Glenn Miller In The Mood

background image

  

Bass Guitar

4

= 172

            

1

   

    



       

   

   

               

   

2

   

               

   

   



                          

               

1.

     

2.

 

4

  

                        

5

  

                          

6

                  

           

        

   

7

                   

                  

8

   

       



   

  

   

    

4

 



    

      

   

   

         

4

    

10

             

   

   

      

  

2

11

   

            

   

   



     

12

6

   

    

In The Mood

3

9

background image

  

Alto Sax 1

  

    

= 172

                 

2

  



1

   

      

                  

2

  

     

    

   

   

                 

       

   

3

    

              

    

         

1.

         

2.

   

4

          

             

5

   

 

          

        

6

                         

  

                



    

     

  



               

       

4

  

 

9

   

       

4

10

  

 

 

                           

2

   

 

         

              

12

6

             

2

In The Mood

7

8

11

background image

  

Alto Sax 2

  

   

= 172

                   

2

  

 

           

        

2



  

       

3

     

 

           

1.

     

2.

    

4

5

        

5

5

           

                        
                           
  

 

              

   

4

        

9

 

    

            

4

                         
    

2

11

 

 

 

 

  

                      
              

12

6

 

 

 

 

  

2

In The Mood

1

6

7

8

10

background image

  

Baritone Sax

  

   

= 172

          

2

           

         

2

                  

               
  

        

1.

  

   

2.

 

4

5

    

5 4

      

                  

    

     

7

       

     

    

   

    

     

8

  

                 

4

9

             

               

      

4

10

                        

                

2

                         

         

12

6

      

2

In The Mood

1

3

6

11

background image

  

Tenor Sax

  





= 172



          

2

     

          

        

2

  

                
       

        

1.

    

2.

    

4







      

  

    

    

 

            

 

5

       

      









 

        

6

           

             

7

 

   

               

8



        

4

  

 

 

      

4 10

 

            


2 11

                         

         

     

12

6

           

2

In The Mood

1

3

9

background image

  

Tenor Sax 2

  





= 172



          

2

     

          

        

2

  

                
       

        

1.

    

2.

    

4







      

  

    

    

 

            

 

5

       

      









 

        

6

           

             

7

 

   

               

8



        

4

  

 

 

      

4 10

 

            


2 11

                         

         

     

12

6

           

2

In The Mood

1

3

9

background image

  

Trombone 1

3

= 172

 

                 



          

1

                 

        

         

2

      

                   

     

   

                      

1.

   



 

    

2.

   

4

5

 

   

    

  



5

 

   

    

   

6

    

   

 

         

7

  

7

     

    

  

    

2

      

    

8

    

   

   

   

   

 

  

9

                    

 

  

10

         

 

 

 

 

11

  

  

  

  

   

  

  

  

   

12

    

 

 

  

In The Mood

3

5

background image

  

Trombone 2

3

= 172

 

                   



   

1

                

  

             

2

            

              

     

3

  

  

  

         

1.

  



 

2.

  



5

 

  

 

  

5

5

 

   

    

   



    

   

        

7

  

7

   

  

 

    

2

      

    

8

  

  

 



  

  

 

  

9

  

  

 



  

  

 

  

10

     

    

   

 

 

 

 

11

  

  

  

  

   

  

  

     

12





 

 

In The Mood

4

6

background image

  

Trombone 3

5

= 172

        

1

          

                              

                          

                  

1.

   

 

2.

   

4

5

       

5

5

   

      

6

    

   

       

  

  

     

3

7

7

         

8

                    

  

               

  



                 

 

 

 

 

11

                      

  

12

 

  

 

In The Mood

2

3

9

10

background image

  

Trombone 4

5

= 172

     

1

        

                            

2

 

                             

                

1.

   

 

2.

   

4

5

             

5

5

   

      

6

   

   

       

    

  

     

3

7

7

         

8

  

 

  

  

  

 

  



 

  

  

  

  

 

  



                 

 

 

 

 

11

                    

      

12

    



 

  

 

In The Mood

3

9

10

background image

  

Trumpet 1

3

= 172

  

                 

      

1

                         

                   

2

             

                                 
          

1.

      

2.

    



5

               

5

5

           

     

                     



    

      

             

7

 



               

   

          

          

    

8 10

      



  

2 9

10

       

2

10

10

     

 

11

  

  

  

  

  

  

  

  

                   

      

 

                 

2

In The Mood

3

4

6

12

background image

  

Trumpet 2

3

= 172

  

                 

      

1

                       

     

2

           

                            
             

1.

          

2.

    

4

5

             

5

5

             

     

                

8

7

7

           

8

10

         

2

9

10

          

2

10 10

     

 

11

 

                        

                         
                     

  

 

2

In The Mood

3

6

12

background image

  

Trumpet 3

3

= 172

                 

  

 

1

              

  

      

             

2

             

  

  

                   

    

 

   

 

   

 

       

1.

   

      

2.

    

4

5

               

5

5

                 

6

    

     

          

8

7

7

            



10

        

2

9

10

      

  

2



10

       

    

11

       

      

     

     



      

12

                

  

          

   

2

In The Mood

3

8

10

background image

  

Trumpet 4

3

= 172

  

                 



       

1

                   

                      

2

      

                      
  

           

       

1.

    

      

2.

    

4

5

              



5

               

6

    

    

         

8

7

7

 

    

     

8

10

            

2

9

10

       

  



2

10

10

       

    

11

       

                  

                          
                        

2

In The Mood

3

5

12


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