English literature II study guide 2019


English literature Year II

Study guide

Prerequisites: names (first names and surnames) of the authors, titles of the main works. Spelling mistakes in the names of the writers will result in point deduction. General chronology - the ability to place an author in the appropriate century.

  1. Cavalier Poet, Ben Jonson and Sons of Ben: main themes (as listed by Herrick in “Argument of His Book” and others). Cavalier vs. Metaphysical poetry.

  2. Jacobean Tragedy John Ford, `Tis Pity She is a Whore' (1633): Jacobean drama and theatre, tragedy of revenge, presentation of suffering and perversity, the theme of incest, the irony of the title. Intertextual echoes.

  3. Milton: conventions of the EPIC POEM, features of Milton's verse (epic simile, blank verse), invocation to the Deity and statement of the author's theme, the presentation of Satan, light vs. darkness imagery. The theme of temptation and fall (Book 9).

  4. The Augustan Age - the neoclassical ideals. Horatian and Juvenalian satire. The mock-epic- the definition and examples. Heroic couplet.

  5. Alexander Pope, The Rape of the Lock: heroicomical poem, mock-heroic/mock-epic conventions, the role of the Sylphs, zeugma, Belinda's dressing table, conventions of the epic poem ridiculed (invocation, statement of the theme, epic question and answer).

  6. Horace Walpole, The Castle of Otranto: Gothic novel - features, the concept of the sublime, Gothic villain, Gothic representations of women, Catholic background, Gothic setting, ancient prophecy.

  7. The birth of the novel - social and historical context. The similarities and differences with the earlier genres (the epic, the romance). First vs. third-person narrative.

  8. Daniel Defoe, Moll Flanders. Picaresque novel, novel of character, reliability of the 1st person narration, themes. Realities of life in the 18th century England, crime, poverty, money, inequality between men and women.

  9. Samuel Richardson, Pamela. Epistolary novel, bourgeois novel, (un)reliability of the 1st person narrative, presentation of the middle-class society (Pamela) vs. the rakish squire (Mr B.), didactic quality of the novel.

  10. Henry Fielding, Tom Jones - characteristics of the main hero, Fielding's moral code.

  11. Laurence Sterne, Tristram Shandy. Sentimental novel - theme and style.

  12. William Blake - innocence and experience, use of symbols.

  13. Romanticism - main features, Lyrical Ballads 1798. Two generations of Romantic poets.

  14. Wordsworth - nature, main subjects, folklore, children, ballad, poetry as `emotion recalled in tranquility'. `Supernaturalizing the natural'; insights of childhood, place of memory and imagination, pantheistic attitude to Nature - as exemplified by the selected poems.

  15. Coleridge: The Rime of the Ancient Mariner - `naturalizing the supernatural', depiction of God, man and nature. Themes: crime and punishment, sin and redemption. Kubla Khan - sublime landscape, the role of the poet.

  16. Byron and the Byronic hero. Don Juan as a metacommentary on the epic tradition. The use of ottava rima (octave). Features of the Byronic hero.

  17. M. Shelley, Frankenstein - various dimensions of monstrosity, scientist's responsibility, Gothic elements.

  18. P.B. Shelley. role of poetry, terza rima, political ideals.

  19. John Keats - negative capability, medievalism, synaesthesia, the theme of art vs. life, mortality vs. immortality; permanence vs. impermanence.

  20. Jane Austen - the novel of manners, the historical context, society's attitude towards women writing and reading. Love, marriage and money. Class and snobbery. Classical and Romantic values. Irony.

  21. E. Brontë: multiple narration, Gothic elements in the novel, Romantic elements in the novel, the symbolism of the moors, revenge motif (revenge tragedy), the significance of the two houses: the Heights and the Grange, Heathcliff as a Romantic hero (Byronic hero), the significance of the story of Catherine in the story of Cathy: parallels and contrasts.

Sample questions:

“Sisters and brothers, little Maid,

How many may you be?”

“How many? Seven in all,” she said,

And wondering looked at me.

1. Identify the name, the title and the literary era when the poem was written.

William Wordsworth, “We Are Seven”, Romanticism.

2. What is the main point of the argument between the speaker and the little girl?

The girl insists there are seven siblings in her family, even though two of them are dead.

3. What position, characteristic for these times, do the little girl's views illustrate?

Her insistence on the fact that the dead siblings are still a part of her family illustrates the Romantic belief that the people who are not members of the educated elite (country-folk, children, insane etc.) have direct access to more important truths about the world, something that the educated fail to see.

4. What is terza rima and what famous English poem uses it?

Terza rima is a three-line stanza with the rhyme scheme aba bcb cdc. It was used by Percy Bysshe Shelley in his “Ode to the West Wind”.

5. What were the neoclassical ideals of literature?

Neoclassicism derives its name from the fact that the ancient (classical) literature was considered to be the ideal all writers should aspire to. This era valued harmony and the golden mean, which could be achieved by following reason and nature. It believed in precise and elegant style as well as good taste. Neoclassical critics believed that literature was a kind of craft that had to be mastered - literary genres were strictly codified and writers had to learn how to write them.



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