUES AND STYLES FOR T
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