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Paradiddle Power
0 Part 3: Single Paradiddles With Cross-Sticking The following thirty exercises inv
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1 tam■■ I i i i i i i iiiii i In exercises 14 through 17 below, the left hand cross
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3 Part 4: Rock/Funk Patterns With Single Paradiddles The exercises on the following
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4 Morę rhythmically interesting and complex bass drum figures are incorporated here
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5 o o HH sd : BD TEA- « J J X 1 L r- 1 RLRRLRLLRLRRLRLL 22 o ox_x_ XXXITR r~
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6 In the next twenty exercises, notę the addition of two "ghost notes" (n
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7 o o > HH 11 . j.,j j j T ■jra LiL- SD=łF C- ■ J t-1ai ■i-a n ijj • r *
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8 Along with the ghost notes applied on the previous two pages, we now add morę gho
Paradiddle Power6 SECTION 2: DOUBLE PARADIDDLESRLRLRR-LRLRLLPart 1: Snare Drum, Smali Tom, Large To
Paradiddle Power7 11 4 4 4 4 so mrr* 4 4 4 4 4 4 4 A u
Paradiddle Power9 IPart 2: Snare Drum, Two Rack Toms, Large Tom Part 2 uses double paradiddles orch
Paradiddle Power1 ST 21 śdmt |T fi *    9 *--* LT _tf C 22 3    3^-3
Paradiddle Power2 Part 3: Double Paradiddle With Cross-Sticking The following thirty exercises use
Paradiddle Power3 I I 1 I I I IIn exercises 12 through 1 7, the left hand crosses over the right, m
Paradiddle Power4 21 3 3 ST SD MT LT 3 3 22 3 l i
Paradiddle Power5 I I | IPart 4: Rock/Shuffle Patterns With Double Paradiddles In patterns 1 throug
Paradiddle Power6 These exercises use the same bass drum patterns notated on the previous page. How
Paradiddle Power7 I I INotę the addition of the ghost notę on the second partial of the third tripl
Paradiddle Power8 The same bass drum patterns used on the previous pages are used in exercises 1 th
Paradiddle Power9 I I I I I I I I Part 5: Rock/Shuffle Fills With Double ParadiddlesThe following t

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