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Screen shot 13 02 08 at 01 38 ii.. »» I-’ This longing to inhabit, if I obscnre it dearly in mysclf
Screen shot 13 02 08 at 01 08 our mythic dcnial of an apprchcnsion of dcath), Photog-raphy is a kin
Screen shot 13 02 08 at 01 15 acrobat, must defy thc laws of probabilicy or even of pos-sibility; a
Screen shot 13 02 08 at 01 23 Yet the mask is the diflicult region of Phorography. Society, ii sccm
Screen shot 13 02 08 at 01 31 cantilc naturę, the scmiology of Photography is therefore limited to
Screen shot 13 02 08 at 01 45 shifts his close-ups of genitalia ftom the pomographic to the erotic
Screen shot 13 02 08 at 01 52 I The ttr*pp«d purnps James Van ona Zbe. Family Po*trait. 1926 0954);
Screen shot 13 02 08 at 01 59 Wii uam Klein: LtiTle Italy. New York. «9J4 Ccrtain dctails may "
Screen shot 13 02 08 at 05 38 same way, this photograph of my father as a child: noth-ing to do wit
Screen shot 13 02 08 at 00 01 pher; but I hadn’t—I don’t like all o f Mapplethorpc. Hcncc I could n
Screen shot 13 02 08 at 03 01 Now, one Novembcr evening shortly after my morher’s death, I was goin
Screen shot 13 02 08 at 58 32 i V Ćf-u/r/t/j i Pa i U Z c H r i Specialty of tbe Photograph
Screen shot 13 02 08 at 58 42 .Sdtory After-tbe-Fact and Silence Blind Field Palinodc RT Two "
Screen shot 13 02 08 at 58 50 ; UcLiiśJk P.W.MWrr-ff- One day, quite somc cimc ago, I happencd on a
Screen shot 13 02 08 at 59 00 Who could help me? From the First step, that of classification (wc mu
Screen shot 13 02 08 at 59 10 p amorous or funereal immobility, at the very heart of the moving wor
Screen shot 13 02 08 at 59 19 laiaJUBlMM sonal impulscs, I would try to formulate the fundamenta! f
Screen shot 13 02 08 at 59 29 hole" (stenope) through which he looks, limits, frames, and pers
Screen shot 13 02 08 at 59 36 apart from any effigy. What I want, in short, is that my (mobile) ima
Screen shot 13 02 08 at 59 45 image-repertoire, thc Photograph (thc one I intend) rep-resents that

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