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im juBcz. 1 fSnst .. - -

Vocabu!ary >• CB Keading 1 pp.

\Vord formation

Use the correct form of (he word en capitak at the end of eadi semence to tM the gap-* Tbn 25 a artist he's done some fantasóc iifcrtwy o ćhc peopfe tn his dass. ORAW

2 V\1® na* 'ie __d !he iast Star Wars fin? CMKCT

2 7V ifoa foer shoned on TV iast neght was ...________

ścarwL EOSEMi

4    T^ie mcszMKnf luve set jp an_wł»di rsesps

iokm iraacdSy. ORCANtSf

5    The pU cas_wnaen to edebrate the d(ys

Wtóry. SrtCLU

g I hey ^icdd cui he_ot the nusitai by

inuIlGiainuies. LO*G

Cboosfog the right word

rrfine the correct word arom the options giien - .rWwwm sars akad very large ^ scicistois-

ne aOoc hac owe <earmftg ~~e piay/senpc tor

Grammar and Use of English

► CB pp.6-7, grammar 9es 4, 5

Presenf sćmple or presetit coifiattoos?

Put^jee verbs in bradets foto the correct terae, present simpie or present coofouous.

1    Wtiat degcuihmk (you/ihmk'; of foelasestBond

iwxie?

2 Shh! Don*t ds&rb Sam. He_headl a foriSec

3    I_(notfanderstand; foe pfot of fos Sfeat. Ihe

Hero_across the *orid and_

jhougft aH sorts ot danger to ind She ■worali he

_m?/ei Bot wher he_0mć_t her, he

_(deode) he_<es ber!

4    I . . ihink) of buying a wideo. Wtśdi w

recommend?

5    brofoer_(fcain) to be ar actoc

6    That art esh&ition_(sound; ^rea% good

7    Mf sisser armoys me because she_

;aiw3vvtaźv about hersdf?

t How_(ycaaleef) about horror mc*ies?

5 iavourtie group_teppearTat a kscsl Teate

tonghL

30 I

ćązrizsaan f«nćshed fforfo€ at— -_______

I {werk) m a thea&e for a mend- as parr or oiege ątjrse.^______ „ .

Hf-i foe* Mned Tśtanc. Oiew buife * spedał iJkmw ^ he <tudfo.

-r< * \eds to deign and paanr re

łiWyanołiK 5 Iowę and haae.

^Advefł» of fre^uency

Yerb • no jn coBocafions

Campiele the coOocatfors hdow wfo 3 verb from foe fet The toun is fo rfrfn to help you.

atfoifwe . ijrm / hme /    / paf /pfey

1 That r^eopr k goirg to JSSSL a £ht aboul foe

OM unsp( < WmO ś foe imt'

■eiofccf fomes Bond in

3 r-j* {Huce ⁱud pmblems at He 5^ ^ ^

-— «TO55 Saier.

-> Sfcje^.-=KsesSto%-wa«5he_asaat'ihepASc

— 4 łJHao piane for har. I ——••—ittpfog |

*^^rorł 4 the» want lo ifo fo ^sjyr cocj*Orv? lir ** foed <d worfong for hfo stodfos io

so fopcfocortjd to_

3 nbftńcnroaMohat

9tcv awc oUncMHt

_ Onri

QHn r

ontpsnf

A Position ofadmbs

We ose adwefos of finequcnqr soch e

ańravs, o^en. asuaBf, sotutfmtts, oecaśonaMy,

kardty ner (= akmost aner), sHHoay rareły, fier.

•    aster s^rpie lenses of the we?b lo he:

He ś uzoaSfy -^ra*e.

•    before simpfo terses o# al ether werhc P^y htnSy emer 00 to ihe dnema,

•    afer the irst ainfory wesfe in coerpies lenses:

/ hawe ałmays seen good ISsss at foe fesśmŁ Arhrrbs such as: rvery iay, fance a dav; Moar and igpńą, naosf days go at foe begjnrńg or end of foe sotewce

IfoaofoftraryalerscfodMdap.

B Negatżwe adwerbs

Adwerts »fo a negafon? rneaning aae accompanied bf a pgilwr wih

fhard^ew gotoshe emma = > do*'t often go x freonem*.)