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htdctmw 042 Just for fun, we thought we’d toss in The Kingpin also, to show you how to handle a
htdctmw 044 LETS DRAW THE FIGURĘ! This part is dynamite! So let’s not waste a second—!
htdctmw 045 Look, the first thing a fledgling artist needs is self-confidence. And here’s the way to
htdctmw 046 N- C Then, as you get morę and morę facile with your stick figures, you can start "
htdctmw 047 Notice how you can add ovals for the rib cage and the hips. Then, for the arms and legs,
htdctmw 048 earlier on? And here’s where we start fleshing him out again. Just add those c
htdctmw 049 Now then, for those of you who’ve mastered the cubes and its cousins, and for
htdctmw 050 (U As you can see, the same technique applies for any pose, any mood, and any 
htdctmw 053 Just being able to draw the figurę is only half the job. When you’re drawing comicbook s
htdctmw 054 Pay particular attention to the center linę drawn through the figurę from top to bottom.
htdctmw 055 Now let’s study some figures in motion and see which we like and which we don’t—and why.
htdctmw 056 Same thing goes for figures 2 and 2A. Both depict a character reacting to a punch in the
htdctmw 057 Even when characters are just standing, the same rules apply. Notice the figures on the
htdctmw 061 Steps 4) and 5)—as if we have to tell you!—are on the next page... Weil, we know you’re
htdctmw 062 Let’s follow those same five steps again, this time ending with a figurę of Spider-Man.
htdctmw 066 FORESHORTENING!THE KNACKOFDRAWING THE FIGURĘ IN PERSPECTRIE! This chapter’s a short one—
htdctmw 067 You hardly ever look at another figurę in a fiat perspective. There’s usually some part
htdctmw 068 As you analyze the figures on the facing page, notice how the cubes and cylinders always
htdctmw 071 Notę the two thighs of our black-garbed bad guy above. Obviously, in real lite they’d bo
htdctmw 073 DRAWING THE HUMAŃ HEAD! Or even the inhuman head— we’re not prejudiced!

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