314 (34)

314 (34)



286


Dress Accessońes

one side ending in chapes, wom by a woman. Pourpoints and aketons (both jaćket/tunic-like garments, the latter wom with armour) apparent-ly had fastening laces with metal chapes in the mid fourteenth century (Newton 1980, 55 and 136, citing another Great Wardrobe account of 1343-44, where 216 aiguillettes for nine aketons are noted - ie 24 for each aketon).

The reference to an agletmakere in London in 1365 shows that lace chapes were madę in the City a century after the form seems to have been introduced (Veale 1969, 145). Nevertheless, one gross ‘agulet’ (sic) were among the goods im-ported by ship to London in 1384 (Public Record Office, Customs Accounts E122/71/8 - reference kindly provided by Vanessa Harding). By 1466 the rangę of items in different metals madę by London ‘chapemakers’ (ie makers of chapes for swords and daggers) included anlettes (chapes for laces) of two types - tailed and round (Sharpe 1912, 64). The difference between these two kinds remains enigmatic in view of the uniformity of the chapes identified from early 15th-century deposits.

Although drawstrings are known on excavated shoes from London from at least as early as the llth century, and lacing to fasten footwear seems from excavated specimens to have continued in use over the whole period considered in this present volume (Grew and de Neergaard 1987, 2-3), the only metal shoe-lace ends among the recent finds are fiat tabs, madę from folded iron sheeting (cf strap-ends nos. 589 & 593). There is no indication among the excavated chapes which items of clothing (or other articles, such as bags or cushions laced at the side) the laces would have been used to fasten.

It has been suggested that chape-like objects were used as holders for pins (Groves 1966, 49 and pl 58, cf Nóel-Hume 1970, 255). As has been pointed out (IH Goodall 1975, 145) this is unlikely to have been the function originally intended for these objects, though it may have been an occa-sional secondary use.

Some pens madę of copper-alloy sheeting are known from 15th-century contexts, with the same edge-to-edge seams on the tubes as for the chapes (eg Woods 1982, 256-57 no. 4 fig 25 - this

186 Undressing for the bath (a servant bores a spy hole from the next room); 15th century (after Wavrin Master, Histoire de Girat de Nevers, Bibliotheąue Royale, Brussels MS 9631 f.ll)



Wyszukiwarka

Podobne podstrony:
286 (34) 258 Dress Accessońes 166 Pentagonal, hexagonal and six-lobed brooches -odginał shapes resto
318 (36) 290 Dress Accessories one has a tiny spoon at the opposite end from the nib, though MoL acc
320 (34) 292 Dress Accessońes Psalter shows a lady’s long hair being prepared for pinning up in this
312 (36) 284 Dress Accessories O /v- <& © - O 1428 1406 0 184 Lace chapes (1:1) 1426
403 (10) 376 Dress Accessońes only 6d per lb (Staniland 1986, 240). The painting and gilding of boxw
239 (45) 210 Dress Accessońes holds the saddle łn place (Pinder 1952, pl 72), and the horse of the R
257 (39) 228 1218 i 1222 Dress Accessories 142 Eyelets(lrl) In same finds bag was acc. no. 801E - pa
341 (27) 314 Dress Accessońes site acc. no. context ceramic hole diameter number
367 (17) 340 Dress AccessoriesTin rumbler bells with four petal-like tabs cast in one with loop: A m
251 (40) 222 Dress Accessories and also one wom on the right on a lady’s effigy from Normandy (fig 1
tmta!6 Accessories One or two well-chosen accessories will complete your outfit and make it look rig
IMG#19 One side iopted as he policy ver wins, sues like arly and es’ rule.
Creative Doughcraft5 TOY GARLAND I r» mm ł. a<e the body from a smali bali of e dough and pinch
Creative Doughcraft 2 DOUGHCRAFT Make buttonholes on one side of the jacket with a cocktail stick.&n
Creative Doughcraft5 4 CHRISTMAS TABLE CENTREPIECE Make some leaf markings on one side of each leaf

więcej podobnych podstron