Wyniki wyszukiwana dla hasla htdctmw 068 htdctmw 079 Drawing the good guy is, as you can probably tell, a somewhat formularized task. But drahtdctmw 082 Now we come to almost everybody’s favorite part—drawing the face of a pretty girl—and fehtdctmw 083 Place the eyebrow, but not too Iow—and employ a graceful curve. Bring chin forward htdctmw 084 Tell you what. We’ll operate on the honor system. John and I will take your word for thehtdctmw 086 Naturally, being able to draw a head is only part of it. The big thing is to be able to htdctmw 087 Never forget—once you learn the basie rules, it’s fun to change them and come up with yohtdctmw 088 But how about a little variety? Suppose we want to draw a morę sophisticated type, or anhtdctmw 089 Let’s say a story calls for a sophisticated villainess type. Okay, we make the jawline ahtdctmw 090 Just to make surę we haven’t missed anything, let’s give these important points to rememhtdctmw 091 DO learn to draw a mouth with a DON T try to draw bow lips. htdctmw 096 # Cali it composition, cali it layout, całl it design—it all adds up to one vitally impohtdctmw 101 Another vitally important element of design is the so-called “camera angle.” Obviously yhtdctmw 102 J. Jonah Jameson yelling at Peter Parker on the phone. Okay, but kind of blah. Diffhtdctmw 103 Let’s play a gamę. Let’s take a typical Marvel Comics situation—something that might haphtdctmw 104 • Now this is morę like it! Look at panel 1—look at this close-up of the monster breakinhtdctmw 108 DRAW YOUR OWN COMICBOOK RAGĘ! If we can do it— so can you!htdctmw 109 As far as we know, this is the first time this technique has ever been offered to anyonehtdctmw 110 This is where the artist starts building his figures, using the spheres, cubes, and cylihtdctmw 111 This is it—the “fleshing-out” process, which we discussed in Chapter Five. As you can sehtdctmw 112 Okay! Since you did such a great job on that one, let’s try another! This time let’s seeWybierz strone: [
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