Metaphysical Poetry
name:
Dryden was the first to apply the term
metaphysical means dealing with the relationship between spirit to matter or the ultimate nature of reality;
"meta-physics" by Aristotle: sphere of learning "after-physics"; dealing with the world as a whole (spirit and matter);
features:
extravagant conceits (or witty comparisons) and his tendency towards hyperbolic abstractions
Samuel Johnson: 'a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike'; causing a shock to the reader by the strangeness of the objects compared
T. S. Eliot argued that their work fuses reason with passion; it shows a unification of thought and feeling which later became separated into a 'dissociation of sensibility'
wit and fancy
puns, paradoxes, anaphors; hyperboles (excessive utterances); anithesis; oxymorons
terminology (diction) often drawn from science, law, alchemy
rhetoric important again: a system teaching the art of composition and self-expression; poets to delight, teach and to persuade;
- topics:
love themes challenging Petrarchan conventions or neo-Platonic ideas (spirit bit less important than the body)
love as a game
love as a religion; religion as love
rediscovery of the body and soul
Metaphysical poets
John Donne
themes:
new way of saying conventional things
love and salvation
desire for love
sinfulness
fighting against mortality
erotic love (love of the body; goal is sexual intercourse)
love as a game
body and soul
rejection of the neo-Platonic ideas for Ovidian amor
women as inconstant, adulterous;
mutual love transcends transitory matters
spiritual union in love (private and cosmic)
roles of the `speaking I': lover, rake / libertine, cynic
inconstancies because of the conflict of contraries
discoveries (New World discovered and explored)
intense and intimate relationship with God (sexual lg?)
Songs and Sonets 1590; Divine Poems; Holy sonnets, Anniversaries
individual poems: "Song. Go and catch a falling star";"Valediction: Forbidding Mourning"; "The Flea"
George Herbert
a devotional poet
themes:
conflicts of devotion and rebellion
spiritual lover's joys and sorrows
the material world vs spiritual dimension
using Earthly images for spiritual metaphors
worldly life and Christian values
the price of belief and rebellion
Christian devotion and subordination
"The Temple: Sacred Poems and Private Ejaculations";
individual poems: "The Pearl"; "The Collar"
Andrew Marvell:
only thematically belonging to the Cavaliers
themes:
gardens and country life
relation of body and soul
love expressed by means of cosmology and mathematics (fulfillment of love only in eternity)
sexual pleasure; seduction
carpe diem and fear of extinction
transitoriness of pleasure
reflections on the brevity of happiness
individual poems: "Horatian ode"; "The Definition of love"; "To His Coy Mistress":
Cavaliers
celebrating the life and value of Charles I;
celebrating life;
minor pleasures and grievances in life
the court as inspiration
Andrew Marvell (questionable as explained); Thomas Carew, Robert Herrick, John Suckling, Richard Lovelas, Thomas Traherne; Richard Crashaw (Cavalier in chronological belonging; in poetry closer to Donne); Henry Vaughan (same)
Various outlooks on love (recommended reading):
Donne
The Good-Morrow: New love celebrated.
The Sunne Rising: Love fulfilled and celebrated.
The Anniversarie: Love in relation to time.
The Canonization: Love as a new religion.
A Valediction: The consolation of love on parting.
A Nocturnall: A meditation on the lover's desolation.
Herbert
Jordan: Religious devotion versus secular love.
The Pearl: God's love for man.
The Collar: The inevitability of God's love.
The Flower: The severity and grace of a loving God.
Love: The love of Christ the Host.
Marvell
The Coronet: Religious devotion versus secular love.
Bermudas: The mercy and bounty of God's love.
To His Coy Mistress: Sexual love and the brevity of life.
The Definition of Love: A display of the love of wit.
The Garden: Reasonable contemplation as a retreat from passion.
Recommended reading:
Corns, Thomas N. (ed.) 1998. The Cambridge Companion to English Poetry: Donne to Marvell. Cambridge: Cambridge University Press.
Sikorska, Liliana. 2007. A short history of English Literature. Poznań: Wydawnictwo Poznańskie.
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