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carving?ce The Exaggerated Expression 25 Figs 48 and 49 show the early stages of the carving, tne e
carving?ce( 5RANGĘ OF EXPRESSIONS RELAXED Compare the face in Fig. 54 with the faciaI features diagr
carving?ce4 34 Rangę of Expressions In the tace of Falstaff, Fig. 70, these reactions are the only s
carving?ce6 3 6 Rangę of Expressions SADNESS These two studies, Figs 75 and 77, ar
carving?ce9 Rangę of Expressions 39 Figs 80-81 ANGER Figs 80 and 81 show the face of aggression in w
carving?ceE 45 Rangę of Expressions
carving?ceG wRangę of Expressions 47 In Fig. 94,1 have attempted to portray dignity and strength in
carving?ceP 5 O Rangę of Expressions DETERMINATION Fig. 101 depicts the Gallic war
carving?ceS Rangę of Expressions CHARACTER Character in faces is a rather elusive thing to pin down.
carving?ceV Rangę of Expressions The traces of concern on the Masa i warrior s face, Fig. 114, indic
carving?ceb 62 Working Examples You may well feel that at the moment you are technically unequipped
w01) The South door ofthe ca thedral a t Bari in Southern Italy possesses early I2th-centu
PROJEKT UE „PODKARPACIE STAWIA NA ZAWODOWCÓW” KURS CARVINGU Wojewódzki Urząd Pracy
essent?rving?05 CHAPTER 1TOOLS AND EQUIPMENT The Differences between Carving and Carpentry Chis
essent?rving?17 T O O i. S AND E Q U I P M £ N T -.26 A benchscrew in use with a błock of : being us
essent?rving?44 CHAPTER 3FIRST CUTS: CHIP CARYING The Great Variety of Carving Tools Although sculpt
essent?rving?53 CHAPTER 4CARVEDMOULDINGS The carving of architectural and frame mouldings, while res
essent?rving?65 CHAPTER 5FOLIAGE:COPYING A NATURAL LEAF IN WOOD The usc of foliage as a subjcct for
essent?rving?73 CHAPTER6 CARVING TRADITIONAL FOLIAGE The essence of art is to express what is intend
essent?rving?14 ESSENTIAL WOODCARNING TECHNIQUES 1 Base flattened before beginning carving. downward
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