cotton or silk yarn ii: mist be norfelling ya n). weave nc neerie through :he pleats, gatherir.c the faoric as yoj en. Securc the waste th-ead tightly with ssvoral knols. Make two morę pleab i:i th s rranner, evenly spaceb in the cerer section o: the scar. arie stoppinę at the right side stiten narker. The irregularity o' sewing by hand will give d greet dinensior to the gslhers. Make surę thp pleals ere fastened socj-ely. so lliey will not cone undone in thewashing machinę.
FELTING
Please ref er to the cuicelines for washing machinę feiting on pnye 118.
Oice the fc t ng o/de is done, allow ne o:ec? to air (Jry with the resist inside il e fabric. Remove the rps.sl ard waste yan after the piece is completely dry. Ca eful y rcnove tne 'iihbsr oands and waste yarr, js ng scissors to cli then, ord beir.c m ndful not :o cut the fabric.
An organism's ability to storę, retain, and subsequently recall information is the psychological definition of memory. For our species, memory has a tremendous influence on haw we experience life. Whether sensory, long-term, or short-term memory, we form and retrieve memories, and they inform our past, present, and futurę.
In shibori, there is opportunity to achieve memory in knitting. After you knit the simple Winę Lover's Scarf, you add the winę cork resists to the fabric. You felt the scarf. You remove the corks once the piece is dry. But the scarf remembers the corks. The scarf retains the shape of the cork, even after the resist is removed. When you wear the scarf, you might remember the people with whom you shared the bottle of winę, or the evcnt that was toasted with the bottle of champagne—the corks hołd a memory for you, too. iust as aur experiences help determine and inform who we are, so does the act of shibori shape and affect knitting.
aurreuder to shiburi Tri