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Screen shot 13 02 08 at 04 28 into reveric (this is perhaps the dcfinition of salon), is the simple
Screen shot 13 02 08 at 04 34 of language is perhaps this impotencc, or, to puc it posi-tively: lan
Screen shot 13 02 08 at 04 41 tograph, for the first timc, puts an cnd to this resistance: hcncefor
Screen shot 13 02 08 at 04 48 civc style”; but the Photograph breaks the "tonstirutive style”
Screen shot 13 02 08 at 04 55 Ali those young photographcrs who are at work in thc world, dctermine
Screen shot 13 02 08 at 05 03 cxplosion$, in short, of impaticnces, of cverything which denies ripe
Screen shot 13 02 08 at 05 11 this field and which I called the punctum I now know rhat there exist
Screen shot 13 02 08 at 05 17 graphs, in which 1 rcad a period contemporary wirh my youth, or with
Screen shot 13 02 08 at 05 23 42 precisely that hai been, and because I live in thc illusion that i
Screen shot 13 02 08 at 05 31 can continue to speak of "likeness" wichout ever having sce
Screen shot 13 02 08 at 05 38 same way, this photograph of my father as a child: noth-ing to do wit
Screen shot 13 02 08 at 05 44 I musc therefore submit to this law: I cannot pcnetracc, cannot reach
Screen shot 13 02 08 at 05 52 ,r<N.o impulse of power" R. Avedon: A. Philip RArrooLPH (Tius
Screen shot 13 02 08 at 05 59 see, consubstantial with hcr face, cach day of het long life. Perhaps
Screen shot 13 02 08 at 06 06 "How eon one have an inielligens <ur wisbout thinking of
Screen shot 13 02 08 at 06 15 The nocme of Photography i$ simplc, banał; no depth: "that has b
Screen shot 13 02 08 at 06 22 film cxaspetated mc; buc when Casanova began dancing wiih che young a
Screen shot 13 02 08 at 06 30 The other means of taming thc Photograph is to gcn-cralizc, to grcgar
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