Picture 7

Track O Masters of Metal

A faeavy/thrasb meta) style-* workout in tlie key of K usiug eoatrastiug fast and slow tempos. The stabs a( (be beginning ul łbe chord progression an* ideał for tremolo cffeels, dive bomb hurmonics. piak serapes. and a. II the usnal heavy rock guilar tricks. For tlie riiuin sectiuns alf five positions of the K minor pentatonic will lii periodly. Alłemativclv try tlie K natura) minoi scalę 01 (In:

A harmonie minor scalę (widi a sbarp 7lh -Oli). lor dra mai ic ‘easłern' suundmg resuJls, The tonę sikmld be very distoried wid linek, perhaps willi a sliort slapback echo and wab, for an authentk* Metalliea-type sound. The itilr/o section is repeated S limes łiefore the A5 chord liff, The entire part is repeated hefore the slow Km7 section (section 3),

Intro

||; £6    | /_m | F5/G5/F5 | F5/G6/F6    ;||

Section 2

Ol

Section 3

8b5/C5/Bb51 Bb5/C6/Bb5 |

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Track 0 tam pm

Jt's serious over-indulgenoe linio willi this Skina On-style blues progression in tlie key of C tninoi great lor those Gilmour-escjuo pen talonie phrascs. Ali live positions of the G minor pentatonic scalę will lit perleetJy, ('bough tlie C natural minor gives extra potential lor melodie developn»ent. II you re feeliiig reatty adceiiturous^U^^^owiNueului^ vvitk the C łłamioiuc unnor using the sharp 7th (F#). The lirst minutę or so ol this traek is playi^l wilii uu drums or eount. giying u ehauee lor uiuhient free-time soloiug. Wlieu the dmrns begin. try aecentiug some phrases witłi tlie snare beat. Don t be afraid to leave lots olspaee belwoen phiases -this also gives you morę time to think up tlie next melodie run! The outro is just a Gm choid.

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Section 1

ll^: Sm	□ E	I 7 I	t II
II ^Cm	TH	I ^Gm i	TTHI1
inr—	| Din	I ^c,n I	__31
EU	~T^~T	| Cm/Cm/GflJ	^08 :ii