Wyniki wyszukiwana dla hasla New Forms Taschen 190 New Forms Taschen 140 Page 151 Massimiliano Fuksas Entrance to Grotto Niaux, Franco. 1988-93&nbNew Forms Taschen 144 architecture: "The installation represents the work site of an enormous bNew Forms Taschen 155 Right RoTo Gcmim Learning Center Morristown. New Jersey. 1995 Uscd by the GemiNew Forms Taschen 156 Pages 166/167 Schweitzer BIM The Monument JoshuaTree, California. 1987-90New Forms Taschen 158 Cuba, in January 1995 gave rise to his Havana Project, which is a proposal forNew Forms Taschen 161 Ptges 170/171 Simon Ungers and Tom Kinslow T-House Wilton. Naw York. 1988-94 BNew Forms Taschen 165 Bottom lefr Hiroshi Teshigahara Tca Ceremony Numazu, Japan. 1992&nbsNew Forms Taschen 166 A finał, almost amusing example is that of Philippe Starck s, "La Flamme,New Forms Taschen 167 Bortom I.M.Pei Bell Tower Misono. Shiga. Japan. 1992 located at the end oNew Forms Taschen 170 Shapes for the Futurę Concentrating on Europę, the United States and Japan, thNew Forms Taschen 171 Pi ges 182/183 Tadao Ando Meditation Spać*. UNESCO Pan*, Franca, 1994-95 This New Forms Taschen 178 natural phenomena. I like the idea that architeaure comes f rom some sort of mNew Forms Taschen 179 varied as natural zinc, asphalt, plaster and concrete, often in unexpected comNew Forms Taschen 183 UH Steven Holi D.E. Shaw and Company Office New York. New York. 1991-92 The reNew Forms Taschen 187 the work of Hermann Finsterlin. Deborah Dietsch brings these Johnson referenceNew Forms Taschen 189 new, sophisticated attitude towards Modernism coming out of SCI-Arc, the avantNew Forms Taschen 199 Ptges 210/211 Erick van Egcraat Natiooalc Nederlanden and INC Bank BNew Forms Taschen 204 [i Tli lf I P f FI Ui- ttSf "?■ ~~ f || m W §■ * | * j i | Uś BNew Forms Taschen 207 Pagei218/219 Alvaro Sira Factory for Vitra Weil am Rhein, Germany, 1992-9New Forms Taschen 208 permanent than their designers intended. As cities expand and tight budgets prWybierz strone: [
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