Wyniki wyszukiwana dla hasla carving�ce$ carving?ce! The Expressive Face 21 Fig. 39 Fig. 38 In Fig. 38, the nose has been developed, the -ostcarving?ce# The Expressive Face -■g. 43 Fig. 44 Carvings, unless they are portraitcarving?ce The Exaggerated Expression 25 Figs 48 and 49 show the early stages of the carving, tne ecarving?ce( 5RANGĘ OF EXPRESSIONS RELAXED Compare the face in Fig. 54 with the faciaI features diagrcarving?ce4 34 Rangę of Expressions In the tace of Falstaff, Fig. 70, these reactions are the only scarving?ce6 3 6 Rangę of Expressions SADNESS These two studies, Figs 75 and 77, arcarving?ce9 Rangę of Expressions 39 Figs 80-81 ANGER Figs 80 and 81 show the face of aggression in wcarving?ceE 45 Rangę of Expressionscarving?ceG wRangę of Expressions 47 In Fig. 94,1 have attempted to portray dignity and strength in carving?ceP 5 O Rangę of Expressions DETERMINATION Fig. 101 depicts the Gallic warcarving?ceS Rangę of Expressions CHARACTER Character in faces is a rather elusive thing to pin down.carving?ceV Rangę of Expressions The traces of concern on the Masa i warrior s face, Fig. 114, indic13979 m337$ Another carving from the Stadhuis in Leuven portrays a fully armoured knight ridingcarving?ce CONTENTS 1 Introduction 7 2 The Basic Face 9 3 The Expressive Face 18 4 Thecarving?ce The Basic Face Study the drawing and photograph in Figs 5 and 6. The tace is expressionlcarving?ce The Basic Face I1 Measurement becomes less precise v/ith a smali scalę, a cul of the chicarving?ce 14 The Basic Face fully measured and r :*• circles, Fig. 16. At this scarving?ce 3THE EXPRESSIVE FACE Having seen an example of a passive expression, and how it is creatcarving?ce! The Expressive Face 21 Fig. 39 Fig. 38 In Fig. 38, the nose has been developed, the -ostcarving?ce# The Expressive Face -■g. 43 Fig. 44 Carvings, unless they are portraitWybierz strone: [
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