Paul E Muller Ortega Born of the Yogini's Heart

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BORN

OF THE YOGINI'S HEART:

REFLECTIONS ON THE NATURE

M E D I T A T I O N AND R I T U A L IN A B H I N A V A G U P T A 'S P T L V

Paul E. M u l l e r - O r t e g a

D e p a r t m e n t of R e l i g i o u s S t u d i e s

304 L i n t o n Hall

M i c h i g a n S t a t e U n i v e r s i t y

E a s t L a ns i n g , M i c h i g a n 4 8 8 2 4 - 1 0 4 4

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TABLE OF CONTENTS:

I.

I N T R O D U C T I O N

II.

T H E H E A R T OF SIV A

III. T H E G O D D E S S IN T HE HEART: V I S A R G A

IV.

H R D A Y A N G A M I B H U T A : E X P E R I E N T I A L R E P L I C A T I O N

V.

B O R N OF THE Y O G I N I ' S HEART: M E D I T A T I O N A ND R I T U A L

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BORN

OF THE YOGINI'S HEART:

REFLECTIONS ON THE NATURE OF

M E D I T A T I O N A ND R I T U A L IN A B H I N A V A G U P T A 'S P TL V

I . I n t r o d u c t i o n

In

his

m a s s i v e s t u d y e n t i t l e d

A b h i n a v a g u p t a :

An

H i s t o r i c a l a n d P h i l o s o p h i c a l S t u d y ,

K.C.

P a n d e y r e c o u n t s

the t r a d i t i o n a l s t o r y w h i c h h as it that A b h i n a v a g u p t a

w a s

n ev e r

s ee n

to

die,

b u t r a t he r d i s a p p e a r e d

a l o n g

w i t h

t w e l v e

h u n d r e d

d i s c i p l e s into a c av e in

t he

m o u n t a i n s .

T h e p a s s a g e r e a d s as foll ow s:

U n l i k e w h a t has b ee n w r i t t e n so far,

we h a v e no

o t h er

a u t h o r i t y

than that of t r a d i t i o n for w h a t we are g o i n g

to

w r i t e in the f o l l o w i n g few lines.

W e h a v e not

so

far

b e e n a b l e to trace a n y w r i t t e n a u t h o r i t y on

w h i c h

this

m a y h a v e b e e n o r i g i n a l l y

b as ed .

T h e

t r a d i t i o n ,

which, as we p o i n t e d o ut b ef o re , is c u r r e n t not o n l y in

the

old

P a n d i t f a m i l i e s b u t a l s o in s om e of

the

old

M u s l i m

h o u s e s in the l o ca li ty ,

says that on one

d a y

A b h i n a v a g u p t a , after f i n i s h i n g his work, as he thought,

a l o n g

w i t h

t we lv e h u n d r e d d i s c i p l e s w a l k e d

into

the

B h a i r a v a

c a v e and w as ne ve r s ee n agai n.

T he c a v e

is

t he r e e v e n now.

It is a bo u t five m i l e s f r o m Mag am ,

a

p l a c e

m i d w a y b e t w e e n S r i n a g a r and G u l m u r g .

A v i l l a g e

in

its

n e i g h b o u r h o o o d and a b r o o k r u n n i n g d o w n

b e l o w

the hill,

w h e r e i n the c a v e is,

b o t h a re k n o w n by

the

n am e

B h l r u v a ,

and so is the c a v e itself.

T he w r i t e r

v i s i t e d

the

l o c a l i t y and w e n t into the

c a v e

als o. ..

D o w n the hill w as a c c i d e n t a l l y s ee n a r e l i g i o u s

m i n d e d

and

long

b e a r d e d M o h a m m e d a n ,

b e n t d o u b l e

w i t h

age,

s l o w l y w a l k i n g r e c l i n i n g on his s l e n d e r stick.

He w as

a p p r o a c h e d

a nd

q u e s t i o n e d

if he k n e w

or

h ad

h e a r d

a n y t h i n g a b o u t the cave.

T h e o n l y i n f o r m a t i o n , that he

c o u l d _ g iv e

was:

"I h e a r d f ro m m y g r a n d

f a th er

that

A b n a c a r l

w e n t

into

it

a l o n g ^ w i t h

t w e lv e

h u n d r e d

d i s c i p l e s b u t never d id r et u rn . "

T hi s

f r a g m e n t

is i m p o r t a n t to the H i s t o r i a n of

R e l i g i o n

w h e t h e r it is " h i s t o r i c a l l y " a c c u r a t e or not.

I nd eed, we

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4

m i g h t

a l m o s t be t e m p t e d to d o u b t its h i s t o r i c a l

a c c u r a c y

p r e c i s e l y

b e c a u s e

it fits so n e a t l y

into

the

s y m b o l i c

m a t r i x

of

A b h i n a v a g u p t a 's

t ho ug h t.

T h e

n o t i o n

of

d i s a p p e a r i n g

into the

c a v e links the t h e me s of the

c av e

or

a b y s s

(g u h a ) ,

w i t h the t r a d i t i o n a l s y m b o l i s m of

the

2

c a v e

of

the

H e a r t (h r d a y a ) .

T h e c l a i m s

m a d e

in

the

p a s s a g e

c o n c e r n i n g

A b h i n a v a g u p t a 's

s u p e r n a t u r a l

t r a n s c e n d e n c e

of

the

h u m a n

c o n d i t i o n ,

h is

a p p a r e n t

b y p a s s i n g

of

the

u su a l

p a s s a g e

into

d e at h,

d e n o t e

p r e c i s e l y

his

p e r c e i v e d

s t a t u s

as

an

a c c o m p l i s h e d

m a h a s i d d h a ,

a

p e r f e c t e d o ne w h o h as c a p t u r e d the c av e of

the Heart, the a b o d e of B h a i r a v a , the sky of c o n s c i o u s n e s s

itself.

He

is

one

w h o h as

c o n s c i o u s l y

and

d i r e c t l y

r e e n t e r e d the p r i m o r d i a l sou rc e.

T h i s m y t h - f r a g m e n t , w h i c h has s u r v i v e d for a l m o s t a

m i l l e n i u m m a i n t a i n e d by local K a s h m i r i

t r a d i t i o n ,

p o i n t s

d i r e c t l y

to the c e n t r a l s y m b o l i c c o m p l e x a s s o c i a t e d

w i t h

A b h i n a v a g u p t a 's t a n t r i c f o r m u l a t i o n s :

to e n t e r the h e a r t -

c a v e

is to u n i t e w i t h

the G o d d e s s ;

to e n t e r the

h e a r t -

c a v e

is

to

a s c e n d

to

the

m o s t

e x a l t e d

le ve l

of

c o n s c i o u s n e s s ,

to

r e t u r n

to

the

G o d d e s s

w h o

is

the

c r e a t i v e

p o w e r

and

the

e x i s t e n t i a l

m a t r i x

of

that

c o n s c i o u s n e s s .

A d e n s e n e t w o r k of s y m b o l i c e q u i v a l e n c e s

is

to be fo un d here.

To r e t u r n to the c a v e is to a t t a i n

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5

i m m o r t a l i t y .

To r e e n t e r the s e c r e t h e a r t of t h i n g s is to

d r i n k

of

the e n l i v e n i n g and

i m m o r t a l i z i n g

s o m a

w hi c h,

s i n c e

the

time

of In dr a and the s l a y i n g

of

V r t r a ,

is

3

c o n t a i n e d

in

a

h u g e

vat,

a

cup,

a

c h a l i c e .

This

c o n t a i n e r in turn b e c o m e s the c r e s c e n t m oo n ,

the w o m b

of

the

G o d d e s s ,

of

the

Y o g i n I ,

e x u d i n g

l i f e - g i v i n g

s e c r e t i o n s ,

all

of

w h i c h are l in ke d w i t h

the

c a v e

of

c o n s c i o u s n e s s

f r o m w h i c h t r i c k l e s the f lo w of l i f e - g i v i n g

4

w a t e r s.

A b h i n a v a g u p t a c o n s c i o u s l y r e e n t e r s the c a v e w i t h

his d i s c i p l e s ,

the c av e in w h ic h,

s i n c e the time of the

V e d a ,

the

c o w s

w e r e

h i d d e n and then

r e l e a s e d

b y

the

m a s t e r f u l King of

the Gods,

I n d r a . ^ To r e e n t e r the

cav e

is

to a c h i e v e p h y s i c a l i m m o r t a l i t y , to b y p a s s the n or m al

p r o c e s s

of dea th .

To r e e n t e r the c a v e is to j o u r n e y

to

the

m o o n (s o m a ) ,

w h i c h is not m a d e of c h e e s e , b u t of

a

fiery,

n a c r e ou s ,

c o n g e a l e d liquid, the s o m a ,

c o l d

and

s w e e t

to the t a s t e . ^

To r e e n t e r the c av e is to u n d e r t a k e

a

m a g i c a l f l i g h t t h r o u g h the void,

to m o v e in

the

void

(k h e c a r l ) ,

to

r e e n t e r

the

p u l s a t i n g

d a r k n e s s ,

to

r e i n t e g r a t e

c o n s c i o u s l y

w i t h the c r e a t i v e m a t r i x of

the

u n i v e r s e ,

and

thus

e x p e r i e n c e

the

e c s t a s y

of

the

l i b e r a t e d

b e i n g

v i b r a t i n g

in

the

e m i s s i o n a l

p ow er

(v i s a r g a - & a k t i ) . ^

Th e d e n s i t y and c o m p l e x i t y of the s y m b o l i s m of

the

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6

H e a r t e s c a p e s our c a p a c i t y to t r a n s c r i b e it into l an gu ag e.

W e

b e g i n

w i t h

an a p p a r e n t l y m i n o r

and

u n s u b s t a n t i a t e d

m y t h - f r a g m e n t ,

the e n t r y into the B h a i r a v a

cave.

Then,

j us t

as w h e n we idly pull at a l oo s e t h r ea d in a p i e c e of

c l o t h i n g

and w a t c h as p a r t of the g a r m e n t u nr a ve l s,

so,

w h e n

we

tug g e n t l y on

this

m y t h - f r a g m e n t ,

the

e n t i r e

1

f r a m e w o r k of S a i v a t a n t r i c s y m b o l i s m t h r e a t e n s to b e c o m e a

p i l e

of

t h r e a d at our feet.

T h e d e n s e l y w o v e n

t a n t r i c

s y m b o l i s m

of A b h i n a v a g u p t a 's t h o u g h t c an be e n t e r e d

into

b y

this

a p p a r e n t l y i n c o n s e q u e n t i a l

tale.

W e

w a n t

to

e x a m i n e

the " g a r m e n t " of the Hear t ,

b u t w e m u s t

r e a l i z e

t h a t

t h e s e

l i n e a r

e x p l i c a t i o n s

of

the

H i s t o r i a n

of

R e l i g i o n ,

f i n a l l y do n ot c a p t u r e the d e n s e w e a v i n g of the

T a n t r a

i t s e l f

in

w h i c h

all

m e a n i n g s

a re

j u x t a p o s e d

s i m u l t a n e o u s l y .

T h e b a s i s of this p a p e r is a r e c e n t t r a n s l a t i o n and

s t u d y

of

the

P a r a t r l S i k a - l a g h u v r t t i

(P T l v )

of

g

A b h i n a v a g u p t a .

In a r e c e n t l y c o m p l e t e d s t u d y of this tex t

I

e n t i t l e d

T h e T r i a d i c H e a r t of Siva,

K a u l a T a n t r i c i s m

in

A b h i n a v a g u p t a 1s K a s h m i r S h a i v i s m ,

I e x p l o r e d the

c o n c e p t

of

the

H e a r t

(h r d a y a ) as f o r m i ng the

c e n t r a l

s y m b o l i c

f ocus

for

the t a n t r i c s a d h a n a p r e s c r i b e d

b y

the

g r e a t

K a s h m i r i

S h a i v i t e

m a s t e r of the t en th

ce nt ur y.

As

the

p r i m a r y

t e x t u a l

focus

of

this

s t u d y

I

p r e s e n t e d

a

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7

t r a n s l a t i o n

of

A b h i n a v a g u p t a ' s

P a r a t r I s i k a - l a q h u v r t t i

(P T l v ) ,

the S h o r t G l o s s on the S u p r e m e ,

t h e Q u e e n of the

T h r e e .

T h e

P T l v is a r e l a t i v e l y s h o r t t a n t r i c

m a n u a l

c o m p o s e d

s o m e t i m e

a r o u n d the b e g i n n i n g of

the

e l e v e n t h

c e nt u ry .

It r e p r e s e n t s p e r h a p s the m o s t c o n c i s e s t a t e m e n t

on

the

n a t u r e

of t a n t r i c s l d h a n a

b y

this

o u t s t a n d i n g

S h ai v a

m a s t e r

of

m e d i e v a l

K a s h m i r .

A b h i n a v a g u p t a ,

c o n s i d e r e d

the

p r e - e m i n e n t

e x p o n e n t

of

the

g r o u p

of

t r a d i t i o n s

w h i c h

has c o m e to be l o o s e l y

t e r me d

K a s h m i r

S h a i v i s m ,

p r e s e n t s

in

this text a s e l f - s u f f i c i e n t

p a t h

t o w a r d s

l i b e r a t i o n

b a s e d

on

a

r e p o s e

(v i S r a n t i )

or

_

I

a b s o r p t i o n

(samavefea) into the t r i p l e H e a r t of S i v a ,

the

u l t i m a t e real i t y .

In

m y s t u d y of this text,

I a r g u e d that the

P T l v

g i v e s

us d i r e c t a c c e s s to the t h e o r e t i c a l

and

p r a c t i c a l

b a s e s

of one of the m o s t o b s c u r e y e t i n f l u e n t i a l l i ne a g e s

9

in the h i s t o r y of m e d i e v a l " H i n d u i s m " :

the Kaulas.

Thi s

l ineage,

w h i c h

is

n e i t h e r

p r o p e r l y a " s c h o ol , "

nor

a

s e p a r a t e " t r a d i t i o n , " c o n t r i b u t e s m o s t d i r e c t l y to t a n t r i c

f o r m u l a t i o n s

f o c u s i n g

on

" t r a n s g r e s s i v e

s a c r a l i t y . "

T he

K a u l a li n e a g e ,

w i t h i n w h i c h this text m a y be p l a c e d ,

t a u g h t a m e t h o d of s p o n t a n e o u s and i n c r e a s i n g l y e f f o r t l e s s

I

_

_

e n t r a n c e into the t r i p l e Hear t , k n o w n as the S a m b h a v o p a y a ,

I

the m e t h o d r e l a t i n g to S a m b h u .

B y

m e a n s of this a d v a n c e d

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8

t a n t r i c

d i s c i p l i n e ,

the

s a d h a k a

c o u l d

r e p l i c a t e

the

r e a l i t y

of the H e a r t in his own c o n s c i o u s n e s s and

a t t a i n

f r e e d o m - i n - l i f e

(j i v a n m u k t i ) ,

a

s t a t e

of

e m b o d i e d

p e r f e c t i o n (k a u l i k i - s i d d h i ) ,

o f t e n k n o w n as the c o n d i t i o n

-

.

10

of B h a i r a v a .

In

a d d i t i o n ,

in m y s t u d y I a t t e m p t e d to s h o w th at

the K a u l a e m p h a s i s on the d i r e c t a nd u n m e d i a t e d e x p e r i e n c e

I

of

the

r e a l i t y

of

Siva as

s y m b o l i z e d

b y

t he

Heart,

p r o v i d e s

a k e y e n t r y - p o i n t into an u n d e r s t a n d i n g

of

the

t a n t r i c

w o r l d v i e w ,

g e n e r a l l y ,

and

the

t h e o r e t i c a l

f o r m u l a t i o n s of A b h i n a v a g u p t a , s p e c i f i c a l l y .

M y s t u d y and

t r a n s l a t i o n of the

P T l v

a im e d at r e c o n s t r u c t i n g

a c o h e r e n t

u n d e r s t a n d i n g

of the

K a u l a l i n e a g e b y

e x a m i n i n g

a

k e y

term:

h r d a y a n g a m i b h u t a , l it er a ll y : " b e c o me s o m e t h i n g that

m o v e s in the H e a r t , " that is to say, c o n s c i o u s r e a l i z a t i o n

or,

m o r e

i n t e r p r e t i v e l y ,

" e x p e r i e n t i a l

r e p l i c a t i o n . " ^

T h i s

i m p o r t a n t

c o n c e p t w as e x p l o r e d in r e l a t i o n

to

two

o t h e r

c r u c i a l ideas p r e s e n t e d in the P T l v ,

the

v i s a r g a -

1

¿ a k t i :

the e m i s s i o n a l p o w e r of Siva,

and the

k u l a :

the

12

e m b o d i e d c o s mo s .

A b h i n a v a g u p t a

(ca.

9 5 0 - 1 0 1 4 C.E.) w a s a

K a s h m i r i

b r a h m i n

w ho

is still

p r o b a b l y

b e s t

k n o w n for

his

c o n t r i b u t i o n s

to the

d e v e l o p m e n t

of I n d ia n a e s t h e t i c

theory,

p a r t i c u l a r l y

the e x p l o r a t i o n of the c o n c e p t s

of

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9

r a s a

and

d h v a n i .

H o w e v e r ,

as a r e s u l t of the

r e c e n t

w o r k of s e v e r a l s c h o l a r s i n c l u d i n g P a n d e y in India,

G no li

in Italy,

and P a d ou x and S i l b u r n in F r an c e , the e x t e n t of

h is

c o n t r i b u t i o n s to the d e v e l o p m e n t of the H i n d u

t an t ra

14

a r e

f i n a l l y e m e r g i n g .

He is u s u a l l y c o u n t e d as

b e i n g

the

m o s t

i l l u s t r i o u s

r e p r e s e n t a t i v e

of

the

t r a d i t i o n

c a l l e d ,

for w a n t of a b e t t e r a p p e l l a t i o n ,

s i m p l y K a s h m i r

S h a i v i s m . ^ -5

T h i s rather i m p r e c i s e t e r m r e f e r s to

s e v e r a l

r e l a t e d

l i n e a g e s of N o r t h e r n S h a i v a m a s t e r s w h i c h i n c lu d e

V a s u g u p t a (ca. 9th c en t. ), t r a n s m i t t e r of the f o u n d a t i o n a l

I

_

t e xt k n o w n as the S i v a - s u t r a -s;

h is d i s c i p l e Ka ll at a,

to

w h o m are u s u a l l y a t t r i b u t e d the i m p o r t a n t S p a n d a - k a r i k a -s;

S o m a n a n d a ,

a l s o n i n t h c e nt u r y ,

a u t h o r of the i n f l u e n t i a l

I

_

t ex t k n o w n as the S i v a - d r s t i , and h is d i s c i p l e U t p a l a c a r y a

a u t h o r

of

w h a t

has

c o m e

to

b e

r e c o g n i z e d

as

the

f o u n d a t i o n a l text for the p h i l o s o p h i c a l e x p l i c a t i o n of the

_ _

_

_

_

^g

t r a d i t i o n ,

the

I ¿ v a r a - p r a t y a b h i j n a - k a r i k a - s .

In

a d d i t i o n

to t he s e i m p o r t a n t i n t e l l e c t u a l

f or eb ea rs ,

the

t r a d i t i o n

w h i c h

A b h i n a v a g u p t a

inh er it s,

and

c o m e s

e v e n t u a l l y

to

s y n t h e s i z e ,

i n c l u d e s p o w e r f u l

i n f l u e n c e s

f r o m a n u m b er of c e l e b r a t e d a g a m i c ¿ a s t r a - s . Of these, the

Ma i i n i - vi j a y a - t a n tr a

is

u s u a l l y

c o n s i d e r e d

the

m o s t

17

a u t h o r i t a t i v e .

A b h i n a v a g u p t a s t u d i e d t h e s e a g a m i c texts

I

_

w i t h his K au l a m a s t e r ,

S a m b h u n a t h a , and d e d i c a t e s a large

13

background image

10

p o r t i o n

of

his w r i t i n g s to an e x p l i c a t i o n

of

the

the n

d e v e l o p i n g

H i n d u

T a n t r a ,

i n c l u d i n g the l i n e a g e

of

the

«•

i

18

K a u l a s .

T h e

P T l v

m a y be g r o u p e d w i t h four ot he r te xt s

in

w h i c h

A b h i n a v a g u p t a

e x p l o r e s this

t a n t r i c

e n v i r o n m e n t .

T h e s e are h i s e n c y c l o p e d i a of t a n t r a e n t i t l e d

T a n t r a l o k a ;

a s ho r t s u m m a r y of the TA, k n o w n as the T a n t r a s a r a ; a long

text, the P a r a t r i m & i k a - v i v a r a n a w h i c h c o m m e n t s on the s am e

a g a m i c

v e r s e s c o m m e n t e d on in the P T l v ,

and the

M a l i n l -

v i j a y a - v a r t i k a .

It

is

in

the

P T l v ,

h o w e v e r ,

that

A b h i n a v a g u p t a

p r e s e n t s the m o s t c o n c i s e s t a t e m e n t on

the

19

n a t u r e of the t a n t r i c s a d h a n a .

20

In

the

T a n t r a l o k a

,

A b h i n a v a g u p t a r e s e r v e s

the

'

-

21

h i g h e s t p r a i s e for h is t e a c h e r S a m b h u n a t h a ,

a m a s t e r of

the K au l a l i n e a g e w h o l iv e d in J a l a n d h a r a (in the P an ja b) .

A b h i n a v a g u p t a ,

w h o

t r a v e l e d f r o m K a s h m i r to s t u d y

w it h

this te ac he r,

tells us that it w as the i n i t i a t i o n that he

I

_

r e c e i v e d

f r o m

S a m b h u n a t h a

t ha t

f i n a l l y

led

h i m

to

22

e n l l g h t e n m e n t .

It

is no a c c i d e n t ,

then,

t ha t the K au l a

l i n e a g e

h o l d s

p r i d e

of

p l a c e

in

the

t a n t r i c

w r i t i n g s

of

A b h i n a v a g u p t a .

T h i s

t r a d i t i o n ,

w h o s e

n am e

m a y

be

t r a n s l a t e d as the l i n e a g e of the E m b o d i e d C os mo s,

t e a ch e s

that the u l t i m a t e r e a l i t y is the Hear t.

A c c o r d i n g to the

background image

11

t r a d i t i o n ,

the H e a r t is the S u p r e m e (a n u t t a r a ) ; it is the

I

v e r y

s el f of Siva,

of B h a i r a v a ,

and of

the

Devî,

the

'

23

G o d d e s s w h o is i n s e p a r a b l e f r o m Siva.

I nd ee d, the H e a r t

is

the

s i t e of their u n i o n (y a m a l a ) ,

of

their

e m b r a c e

(s a m g h a t t a ) .

T h i s a b o d e is p u r e c o n s c i o u s n e s s (c a i t a n y a ) ,

as w e l l as u n l i m i t e d b l i s s (a n a n d a ) .

As

c o n s c i o u s n e s s ,

the

H e a r t

is

the

u n b o u n d e d ,

i n f i n i t e l ig h t (p r a k â é a ) , and the f r e e d o m (s v i t a n t r y a ) and

s p o n t a n e i t y

(v i m a r è a )

of

that

l i g h t

to

a p p e a r

in

a

m u l t i t u d e a nd v a r i e t y of forms.

T h e H e a r t

is the s a c r e d

24

f i r e - p i t of B h a i r a v a .

I

__

_

T he i n t e r e s t i n g f e a t u r e of the S a m b h a v o p a y a lies in

its

u t t e r s i m p l i c i t y .

It p r e s e n t s a s h o r t c u t to f r e e d o m

w h i c h s i d e s t e p s the e n o r m o u s c o m p l e x i t y of the

m e d i t a t i o n

and r i t u al p r a c t i c e s that had d e v e l o p e d at this time.

In

o rd e r

to

f o l l o w

this p a t h the s a d h a k a

n e e d e d

o n l y

to

o b t a i n

i n i t i a t i o n

into the H e a r t - m a n t r a .

T hi s

m a n t r a ,

25

w h i c h m a y be t r a n s c r i b e d as S - A U - H ,

w o u l d lead h i m to be

26

" bo r n

of

the

y o g i n i "

(y o g i n i j a t a ) .

A b h i n a v a g u p t a

c l a r i f i e s

t ha t " be in g b o r n of the y o g i n i " m e a n s t h a t

the

s a d h a k a o b t a i n s a d e s c e n t of the e n e r g y (¿ a k t i p a t a )

w h i c h

t

a b i d e s in the H e a r t u n i t e d w i t h S i v a ,

and w h i c h w i l l o pe n

h i s v i s i o n to the Self.

T h i s is the p o w e r f u l l y l i b e r a t i n g

f or c e v a r i o u s l y k n o w n as the k a u l i k i feakti, the p o w e r that

background image

12

r u l e s the e m b o d i e d c os mos,

v i s a r g a , the e m i s s i o n a l p ow e r,

t

27

or s i m p l y Devi, G o d d e s s .

In

the

b r i e f c o m p a s s of this e s s a y I

w a n t

to

e x p l o r e

a p u z z l i n g f e a t u r e

of

the t e a c h i n g s p r e s e n t e d

in

the

P T l v .

T h e r e

a p p e a r s

to be

a

d i s c r e p a n c y

b e t w e e n

I

A b h i n a v a g u p t a 's

f o r m u l a t i o n s a b o u t the

S a m b h a v o p a y a

a nd

o t h e r

s t a t e m e n t s

he

m a k e s

a b o u t

the

e f f i c a c y

and

i m p o r t a n c e of r it u al .

T h e

s t r e a m l i n e d p a t h to l i b e r a t i o n

p r e s e n t e d b y A b h i n a v a g u p t a in the P T l v c l a i m s to

d i s p e n s e

e n t i r e l y w i t h the n e e d for r it u al .

In o r d e r to u n d e r s t a n d

the

t h e o r e t i c a l

f r a m e w o r k w i t h i n w h i c h the

c l a i m s

tha t

A b h i n a v a g u p t a m a k e s in the P T l v b e c o m e m e a n i n g f u l ,

I w i l l

I

f ir s t

e x a m i n e

the

n o t i o n

of

the H e a r t of Siva

in

m o r e

d e t a i l .

T h e

c e n t r a l

c o n c e p t

of v i s a r g a

w i l l

then

be

c o n s i d e r e d .

F o l l o w i n g

this,

the

c o m p l e x

of

ideas

s u r r o u n d i n g

the n o t i o n s of e x p e r i e n t i a l r e p l i c a t i o n

w i l l

be

a n a l y z e d .

W e w i l l t he n h a v e s u f f i c i e n t l y

d e l i n e a t e d

the

c o n c e p t u a l

f r a m e w o r k

n e c e s s a r y to

u n d e r s t a n d

the

c l a i m s

m a d e

b y A b h i n a v a g u p t a in the the P T l v

a b o u t

the

r e l a t i o n s h i p b e t w e e n r i t ua l and m e d i t a t i o n .

background image

13

I I . T H E H E A R T OF SIV A

T h e H e a r t is the U l t i m a t e (a n u t t a r a )

w h i c h is b o t h

u t t e r l y

t r a n s c e n d e n t

to (v i S v o t t i r n a ) and

y et

t o t a l l y

i m m a n e n t

in (v i S v a m a y a ) all c r e a t e d things.

It

is

the

u l t i m a t e

e s s e n c e (s l r a ) .

Thus,

the H e a r t e m b o d i e s

the

I

p a r a d o x i c a l

n a t u r e

of Siva and is t h e r e f o r e a

p l a c e

of

a s t o n i s h m e n t

(c a m a t k a r a ) ,

sh ee r

w o n d e r

(v i s m a y a ) ,

and

i n e f f a b l e

m y s t e r y .

T h e

H e a r t

is

the

f u l l n e s s

and

1

_

u n b o u n d e d n e s s of S iv a (p u r n a t v a ) , the p l e n u m of b e i n g that

o v e r f l o w s

c o n t i n u o u s l y into m a n i f e s t a t i o n .

A t the

s a m e

time,

it

is

a l s o

an

i n c o n c e i v a b l e

e m p t i n e s s

(¿unyltifeunya) .^

T h e H e a r t is the u n b o u n d e d a nd u n i v e r s a l

S el f (p u r n a h a n t a ) .

1

T h e H e a r t of Siva is n ot a s t a t i c or inert a b s o l u t e

h o w e v e r .

In fact, the K a s h m i r S h a i v a t r a d i t i o n c o n s i d e r s

it

to

be in a s t a t e of p e r p e t u a l m o v e m e n t ,

a s t a t e

of

2

v i b r a t i o n

(s p a n d a )

in

w h i c h

it

is

c o n t i n u o u s l y

c o n t r a c t i n g

a nd e x p a n d i n g (s a m k o c a - v i k a s a ) ,

o p e n i n g

a nd

c l o s i n g ( u n m e s a - n i m e s a ) ,

t r e m b l i n g (ullasita) ,

q u i v e r i n g

(s p h u r i t a ) ,

t h r o b b i n g , w a v i n g, and s p a r k l i n g (u c c h a l a t a ) .

T h e

i n t e n s i t y

and

s p e e d of this m o v e m e n t is

s uc h

that

p a r a d o x i c a l l y

it

is

s i m u l t a n e o u s l y

a

p e r f e c t

d y n a m i c

s t i l l n e s s .^

T h e t r a d i t i o n s t a te s that the H e a r t is the e n o r m o u s

background image

14

o c e a n

(a m b u n i d h i ),

the

o c e a n of

light,

the

o c e a n

of

c o n s c i o u s n e s s .

T he

w a t e r s of c o n s c i o u s n e s s w h i c h in m a n

are b r o k e n by c o u n t l e s s p o l a r i z i n g (v i k a l p a ) and

d i v i s i v e

w a v e s

(urrni) m a y be e a s i l y b r o u g h t to a s t a t e of

d y n a m i c

s t i l l n e s s

b y

the

p r o c e s s of i m m e r s i o n

or

a b s o r p t i o n

4

(samaveèa) in the Heart.

The

p e r p e t u a l

e f f e r v e s c e n c e ,

e b u l l i t i o n ,

and

I

i n c a n d e s c e n c e

at

the

c e n t e r (m a d h y a )

of

S i v a ' s

b e i n g

p r o v i d e s

the m o t o r ,

as it were,

t ha t d r i v e s the

e n t i r e

p r o c e s s of m a n i f e s t a t i o n ; ^ or,

as A b h i n a v a g u p t a t er m s it,

of e m i s s i o n (v i s a r g a ) ,

of the e n t i r e u n i v e r s e .

E q u a l l y

i mp or t an t , t h r o u g h

the m e d i u m of the e m p o w e r e d m a n t r a the

p o w e r

(¿ a k t i )

t ha t r e s i d e s in the

Hea rt ,

p r o v i d e s

the

f

p o s s i b i l i t y

of

a r e t u r n to Siva,

w h i c h is to

say,

the

p o s s i b i l i t y

of e n l i g h t e n m e n t .

Thus,

this p o w e r in

the

Hear t,

w h i c h

is

the G o d d e s s ,

is

at

o n c e

c e n t r i f u g a l

(p r a v r t t i ),

that is, e m i s s i o n a l and e x p a n s i v e , as w el l as

g

c e n t r i p e t a l (n i v r t t i ) ,

t h a t is,

a b s o r p t i v e and u ni t iv e .

T h i s

c e n t r i p e t a l m o t i o n of the G o d d e s s r e s i d e s in m a n

as

the

k u n d a l i n l

e n e r g y t ha t impels one b a c k to the

s o u r c e

and

c e n t e r

of o n e ' s b e i n g in a

c o m p l e t e l y

n a t u r al

and

s p o n t a n e o u s (s a h a j a ) way.

A b h i n a v a g u p t a

i d e n t i f i e s the G o d d e s s in the

H e a r t

w i t h

the

S u p r e m e

W o r d

(p a r a - v i k ) ,

the

t r a n s c e n d e n t

background image

15

s o u n d i n g of the m o t o r of b e in g, the p r i m o r d i a l roar (n a d a )

7

of the f i e r y w a t ers.

T h i s S u p r e m e W o r d , w h i l e u l t i m a t e l y

b e y o n d

a n y of the c o m b i n a t i o n s of h u m a n

s pe ec h,

m a y

be

t r a n s c r i b e d on the g r o s s level by one of s e v e r a l m a n t r a - s :

O M ,

A H A M ,

S A U H .

T h e s e and o th e r m a n t r a -s, w h e n p r o p e r l y

e m p o w e r e d

(m a n t r a v l r y a )

by

the

a w a k e n e d

l i f e - f o r c e

8

(p r a n a )

and the c o n s c i o u s n e s s of the g u r u ,

and

p r o p e r l y

e m p l o y e d b y the r e c e p t i v e d i s c i p l e , e n g a g e the c e n t r i p e t a l

m o t i o n of the Heart.

T h e f r a g m e n t e d and r e s t l e s s m i n d is

thus

c a l m e d ,

a w a k e n e d ,

and

i n t e n s i f i e d b y

the

m a n t r a

w h ic h ,

t e n d i n g

a u t o m a t i c a l l y to m o v e to its own

s o ur ce ,

9

d i s c o v e r s

the

f u l l n e s s and u n b o u n d e d n e s s of the

Heart.

T h e r e

the

d i s c i p l e

w i l l hear the S u p r e m e

W o r d

as

the

u n s t r u c k

(a n a h a t a )

s o u n d

of the

H e a r t

w h i c h

is

the

10

u n i v e r s a l life force or c o s m i c b r e a t h (p r a n a ) .

T h e

m y s t e r i o u s tr ia d of sun (s u r y a ) ,

m o o n (s o m a ) ,

and fire (a g n i ) are s ai d to a bi d e in the H e a r t in a

s t a te

of

p e r f e c t e q u i l i b r i u m . ^

On one level,

t he s e r e p r e s e n t

the i n t e r i o r c o s m o s of the p r o c e s s of k n o w i n g ,

the o b j e c t

of k n o w l e d g e ,

and the k n o w i n g s ub je ct .

H o we v e r ,

a m o r e

c o m p l e x h o m o l o g y is at w o r k here.

J u s t as the m o o n w a x e s

I

and

w a n e s ,

so the H e a r t of Siva,

the G o d d e s s

as

m o on ,

e x p a n d s

and c o n t r a c t s t h r o u g h the f i f t e en d a y s (t i t h i ) of

12

the

lunar

f o r t n i g h t .

C o n t i n u i n g

the

l i n g u i s t i c

background image

16

a n a n l o g y ,

e a c h

d a y

or s t a t i o n is a s s i g n e d one

of

the

v o w e l s of the S a n s k r i t a l p h a b e t . “

^

T he s i x t e e n t h

v o w e l - -

v i s a r g a —

, e m i s s i o n a l a s p i r a t i o n —

H,

is said to

i nh er e

g e n e r i c a l l y

in

the p r e c e d i n g f i f te e n.

B e c a u s e

of

the

d o u b l e

m e a n i n g

of

the

w o r d s o m a as

m o o n

and

as

the

a m b r o s i a l n e c t a r ,

this s i x t e e n t h vo we l li nk s the e m i s s i o n

I

I

of

the

u n i o n

of

Siva

and

S a kt i

w i t h

the

w a t e r

of

i m m o r t a l i t y w h i c h s l o w l y d r i p s a nd t r i c k l e s f o r m the moon,

14

f r o m the Heart.

T h i s s p r i n g of n e c t a r s t r e a m s in the H e a r t w h i c h is

the

s e c r e t c a v e (g u h a ) ,

the e n d l e s s a by s s or chasm,

the

m y s t e r i o u s

o p e n i n g

(y o n i ) in the b o d y

of

the

G o d d e s s

w h i c h g i v e s b i r t h to the e n t i r e u n i v e r s e . ^

This c r e a t i v e

m a t r i x

or void is also,

by a d o u b l e m e a n i n g of the

w o r d

k h a :

c a v ity, h o l low; space, air; the s ky (c i d a m b a r a ) , the

e t h e r

(a k l & a )

of

c o n s c i o u s n e s s .

Thus,

the

h i g h e s t

s p i r i t u a l a t t a i n m e n t p o s s i b l e to m a n is t er me d

k h e c a r i ,

that is, m o v i n g f r e e l y in the sky of c o n s c i o u s n e s s . ^

W h a t is the m e a n i n g of the a s s e r t i o n that the linga

is the v e r y H e a r t of the y o g i n l ,

the y o g i n l h r d a y a ?

Thi s

r at h e r m y s t e r i o u s s t a t e m e n t l in k s the m o s t c o m m o n

e m b l e m

I

_

of Siva,

the linga or p h a l l i c mark,

w i t h the Heart.

It

r e f e r s to the u n i o n of the 1 i n g a ,

the p h a l l i c p i l l a r

of

light,

w i t h the g u h a ,

the v a g i n a l a by ss of

d a r k n e s s ,

a

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17

u n i o n w h i c h o c c u r s in the Heart.

T h e n o t i o n of the l in ga in the H e a r t m a y be r ea d in

at

l e a st t h r e e ways.

On the c o s m i c level,

the l in g a is

I

the

m a s s e d

and p o w e r f u l c o n s c i o u s n e s s of S iv a as

he

is

17

a b o u t

to r e l e a s e the u n i v e r s e into

m a n i f e s t a t i o n .

W e

I

r e c o g n i z e

h e r e

the

e m i s s i o n a l

p ow e r

of

Siva

w h i c h ,

c o n t i n u o u s l y

e x p a n d i n g

a nd

c o n t r a c t i n g ,

r e l e a s e s

into

b e i n g

the s e e d - c o g n i t i o n s it h a r b o r s w i t h i n

itself.

On

a n o t h e r level,

that of the y o g i c p r a c t i c e ,

the 1 inga

in

the H e a r t a l l u d e s to t he p r a c t i c e of m e d i t a t i v e a b s o r p t i o n

into the c a v e (g u h a ) .

Thus, we m i g h t i n i t i a l l y read thi s

p r o c e s s as g u h a - s a m â v e è a —

a b s o r p t i o n into the cave,

w h e r e

that p h r a s e y i e l d s a d u a l m e a n i n g .

On t he inner level of

t a n t r i c p r a c t i c e , it m a y be i n t e r p r e t e d as a l l u d i n g to the

y o g i c

i m m e r s i o n

in the c a v e of

c o n s c i o u s n e s s .

On

the

e x t e r n a l

level

of

t a n t r i c r it u al ,

it m a y

be

s e e n

as

d e s c r i b i n g the r i t u a l i s t i c p e n e t r a t i o n of the p h a l l u s into

the

v a g i n a l cave.

T h i s s u p e r i m p o s i t i o n of m e a n i n g s ,

it

n e e d h a r d l y be said,

is not a c c i d e n t a l .

T h u s the y o g i n l ,

«

V

the G o d d e s s ,

is p e n e t r a t e d b y Siva,

h as Siva as her v e r y

I

Hea rt , h as Siva in h er v e r y core.

B h a i r a v a is the s el f of

the G o d d e s s , he is i n s e p a r a b l e f r o m her, he is p e r p e t u a l l y

18

u n i t e d

to her.

J u s t as the H e a r t is s a i d to h a r b o r

in

its d e p t h s the u n s t r u c k sou nd ,

so the l i n g a p r o c l a i m s the

background image

18

w i t h h e l d and u n e m i t t e d s em e n of Siva,

of the

y o g i n ,

the

t r a n s m u t e d

s e m e n

t ha t p e r m i t s the a c t i v a t i o n of the

the

G o d d e s s in the f or m of the k u n d a l i n l ,

a nd the e m i s s i o n of

• •

19

the s o m a w i t h i n the Heart.

T h e m u t u a l s e x ua l k n o w l e d g e of the G o d and

G o d d e s s

in

the

H e a r t

is p r o d u c t i v e ,

on the

h u m a n

level,

of

s p i r i t u a l k n o w l e d g e .

A c o m m o n t h e m e w h i c h i n t r o d u c e s m a n y

t a n t r i c w o r k s

is the p l e a for k n o w l e d g e m a d e by the

Devi

1

to

Siva.

T h e God,

a ft e r c a u t i o n i n g the G o d d e s s n ot

to

r e v e a l

the

s e c r e t t e a c h i n g he is a b o u t to i m pa rt to

a ny

b u t

the m o s t w o r t h y d i s c i p l e s ,

p r o c e e d s to

e x p l a i n

his

t r u e n a t u r e to the G o d de s s.

In a d d i t i o n ,

h e r e v e a l s the

20

m e t h o d

or

m e a n s to be u s e d to a t t a i n Him.

It is

not

s u r p r i s i n g that the Heart,

w h i c h is the a b o d e and

s o u r c e

of

all,

is

l a u d e d as the s o u r c e of this

t r a n s c e n d e n t a l

I

w i s d o m

as well.

Siva as the g r e a t Y o g i n s t a n d s

in

the

H e a r t as the s u p r e m e t ea ch e r.

A b h i n a v a g u p t a o f t e n e xt o ls

M a h e i v a r a in the H e a r t as the t e a c h e r f ro m w h o m he l e a r n e d

the p a r t i c u l a r y o g i c and t a n t r i c m e t h o d s w h i c h he e x p l a i n s

21

in

his texts.

In this s am e vein,

the a u t h o n a t i v e and

r e v e a l e d s c r i p t u r e s ,

the a g a m a -s a re said to be the

m e r e

22

t h r o b b i n g of the Heart.

A n o t h e r

i m p o r t a n t

t he m e a s s o c i a t e s the H e a r t

and

t he lo t u s flower (p a d m a ,

a m b h o j a ) .

B h a i r a v a is said

to

background image

19

r e s i d e

in the lo t us of the H e a r t in the f o r m of b l i s s a n d

c o n s c i o u s n e s s ,

w h i l e the s e n s e - g o d d e s s e s (i n d r i y a - d e v i -s)

p e r p e t u a l l y w o r s h i p

h i m b y o f f e r i n g up the e n j o y m e n t s

of

the

s e n s e o b j e c t s .

T h e H e a r t - l o t u s

is s ai d to h a v e e i g h t

p e t a l s

e a c h

f a c i n g

o ne of the c a r d i n a l

p o i n t s

of

the

c o m p a s s .

I m p o r t a n t e v i d e n c e that the H e a r t

as it is h e r e

c o n c e i v e d d o e s not refer to the f o u r t h or a n a h a t a c a k r a of

the e s o t e r i c y o g i c p h y s i o l o g y is t he fact t ha t this l a t t e r

c a k r a

is

u s u a l l y

d e s c r i b e d

as

h a v i n g

t w e l v e

p e t a l s .

I n t e r e s t i n g l y ,

the

n a m e s of the s e n s e - g o d d e s s e s

b e a r

a

c u r i o u s

r e s e m b l a n c e

to

t r a d i t i o n a l lists of

the

S e v e n

M o t h e r s (s a p t a -m a t r k a - s ) .

H o w e v e r , A b h i n a v a g u p t a h a s h e r e

e x p a n d e d

the

list

f r o m s e v e n

to

eig ht : B r a h m a n i ,

E;

*

______

_

S a m b h a v i , SE; K u m ari, S; V a i s n a v l , SW; V ar a hi , W; I n d r a n i ,

• •

NW;

C a m u n d a ,

N; M a h a l a k s m I , NE.

W e k n o w that the n u m b e r

I

e i g h t is d o u b l y s a c r e d to Siva as it e n u m a e r a t e s the e i g h t

I

fa c es

of Siva (asta m u r t i ) ,

and is also the sume of f iv e

and three, b o t h of w h i c h n u m b e r s h a v e m a n y a s s o c i a t i o n s to

'

23

Siva and S ha iv is m.

T h e n u m be r t hr e e b r i n g s us to the last and

p e r h a p s

m o s t i m p o r t a n t t he m e a s s o c i a t e d w i t h the Heart,

the H e a r t

24

.

.

as

t r i a n g l e

(t r i k o n a ) .

T h i s

i n i t i a l l y

p u z z l i n g

a s s o c i a t i o n

links

o ne

of the n a m e s for

the

t r a d i t i o n ,

T r i k a

or

triple,

w i t h its m o s t

i m p o r t a n t

s ym bo l,

the

background image

20

Heart.

In fact,

one of the i m p o r t a n t t ex t s

q u o t e d

b y

-

25

A b h i n a v a g u p t a

in

his TA is e n t i t l e d the

T r i k a - h r d a y a .

T h e r e is a d e e p e r m e a n i n g l u r k i n g he re ,

h o w e v e r .

We h a v e

a l l u d e d

to the i d e n t i f i c a t i o n of the H e a r t w i t h the

c av e

or a b y s s (g u h a ) .

W e h a v e a l s o s e e n the link m a d e

b e t w e e n

the

cave,

the Heart,

and the f e m a l e s e x u a l

orga n.

It

1 _ _

_

h a p p e n s that in the S a r a d a script,

in w h i c h a l m o s t all of

the

m a n u s c r i p t s

of K a s h m i r w e r e w r i t t e n ,

the v ow e l

"E"

l o o k s

v e r y m u c h like an i s o c e l e s t r i a n g l e w i t h

its

a p ex

2 6

p o i n t i n g

d o w n w a r d s .

T h i s e m b l e m a t i c a s s o c i a t i o n

w i t h

the

f e m a l e

s e x u a l o r g a n c a u s e s the v ow e l "E" to

b e c o m e

k n o w n

as the t r i k o n a - b i j a t r i a n g l e - v o w e l ,

or

y o n i - b i j a

v a g i n a - v o w e l .

T h e Hea rt , the t r i a n g l e , t he y o n i , and the

vo w el

" E " , are

all l i nk ed w i t h the

G o d d e s s ,

w i t h

the

¿ a k t i ,

w i t h the f e m a l e p ow e r of s e x u a l i t y , f e r ti l it y , and

27

r e p r o d u c t i o n .

background image

21

III.

T H E G O D D E S S IN THE HEART: V I S A R G A

In

this s e c t i o n I w o u l d l ik e to e x a m i n e a

s in gl e ,

t h o u g h c r u c i a l ,

a s p e c t of this K a u l a m e t h o d :

the c o n c e p t

of

v i s a r g a ,^

w h i c h

is

m o s t

c o m m o n l y

e n c o u n t e r e d

in

S a n s k r i t

p h o n o l o g y

as

n a m i n g

the

pu re ,

v o i c e l e s s

2

a s p i r a t i o n .

T h e

n o t i o n

of

the

v i s a r g a

is

d e e p l y

c o n n e c t e d w i t h the t h e o r e t i c a l b a s e s of the S h a i v a T a n t r a .

A b h i n a v a g u p t a

d e v o t e s a la rg e p o r t i o n of the P T l v

to

an

e x t e n d e d

d i s c o u r s e

on

the

n a t u r e

of

v i s a r g a .

T h e

f o l l o w i n g

are

two

c r u c i a l

p a s s a g e s

f r o m

that

text

d e t a i l i n g the n a t u r e of the v i s a r g a .

T h e

p o w e r

(¿ a k t i )

w h i c h

r e s i d e s

in

the

H e a r t

of

c o n s c i o u s n e s s

is f r e e d o m itself.

T h e p u r p o s e of

its

c r e a t i v e

a c t i v i t y is the e m b o d i e d c o s m o s

(k u l a ) ,

the

e n t i r e r a n g e of p e r c e i v i n g s u b je c t,

p e r c e i v e d

obj ec t,

and p r o c e s s of p e r c e p t i o n .

T hu s She is c a l l e d K a u l i n i .

S he

is the N o b l e Lady,

the M i s t r e s s (N a y i k a ) of

that

E m b o d i e d

C o s m o s ,

She r ul es o ve r it.

B y k n o w i n g it,

S he c a u s e s its m a n i f e s t a t i o n , as w e l l as r e a b s o r b i n g it

3

in H er s e l f .

Now,

it is w e l l k n o w n that p e r c e p t i o n h e r e is just the

i l l u m i n a t i o n of the o b j e c t i v e w o r l d ,

w h i ch , by n ature,

is

d i v i d e d

up into two

g ro up s,

n a m e l y

the

k n o w i n g

s u b j e c t s and the k n o w a b l e o bj ec t s.

T h e k n o w i n g s u b j e c t

background image

22

has

as

its e s s e n c e the s u p r e m e l y s u b t l e v i b r a t i o n

of

the Self.

It is c h a r a c t e r i z e d b y k n o w l e d g e and a c t io n ,

and

its

n a t u r e is o ne of c o n t r a c t i o n

a nd

e x p a n s i o n ,

t ha t is,

o p e n i n g a nd c l o s i n g .

It is not like a

pot,

and so on, w h i c h is inert, l i m i t e d a nd s t at i o n a r y .

T h e

m o r e

this

c o m b i n a t i o n

of e x p a n s i o n

and

c o n t r a c t i o n

b e c o m e s e v i d e n t in the v i b r a t i o n of the Heart,

of

the

t r i a n g l e

etc.,

the m o r e d o e s the s u b j e c t i v i t y

b e c o m e

e l e v a t e d ,

u nt i l

it

r e a c h e s

the

c o n s c i o u s n e s s

of

B h a i r a v a .

C o n v e r s e l y ,

the

m o r e

the

e x p a n s i o n

a nd

c o n t r a c t i o n

d i m i n i s h ,

the m o r e d o e s the

s u b j e c t i v i t y

fall

u n t i l it b e c o m e s inert l ik e a

s t o n e

etc.

T hi s

e x p a n s i o n

a nd c o n t r a c t i o n is the c h a r a c t e r i s t i c of the

v i s a r g a ,

w h o s e e s s e n c e is f re ed o m,

that is,

the v e r y

P ow e r

of

the

Lord,

of

the

U l t i m a t e

(a n u t t a r a ) .

T h e r e f o r e ,

the p h o n e m e " H " , the v i s ar g a, is t e rm ed the

R u d r a - y a m a l a ,

the

R u d r a - D y a d ,

b e c a u s e it c o n s i s t s of

I

b o t h

the

S u p r e m e

S iv a and ¿ a k t i ,

of

the

rest

and

a c t i v i t y

w h i c h c o n s t i t u t e the u n i o n of

B h a i r a v a

w i t h

4

his B e l o v ed .

In

A b h i n a v a g u p t a 's

t e a c h i n g s

a b o u t

the

K a u la

m e t h o d , the t e r m v i s a r g a h as a

w i d e s i g n i f i c a t i o n .

Here,

it

c o m e s to n am e that p ow e r (¿ a k t i ) (known

a l t e r n a t i v e l y

as

the

k a u l i k i ^ a k t i ,

the

Devi,

the nada)

w h i c h

is

background image

23

r e s p o n s i b l e for e m i t t i n g the u n i v e r s e in all its

g l o r i o u s

v a ri e ty .

E q u a l l y

i mp or t an t ,

it n a m e s the

p o w e r

w h i c h

m u s t be h a r n e s s e d b y the t a nt r i c y o g i n to c o n t i n u e the a rc

of

m a n i f e s t a t i o n

as

it d o u b l e s b a c k on the

j o u r n e y

of

I

r e t u r n

to

Siva.

This p o w e r m a y be t h o u g h t

of

as

an

i m p e l l i n g

f o r c e (i c c h a - è a k t i ),

t h a t at o ne a n d the

sam e

t i m e

c o n t i n u o u s l y

p u s h e s e v e r y t h i n g o u t into b e i n g ,

and

I

c o n t i n u o u s l y a b s o r b s it all b a c k into

Siva.

Thus,

this

p o w e r

in the Hea rt ,

w h i c h

is the G o d d e s s ,

and w h i c h

is

n a m e d the v i s a r g a , is at o n c e c e n t r i f u g a l (p r a v r t t i ) , that

is,

e m i s s i o n a l

and

e x p a n s i v e ,

as w e l l

as

c e n t r i p e t a l

( n i v r t t i ) , that is, a b s o r p t i v e and u n i t i v e . ^

T h i s

e x p a n s i o n

a nd

c o n t r a c t i o n

(s a m k o c a - v i k a s a )

f o r m s

a k i n d of " a l t e r n a t i n g c u r r e n t " of s p i r i t u a l

p o w e r

w h i c h

m a y be t a p p e d by the

y o g i n in v a r i o u s ways.

T he

" e x p a n s i v e "

m o d e

m a y

be

e m p l o y e d

for the

f u rt he r

m a n i f e s t a t i o n of d e s i r e s in

the e x t e r n a l or s u b t l e

w o r l d s

(b h o g a ,

p h a l a ) ,

or,

d u r i n g

the f a r t h e r r e a c h e s of

the

s a d h a n a ,

for

the e s t a b l i s h m e n t of the e x p e r i e n c e of n o n ­

d u a l i t y e ve n in o u t w a r d p e r c e p t i o n s .

T h e

" c o n t r a c t i v e "

m o d e

c o n n e c t s the y o g i n to the i n w a r d l y a s c e n d i n g

f o rc e

t ha t

e f f o r t l e s s l y p r o p e l s the y o g i n to r es t in a b s o r p t i o n

(s a m a v e è a - v i è r a n t i )

in

his

own

u n b o u n d e d ,

o r i g i n a l

c o n s c i o u s n e s s .

Here,

the

i n f i n i t e l y

fast

v i b r a t i o n

background image

24

(s p a n d a )

of c o n s c i o u s n e s s a l l o w s the r e - e m e r g e n c e of

the

s t a t e

of B h a i r a v a ,

the s t a t e of l i b e r a t i o n in this

v e r y

life.

In the d i a l e c t i c of r e v e r s a l c h a r a c t e r i s t i c of the

v i s a r q a

the " e x p a n s i v e "

m o d e m e n t i o n e d

a b o v e

may,

f r o m

a n o t h e r

p e r s p e c t i v e ,

be

t e r m e d

" c o n t r a c t i v e " and v i c e -

v e r s a .

A b h i n a v a g u p t a c a l l s the v i s a r g a the R u d r a - d y a d .

On

o n e

level,

the

d o u b l e n a t u r e of

the

v i s a r g a

c l e a r l y

I

_

_

r e f l e c t s

its g r a p h i c r e p r e s e n t a t i o n in the S a r a d a s c r i p t :

two d o t s p l a c e d v e r t i c a l l y one a b o v e the o th er ,

s o m e t i m e s

a c c o m p a n i e d

b y a s t r a i g h t v e r t i c a l line just to the

l e f t

of

the two dots.

T h e s i n g l e dot,

b i n d u ,

w h i c h is

the

p h o n e m e t ha t j us t p r e c e d e s the v i s a r g a in the

e n u m e r a t i o n

of the v o w els,

is s ai d to r e p r e s e n t the finite,

k n o w i n g

s u b j e c t

(v e d a k a ) .^

T he v i s a r g a ,

w h i c h is m a d e up

of two

b i n d u - s ,

r e p r e s e n t s

the

i n h e r e n t l y

s e l f - r e f e r e n t i a l

c a p a c i t y

of c o n s c i o u s n e s s . ^ It is in this s e n s e that

the

v i s a r g a

r e p r e s e n t s

the

f r e e d o m

of

c o n s c i o u s n e s s ,

the

v i m a r £ a ,

w h i c h

is the m o s t i m p o r t a n t

c h a r a c t e r i s t i c

of

c o n s c i o u s n e s s .

C o n s c i o u s n e s s

is not l ik e a rock c r y s t a l

w h i c h

p a s s i v e l y

r e f l e c t s

all that

a p p e a r s

b e f o r e

it.

R a t h e r ,

the

f r e e d o m

and

s p o n t a n e i t y

p r e s e n t

in

c o n s c i o u s n e s s ,

a l l o w

for a c o n t i n u o u s p r o c e s s

of

s e l f -

c o n s c i o u s n e s s

(s v a s a m v e d a n a )

as

w el l .

T he

vi s a r g a

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25

r e p r e s e n t s the b a s i c c o m p o n e n t of the s a d h a n a in w h i c h the

f i n i t e c o n s c i o u s n e s s is d o u b l e d b a c k on itself.

At first,

as this p r o c e s s p r o c e e d s ,

c o n s c i o u s n e s s s i m p l y e n c o u n t e r s

m o r e and m o r e of its own c o n t e n t s .

F i n a l l y , th er e o c c u r s

the

p o w e r f u l m o m e n t of r e c o g n i t i o n

(p r a t y a b h i j n a ) ,

w h e n

the

b e a m of c o n s c i o u s n e s s b e c o m e s c o n s c i o u s of itself and

n o t h i n g

else.

T h i s

is

t e r m e d the

e n t r a n c e

into

the

" F o u rt h ",

t u r l y a ,

and

h e r e

the

c o n d i t i o n

of

s i m p l e

n i r v i k a l p a e ns u e s .

T h e v i s a r g a , w h i c h is t e n t a t i v e l y t r a n s l a t e d as the

" e m i s s i o n a l

p o w e r , "

b r i n g s

t o g e t h e r

all

the

v a r i o u s

l e v e l s of the t a n t r i c c o s m o s:

the d i v i n e level of o u t w a r d

c o s m i c m a n i f e s t a t i o n ,

the h u m a n level of i nw ar d s p i r i t u a l

a b s o r p t i o n ,

and

the r i t u a l

le ve l on

w h i c h

the

h u m a n

b e c o m e s

d iv i n e .

In t e r m s

of

l a n g u ag e ,

the

v i s a r g a

f u n c t i o n s

b o t h

as a p h o n e m e ,

the

o u t w a r d l y

e x p l o s i v e

a s p i r a t i o n

of

b r e a t h ,

a nd

as a c o m p o n e n t

of

n u m e r o u s

m a n t r a -s, w h e r e its f u n c t i o n is r a t he r to c a u s e the i nw a rd

c e s s a t i o n

of the v it a l b r e a t h.

On the level of

r i tu al ,

it r e s o n a t e s w i t h the k u l a -y a g a ,

the s e c r e t ritu al t a u g h t

in v e i l e d te rm s b y A b h i n a v a g u p t a , w h e r e it m a y s i g n i f y the

o r g a s m i c e x p u l s i o n of the life force;

or, on the level of

inner,

t a n t r i c y o g a w h i c h is p a r t of the s am e ritual,

it

c o i n c i d e s w i t h the b l i s s f u l inw ar d force,

the

k u n d a l i n i .

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26

In e a c h of t h e s e e n v i r o n m e n t s ,

the p o l ar ,

d y a d i c n a t u r e

of the v i s a r g a is c l e a r l y at work.

T he

s o p h i s t i c a t i o n

of

the

t a n t r i c

t r ea ti se s,

e s p e c i a l l y

the

t a n t r i c w o r k s of A b h i n a v a g u p t a ,

is

suc h

that they e x h i b i t a g r e a t d ea l of s e l f - c o n s c i o u s n e s s a b o u t

the

n a t u r e

of

l a n g u a g e and the u se

of

l a n g u a g e

as

a

r e l i g i o u s tool.

On the t e c h n i c a l level,

the m o s t p o t e n t

t a n t r i c

i n s t r u m e n t

for

l i b e r a t i o n is a

small

u n i t

of

l a n g u a g e , a m a n t r a ♦

As w e h a v e seen, the

s p e c i f i c m a n t r a

t a u g h t

b y

A b h i n a v a g u p t a

in the P T l v

is

S A U H ,

and

it

c o n t a i n s

the v i s a r g a as its final a nd p e r h a p s m o s t p o t e n t

g

e l e m e n t .

A b h i n a v a g u p t a e x p l a i n s the m e c h a n i s m

by

w h i c h

the

m a n t r a a c c o m p l i s h e s the task of e n l i g h t e n m e n t in

the

f o l l o w i n g

way.

T he

i n d i v i d u a l soul

(a n u ) ,

is

c a u g h t

m i d w a y

b e t w e e n

the

total

i n e r t i a of

a

rock

and

the

o m n i s c i e n c e of B h a i r a v a .

A c c o r d i n g to the P T l v , the four

s h e a t h s

or k a n c u k a -s are the f o r c e s that s u s p e nd the

anu

9

in the m i d d l e ,

like the m y t h o l o g i c a l c h a r a c t e r T ri ia n ku .

T h e P T l v st at es :

T h e

H e a r t

is

the

s ee d of

the

U n i v e r s e d e v o i d

of

b e g i n n i n g

a nd

end,

d e v o i d of c o m i n g into b e i n g

and

d e s t r u c t i o n ;

and b e c a u s e it is a seed, it e x p a n d s into

the

f or m of All,

it m o v e s i n c e s s a n t l y

to e x p a n s i o n .

T h i s

H e a r t

w h i c h

m o v e s

in the m i d s t

of the

L u na r

background image

27

S t a t i o n s

m a d e

up of t i m e —

of the A l l —

is

p r e s e n t

in

e v e r y t h i n g

in

the f o r m of an

u n d i f f e r e n t i a t e d

s e l f -

r e f e r e n t i a l

c o n s c i o u s n e s s .

He

s h o u l d

c o n t i n u a l l y

m e d i t a t e on this seed of the H e a r t as h a v i n g p e n e t r a t e d

into h i s o wn Heart, into h is c o n s c i o u s n e s s , w h i c h is in

the

f o r m

of

a

l o t us

f l o we r

b e c a u s e

it

p l a y s

at

e x p a n d i n g

and c o n t r a c t i n g ;

he s h o u l d m e d i t a t e on thi s

s e e d w h i c h h a v i n g e n t e r e d into h is c o n s c i o u s n e s s c a u s e s

it

to e x p a n d b y b r i n g i n g a b u t the r e m o v a l of the

f o r m

of

c o n t r a c t i o n .

In

this

w a y

t he r e

o c c u r s

the

10

a t t a i n m e n t of B h a i r a v a in all its f ul ln es s.

T h i s

c o n t i n u o u s

m o v e m e n t of e x p a n s i o n p r e s e n t

in

the v e r y c o r e of r e a l i t y is the v i s a r g a .

N a t u r a l l y ,

the

e x p a n s i o n is a c c o m p a n i e d b y a c o u n t e r b a l a n c i n g m o v e m e n t of

c o n t r a c t i o n .

T h e

v i s a r g a is a l w a y s c o n c e i v e d in

p ol a r,

r h y t h m i c terms.

T h i s d u a l n a t u r e a c c o u n t s for its

b e i n g

t e r m e d

the

R u d r a - d y a d ,

(the

R u d r a - y a m a l a ) .

T h e

P T l v

c o n t i n u e s :

T h e

i n i t i a t e d one k n o w s this s u p r e m e

k n o w l e d g e

w h o s e

c h a r a c t e r i s t i c is the Heart,

and w h i c h is g i v e n by the

d i v i n i t i e s of B h a i r a v a ,

w h o a re w i t h i n the Heart,

and

w h o b r i n g an e s c a p e f r o m the v i b r a t i o n of m a n i f e s t a t i o n

w h i c h

le a d s

to

the o b s c u r i n g of the

Self,

and

a re

r a t h e r

d i r e c t e d

t o w a r d s the s u p r e m e

v i b r a t i o n

w h i c h

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28

c o n s i s t s

of

an o p e n i n g up of the

Self.

T h e s e

s am e

d i v i n i t i e s d e s t r o y the c h i e f b o n d w h i c h is the s t a t e of

c o n t r a c t i o n .^

T he v i b r a t i o n

that leads to m a n i f e s t a t i o n ,

is,

in

t e r m s

of c o n s c i o u s n e s s ,

the c o n t r a c t i v e a s p e c t

of

the

v i s a r g a , and the s u p r e m e v i b r a t i o n t ha t d i s c l o s e s the se lf

is

the e x p a n s i v e a s p e c t of the

v i s a r g a .

A b h i n a v a g u p t a

te l ls

us that

the

p u r p o s e of the m a n t r a

is

to

c a u s e

12

c o n s c i o u s n e s s to v i b r a t e m o r e q u i c k l y .

Thus,

in

t e r ms

of

the m a n t r a ,

the p r o c e s s i n v o l v e s h a r n e s s i n g the

v e r y

p o w e r

that

r e s i d e s in c o n s c i o u s n e s s ,

a nd

a l l o w i n g

the

f i n i t e

m i n d to v i b r a t e m o r e q u i c k l y ,

to e x p a n d ,

and

to

r e a c h the i n f i n i t e l y fast v i b r a t i o n t ha t c h a r a c t e r i z e s the

s t a t e

of B h a i r a v a .

T h e a t t a i n m e n t

of

this

s t a t e

is

s y n o n y m o u s

w i t h

the c o n d i t i o n of j i v a n m u k t a .

It is

in

this

w a y

that

A b h i n a v a g u p t a

e x p l a i n s

the

t h e o r e t i c a l

I

_

_ _

u n d e r p i n n i n g s

of the

S a m b h a v o p a y a .

T h e

m e t h o d

that

I

I

I

_

r e l a t e s to Siva or to S a m b h u (S a m b h a v a ) ,

e m p l o y s

n o t h i n g

e l s e

b u t the v i s a r g a ,

w h i c h c an h e r e be u n d e r s t o o d as an

i m p u l s e or p o w e r w i t h i n the Heart.

T hi s p o w e r b e g i n s

to

o p e r a t e

to

lead

the s a d h a k a t o w a r d s the

U l t i m a t e

o nc e

c o n s c i o u s n e s s

h as

b e e n s u c c e s s f u l l y

d o u b l e d

b a c k u po n

itself.

O n c e the

s a d h a k a has r e a c h e d

this stage,

he has

b e c o m e a v i r a , a s p i r i t u a l hero, w h o is a b l e to u n i t e w i t h

background image

29

the

G o d d e s s .

He

is

o ne

w h o

is

a b l e

to

s u r r e n d e r

g r a c e f u l l y ,

c o m p l e t e l y ,

and

e f f o r t l e s s l y

to

t h at

c e n t r i p e t a l m o t i o n of the Heart, the g r a v i t a t i o n a l p u l l of

c o n s c i o u s n e s s

on itself,

w h i c h p l u n g e s h i m b a c k into the

d e p t h s of the o c e a n of c o n s c i o u s n e s s .

T h e v i r a

may,

at

this point, if he so d e s i r e s , c o n s o l i d a t e this u n i f i c a t i o n

w i t h the inner G o d d e s s in the c o n t e x t of the s e c r e t r i t u a l

_

<3

k n o w n as the k u l a - y a g a .

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30

IV.

H R D A Y A N G A M I B H U T A :

E X P E R I E N T I A L R E P L I C A T I O N

W e

n o w turn to a s i n g l e p a s s a g e of the P T l v

w h i c h

a d d r e s s e s

the c o n c e p t of " e x p e r i e n t i a l r e p l i c a t i o n . " This

p a s s a g e

o c c u r s in the c o m m e n t to the f i r s t two v e r s e s

of

the

a g a m i c

" b a s e - t e x t . "

In t h e s e f ir s t two

v e r s e s

the

G o d d e s s

i m p l o r e s

B h a i r a v a

to r e v e a l to

h er

the

g r e a t

s e c r e t

of

the p o w e r that a b i d e s in the

Hea rt .

In

his

c o m m e n t a r y

A b h i n a v a g u p t a f i r s t p r e s e n t s the v i e w

of

the

p u r v a p a k s i n

w h o

q u e s t i o n s the n e c e s s i t y for any k i n d

of

r e v e l a t i o n .

T h e o b j e c t o r b a s e s h i s a r g u m e n t on the g r o u n d

t h a t

if it is a g r e e d that the Self is a l r e a d y s h i n i n g

in

t he

H e a r t

of

all b ei n gs ,

then t h e r e

is

no

n ee d

for

B h a i r a v a

to

r e v e a l it.

A b h i n a v a g u p t a r e s p o n d s to

this

o b j e c t i o n b y sa y i n g :

True, b u t e v e n t h o u g h it s h i n e s there, it h as not t r u l y

b e c o m e

a

c o n s c i o u s

a p p r e h e n s i o n .

W i t h o u t

c o n s c i o u s

a p p r e h e n s i o n ,

e v e n if a th in g e xi s ts ,

it is as if

it

d i d n ot e x i s t , just like the l e a ve s and g r a s s and o t he r

t h i n g s w h e n r i d i n g in a c h ar i o t .

T he q u e s t i o n is thus

a p p r o p r i a t e b e c a u s e c o n t e n t m e n t is n ot p o s s i b l e w i t h o u t

a

c o n s c i o u s r e a l i z a t i o n .

C o n t e n t m e n t (t r p t i ) is

of

two

kind s .

T he

f i r s t

is

e f f e c t e d

b y

m e a n s

of

a b s o r p t i o n

(s a m a v e i a ) and c o n s i s t s of m a g i c a l

po we rs .

T h e

s e c o n d

is

a t t a i n e d by r e a c h i n g

a

c o n d i t i o n

of

background image

31

c o n s c i o u s h e a r t - f e l t r e a l i z a t i o n ,

a nd it is the

s t a t e

of b e i n g l i b e r a t e d w h i l e still alive.'*'

T h e

o p e r a t i v e

p h r a s e

in

this

p a s s a g e

is

" c o n s c i o u s

a p p r e h e n s i o n " or " c o n s c i o u s r e a l i z a t i o n " w h i c h

t r a n s l a t e s

the

S a n s k r i t h r d a y a n g a m i b h u t a .

T h i s c o m p o u n d

l i t e r a l l y

m e a n s

"has b e c o m e s o m e t h i n g that m o v e s in the H e a r t . "

It

h as a l s o b e e n r e n d e r e d as "a c o n d i t i o n of c o n s c i o u s h e a r t ­

f el t

r e a l i z a t i o n . "

T h e a r g u m e n t t ha t A b h i n a v a g u p t a

pu ts

f o r w a r d

s e e m s to b e that e v e n if w e a g r e e t ha t

in

their

i n n e r m o s t

r e c e s s e s all b e i n g s a re e s s e n t i a l l y c o n s t i t u t e d

I

by,

and

i d e n t i c a l with,

Siva,

t h e r e r e m a i n s a

c r u c i a l

d i f f e r e n c e

b e t w e e n

u n c o n s c i o u s l y

b e i n g

s o m e t h i n g

and

c o n s c i o u s l y

t a k i n g p o s s e s s i o n of o n e ' s t ru e

s ta tus.

In

the

o ne case,

the f i n i t e self,

i g n o r a n t of its i d en t i t y

I

w i t h Siva,

s u f f e r s b o n d a g e and l i m i t a t i o n .

In the o t he r

case,

c o n s c i o u s

r e a l i z a t i o n of the t ru e s t a t u s

of the

p e r c e i v e r

(g r i h a k a )

g e n e r a t e s

a

t r a n s f o r m a t i v e

and

e m p o w e r i n g e f f ec t .

B y

u s i n g

t he t e r m h r d a y a n g a m i b h u t a

A b h i n a v a g u p t a

u n d e r s c o r e s c e r t a i n i m p o r t a n t c h a r a c t e r i s t i c s of the K au la

n o t i o n s

a b o u t l i b e r a t i o n .

T he K a u l a m o k s a o p e r a t e s

a

f u n d a m e n t a l

t r a n s f o r m a t i o n

of

the

e x p e r i e n c e

of the

s â d h a k a ,

that

is

to

s ay

t he r e is a

p r i m a c y

of the

e x p e r i e n t i a l d i m e n s i o n .

H o w ev e r, the a t t a i n m e n t of m o k sa

background image

32

as an e p i s t e m o l o g i c a l r a t he r than o n t o l o g i c a l

event,

and

o n c e

it is a t t a i n e d it r e p r e s e n t s an a c t i v e rath er than a

p a s s i v e

c o n d i t i o n .

In

t er m s of the

f i n i t e

self,

the

l i b e r a t i o n a i m e d at by the K a u l a s r e p r e s e n t s a p r o c e s s

of

e x p a n s i o n r a t h e r than a p r o c e s s of c o n t r a c t i o n .

F in a ll y ,

in t e r m s of the f i n i t e w o r ld ,

the K au l a m o k s a o p e r a t e s an

i n t e g r a t i v e

and

t r a n s f o r m a t i v e

e f f e c t

r a th er

than

a

s e p a r a t i v e and d e s t r u c t i v e one.

W e w i l l c o n s i d e r t he s e s t a t e m e n t s o ne b y

one.

It

is i m p o r t a n t to e m p h a s i z e t ha t the " c o n s c i o u s r e a l i z a t i o n "

r e f e r r e d

to

is

n ot

s i m p l y

a

p r o c e s s

of

a s s e n t i n g

i n t e l l e c t u a l l y

to

or

a f f i r m i n g b e l i e f

in

a

r e l i g i o u s

d o c t r i n e .

No

doubt,

c o m p r e h e n s i o n

and

fa i th

m a y

c o n s t i t u t e i m p o r t a n t fi rs t s te p s in the p r o c e s s of g a i n i n g

l i b e r a t i o n .

N e v e r t h e l e s s ,

it

s h o u l d

be c le a r that

to

" b e c o m e

s o m e t h i n g

that

m o v e s in the

H e a rt "

c a n n o t

be

r e d u c e d to " h a v i n g an idea in the m i n d . "

T he

p r o c e s s of r e c o g n i t i o n of o n e ' s i d e n t i t y

w i t h

I

_

S i va

(pratyabhijfia) is s i m p l y the e x p e r i e n t i a l

a w a k e n i n g

to

a

p r e - e x i s t i n g

c o n d i t i o n .

C o n s e q u e n t l y ,

from

an

o n t o l o g i c a l

p e r s p e c t i v e ,

w h e n f r e e d o m is g a i n e d

n o t h i n g

has r e a l l y c h a n g e d .

W h a t has a l w a y s b e e n c o n t i n u e s to be.

Yet,

e p i s t e m o l o g i c a l l y ,

the

a w a k e n i n g to

a

c o n s c i o u s

r e a l i z a t i o n

of

the

true

s i t u a t i o n

is

p o w e r f u l l y

background image

33

l i b e r a t i n g .

E v e r y t h i n g

c h an g es .

I nd e ed ,

it is

as

a

r e s u l t

of

this h e a r t - f e l t r e a l i z a t i o n t ha t the s t a t e

of

j i v a n m u k t i

is

s ai d to ari se .

It s h o u l d be

n o t e d

t ha t

p e r h a p s

t he s e

p h i l o s o p h i c a l

c a t e g o r i e s

i m p o r t e d

f r o m

I

W e s t e r n t h o u g h t a r e s u b t l y d i s t o r t i v e he re .

S i v a ' s b e i n g

(p r a k a S a )

is

e s s e n t i a l l y c o n s t i t u t e d of a

c o n s c i o u s n e s s

t ha t

is c o n t i n u o u s l y s e l f - r e f e r e n t i a l

(v i m a r S a ) .

T hus,

w h i l e

it r e m a i n s t ru e t ha t a w a k e n i n g to e n l i g h t e n m e n t

is

e s s e n t i a l l y an e x p e r i e n t i a l ,

e p i s t e m o l o g i c a l eve nt , w h i c h

I

I

d o e s

not in a ny w a y a lt e r S i v a ' s b e i n g q u a

Siva,

it

is

e q u a l l y

t ru e that this e v e n t is p o w e r f u l l y t r a n s f o r m a t i v e

of the " be i n g " of the s a d h a k a .

T h e s i d d h a "is" no l o n g e r

the same, a nd this n e w s t a t u s w i l l r e f l e c t itse lf not o n l y

in

t e r m s of a t r a n s f o r m e d v i s i o n of the s e l f and

of

the

p h e n o m e n a l

u n i v e r s e ,

b u t

a l s o in

the a t t a i n m e n t

of

a

d i v i n i z e d

c o n d i t i o n

of p h y s i c a l e m b o d i m e n t .

T h e p o w e r w h i c h m o v e s in the H e a r t is the

v i s a r g a -

¿ a k t i —

the e m i s s i o n a l p o w er ,

the s p a n d a —

v i b r a t i o n .

T h e

p r o c e s s of c o n s c i o u s r e a l i z a t i o n i n v o l v e s the a w a k e n i n g to

and g r a s p i n g of this i nn at e p o w e r of the U l t i m a t e .

It is

this

p o w e r w h i c h i n c r e a s i n g l y o v e r w h e l m s the f i n i t e

s e l f

I

1

w i t h the i n f i n i t y of Siva.

T he p r o c e s s of a t t a i n i n g S iv a

m a y

r i g h t l y be d e s c r i b e d as p a s s i v e in the s e n s e that

it

i nv o l v e s ,

a c c o r d i n g

to

the

K a u l a

m e t h o d

of

the

background image

34

S a m b h a v o p a y a /

a p r o g r e s s i v e l y and i n c r e a s i n g l y e f f o r t l e s s

i m m e r s i o n (n i m a j j a n a ) , or r e p o s i n g (v i S r a n t i ) in the a b ys s

of

the

Hea r t ,

a t e r m f u n c t i o n a l l y e q u i v a l e n t

w i t h

the

'

2

i m m a n e n t

S i v a - w h o - i s - c o n s c i o u s n e s s .

W h e n the

e x p e r i e n c e

of

r e a l i z a t i o n

m a t u r e s

s u f f i c i e n t l y

the

s a d h a k a

m ay

I

r i g h t l y

u t t e r

the

s t a r t l i n g

a s s e r t i o n ,

"I

am

S iva"

1

(S i v o 1

h a m ) .

H o w e v e r ,

this

a s s e r t i o n

c l a i m s

for

the

a w a k e n e d

s i d d h a

n o t

j us t

an

i n t r i n s i c

and

p a s s i v e

1

" o n e n e s s "

w i t h

the

e s s e n c e

of

Siva,

b u t

an

a c t i v e

a t t a i n m e n t

of the five f u n c t i o n s or p o w e r s

(p a n c a k r t y a )

1

3

of

S iv a

as

we ll .

T h i s a c t i v e

a p p r o p r i a t i o n

of

the

I

c o n d i t i o n

of

S iv a

is a l l u d e d to

in

the

a b o v e

q u o t e d

p a s s a g e

A b h i n a v a g u p t a

m e r e l y

a l l u d e s

to

it

w h e n

he

d e s c r i b e s

the

c o n d i t i o n

o b t a i n e d

as a

r e s u l t

of

the

t r a n s m i s s i o n

of

k n o w l e d g e

as

a

s t a t e

of

c o n t e n t m e n t

(t r p t i )

w h i c h

is s ai d to be of

two

kinds.

T he

first

o c c u r s as a r e s u l t of a b s o r p t i o n (s a m a v e i a ) and r e su l t s in

the

a t t a i n m e n t of m a g i c a l p o w e r s (v i b h u t i ).

The

s e co n d

k i n d of c o n t e n t m e n t is b r o u g h t a b o u t b y the a c h i e v e m e n t of

the

c o n d i t i o n

of

c o n s c i o u s h e a r t - f e l t

r e a l i z a t i o n

and

r e s u l t s in the a t t a i n m e n t of l i f e - i n - f r e e d o m .

T he a t t a i n m e n t of the H e a r t c o r r e s p o n d s to

the

I

a t t a i n m e n t

of the l i b e r a t i n g p o w e r of Siva

w h i c h

g r an t s

f r e e d o m

and

u n v e i l s t he u l t i m a t e

r ea li t y.

T h e

f irst

background image

35

m o m e n t of this r e a l i z a t i o n o c c u r s in an i m p l o s i v e e n s t a t i c

I

r e c o g n i t i o n of an inner i d e n t i t y w i t h Siva.

A b h i n a v a g u p t a

d e s c r i b e s

the

a s t o u n d i n g

u n i t y - i n - d i f f e r e n c e

that

4

c h a r a c t e r i z e s

l i f e - i n - f r e e d o m .

T he f i n i t e s el f

a t t a i n s

l i b e r a t i o n

a n d e x p e r i e n c e s its el f as i n d i s s o l u b l y

u n i t e d

w i t h

the

t ot a li t y.

T h e

i n d i v i d u a l

s el f

e x p a n d s

to

e x p e r i e n c e

i t s e l f

as

the

p e r f e c t l y

f u l f i l l e d

e g o i t y

(p u r n a h a n t a ) ,

a nd

in so d o i n g c o m e s to the e x p e r i e n c e of

a s t o n i s h m e n t

(c a m a t k a r a )

i n h e r e n t

in

this

a m a z i n g

" t r a n s f o r m a t i o n "

into the u n i v e r s a l

self.

A b h i n a v a g u p t a

o f t e n

p l a y s

w i t h the o p p o s i t i o n

b e t w e e n

e x p a n s i o n

and

c o n t r a c t i o n (s a m k o c a - v i k a s a ) .

T h e " e x p a n s i o n " t ha t leads

to

the

m a n i f e s t a t i o n of the w o r l d o c c u r s as a r e s u l t

of

1

the " c o n t r a c t i o n " of Siva into f i n i t e n e s s , into the f in it e

s e l v e s

(a n u ) .

T h e m e d i t a t i v e l y a c h i e v e d " e x p a n s i o n "

of

the f i n i t e s el f r e s u l t s in the " c o n t r a c t i o n " of the f in it e

w o r l d ' s " e x p a n s i o n " ,

and the d e - c o n t r a c t i o n of the f in it e

' .

5

s elf b a c k into Siva.

Thus, "to m o v e in the H e a rt " r ef ers, to b e g i n with,

to an inner g r a s p i n g of the ¿akti w h i c h o p e n s the

s a d h a k a

I

to i d e n t i t y

w i t h Siva.

B y u n i t i n g w i t h the

G o d d e s s ,

the

s a d h a k a

is s a i d to be "born of the Y o g i n l ' s

H ea r t" ,

that

1

6

is,

to

be r e b o r n as Siva.

For the K a u l a l i n e a g e

this

r e f e r s

to the

a t t a i n m e n t

of

c e r t a i n

m a c r a n t h r o p i c

background image

36

e x p e r i e n c e s .

T h e

s a d h a k a

t r u l y

c o m e s

to

e m b o d y

the

c o sm o s .

T h e c a p a c i t y to e x p e r i e n c e f i n it e o b j e c t s is not

lost;

in s t e a d , o b j e c t s are n ow s e e n as " l u m i n o u s w i t h the

p l a y

that

b e s t o w s

the f r a g r a n c e

of

the

S e l f . " ^

T h e

a s t o n i s h m e n t

of

the

e x p e r i e n c e i n v o l v e s

n o t

j us t

the

1

d i s c o v e r y that Siva, the u n i v e r s a l Self, is the t ru e inner

i d e n t i t y ,

b u t

a ls o the b e w i l d e r i n g p e r c e p t i o n t ha t

this

n o n - d i f f e r e n t i a t e d

Self is s i m u l t a n e o u s l y l i g h t l y at p l a y

as a l u m i n o s i t y i n h e r e n t in all e x t e r n a l o b j e c t s .

In this

way,

the

j l v a n m u k t a " mo ve s in the H e a r t ",

in t he

s e n s e

t h a t he n o w e x p e r i e n c e s the fact t h a t he h as h i s life

and

b e i n g

w i t h i n

the o m n i p r e s e n t r e a l i t y of

t he

Hea rt ,

of

I

I

Siva.

He

c o m e s to r e a l i z e that h e is s u r r o u n d e d b y Siv a

on

all sides,

and that w h a t he f o r m e r l y

" p e r c e i v e d "

as

s e p a r a t e ,

f i n i t e

o b j e c t s

h a v e n o w r e v e a l e d

t he i r

true

f

s t a t u s

as

s i m p l y

Siva h i m s e l f .

T hi s is

o n e

of

the

m e a n i n g s of the t a n t r i c f o r m u l a t i o n ,

p r e s e n t in the P T l v ,

w h i c h

i n t e g r a t e s

the u s u a l l y

o p p o s e d

c o n c e p t s

of

" e n j o y m e n t "

and l i b e r a t i o n (b h u k t i - m u k t i ) .

T h e

h i g h e s t

m e a n i n g

of

" e n j o y m e n t " is

in f ac t the

l i v i n g

of

the

b l i s s f u l s t a t e of l i b e r a t i o n itself.

T h u s we m a y c o n t r a s t

the K a u l a m o k s a to the s e p a r a t i v e k a i v a l y a of the

S a m k h y a

a nd

Y o g a

s y s t e m s ,

or w h a t m a y be c h a r a c t e r i z e d as

the

" d e s t r u c t i v e "

e nd

of

m a y a

in

the

m o k s a

of

A d v a i t i c

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37

f o r m u l a t i o n s .

In

d i s t i n c t

c o n t r a s t

to

m o k s a - s

w h i c h

o p e r a t e an i s o l a t i v e ,

a b s o r p t i v e ,

s u b l a t i v e , or p e r h a p s

e v e n

d e s t r u c t i v e

e f f e c t on

s a m s a r a ,

the

K a u l a

m o k s a

t r a n s f o r m s

the

f i n i t e w o r l d just as it i n t e g r a t e s it

to

i

the r e a l i t y of Siva.

T h e r e

is a final s e n s e to the n o t i o n of m o v i n g

in

the Heart.

It is in o rd e r to u n d e r s c o r e this

p a r t i c u l a r

c o n n o t a t i o n t ha t the r e n d e r i n g

" e x p e r i e n t i a l r e p l i c a t i o n "

w a s

c h o s e n .

T h e

n o t i o n of " r e p l i c a t i o n " r e f e r s

to

a

c r u c i a l

a s p e c t of the r e l a t i o n s h i p b e t w e e n the K a u l a g u r u

and the s a d h a k a .

E s s e n t i a l l y ,

t h e r e o c c u r s a " m o v e m e n t "

w i t h i n

t he

U l t i m a t e as t he e x p e r i e n c e

of

e n l i g h t e n m e n t

d i s p l a c e s

the c o n d i t i o n of i g n o r a n c e .

A c c o r d i n g to

the

K a u l a

t r a d i t i o n

the

a w a k e n i n g

f r o m

i g n o r a n c e

to

e n l i g h t e n m e n t m a y be s ee n b o t h as a

m o v e m e n t in the H e a r t

o c c u r i n g

w i t h i n an i n d i v i d u a l ,

b u t a l s o as a m o v e m e n t of

Q

r e a l i t y

f r o m

the

K a u l a

g u r u

to

the

d i s c i p l e .

The

I

I

a b s o l u t e r e a l i t y of S iv a s p r e a d s out,

as it w er e.

Siva,

I

w h o

has

c o m e

to a p p r e h e n d h i m s e l f as

Siva

w i t h i n

the

e x p e r i e n t i a l f r a m e w o r k of the life of the g u r u , r e p l i c a t e s

H i m s e l f in the e x p e r i e n c e of the d i s c i p l e .

For the K a ul a

t r ad i t i o n ,

this c o n t i n u o u s flux of e n l i g h t e n m e n t f r o m the

c e n t e r

to

the p e r i p h e r y is k no w n as the d e s c e n t

of

the

.

_

9

¿ ak ti (s a k t i p a t a ) .

It is this ¿ a k t i , the G o d d e s s , w h o is

background image

38

s a i d

to

b e c o n t i n u o u s l y e s t a b l i s h e d a nd

m o v i n g

in

the

H e a r t .

Thus, b y the u n c e a s i n g m o v e m e n t of r e a l i t y w i t h i n

itself,

f i n i te

b e i n g s

f ir s t

i g n o r a n t l y

a p p r e h e n d

t h e m s e l v e s as f i n ite,

a nd then c o m e to k n o w t h e m s e l v e s as

i n f i n i t e .

In

this

f a s h i o n

the

e x p e r i e n c e

of

I

e n l i g h t e n m e n t , of Siva, r e p l i c a t e s itself u n c e a s i n g l y as a

f u n c t i o n of the a c t i v i t y of the G o d d e s s .

background image

39

V.

B O R N OF T H E Y O G I N I ' S HEART; M E D I T A T I O N A N D R I TU A L

T h e

m e t h o d

o u t l i n e d by A b h i n a v a g u p t a in the

P T l v

e m p h a s i z e s

the

p r i m a c y of the d i r e c t e x p e r i e n c e

of

the

H e a r t t h r o u g h the m a n t r a .

M e d i t a t i o n on the m a n t r a

w i l l

b r i n g

the p r a c t i t i o n e r to a s t a t e of d i r e c t k n o w l e d g e

of

the

u l t i m a t e

reality'*',

as

w e l l

as

b r i n g i n g

h i m

the

c a p a c i t y

to h a v e d e t a i l e d k n o w l e d g e of all f i n i t e th in gs ,

2

p a s t

a n d f ut u r e .

T h e d i r e c t,

m e d i t a t i v e a b s o r p t i o n

in

3

the

H e a r t is s ai d to f u l f i ll t he p u r p o s e of a n y

r i t u a l .

I nd e ed ,

the

e n t r a n c e

into

the

H e a r t

c o n s t i t u t e s

i n i t i a t i o n ,

e v e n

if the a c t u a l r i t u a l of i n i t i a t i o n

h a s

4

n ot b e e n p e r f o r m e d .

M o r e o v e r , as a r e s u l t of the d i r e c t

k n o w l e d g e

of

the

u l t i m a t e r e a l i t y

of

the

Heart,

the

p r a c t i t i o n e r g a i n s e s s e n t i a l k n o w l e d g e a b o u t all

r it u al s ,

e v e n

if

he

d o e s

n ot k n o w the s p e c i f i c

r u l e s

for

the

5

v a r i o u s r i t u a l s .

M o s t i m p o r t a n t l y , all of the r i t u a l s

s u r r o u n d i n g the e n t r u s t i n g and t r a n s m i s s i o n of the

m a n t r a

g

a re

s ai d to be "of no use w h a t s o e v e r " .

T he p r a c t i t i o n e r

w h o h a s b e e n "born of the y o g i n l " a u t o m a t i c a l l y b e c o m e s an

e x p e r t

in

the r i t u a l s of all

s ch oo l s,

n ot

n e c e s s a r i l y

b e c a u s e he h a s c o m e to k n o w the r i t ua l r e g u l a t i o n s of e a c h

of the s c h o o l s in d e ta i l ,

b u t r a t h e r b e c a u s e he c o m e s

to

k n o w

the

s o - c a l l e d " M et h o d of the

U l t i m a t e "

(a n u t t a r a -

7

v i d h i ) .

Says

A b h i n a v a g u p t a ,

"w it h

r e s p e c t

to

the

background image

40

U l t i m a t e ,

w h i c h is o n l y c o n s c i o u s n e s s ,

all o t h e r

t h i n g s

g

a re e x t r a n e o u s . "

It

is

in

the

li gh t

of

t he se

r a t h e r

s t r o n g

s t a t e m e n t s

in favor of the p r i m a c y of

d i r e c t

m e d i t a t i v e

k n o w l e d g e of the H e a r t that it b e c o m e s u r g e n t to a t t e m p t a

c o n c e p t u a l

r e c o n c i l i a t i o n

of

the

r e l a t i o n s h i p

b e t w e e n

m e d i t a t i o n

and

r i t ua l

as

c o n c e i v e d

b y

A b h i n a v a g u p t a .

I

_

D e s p i t e the t e a c h i n g of the S a m b h a v o p a y a ,

a g r e a t v a r i e t y

of r i t u a l s c o n t i n u e to be p r a c t i c e d .

W e m a y p r o p e r l y a sk

o u r s e l v e s

w h y

it is that m a n y of

A b h i n a v a g u p t a 1s

o t h e r

texts, e s p e c i a l l y the T a n t r a l o k a , are full of d e s c r i p t i o n s

9

of

e l a b o r a t e t a n t n c r it uals.

E ve n m o r e p u z z l i n g is

the

f ac t

that

in

the P T l v itself an e n t i r e s e c t i o n

of

the

c o m m e n t a r y

is d e v o t e d to a d e s c r i p t i o n of v a r i o u s

r i t u a l

p r o c e d u r e s (v i d h i ) ,

i n c l u d i n g s a c r i f i c e

(y a g a ,

y a j a n a ) ,

-

.

10

a d o r a t i o n

(p u j a ) ,

and o b l a t i o n (h o m a ) .

H o w are we

to

u n d e r s t a n d

the i n c l u s i o n of this d e s c r i p t i o n of r i tu al in

a text d e v o t e d a l m o s t e x c l u s i v e l y to m e d i t a t i o n p r a c t i c e s ,

e s p e c i a l l y

w h e n the c l a i m is m a d e that

t h e s e

m e d i t a t i o n

p r a c t i c e s

s u r p a s s

and o b v i a t e all r i t u a l ?

To p u t

the

m a t t e r

in m o r e g e n e r a l terms,

w h a t l ig ht c an

this

text

shed

on the r e l a t i o n s h i p b e t w e e n the " in ne r" p r a c t i c e s of

the t a nt r a and the " ou ter" p r a c t i c e s ?

T h e

m e t h o d I w il l f o l l o w in this last s e c t i o n w i l l

background image

41

be to p r e s e n t th re e a p p r o a c h e s to the i n t e r a c t i o n

b e t w e e n

r i t u a l p r o c e d u r e s and m e d i t a t i v e a b s o r p t i o n .

It is

h o p e d

t h a t by m e a n s of th e se a p p r o a c h e s the a p p a r e n t d i s c r e p a n c y

o u t l i n e d

a b o v e

w i l l c o m e

to be u n d e r s t o o d in

t e r m s

of

A b h i n a v a g u p t a 's

i n t r i c a t e

i n t e r w e a v i n g

of

t h e s e

two

d i m e n s i o n s of r e l i g i o u s p r a c t i c e .

In a sens e, as we w i l l

s ee

m e d i t a t i o n

and

r i t u a l

a r e

f i n a l l y

n ot

to

be

d i s t i n g u i s h e d .

T h e y

r e p r e s e n t

two

d i f f e r e n t i a b l e

b u t

f i n a l l y

i n d i v i s i b l e a s p e c t s of t he s am e t a n t r i c

s a d h a n a .

I

n o w

p r o c e e d

to

p r e s e n t

t h e s e

t hr e e

a p p r o a c h e s

as

p o s s i b l e a v e n u e s for f u r t h e r e x p l o r a t i o n .

1) R i t u a l as p r e p a r a t i o n for m e d i t a t i v e a b s o r p t i o n ;

In a l o n g e r c o m m e n t a r y on the s am e a g a m i c v e r s e s e x p l a i n e d

in

the

P T l v ,

A b h i n a v a g u p t a s t a t e s that

the

r i t ua l

of

a d o r a t i o n

(p u j a ,

p u j a - v i d h i ) p r e p a r e s t h o s e w h o h a v e n o t

y e t

r e c e i v e d

the

full

and

to t a l

d e s c e n t

of

e n e r g y

(¿ a k t i p l t a )

to use the m a n t r a s u c c e s s f u l l y . ^ D ue to

t he

" p e c u l i a r

e f f i c a c y " (m a h a t m y a ) of this p a r t i c u l a r r i t ua l ,

s a y s A b h i n a v a g u p t a ,

the s a d h a k a is a b l e to p r a c t i c e f u l l y

the t e c h n i q u e of " r e m e m b e r i n g " the m a n t r a , and in this w a y

a t t a i n s the c o n d i t i o n of the Heart,

the u l t i m a t e r ea li ty .

Thus,

in

this c o n t e x t ,

r i tu al f u n c t i o n s

to

f a c i l i t a t e

m e d i t a t i v e

a b s o r p t i o n

(samaveSa,

viferanti,

n i m l l a n a

s a m a d h i ) .

It is this

background image

42

a b s o r p t i o n w h i c h then d i s c l o s e s the inner d i m e n s i o n of the

H e a r t in its f u l l n es s .

In a d d i t i o n , a b s o r p t i o n b r i n g s the

p r a c t i t i o n e r

into

c o n t a c t w i t h the e m i s s i o n a l

p o w e r

of

c o n s c i o u s n e s s

(v i s a r g a ) ,

the p r i m a r y fo rc e w h i c h

g u i d e s

the u n f o l d i n g t a n t r i c s â d h a n a .

2) M e d i t a t i v e a b s o r p t i o n as p r e p a r a t i o n for r i t u a l :

T h e

a g a m i c " b a s e - t e x t " c o m m e n t e d u p o n by A b h i n a v a g u p t a in

the

P T l v

d e s c r i b e s

a r i t u a l

of

" i m p o s i t i o n "

(n y a s a ) ,

g i v i n g a few d e t a i l s as f ol lo w s:

O ne m a k e s " i m p o s i t i o n "

on v a r i o u s p a r t s of the body: head, face, hea rt , g e n i t a l s ,

and w h a t e v e r im a g e is to be a do r ed .

O ne then m u t t e r s the

m a n t r a t w e n t y - s e v e n times,

s i m u l t a n e o u s l y b i n d i n g u p

the

t op - k n o t .

T h e

ten

r e g i o n s of s p a c e are then b o u n d

up,

b e g i n n i n g

b y

m a k i n g

t h r e e

loud

h a n d - c l a p s

to

r e mo v e

o b s t a c l e s .

S a n c t i f i e d

w a t e r is then s p r i n k l e d o ve r

the

t o p - k n o t ,

the

f l o w e r s a nd o th e r r it ua l

i m pl e m e n t s ,

the

l i n g a ,

a nd

the

e n t i r e

s a c r i f i c i a l

s u rf a c e .

In

his

c o m m e n t on this, p a s s a g e A b h i n a v a g u p t a c o n c e n t r a t e s

a l m o s t

12

e x c l u s i v e l y

on the n o t i o n of a p p r o p r i a t i o n ( s v l k a r a n a ) .

For

him,

the

s i g n i f i c a n c e

of the

r i tu al

is

t h a t

it

i n v o l v e s

a p r o c e s s of r e d u c i n g the e x t e r n a l

c o n s t i t u e n t s

of

the

r i t u a l to a s t a t e of i d e n t i t y w i t h

the

u l t i m a t e

r e a l i t y

of t he Heart.

T h e s u c c e s s f u l p e r f o r m a n c e of the

r i t u a l

of

i m p o s i t i o n is the p r e r e q u i s i t e

for

the

true

background image

43

p r a c t i c e of the r i t u a l of a d o r a t i o n .

In o r d e r to p e r f o r m

the

p r o c e s s

of

a p p r o p r i a t i o n

c e n t r a l to

the

r i t e

of

i m p o s i t i o n

(as

o p p o s e d

to

m e r e l y

s i m u l a t i n g

it,

or

i m a g i n i n g i t ) , the t a n t r i c "he ro " (v l r a ) m u s t h a v e a l r e a d y

r e c e i v e d

the

¿ a k t i p a t a

that

" d e c o n t r a c t s "

his

c o n s c i o u s n e s s .

O n l y

w h e n the c o n t r a c t i o n of the

f i ni t e

s el f

(a n u )

h a s

c e a s e d is the v l r a

f u l l y

q u a l i f i e d

to

p e r f o r m ,

in

its t r u e s t sen se ,

the r i t ua l of

i m p o s i t i o n

w h i c h p r e p a r e s the n e c e s s a r y p r e c o n d i t i o n s t h a t p e r m i t the

t ru e p r a c t i c e of a d o r a t i o n .

Thus, the r i t u a l s of i m p o s i t i o n and a d o r a t i o n s e rv e

the

v l r a as a s t a g e u p o n w h i c h to e x t e n d h is inner v i s i o n

I

of

the

u n i t y

of

all

t h i n g s

w i t h i n

S i v a - w h o - i s -

c o n s c i o u s n e s s .

It

is

p r e c i s e l y b y

" a p p r o p r i a t i n g "

all

t h i n g s

to

the

H e a r t that the v i s i o n of inner

u n i t y

is

e x t e n d e d

o u t w a r d s .

In t h e s e r i t u a l s the v lr a fi nd s

an

a r e n a

for s o l i d i f y i n g the u n i t i v e v i s i o n a c q u i r e d

d u r i n g

m e d i t a t i v e

a b s o r p t i o n .

T he r i t u a l s s e r v e to e x t e n d

and

e x p a n d

this

inner

v i s i o n of u n i t y to

i n c l u d e

a ll

the

e x t e r n a l

c o n s t i t u e n t s

of the r it ua l.

T h e y s e r v e

as

a

c o n t e x t

w i t h i n w h i c h the v ir a w i l l e v e n t u a l l y a t t a i n

the

a d v a n c e d

f or m

of m e d i t a t i v e r e a l i z a t i o n

k n o w n

as

the

13

e x t r o v e r t i v e s a m a d h i (u n m i l a n a s a m a d h i ) .

3 ) T h e C o n v e r g e n c e of r i t u a l a n d m e d i t a t i o n :

background image

44

In

the

f i r s t c a s e c o n s i d e r e d a b ov e,

r i t u a l

" op en s

the

d o o r "

of m e d i t a t i v e a b s o r p t i o n .

In the s e c o n d

case,

a

r a t h e r

a d v a n c e d

d e g r e e

of

m e d i t a t i v e

r e a l i z a t i o n

is

n e c e s s a r y for the true p e r f o r m a n c e of the r it ual.

In this

s e c o n d

c a s e

r i t u a l s h a v e b e e n

t r a n s f o r m e d

f r o m

m e r e l y

" e x t e r n a l "

p e r f o r m a n c e s into e x t e n s i o n s and c o n t i n u a t i o n s

of

the

s t a t e of m e d i t a t i v e

r e a l i z a t i o n

itself.

As

a

r e s ult, in the t a n t r i c s a d h a n a d e s c r i b e d by A b h i n a v a g u p t a ,

the

r e l a t i o n s h i p of m e d i t a t i o n a nd r i t u a l s e e m s to be one

of

a l m o s t c o m p l e t e i n t e r d e p e n d e n c e .

It m i g h t a l m o s t

be

d e s c r i b e d

as

b e i n g

s y m b i o t i c

in

n at ur e.

The

true

p e r f o r m a n c e

of one r e q u i r e s a h i g h d e g r e e of

p r o f i c i e n c y

in the oth e r .

T h e s u c c e s s f u l p r a c t i c e of o ne d e e p e n s and

e n h a n c e s

the p e r f o r m a n c e of the

o th er .

S y n e r g i s t i c a l l y

" f e e d i n g " one u p o n the o t he r,

the two " wi n gs " of e x t e r n a l

a nd

i n t e r n a l t a n t r i c p r a c t i c e a d v a n c e the v ir a a lo n g

the

p a t h of s a d h a n a .

In so d o i ng , r i t ua l and m e d i t a t i o n ha ve

a t e n d e n c y to c o n v e r g e , to m e r g e one w i t h the other, u ntil

the

b o u n d a r y or d i s t i n c t i o n b e t w e e n t he s e two

c a t e g o r i e s

b l u r s

and fades.

To p r e s e n t this p r o c e s s of c o n v e r g e n c e

in d e t a i l w o u l d r e q u i r e m o r e s p a c e than we h a v e a v a i l ab l e.

W e m a y m e n t i o n as an e x am p l e ,

h o w e v e r , a ritu al d e s c r i b e d

b y A b h i n a v a g u p t a in the T a n t r a l o k a for the e m p o w e r m e n t

of

14

a n ew te a c h e r .

If our i n t e r p r e t a t i o n of this p a s s a g e is

background image

45

c o r r e c t ,

it

s e e m s

t ha t in this v e r y

i m p o r t a n t

rit ua l,

t h e r e

do n o t o c c u r a ny " e x t e r n a l " a c t i o n s on the p a r t

of

the

t e a c h e r or d i s c i p l e w h a t s o e v e r .

R at h er ,

r i t ua l has

h e r e

b e c o m e

a c o n t e x t for " s a c r e d a c t i o n " in

w h i c h

the

r e a l i t y

that

h as

b e e n i n t u i t i v e l y

a p p r e h e n d e d

in

the

s i l e n c e

of

m e d i t a t i v e a b s o r p t i o n

is

n o w

s i l e n t l y

m a n i p u l a t e d

in o rd e r to be t r a n s m i t t e d to

the

d i s c i p l e .

O n c e again, the d i s t i n c t i o n b e t w e e n " ou t er "

p r a c t i c e s and

"i n ne r " a t t a i n m e n t s has b e c o m e b l u r r e d .

N e v e r t h e l e s s , the

c o n v e r g e n c e

of

r i t u a l a n d

m e d i t a t i o n

is

q u i t e

in

a c c o r d a n c e

w i t h

the a v o w e d a i m of

the

t a n t r i c

s a d h a n a

w h i c h

is d e s c r i b e d as a c o n d i t i o n in w h i c h all t h i n g s are

"of one t a s t e " (e k a r a s a ) .^

In

the

T a n t r a l o k a ) ,

A b h i n a v a g u p t a

d e s c r i b e s

a

m e d i t a t i o n u s i n g t e r m s a nd i m ag es d r a w n f r o m a fire-ritual;

the

two

f i r e - s t i c k s

a r e r u b b e d

t o g e t h e r

in

or de r

to

16

i n f l a m e the s a c r e d f i r e - p i t of B h a i r a v a .

T hi s m e d i t a t i o n

e s s e n t i a l l y

c o n s i s t s

in v i s u a l i z i n g the e n t i r e

u n i v e r s e

r e d u c e d

to

the w h e e l of p u r e

c o n s c i o u s n e s s ,

a nd

then,

r e h e a r s i n g

the p r o c e s s b y w h i c h the e n t i r e u n i v e r s e

o nc e

a g a i n

e m e r g e s .

T h e

s i d d h a

is

s ai d

to

h a v e

b e c o m e

i d e n t i f i e d

w i t h

B h a i r a v a

w h e n

he

a c t u a l l y

c o m e s

to

e x p e r i e n c e

the

c o n t i n u o u s e m a n a t i o n and r e a b s o r p t i o n

of

the u n i v e r s e f r o m h is c o n s c i o u s n e s s .

In o r d e r to a c h i e v e

background image

46

this c o n d i t i o n of B h a i r a v a the

s i d d h a e m p l o y s

r i t u a l i z e d

m e d i t a t i o n s

and

m e d i t a t i v e r i t u a l s w h i c h s e r v e as a r e n a s

for m a n i f e s t i n g his i d e n t i f i c a t i o n w i t h

B h a i r a v a .

T h e s e

p r a c t i c e s

b e c o m e

the

c o n t e x t w i t h i n

w h i c h

the

s i d d h a

e x e r c i s e s

and

t e s ts

his

a t t a i n m e n t of

the

p o w e r s

of

m a n i f e s t a t i o n ,

m a i n t e n a n c e ,

and

r e a b s o r p t i o n

of

the

u n i v e r s e .

As

the

m u t u a l l y

e n h a n c i n g

p r a c t i c e s

of

m e d i t a t i o n and r i t u a l d e e p e n ,

t he y p r o v i d e a c o n t e x t

for

" s a c r e d a c t i o n " w h i c h t es ts the a u t h e n t i c i t y and i n t e n s i t y

of

r e l i g i o u s

a t t a i n m e n t

and

w h i c h

is

b o t h

d e e p l y

m e d i t a t i v e and h i g h l y r i t u a l i z e d in nature.

T h e

p r e c i s e b a l a n c e b e t w e e n m e d i t a t i o n and

r i t u a l

in

A b h i n a v a g u p t a d e s c r i p t i o n s of s a d h a n a s e e m s to

d e p e n d

on at l e a s t t hr e e facto rs :

1)

T h e

p a r t i c u l a r

m e t h o d (u p a y a ) that

the

s a d h a k a

is

e m p l o y i n g :

T he

m e t h o d ,

in

turn,

w il l d e p e n d

on

the

t e a c h e r ' s

a s c e r t a i n m e n t of the d e g r e e of

¿ a k t i p a t a

t ha t

the

s a d h a k a

has r e ce i ve d .

Thus,

o n l y the m o s t

h i g h l y

q u a l i f i e d

d i s c i p l e s w o u l d be a b l e to e m p l o y

s u c c e s s f u l l y

I

_

_

the

S a m b h a v o p a y a d e s c r i b e d in the P T l v .

For

them,

and

t h e m alo n e , the g r e a t m a j o r i t y of r i tu al p r a c t i c e s s e e m to

h a v e b e c o m e u s e l e s s .

N e v e r t h e l e s s , it is for t he s e h i g h l y

a d v a n c e d

d i s c i p l e s

t ha t

the

t r a d i t i o n

t e a c h es

the

e r o t i c i z e d

s e c r e t

r i t u al k n o w n as

the

k u l a - y a g a .

For

background image

47

ot h er , less f a v o r e d , p r a c t i t i o n e r s , the r i t u a l s w i l l s er ve

to e n h a n c e a nd d e v e l o p w h a t e v e r m e d i t a t i v e s ki ll s they m ay

»

17

h a v e .

2) T h e goal of the s a d h a k a :

S a d h a n a m a y be u n d e r t a k e n for

the a t t a i n m e n t of m o k s a ,

for the a t t a i n m e n t of p a r t i c u l a r

d e s i r e s

(b h o g a ) ,

or for a c o m b i n a t i o n of the

two.

For

t h o s e

p r a c t i t i o n e r s

u n d e r t a k i n g

s a d h a n a o n l y

for

the

a t t a i n m e n t

of

m o k s a ,

the p r e c i s i o n of

the

r e g u l a t i o n s

e s t a b l i s h e d

for

the

p e r f o r m a n c e of

r i tu al

lose

their

i m p o r t a n c e .

T h e

o n l y i m p o r t a n t e l e m e n t in this c a s e

is

that e v e r y a s p e c t of r i t u al be s uc h that it c a u s e s joy

in

the

Heart.

T h o s e

w h o a i m at the f r u i t i o n

of

s p e c i f i c

d e s i r e s ,

on

the o th e r h a n d ,

m u s t a t t e n d c l o s e l y to

the

p r e c i s e

d e t a i l s

for

the p e r f o r m a n c e

of

e ac h

s p e c i f i c

i 18

r i t u a l .

3)

Is

the

s a d h a k a

p u r s u i n g

the

a t t a i n m e n t

of

the

i n t r o v e r t i v e

(n i m i l a n a )

or the

e x t r o v e r t i v e

(u n m l l a n a )

s a m a d h i ? :

T he

i n t r o v e r t i v e

s a m a d h i is a t t a i n e d

b y

an

e m p h a s i s

on

m e d i t a t i v e

a b s o r p t i o n .

The

e x t r o v e r t i v e

s am a dh i

is

a c h i e v e d by

m e d i t a t i v e l y

p e r f o r m e d

ritual.

T h e s e

s a m a d h i -s

a re p u r s u e d p r e c i s e l y in or de r that

the

p o l a r i t y

b e t w e e n

inner

a n d

o u t e r

be

o ve r co m e.

The

a l t e r n a t i o n

b e t w e e n

a

c o n t r a c t i o n

of

the

m a n i f e s t e d

u n i v e r s e into the s i l e n t w i t n e s s i n g c o n s c i o u s n e s s , and the

background image

48

e x p a n s i o n

of

t ha t u n i v e r s e a g a i n o ut

of

c o n s c i o u s n e s s ,

c o n s t i t u t e s

the

e s s e n t i a l

s t r u c t u r e

of

the

t a n t r i c

s a d h a n a .

Thus,

it

is

in the d i a l e c t i c a l

r e l a t i o n s h i p

b e t w e e n m e d i t a t i o n a nd r i t u a l , in the r e p e a t e d a l t e r n a t i o n

b e t w e e n

the inner and o u t e r p r a c t i c e s ,

t ha t the

s a d h a n a

a d v a n c e s t o w a r d s its u n i f y i n g goal.


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