Wyniki wyszukiwana dla hasla Paradiddle Power7
Paradiddle Power7 I I I I I I IPart 3: Single Paradiddles In Triplets With Cross-Sticking The follo
Paradiddle Power8 3 3 3 11“Si=E=st 3 3 12 r i ■ i -łi-CT s m d._ l
Paradiddle Power0 The fills in patterns 6 through 10 utilize single-paradiddle sticking around four
Paradiddle Power1 The fills in patterns 11 through 15 below utilize single paradiddles and cross-st
Paradiddle Power2 Part 5: Jazz Fills With Single Paradiddles In Triplets In the jaz z fills below,
Paradiddle Power5 r I I I I [SECTION 5: ADVANCED CONCEPTSDouble Paradiddles In 16th Notes RLRL RRLR
Paradiddle Power6 11 st : SD . LTmmm
Paradiddle Power9 1 Part 3: Double Paradiddles In 16th Notes With Cross-Sticking The next two pages
Paradiddle Power0 14 . — c =F — —n-n- IŁ 0 0 0
Paradiddle Power1 Part 4: Rock Fills With Double Paradiddles In 16th Notes The tollowing pages use
Paradiddle Power4 Part 5: Jazz Fills With Double Paradiddles In 16th Notes In the following jazz fi
Paradiddle Power7 SECTION 6: ADVANCED CONCEPTSTriple Paradiddles In Triplets RLR LRL RRL RLR / LRL
Paradiddle Power9 Part 2: Snare Drum, Two Rack Toms, Large Tom Four drums are used in the next ten
Paradiddle Power 1 Part 3: Tripie Paradiddles In Triplets Using Cross-Sticking Playing tripie paradi
Paradiddle Power 2
Paradiddle Power 3 Part 4: Rock Fills With Triple Paradiddles In Triplets Ali of the triple-paradidd
Paradiddle Power 5 The fili bars below use cross-sticking. BDiijjTjmji! . jj] fn^fnń]rnń r > rir
Paradiddle Power 6 Part 5: Jazz Fills With Triple Paradiddles In Triplets Here again, notę that only
Paradiddle Power 8 These finał fili bars use cross-sticking. Be surę the transition from the cymbał
Paradiddle Power 9 ■Yi-«Vf71.l ri—rtr ŁC*r f- r f S LRLLRLRLRLRLrf r f LRLLRLRL ABOUTTHE AUTHORJ71.

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