(S) ### THE ORIGINS OF LANGUAGE
Jaspersen/Quotation, p. 1. Aussie tape
1. The Divine Source: Genesis/Adam, also: Sarasvati
2. experiments: if the use is spontaneous, then lg must be God-given
3. Natural source (Russeąu): cu-ckoo...ouch...yo-heave-ho. . .
4. The oral-gesture source:(a)lg.but no mime (b)mime but no lg
5. Physiological adaptation: humans vs. monkeys (vocal mechanisams, lateralisation of human brain)
© Speech and writing o Functions of language:
- interactional (to interact socially/emotionally)
- transactional (to communicate information/knowledge)
# The development of writing:
- cave drawings (20000), tokens (early book-keeping: 10000)
- alphabetic script can be only traced back to inscriptions 3000 yrs back
- pictograms^O^ - ideograms O
- Egypt (house) ni
- China (river) JH
- ideogram (for water) ===> logogram /M
^*vvs
abstractin^away from reality Logograms (Sumerians: 5000-6000 yrs back)
- cuneiform writing on soft clay tablets 4 the relationship between the written * form and the object is arbitrary
Rebus Writing: <j$ uXu*4uftlt(-»2 ©UU y
Syllabic writing *(Cherokee) (ho)IB (sa)13" (ge)jL see pp. 12/13 towards alphabetic writing
Written English and spelling conventions:
@ ### THE PROPERTIES OF LANGUAGE
(informative vs. communicative)(cf. paralanguage vs. language) >»> DESIGN FEATURES:
"bipeds believe to be unique to their linguistic system"
(a) DISPLACEMENT: the park... yesteraday...
V-»i
bcttr*-^h.Vvt. f\
V- 10
(b) ARBITRARINESS: (no natural connection)
you cannot determine the meaning from shape:
(c) ICONICITY: form mimics meaning: (look/fall/tall)(onom.
(d) PRODQCTIVITY: novel utterances (creativity/openness)
(e) CULTURAL TRANSMISSION:
(you acąuire lg in a culture and not from genes) cf. Chinese speakers of Am. English
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