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Screen shot 13 02 08 at 02 24 Nadar: Savoxgnan* db Brazza. 1882 V name; it is Sharp and yet lands i
Screen shot 13 02 08 at 02 32 R. MAPPLETKORP*: PlflL Gl-ASS AND BOB WILSON ™Bob Wilson hołds me, bu
Screen shot 13 02 08 at 02 41 -Qu*en Vietoriś, tmirtly mnesthettc .. (Virgioia Woolf) G. W. Wilson:
Screen shot 13 02 08 at 02 48 1 .. the ha»d at the rigbt degree oj openness, the ńght Jensśty of ah
Screen shot 13 02 08 at 02 56 Proce eding this way from photograph to photograph (to tell the truth
Screen shot 13 02 08 at 03 01 Now, one Novembcr evening shortly after my morher’s death, I was goin
Screen shot 13 02 08 at 03 07 i nonę seemcd to me really "right": ncither as a photo-grap
Screen shot 13 02 08 at 03 16 say rhat I missed her bęjnę, and that thercfore I missed hcr alcogcth
Screen shot 13 02 08 at 03 23 NaDAR: Thh Artists Mon i er {or Wiph) one ńnger in the other hand, as
Screen shot 13 02 08 at 03 33 had just discovered. "Not a just image, just an image," God
Screen shot 13 02 08 at 03 42 (ir was impossible for me co participatc in a world of scrength, to g
Screen shot 13 02 08 at 03 51 31 From che bcginning, I had determined on a pnnciple for mysclf: ncv
Screen shot 13 02 08 at 03 59 What I had noced at the beginning, in a frec and casy manncr, undcr c
Screen shot 13 02 08 at 04 07 f I might put this differenrly: what founds che naturę of Photograph
Screen shot 13 02 08 at 04 13 which is in qucscion—a proof no longer merely induced: thc
Screen shot 13 02 08 at 04 21 (Hence the Winter Garden Photograph, however pale, is for me the trea
Screen shot 13 02 08 at 04 28 into reveric (this is perhaps the dcfinition of salon), is the simple
Screen shot 13 02 08 at 04 34 of language is perhaps this impotencc, or, to puc it posi-tively: lan
Screen shot 13 02 08 at 04 41 tograph, for the first timc, puts an cnd to this resistance: hcncefor
Screen shot 13 02 08 at 04 48 civc style”; but the Photograph breaks the "tonstirutive style”

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