Judgement
Misusing Idens?
There are a lot of manga artists who go around screaming, as a way to make excuses tor themselves. âThere's just no good matenal out there!" Then they try to fmd a way not to work by fleeing from their editors or by masturbating. Theyâre not really running out of materiaĆ, though. They just don t have any ideas. Let s put it this way: as long as you have the methods down (i.e.. the âcooking" technique). you can apply it to anythmg. whether a tea kettle. penis skin. or whatever
Your supply of materiaĆ, actually. is infinite. but you must choose the appropnate materiaĆ. How do manga artists decide what materiaĆ is appropnate. though7 You could cali it a matter of sensibility. but before we get metaphysical by bringing in terms like that, here's some tricks that even monkeys can understand. Once you learn these. you ll save yourself a lot of troubĆe.
First, take a look at the diagram. Ali materiaĆ can be divided roughly mto two types.
A) âPopular MateriaĆââdoesnât need explanation
B) âMarginal MateriaĆââneeds explanation
Now then. let s consider uElvis" as (A) and âKatsuya Shirai" (editor-in-chief of Shogakukan. Inc.) as (B). Even an old woman living in the boonies knows (A), but when if comes to (B). you have to explain to the reader. "He's the scary editor of the manga magazine Big Comics Spirits." So it's useless materiaĆ (unless the manga was created for Katsuya Shirai Monthly)
(A) might be morÄ appropriate for the generaĆ reader. but we have to be careful.
With popular materiaĆ, thereâs current (A1) and permanent (A2) matenal. While current matenal is often effectrve in its immediate application, and can provide you with wonderful results, it degrades rapidlyâso the danger of âfood poisomng" is high. For instance. Jimi Harada was (A) in August of â89. but by September he was (B). and anyone using him now would be considered a moron.
The best materiaĆ is (C). But like crude oil. there s only a limited supply. So we conclude that the safest. most reliable materiaĆ is (D). But merely regurgitating this permanent materiaĆ with the reassurance that âltâs always been around and sbll works" will bring about a rapid demise to your career.
If you're going to compete in a begmnersâ Elvis-impersonator contest. you should at least be willmg to train yourself to âimitate a fan impersonating Elvis while watching a Professional Elvis impersonator"
* This text page is here to wake up all you illiterate young readers out there! 37