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m1365 characteristic of German infantry. (Carving of ‘Guards at Christ’s Tomb’, c.1345, Musee de&nbs
m337 The remarkable mid-15th century carvings on the front of the Stadhuis in Leuven are 
m337$ Another carving from the Stadhuis in Leuven portrays a fully armoured knight riding 
m1365 characteristic of German infantry. (Carving of ‘Guards at Christ’s Tomb’, c.1345, Musee de&nbs
m337 The remarkable mid-15th century carvings on the front of the Stadhuis in Leuven are 
ghoststorypattern GHOST STORY 1.    Save the pattern and refer to lt whilc carving. 2
brickDM2510F8x521 torso. carving an hourglass out of a square. Ifs vital thatyou only ever show
carving?ce Books by the same author Fundamentals of Figurę Carving Techniques of Creative Woodcarvi
carving?ce 7INTRODUCTION There are few things in the world morę imbued with ascination, intrigue, m
carving?ce 8Introduction ter of the person. In the past, the pseudo-science ot physiognomy believe
carving?ce 2THE BASIC FACE n s E 5e ore we can progress in the carv-e rz o i expressions it is nece
carving?ce The Basic Face I1 Measurement becomes less precise v/ith a smali scalę, a cul of the chi
carving?ce Fig. 13 Fig. 14The Basic Face 13 One morę smali area is removed, Fig. 12, and the face i
carving?ce 14 The Basic Face fully measured and r :*•    circles, Fig. 16. At this s
carving?ce The Basic Face 1 7 •lis with a diamond burr (Fig 24). Next, drill a fairly deep hole for
carving?ce 3THE EXPRESSIVE FACE Having seen an example of a passive expression, and how it is creat
carving?ce! The Expressive Face 21 Fig. 39 Fig. 38 In Fig. 38, the nose has been developed, the -ost
carving?ce 22 The Expressive Face In Fig. 41 the forehead corrugations are formed using a knife to
carving?ce# The Expressive Face -■g. 43    Fig. 44 Carvings, unless they are portrait
carving?ce The Exaggerated Expression 25 Figs 48 and 49 show the early stages of the carving, tne e

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