Wyniki wyszukiwana dla hasla htdctmw 046 htdctmw 115 How did you do? Better than you expected, eh? If so, congratulations, If not, don’t worrhtdctmw 118 As you can imagine, the cover is probably the single most important page in any comicboohtdctmw 119 Because of the importance of the cover, and because it serves as a full-color advertisemhtdctmw 123 THE ART OFINKING! No matter how beautifully a page may be drawn in pencil, it cannot be htdctmw 124 Inking can tend to be tiresome, and it requires relentless concentration. Therefore, youhtdctmw 125 Your best bet is to become equally facile with both pen and brush. The pen is easiest whhtdctmw 126 Here’s a well-inked panel, shown the size it was originally worked on, and then reduced htdctmw 127 Here we’ve taken the same panel and overworked it—used too many blacks and too many linehtdctmw 128 Using the same penciled drawing once again, we go to another extreme. This time the inkehtdctmw 129 Sometimes a penciler indicates in his penciled drawings where the black areas should go.htdctmw 130 Now let s analyze two morę typical panels through the use of simplified diagrams. In thehtdctmw 131 Here’s a different application of blacks. On the previous page we saw the black areas ushtdctmw 132 Hey, how lucky can we be! Here’s a perfect example of the use of blacks to create a certhtdctmw 133 For our finał two examples, notice how this first picture is handled with extreme rhtdctmw 134 Weil, that wraps it up for now, gang. Naturally, we’ve only been able to scratch the surhtdctmw 135 BIBLIOGRAPHY Suggested books to study for morę detailed instruction on the various subjehtdctmw 136 Perspective Cole, Rex, Perspective for Artists (Dover).Animal Drawing Hamm, Jack, How tohtdctmw 137 ACKNOWLEDGMENTS The illustrations used in this book were drawn by the following artists,htdctmw 138 780671"530778HERE S SOME PAN DEMON IOUS PUFFERy FROM THE PUBLISHER... Stan LeePIOTR KAROL Ul. Obrońców Tobruku 35/408 Warszawo, 03-C98 Tel. dom. (22)046-40-64 Tel. kom.Wybierz strone: [
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