Piotr Piotrowski
Globalizacja historii sztuki
Harmonogram ZMIENIONY:
Wykład inauguracyjny: 11.10.2012
Sztuka globalna: 8.11.2012 [pp. Agnieszka Dulęba, Sebastian Gawłowski]
Hans Belting, „Contemporary Art and the Museum in the Global Age”, w: Peter Weibel, Andrea Buddensieg…
Hans Belting “Contemporary Art as Global Art. A Critical Estimate”, w: Hans Belting, Andrea Buddensieg…
Barel Madra “Reflections on the Global South”, w: Peter Weibel, Andrea Buddensieg (eds.)…
Charlotte Bydler, “Global Contemporary? The Global Horizon of Art Events”, w: Jonathan Harris (ed.)…
Malcolm Bull, “The Two Economies of World Art”, w: Jonathan Harris (ed.)…
Globalna historia sztuki: 15.11.2012 [p. Zofia Płoska]
James Elkins, “Why Art History is Global”, w: Jonathan Harris…
Monica Juneja, „Global Art History and the `Burden of Representation'”, w: Hans Belting et al….
Kitty Zijlmans, “The Discourse on Contemporary Art and the Globalization”, w: Kitty Zijlmans, Wilfried van Damme (eds.)…
Kitty Zijlmans, „An Intercultural Perspective in Art History: Beyond Othering and Appropriation,” w: James Elkins (ed.)…
Instytucje globalnej kultury artystycznej: 29.11.2012 [pp. Zofia Biernacka, Dominika Witkowska]
Charlotte Bydler, The Global Art World inc…. ss. 85-157.
Thomas Filitz “Contemporary Art of Africa: Coevalness in the Global World,” w: Hans Belting, Andrea Buddensieg…
Joaquin Barriendos „Geopolitics of Global Art: The Reinvitation of latin America as a Geoaestetic Region”, w: Hans Belting, Andrea Buddensieg…
Boris Groys, „From Medium to Message. The Art Exhibition as Model of a New World Order,” w: Open…
Charles Esche, „Making Art Global: A Good Place or a No Place?”, w: Rachel Weiss…
Okwui Enwezor “Mega-Exhibitions and the Antinomies of a Transnational Global Form”, w: Elena Filipovic (ed.) [tamże: George Baker “The Globalization of the False: A Response to Okwui Enwezor]…
Kondycja post-kolonialna: 6.12.2012 [p. Mikołaj Getka-Kenig]
ZMIANA TERMINU !!!
Rasheed Araeen „Art and Postcolonial Society”, w: Jonathan Harris (ed.)…
Rasheed Araeen “A New Beginning: Beyond Postcolonial Cultural Theory and Identity Politics”, w: Araeen, Rasheed et al. (eds.) …
Rasheed Araeen, “Our Bauhaus Other' Mudhouse”, Third Text, No. 6, Spring 1989, pp. 3-14. Przedruk w: Hans Belting, Andrea Buddensieg…
Gerardo Mosquera “the Marco Polo Syndrome: Some problems around Art and Eurocentrism” w: Elena Filipovic et al. (eds.)…
Wielość modernizmów: 13.12.2012 [pp. Aryna Ostashova, Ewelina Oleszek] ZMIANA TERMINU!!!
Ming Tiampo “Cultural Mercantilism. Modernism's Means of Production: the Gutai Group as Case Study,” w: Jonathan Harris (ed.)…
Partha Mitter, “Intervention. Decentering Modernism: Art History and Avant-Garde Art from the Periphery,” The Art Bulletin (tamże: Rebecca M. Brown, “Response. Provincializing Modernity: from Derivative to Foundational” oraz Saloni Mathur, “Response. Belonging to Modernism,”)…
John Clark, “Beyond Euramerica”, w: Peter Weibel, Andrea Buddensieg (eds.)…
Jim Supangkat “Multiculturalism/ Multimodernism”, w: Elaine O'Brien (ed.)…
Bibliografia:
Araeen, Rasheed et al. (eds.) The “Third Text” Reader on Art, Culture, and Theory, London: Continuum, 2002.
[Mitter, Partha, guest editor] The Art Bulletin, Vol. XC, No. 4, December 2008.
Belting, Hans et al. (eds.), Global Studies. Mapping Contemporary Art and Culture, Ostfildern: Hatje Canz, 2011.
Belting,Hans; Buddensieg, Andrea (eds.), The Global Art World. Audiences, Markets, and Museums, Ostfildern: Hatje Cantz, 2009
Benningsen, Silvia von, et al., Global Art, Ostfildern: Hatje Canz, 2009;
Bydler, Chartlotte The Global ArtWorld Inc. On the Globalization of Contemporary Art, Uppsala: Uppsala University, 2004.
Elkins, James (ed.) Is Art History Global? New York/ London: Routledge, 2007.
Elkins, James et al. (eds.) Art and Globalization, The Pennsylvania State University, 2010.
Filipovic, Elena et al. (eds.) The Biennial Reader, Ostfildern: Hatje Cantz, 2010.
Harris, Jonathan (ed.) Globalization and Contemporary Art, Chichester: Wiley-Blackwell, 2011;
Mercer, Kobena (ed.) Cosmopolitan Modernisms, London/ Cambridge MA: INIVA/ The MIT Press, 2005.
O'Brien, Elaine et. al (eds.), Modern Art in Africa, Asia, and Latin America. An Introduction to Global Modernisms, Chichester: Wiley-Blackwell, 2013
Onians, John (ed.) Compression vs. Expression. Containing and Explaining the World's Art, Williamstown MA: Sterling and Francine Clark Art Institute, 2006.
Open. Cahier on Art and the Public Domain, 2009, No. 16: “The Art Biennial as a Global Phenomenon”.
Stallabrass, Julian Art Incorporated. The Story of Contemporary Art, Oxford: Oxford University Press, 2004.
Weibel, Peter; Buddensieg, Andrea (eds.) , Contemporary Art and the Museum. A Global Perspective, Ostfildern: Hatje Cantz, 2007
Weiss, Rachel (ed.) Making Art Global (Part 1). The Third Havana Biennial, 1989, London: Afterall, 2011.
Zijlmans, Kitty; Damme, Wilfried van (eds.) World Art Studies: Exploring Concepts and Approaches, Amsterdam: Valiz, 2008