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htdctmw 002 Dedicated to John Buscema, the Michelangelo of the comics. Stan LeeDedicated to Stan Lee
htdctmw 003 CONTENTS Preface ........................................ 8 One    The To
htdctmw 004 PREFACE l’ve been planning to write this book for years, but it took Big John Buscema to
htdctmw 005 of the master. Then I planted the seed. If he were to illustrate a book on the subject,
htdctmw 007 THE TOOLS-AND THE TALK- OF THE TRADE! Since very few of us draw with just our fingernail
htdctmw 008 Here we go! On these two pages you’ll find just about everything you ll need to get you
htdctmw 009 T square. Irwaluablefordrawing borders and keeping lines parallel. Illustration paper. W
htdctmw 010 Just to make surę we all use the same language and there’s no misunder-standing when we
htdctmw 012 Movin’ right along, we now introduce you to one of Marvel’s many widely heralded&nb
htdctmw 013 When you re up above the scene, looking down at it, as in this panel, what else cou
htdctmw 015 THE SECHETS OF- FORM! MAKING AN OBJECT LOOK REAL. Anyone, even you or I, can draw some s
htdctmw 016 One of the main things that can ruin a drawing is the appearance of FLATNESS. Too many b
htdctmw 017 Here we see a simple handgun, without which there could hardly be any comicbooks, or TV
htdctmw 018 The piane is equally easy. As you can see, it’s composed of a number of simple cyli

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