LEGEND: H = Half Step, W = Whole Step. A = Major 7th;
OLOM/3CALE SYMBOL SCALĘ .MAMĘ
+ or# = raiseH; bor-=lowerH; 0 = Half-diminished;
ffHOLE & HALESIEE STRUCTION
IiRS
RVE BASIC CATEGORIF.S
Major
Dominant 7th (Mixolydian) Minor(Dorian)
Half Diminishcd(Locrian) Diminishcd(8 lone scalę)
W W H W W W H WWHWWHW WHWWWHW HWWHWWW WHWHWHWH
SCALĘ IN KEY QF C
CDEFG ABC CDF.FG A BbC C D F.b F G A Bb C C Db Eb F Gb Ab Bb C C D Eb F Gb Ab A B C
= 3H (Minor Third)
BASIC CHORO IN..KEY..OE&
C E G B D C E G Bb D C Eb G Bb D C Eb Gb Bb C Eb Gb A (Bbb)
LMA.10R SCALĘ
choices
CA(Can be wriuen C) C
CA+4
CA
CAI)6
CA+5, +4
C
C
C
C
SCALĘ MAML
Major(don't cmphasize the 4th) Major Pentatomc Lyclian(major scalę with +4) Bebop (Major)
Harmonie Major Lydian Augmented Augmcntca
6lh Modc of Harmonie Minor Diminished(begin with H step) Blues Scalc
W & H CONSTRLCriON
WWHWWWH w W -3 W -3 WWWHWWH WWHWHHWH WWHWH-3H WWWWHWH -3 H -3 H -3 H -3 H W H W W H HWHWHWHW -3 W H H -3 W
SCALĘ IM KEY Of C
CDEFGABC CDECAC C D F. F# G A B C CDEFG G# ABC CDEFG Ab B C C D E F# G# A B C C D# E G Ab B C C D# E F# G A B C C Db D# E F# G A Bb C C Eb F F# G Bb C
BASIC CHORO
IN KEY OF C
CEGBD
CEGB
CEGBD
CEGBD
CEGBD
CEGKBD
CEGBD
CEGBD
CEGBD
CEGBD
ŁR0-M1NANT 1U)
SCA LE-C1101C ES
C7
C7
C7
C7b9
C7+4
C7b6
C7+ (has #4 & #5) C7b9(also has #9 & #4) C7+9(also has b9, #4, #5) C7
P.O.MINAM 7th SUSPENPEP 4th
C7 SUS 4 v MAY BE C7 sus 4 > WRITTEN C7 sus 4 / G-/C
SCALE-MAME
Dominant 7th Major Pentatonic Bebop (Dominant)
Spanish or Jewish scalę Lydian Dominant Hindu
Whole Tone(6 tonę scalę) Diminishcd(bcgin with II step) Diminished Whole Tonę Blues Scalc
W & li CONSTRUCTION
WWHWWHW W W -3 W -3 WWHWWHHH H -3 H W H W W WWWHWHW W W H W H W W W W W W W W HWHWHWHW HWHWWWW -3 W H II -3 W
SCALĘ IN KEY OF C
CDEFG A BbC CDEGAC CDEFG ABbBC C Db E F G Ab Bb C C D E F# G A Bb C CDEFG Ab BbC C D E Ftf G# Bb C CDbD#EF#G A BbC C Db D# E F# G# Bb C CEbFF#G BbC
BASIC CHORE IN.KEY.QE-C
C E G Bb D C E G Bb D C E G Bb D C E G Bb (Db)
C E G Bb D CEGBbD C E G# Bb D C E G Bb Db (D#) C E Gtt Bb Dtt (Db) C E G Bb D (D#)
Dom. 7th scalc bu: don't emphasize the third Major Pentatonic built on b7 Bebop Scalc
WWHWWHW W W -3 W -3 WWHWWHHH
CDEFG A BbC Bb C D F G Bb CDEFG ABbBC
CFGBbD
CFGBbD
CFGBbD
3.MINOR SCALĘ CHOICES*
C- orC-7 C-orC-7 C- orC-7 C-A (maj. 7th)
C-- or C-6 or C-A C- or C-7
C-A (b6 & maj. 7th) C- or C-7 C- or C-b9b6 C orC-b6
SCALĘ NAME
Minor(Dorian) Pcntatonic(Minor Pentatonic) Bebop (Minor)
Melodie Minor(ascending) Bebop Minor No. 2 Blues Scalę
Harmonie Minor Diminished(bcgin with W step) Phrygian
Purc or Natural Minor. Aeolian
WHWWWHW -3 W W -3 W WHHHWWHW WHW W W WH WHWWHHWH -3WHH-3W WHWWH-3H WHWHWHWH H WWW HWW W H W W H W W
C D Eb F G A Bb C C Eb F G Bb C C D Eb E F G A Bb C CDEbFG ABC CDEbFGGtfABC CEbFF#G BbC C D Eb F G Ab B C C D Eb F F# G# ABC C Db Eb F G Ab Bb C CDEbFG Ab BbC
BASIC CHORD IN-KEYOF C
CEbGBbD C Eb G Bb D C Eb G Bb D C Eb G B D CEbGBD C Eb G Bb D C Eb G B D C Eb G B D C Eb Cr Bb C Eb G Bb D
4.HALF DIMINISHED
SCALĘ CHOICES
C0
C0#2 (C09)
C0(with or without #2)
SCALE.NAME A Ii C.QySTB UCTIO.N
I lalf Diminishcd(Locrian) HWWHWWW
Half Diminished #2(Locrian #2) WHWHWWW Bebop Scalc HWWHHHWW
SCALĘ IN KEY QF C
C Db Eb F Gb Ab Bb C C D Eb F Gb Ab Bb C C Db EbFGbG AbBbC
BASIC .CJUOJRD IN KEY OF C
C Eb Gb Bb C Eb Gb Bb D C Eb Gb Bb
SCALĘ SCALĘ NAME ff..&ji.C.OySTRBaiO>' SCALĘ IN KEY OFC BASIC CHORD
U1Q1CES IN KEY QF C
Cc Dtminished(8 lonc scalc) WHWHWHWH C D Eb F Gb Ab A B C C Eb Gb A
NOTĘ: The abovc chord symbol guide is my system of notation. I feel il best represents the sounds I hcar in jazz. The player should be awarc that cach chord symbol represenLs a scrics of tones callcd a scalc. Evcn though a C7+9 would appear to havc only a raiscd 9th, it also has a b9. +4 & -t-5. The entire C7+9 scalc would look like: Root, b9, +9,3rd, -t4, +5, b7 & rooi (C, Db, D#, E, F#, G#, Bb, C). My chord symbol abbreviation isC7+9 and ihc name of this scalc is Diminished Whole Tonę sometimes callcd Super Locrian or Altered Scalc.
C7b9 appears to have only one altered tonę (b9) but actually has thrcc: b9, +9 and +4. The entire scalc looks like this: Root. b9. +9, 3rd. +4,5th, 6th, b7 & root (C, Db, D#. E. F#, G, A, Bb, C). This is callcd a Diminished scalę and my chord symbol abbrevialion is C7b9.
Ali scalcs under the Dominant 7th catcgory arc scales that embellish the basie Dominant 7th sound. Some scalcs providc much morc tension than the basie dominant 7th sound and rcąuircpracticc and paticnce to grasp the essence of their meaning. I cncourage you to work with the firstsidcof Volumc3 "'Ihc II—V7—I Progression" sińce ilcmphasizcs Diminished and Diminished Whole Tonc scalcs and chords. *- In catcgory #3, MINOR SCALĘ CHOICES. ihc PURE MINOR scalc choice is not uscd very often. I have found ihc order of prcfcrcncc to bc Dorian, Bebop, Melodie, Blues, Pentatonic, and then any of the remaining Minor scalc choices.
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