Wyniki wyszukiwana dla hasla 29381 New Forms Taschen 139 New Forms Taschen 142 IIya Kabakov "C est iei que nous vivons“ (This is whcrc we live) Centre GNew Forms Taschen 143 Jean-Piorre Raynaud Humań Space Museum Ludwig. Cologne, Germany. 1995 In thiNew Forms Taschen 144 architecture: "The installation represents the work site of an enormous bNew Forms Taschen 146 asked why he feels that art movements that reached their high point twenty yeaNew Forms Taschen 148 Architect/Artists and Artist/Architects Frank O. Gehry s thoughts about the inNew Forms Taschen 150 Page 161 Oan Craham "Two-Way Mirror Cylinder Inside Cube" Oia CenterNew Forms Taschen 151 shape that an architect or an artist can imagine, so why not a vividly coloredNew Forms Taschen 152 ahead. So, without planning, we built this huge tree house 40 or 50 feet off New Forms Taschen 153 1 V David Hocknoy Double Entrance* Oil on 2 caiwases 183 *427 cm, 19New Forms Taschen 154 the lines between art and architecture, Richard Meier replies, "No. I m nNew Forms Taschen 155 Right RoTo Gcmim Learning Center Morristown. New Jersey. 1995 Uscd by the GemiNew Forms Taschen 156 Pages 166/167 Schweitzer BIM The Monument JoshuaTree, California. 1987-90New Forms Taschen 158 Cuba, in January 1995 gave rise to his Havana Project, which is a proposal forNew Forms Taschen 159 Right Frank Stella "Watson and the Shark” Aluminum on iron base Overall: New Forms Taschen 161 Ptges 170/171 Simon Ungers and Tom Kinslow T-House Wilton. Naw York. 1988-94 BNew Forms Taschen 162 Lebbeus Woods Havana Project Havana. Cuba. 1995 (project) Lebbeus WoNew Forms Taschen 163 Tadashi Kawamata Roosovelt Island Project New York, New York, 1992 KNew Forms Taschen 164 Although Kawamata vigorously rejects any relationship between his use of wood New Forms Taschen 165 Bottom lefr Hiroshi Teshigahara Tca Ceremony Numazu, Japan. 1992&nbsNew Forms Taschen 166 A finał, almost amusing example is that of Philippe Starck s, "La Flamme,Wybierz strone: [
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