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oak sih6 ffagments of it survive and provide us with reason to suppose that tliis great sword, too
oak sih7 89 Figurę 78. Lato 1 lth-century sword showing a once-inlaid mark, almost certainly a repr
oak sih9 Figurę 79. A "Grant Espee" par excellence, Kunsthistorisches Museum, Yicnna
oak sih 1 93 "fashion," not vcry transient, for belts were attached this way from circa 12
oak sih 2 94 94 Figurę 81. Hilt of the sword from the cofFin of a Prince of Castile, Fernando de la
oak sih 3 95 and probably make a guess in the end. I will set down a few bits of this literary evide
oak sih 4 96 96 Figurę 84. A splendidly preserved X111A from the Burrell Collection, Glasg
oak sih 5 97 Swords of these dimensions, then, may legitimately bc considered to be two-handcrs; and
oak sih0 102 102 "A youth must have seen his blood flow and felt his teeth crack under thc blo
oak sih9 111 Figurę 95. Complete "Gestech" armour. This shows well the smali shield madę
oak sih2 114 Figurę 96. Types XIV, XV, and XVA
oak sih5 117 I have drawn a diagram of the types I will describe, in Fig. 96. These are XIV, XV, an
oak sih6 118 The ncxt Type XIV sword, in even finer condition, is now, I believe, in the Nationalmu
oak sih7 119 119 The third one (Fig. 101) is in most ways a perfect example of the rype, though it
oak sih9 121 Figuro 102. From thc tomb-effigy of Count Robert d Artois, in thc Abbey of St. De
oak sih1 123 123 the production of effective hand-firearms) after c. 1550, it was on its way to the
oak sih2 124 over thc thighs with breeches ending just above the knee. These breeches werc madę of
oak sih3 125 On the head would be a "bassinet" shaped like the old-style "Norman&quo
oak sih4 126 126 Figurc 108. A XVIA, also from London, once destroycd bm now restored by
oak sih5 127 127 Figurę 109. A XVIA of a distinctive Danish style. National Museum, Copcnhagen

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