Gliere Duo Viola & Contrabass Viola arr for Cello

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Andante

Violoncello

y Contrabajo

Suite para viola

R. GLIRE

I. PRELUDE

mf

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 

 

 

 

 

 

 

5

poco cresc.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

p

   

            

10

   

 

cresc.

    

f

     

  

    

p

         

15

      

   

        

  

 

 

 



 

 

  





rit.

 

 



 



19

pp

a tempo

cresc. poco a poco

   

simile

       

accel.

               

rit.

   

23

a tempo

f

p

 

 

 

simile

 

 

 

 

cresc.

27

 

f

31

dim.

p

         

  

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Allegretto

2. GAVOTTE

1



p

 





              



         

 

5

 

  



        





                  

10





 

  



    

         

mf

          

15



                    

p

   

    

   

20

 

f



   

f

 





      

   

25

 

  



              



      

f

     

 

30

Musette

33

     

         

f



      

34



   

    

 

   

p



    

       

2

background image

39



  

 

   

f



    

 

     

    

   

pp

  

45

   



     

    



  

f



    

 

 

50



   

      

 

   

p



    

 

        

55

Tempo primo



  

      



mf

 





                  

61





          



        



    

65

   

      



     

      

68





         

f

          

      

73

 

 

           

p

   

   

  

77

    

f

  

          

rit.

   

Violoncello

3

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

Tranquilo

3. CRADLE SONG

mf

con sord.

  

 

         

 

       



  

7

p



   

p

    

 

         

13

cresc.



  

    

dim.



 

  

 

           



   

20

     

p

 

   

 

 

 

    

27

rit.

a tempo

 

f

      

mf

   



                

34



p

       

poco rit.

    

p

a tempo

     

  

39





       

cresc.

 



  

    



 

dim.

    

44

 

      

pp





   





senza sord.



  

4

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

Andantino

1

4. INTERMEZZO



mf

 

 

               

5

                

    

 

10



   

        

    

    

14

      

   

 

 

dim. rit.

p

  

 

   

a tempo

  

 

 

19

             

cresc.

            

24



f

 

         

f

   

rit.

     

28



a tempo

cresc.

    

   



rit.

  

  

a tempo

mf

    

 

35



   

        

    

        

40

        

p

    

 

   

       

45

   

cresc.

     

       

dim.

 

rit.



  

5

background image



Vivace

5. SCHERZO

f



   

  



 

    

    

9





 

       





 

       

17

 

 

 

 

26



       



f

       

p

 

34

       



f



 

   



p



  

43

     

f

 

   

 



      

 

   

51





   

p

       

f

      

60

    

    

    





   

    

68

 

    

 

 

ff

              

76

               

81

  



 

rit.



 

  

6

background image

meno mosso

85

mp

 

               

pp

 

 

94

           

   

mp

 

  

   

103

 

             

mf



 













113

dim.



 













pp



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

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

 

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    

124

156

  

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    

f



accel.

  





D. C. al

 

     

158

   

f

     

pp

           

cresc.

  

166

 

  

p

                    

174

  

    

   



    

pp



  

182

         

cresc.



     

p

     

cresc.

  

190

         

f

  



  

  

  



  

 

197

   

  

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   

  



  

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    

ff

  

Violoncello

7


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